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The Salt Lake City Sports Radio Ratings

Jason Barrett

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Salt Lake City may be well known for its amazing scenery, and passion for college sports and Utah Jazz basketball, but it also serves as the home to three local sports radio stations. It’s a city where many successful format programmers and personalities have served before moving on to other locations. Case in point, Scott Masteller, Kevin Graham, Ryan Hatch, John Lund, Ian Fitzsimmons, and Jeff Austin have all spent time in the crossroads of the west, and there are many others that could be added to that list.

I was fortunate to receive an update on the February ratings and am excited to share it with you because it’s not everyday that we get a deeper look at the way this market performs. I’ve listened to all three stations at various points during the past few months/years, and I can tell you that there is a lot of strong underrated talent here.

As you review this information, I remind you that we’re looking at a one month snapshot with Men 25-54. Depending on the time of year, and what catches fire locally, things can change quickly. None the less, here is how all three brands finished for the month of February. Due to shows airing at different times on each station, I’ve listed their performances in accordance with each of their timeslots.

97.5/1280 The Zone (Simulcast combined number): 

  • David James and Patrick Kinahan (DJ and PK): 6a-10a = 4.6 (8th)
  • Jake Scott and Tony Parks: 10a-12p = 6.3 (3rd)
  • Hans Olsen and Scott Garrard: 12p-3p = 6.4 (3rd)
  • Spence Checketts and Gordon Monson: 3p-7p = 6.0 (4th)

*** From 10a-7p the radio station is very healthy. Each show delivers a 6 share and is inside the Top 4. That’s outstanding. The morning show is lower but still inside the Top 10. The challenge for the brand is to utilize those 10a-7p hours to direct the audience back to morning drive to help DJ and PK. Regardless, they’re in great shape and having the Jazz games on the air helps the station add cume outside of 6a-7p. They’re well established as the market leader and have a number of personalities with great history in the marketplace. One thing I’ve observed in previous listening, is that there’s a feeling that each show pulls for one another. That chemistry and energy is infectious. 

ESPN 700 (Flagship station for the University of Utah): 

  • Mike and Mike: 5a-8a = 3.4 (10th)
  • Dan Patrick: 8a-11a = 4.1 (10th)
  • Bill Riley 11a-2p = 2.9 (14th) ( moved into this slot one week into the book)
  • Sean O’Connell 2p-7p = 2.6 (18th) (was with Riley for week #1, added Keith Stubbs to the show but he left 2 weeks later)

*** 700’s national shows outperform their local ones which tells you that the audience likes that they offer national perspectives. Mike and Mike and Dan Patrick are well known personalities and their styles are a hit in this market. Riley moved into middays during this month and only had 3 weeks in the book so it’s way too early to tell how his show will impact the station. Most changes take a long period of time to make inroads. The immediate challenge is stabilizing afternoons where Riley and O’Connell were a solid pair and Keith Stubbs was added but vacated the program after a few weeks. OC is an excellent talent and if they find the right host to team with him or position him strongly as a solo act, they might be able to make a bigger dent. They’re popping a Top 10 performance between 5a-11a so there’s definitely an opportunity to re-direct listeners to their local offerings between 11a-7p.

1320 KFAN:

  • Tim Lewis: 6a-10a = 0.9 (27th) (Lewis was only on for 2 weeks during this month)
  • Jim Rome: 10a-1p = 1.5 (25th)
  • Doug Gottlieb: 1p-3p = 0.9 (31st)
  • Kyle Gunther and Ben Anderson: 3p-7p = 2.4 (20th)

*** Program Director Chris Hoffman recently added Tim Lewis to stabilize mornings so this month’s number is not an accurate reflection of how he’s performing since he wasn’t on for the entire month. Much like 700’s changes, it’ll take time to see how the audience responds to the new morning show and March will offer the first full month report. That said, it’s clear that the station’s afternoon show is their best asset. If the station can get an even bigger lift out of afternoons, and a stronger result in mornings, they’ll have a story to share, and can then focus on ways to increase the productivity in middays.

Overall, The Zone performed on a different level than 700 and 1320 for the month of February. If you add the Jazz into the mix, the station certainly has some advantages beyond the 6a-7p window.

