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ESPN’s Skipper Explains Why He Shut Down Grantland

Jason Barrett

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Say what you will about ESPN president John Skipper, but the guy knows how to come clean. Ever since ESPN announced the immediate shutdown of its revered Internet writing showcase Grantland on October 30, there has been, apart from a terse initial statement, little clarification from the network’s Bristol headquarters about why it happened, when it happened, and what it all means. Now that has changed.

“I made the decision,” Skipper says flatly. “There was no influence from [ESPN corporate parent] Disney on this. And I made sure that I divorced my feelings about Bill [Simmons] from this decision because I would never let that affect the people who are there.”

Skipper‘s decision to end Grantland was informed by the uncertainty surrounding the site‘s personnel and the resources and effort needed to keep the site thriving absent its star founder.

Throughout the 36 years of its existence, ESPN has weathered many a dramatic event—comings and goings of stars, programs, executives, and properties—but the intensity surrounding Grantland’s demise caught many at the network by surprise. Skipper admits to underestimating the effect Simmons’s exit would have, conceding it affected Grantland personnel more than he or perhaps anyone else on his management team anticipated.

“We lacked a full understanding of the bonding nature between Bill and those guys,” Skipper says now. But along with management failing to appreciate fully the bond between Simmons and his staff, it also misunderstood the Grantland culture—enough to imagine that turning the site over to Chris Connelly, brought in as a temporary Simmons replacement, would sit well with the staff.

“Chris was only going to be interim,” Skipper says. “It wasn’t his desire to be a long-term manager there. He made that clear to us. Chris is nothing but a good guy. This has been hard on him.”

In the past several months, two ESPN executives referred to the Grantland offices in Los Angeles as a media Jonestown, populated by a cult far more devoted to their leader than to just any old web site. Clearly, Connelly was marching into a difficult situation. When Skipper flew to L.A. in mid October, he made sure to give Connelly the bad news face-to-face.

“I had to fly out to Burbank on other business but felt that Chris and I are good enough friends that I wanted to talk to him in person. Chris had become an advocate for continuing it when he knew that there was a decision-making process happening. The decision was made the week before we announced it.”

Evidently, it was never an easy one. “In the weighing of a decision like this,“ Skipper says, “you look at the resources, the time, the energy necessary to do this well and balance that with the things you get from it. This was never a financial matter for us. The benefits were having a halo brand and being Bill Simmons related.”

The site was highly regarded inside and outside the media business and brought considerable prestige to the ESPN brand. Grantland, loftily named after erudite sportswriter Henry Grantland Rice, was considered a solid, sometimes-bold step into the world of sports-related journalism, becoming one of the most successful blends ever of sports with pop culture and current events and a paradise for serious writers who wanted to stretch and even experiment.

According to Skipper, there was a scenario by which Grantland would have been saved, and that was when Grantland editor Sean Fennessey was offered the top job.

“We did make Sean Fennessey an offer to become editor-in-chief,” Skipper says. “You ask, ‘If Sean had said yes, then would we have still made the same decision about the site,’ and the answer to that has to be ‘no.’ We would have kept it going. There was no way we would have made that job offer to him if we weren’t going to keep going.”

Fennessey declined to comment for this story, however, few, if any would doubt his loyalty to, and affection for, the site. But, his decision to follow his mentor Simmons off to new worlds wasn’t shocking. It was also clear to many that his decision to turn down the top job at Grantland reflected his uncertainty about ESPN’s commitment to the site. Grantland insiders were convinced Fennessey wondered if he would really have the resources needed to run the site and keep its reputation solid. He had also become aware, sources say, of rumors that ESPN wanted to cut Grantland back to just a sports site and eliminate its pop culture content.

In the weeks ahead, media insiders will watch to see how many of the former Grantland staff will find other writing duties at ESPN, migrate to HBO to re-unite with Simmons, or find work elsewhere. But the hard cold fact for now can be simply if crudely stated: Grantland is dead. Everyone needs to move forward. The noble experiment is over.

“I loved the site,” Skipper insists. “It pained me to make the decision. It was not without difficulty.”