One thing that stood out was the way the market consumed sports talk programming in afternoon drive. To see The Zone deliver a 6.0, 700 produce a 2.6, and 1320 turn in a 2.4, shows that the local market is willing to listen to three different sports radio options. That’s encouraging and should keep each show on their toes because a lackluster effort can lead to the competition gaining some momentum.

Additionally, it’s clear that for this month (and it’s been this way previously too), Dan Patrick and Mike and Mike perform on a much higher level locally than Jim Rome and Doug Gottlieb. That’s a positive for 700, and a challenge for 1320. If a station can perform in the Top 10 with a national show and not take on adding expenses, it’s a huge positive for the company’s bottom line.

Going forward, The Zone’s top priority is to sustain where they are 10a-7p, and aim to perform even stronger. If the morning show can sneak into the Top 5, that’s going to really the station’s narrative in the local marketplace. It’s clear, their consistency is excellent, and their talent and branding are high profile, which makes for a winning combination. Until proven otherwise, they’re the brand to beat.

For 700, having Mike and Mike and Dan Patrick deliver in the Top 10 is great for business. If the new local shows get a chance to bake and gain some consistency with the audience, that could help create some nice traction heading into the fall, when they add Utah Football to the mix. The focus at this time is to figure out if OC is best suited to host solo, and if not, who to pair with him. If set up and positioned properly, and heavily cross promoted during the national programs, the station could make further inroads and solidify its position as the number two rated brand in the market.

Last but not least, 1320 added a talented morning guy in Tim Lewis, and he needs time to become familiar to the audience. The morning rating right now is not good, but once Lewis settles in, and makes a deeper connection with local people, I’d expect those numbers to improve. If it can produce in similar fashion to the afternoon show, they’ll be making good progress. Then the focus shifts to middays, and whether or not their national shows have a higher ceiling. If they don’t, the station will have to examine whether or not it makes business sense to add a local show in middays. The immediate goal is to build consistency and show improvement during both drive times. If they can do that, then they’ll have a chance to close the gap on second place.

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Jay Williams Calls Listener, Forces Him To Pay Their $1000 Lakers Bet

“Don’t get me on national TV and radio and then not pick up the phone when I call.”

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If you owe Jay Williams money, he is going to find you. Just ask Rob, a listener in Orlando who bet the ESPN Radio morning man that the Lakers would advance to the NBA Finals.

Last week, Rob called Keyshawn, JWill and Max and bet Williams $1000 the Lakers would eliminate the Denver Nuggets. Williams said if that happened, he would pay Rob $1500.

Obviously, that is not the way things played out. On Tuesday morning, Jay Williams called Rob demanding payment.

“He owes me my money,” he said. “So you know what we do? We got Detective Pat on the call today. Pat, let’s give this man a call. See if this guy picks up, trying to run away from giving me my money.”

The show’s associate producer Patrick Costello called the number Rob left last week. On the first attempt, the listener did not pick up. Williams vowed to keep up the pressure on social media and national radio and television until he got paid.

“Don’t get me on national TV and radio and then not pick up the phone when I call.”

“You know, getting that money is a wrap, Jay,” Keyshawn Johnson said through laughter. “I told you that.”

The show made one more attempt to connect with Rob before having to turn things over to Greeny. This time, the Lakers fan picked up and acknowledged that he had to pay. He offered to make a donation in Williams’s name.

“I’ll send you my bank account here privately, and then I will send it to the charity of my choice,” Williams agreed.

Rob agreed to the arrangement. Williams asked him if he wanted to apologize for doubting the basketball analyst’s prediction of the Lakers’ demise.

“Apologize? I need the Lakers to apologize to me after that performance,” Rob said. “Because Jesus Christ, that was horrible. That was bad.”

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Stoney & Jansen on LeBron James Retirement Talk: ‘NBA Needs Offseason Stories’

“I think we pick and choose with him. I think I’ve been too hard on him and I’m kind of realizing that.”

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Detroit

As the Los Angeles Lakers exited the court after being swept by the Denver Nuggets in the Western Conference Finals on Monday night, a grim reality set in across the basketball world regarding the future of forward LeBron James. Widely regarded as one of the best players to ever suit up, James is the NBA’s all-time scoring leader, a 19-time All Star selection, four-time MVP, and four-time NBA champion.

During his postgame media availability on Monday, he stated that he had to seriously think about his future, undoubtedly referencing retirement. James just completed his 20th season in the Association and continues to play at a high level, but is going to think about walking away from the game after falling short of the NBA Finals this year.

“He’s been a pretty good soldier for the game,” said Tom Milikan, morning show producer and assistant program director at 97.1 The Ticket. “There’s been some things I haven’t agreed with him [on] that he’s liked or tweeted or whatever. I think he’s had some ignorance, but I think that applies to every single athlete out there that’s great.”

Throughout his NBA career, James has been the subject of criticism. The ESPN special he participated in titled The Decision saw him reveal he would be leaving the Cleveland Cavaliers to join the Miami Heat. He is also a frequent subject across the network’s programming, including on Get Up, First Take and NBA Today.

“I think we pick and choose with him,” Millikan said. “I think I’ve been too hard on him and I’m kind of realizing that.”

Show co-host Mike Stone read messages from the 97.1 The Ticket text line during the show, many of which criticized James for being a “flopping” player desperate for any semblance of attention since he will not be in the NBA Finals. One text suggested his revelation of weighing retirement was done intentionally, surmising that he has a film documentary crew around him and coming back stronger than ever would make for a great story.

“The league needs some offseason stories,” Millikan said. “From what I know, the free agency class is not all that great this year – and one of the big names is Kyrie Irving, and that’s toxic. It’s sort of like, ‘Hey, maybe they’re generating buzz or trying to do the whole Brady thing.’ So be it – I’ve seen it 15 times in my life.”

Stone recognized that athletes like James are genuinely once-in-a-generation type talents, and that his time in the NBA has been defined by more than what he has done on the court. James has also been an immense advocate for greater causes, including social issues, youth education and community affairs. Whenever he decides to call it a career though, fans should rest assured that James has truly given the game everything he has.

“I want to see the best that they have for as long as possible,” show co-host Jon Jansen said of star athletes. “If they end up playing too long, so be it. I don’t care. Then I know I’ve [seen] it all.”

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Danny Parkins: NFL Teams ‘Don’t Really Care About Your In-Stadium Experience’

“In one year of Al Michaels complaining about the games, they’ve changed two huge rules around it.”

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On Monday at the NFL Owners’ Meetings, flex scheduling for Amazon Prime Video’s presentation of Thursday Night Football was approved 24-8. Games can only be flexed between Weeks 13 and 17 with 28 days notice required. Additionally, a maximum of two games can be flexed per season, with the entire operation being on “a trial basis.”

“In one year of Al Michaels complaining about the games, they’ve changed two huge rules around it,” said Danny Parkins on 670 The Score as the news broke Monday. “[The] first rule already happened, and the Bears are one of the teams that either benefit or are victimized by the rule depending on your interpretation. You can play on multiple Thursdays this year. You can’t play multiple road Thursdays, but the Bears have two Thursday night games – in Washington and home against Carolina.”

In an effort to broadcast compelling action on a national stage, the National Football League did not give all of its 32 teams at least one game on national television this season. Conversely, the New York Jets, complete with star quarterback Aaron Rodgers, will be featured on national television for the maximum of six times, including two matchups on Thursday Night Football. The Jets, along with the Chicago Bears, dissented from voting in favor of flexible scheduling, but Parkins assumes it has nothing to do with the fans.

“My guess is [it is] because they already have two Thursday night games,” Parkins said. “Maybe they’re just altruistic and they care about fans and travel and all that, but I bet you that they said, ‘Well, we’re playing in Week 5 in Washington and Week 10 at home against Carolina. We don’t want to risk Bears-Browns or Bears-Falcons being flexed into Thursday Night Football later in the season and end up with three Thursday night games.’”

Many football fans and media professionals have pushed back on granting the property any type of flex scheduling because of the negative impact it has on injury prevention, something that is not as pronounced with other properties solely because of the day of the week. Sunday Night Football on NBC was previously the only property with flex scheduling ability, and Monday Night Football on ESPN is being granted that ability between Weeks 12 and 17 with at least 12 days notice.

“They don’t really care about your in-stadium experience – they don’t,” Parkins said of the league. “As long as you watch on TV, they’re thrilled because that’s where they make a huge, ungodly percentage of their money – more so than any of the other sports.”

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