To read the full story visit Vanity Fair where it was originally published

Sports TV News

ESPN Sees Larger Than Average Audience For Big City Greens Classic

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ESPN aired Tuesday night’s New York Rangers and Washington Capitals game. DisneyXD and Disney Channel aired an alternate broadcast that included players being 3D animated to resemble the cast of Disney Channel’s popular cartoon Big City Greens. It turned into a ratings win for the networks.

The alternate broadcast featured players animated in real time to mimic what was happening on the Madison Square Garden ice. Players were equipped with special chips in the padding to aid the animation, and special pucks were used to ensure a smooth transition from video to computer-animated graphics.

An average of 589,000 viewers tuned into the game on ESPN. Meanwhile, nearly 175,000 watched the broadcast between Disney Channel and DisneyXD.

The figure for ESPN represents its largest NHL broadcast since a November 1st broadcast featuring the Pittsburgh Penguins and Boston Bruins.

The combined total for the broadcast — 765,000 — outdrew the World Baseball Classic broadcasts but did not top the NCAA Tournament’s First Four round that was broadcast on truTV.

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Sports TV News

Greg Gumbel: I’m Lucky That I’ve Never Been Fired

“I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Ricky Keeler

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Greg Gumbel

This week, it was announced that Greg Gumbel will no longer be a play-by-play announcer for the NFL on CBS after working on CBS’s NFL coverage every year since 1998. Gumbel has had an illustrious career and he takes pride in the fact that one thing has never happened to him.

Gumbel was a guest on the Tell Me A Story I Don’t Know podcast with George Ofman (Part 2 from an interview back in September) and he told Ofman that while he has never been fired before, but he doesn’t think broadcasters should be embarrassed when they get fired because of what the business is.

“It’s the nature of the business. I honestly think I’ve been extremely fortunate in that I’ve never been fired in a business that is known for firings. Being fired in this business is no shame, no embarrassment because it’s a subjective business. Because this guy at this network likes my work, it doesn’t mean that this guy at that network does. It’s extremely subjective and if you can buy that and understand it the way it is, then it shouldn’t bother you at all.

“It’s never happened to me. If it had, it would not have surprised me. I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Gumbel has been the host of CBS’s NCAA Tournament coverage for the last 25 years and he knows it’s a job that he is very grateful to have.

“I know there are people who would give their right arm to be sitting there next to Clark Kellogg and Seth Davis on Selection Sunday or sitting next to Kellogg, Kenny Smith, and Charles Barkley when the tournament begins to talk about what we’ve just seen or what we are going to see. I am never, ever going to take for granted the fact that I have been very fortunate to be able to do that.”

One thing Gumbel tries to avoid whenever he is on air is the mispronunciation of someone’s name because he knows how it feels to have his name distorted accidentally by some people.

“Pronunciations are important to me. There’s been a lifetime of people who may not completely mispronounce my name, but distorting it a little bit from time to time. I never want to do that to an athlete. If I ever mispronounce an athlete’s name, I hear it from his family, I hear it from the school or the team and I apologize for it as soon as I can. I don’t think that is something light or should be taken for granted.”

Toward the end of the interview, Gumbel was asked by Ofman when he will know it will be time to end his career.

“Other people have given it more thought than I have. I think when that time comes around, it will hit me over the head more than I will think about it. There are people who ask me why I still do what I do. The very bottom line is I love it, I enjoy it.”

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Sports TV News

Diamond Sports Group Misses Arizona Diamondbacks Rights Payment

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

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Last week, Diamond Sports Group — operator of the Bally Sports-branded regional sports networks — claimed it had paid every rights fee it was contractually obligated, except for the Arizona Diamondbacks.

At the time, the company said it had a grace period until it needed to make a payment. That payment was due by Thursday, March 16th at 11:59 PM. That time has come and gone, and the company failed to deliver its fee.

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

The Diamondbacks are not the only team affected by the situation. Bally Sports — which filed for Chapter 11 bankruptcy earlier this week — has also reportedly entered a grace period with the San Diego Padres. According to a report from Sports Business Journal, that grace period ends on March 30th, baseball’s Opening Day.

Previous reporting claims that contract is one the network hopes to get out from under. The company loses a reported $20 million per season on its television deal with the Padres. The Cincinnati Reds and Cleveland Guardians are the other two baseball franchises the network holds the rights to that it hopes to terminate deals for.

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