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Chris Kroeger – 610 The Fan

Jason Barrett



When you listen to Chris Kroeger, you’re instantly drawn in by his passion, enthusiasm, and the high energy of James Brown’s “Living in America” which kicks off each hour of the show. The use of audio highlights gives you a sense of what’s topical each day, and once Kroeger’s voice penetrates the airwaves following the production open, it’s easy to detect how much he enjoys his job.

What makes “Primetime with Chris Kroeger” unique, is that Chris plays point guard every afternoon on the Charlotte airwaves of 610 The Fan while sharing the backcourt with a different shooting guard.

djThe program’s design comes from the brain of Program Director DJ Stout. It includes featuring rotating co-hosts to give the show an opportunity to feature different voices/specialists during different time periods that play to each individual’s strengths. On any given day a Charlotte sports radio listener who tunes in may be treated to the insights and opinions of former Panthers Wide Receiver Muhsin Muhammad, former NFL Linebacker and Charlotte native Omar Gaither, former Panthers and Hornets beat reporter Stan Olson, John Kilgo, and others.

I originally wrote about Chris this past October, where I identified him as one of 15 talents who people may not know but should. What I was impressed by then and now, is how much fun he has on the air, and how open he is about his fandom for his local market teams. He’s wise beyond his years and in a business where there’s debate constantly over whether you need to introduce lifestyle and entertainment subjects into a sports show to have success, Chris proves that a passion, love, and knowledge of sports, can be enough to win with.

cryingmjThe other aspect of his work that stands out is his activity and interaction with fans on social media. He takes the audience inside the show by letting them see the playlist of songs that will be used for bumper music each day. He takes a negative local story such as the Tar Heels losing the national championship game to Villanova, and has fun with it by switching his Twitter profile to the “Crying Jordan” photo.

That type of self-deprecation, and a willingness to provide an invitation to the audience into his program and life, is a big reason why he’s hitting all the rights notes with Charlotte sports radio fans.

I recently caught up with Chris to pick his brain on a number of subjects pertaining to the broadcasting business. I also wanted to get a better sense of his upbringing, and a deeper understanding of what fuels him as a sports talk radio performer. I think you’ll enjoy this conversation and I encourage you to check out 610 The Fan’s Audio On-Demand section and give his show a listen.

Q: Which broadcasters did you listen to growing up that influenced your decision to pursue a career in the sports radio business?

dpkoA: I was always a big fan of Dan Patrick, Keith Olbermann, Kenny Mayne, Stu Scott and Steve Levy on ESPN growing up. Back then, it was appointment viewing to watch SportsCenter and either catch up on the highlights of the day or see how those guys would put a spin on something, even though you knew the result.

Q: Where did you get your start and how did you end up at 610 The Fan?

A: I actually started at another sports talk station in town (they shall remain nameless) and actually flipped formats from music to sports. I was 23, fresh out of college and willing to do anything and everything. I booked guests, produced the show, handled all production for the station, cut spots, handled co-hosting duties occasionally and worked a lot of 12-14 hour days for about 10 months while making next-to-nothing (thanks to mom and dad letting me crash at their place rent-free).

KroegerI also did some part-time work with IMG College which led to becoming a full-time producer, host and utility PxP guy. I did that for about 3 years in Winston-Salem, working with all the Pac-12 properties (Arizona, ASU, Cal, Oregon, UCLA, UW, WSU and Texas) on their radio broadcasts.

Being from Charlotte, once I saw the afternoon slot open up a few years ago, I sent in my resume and aircheck and got a phone call back, an opportunity to try out and as they say, the rest is history.

Q: What do you consider the toughest part of hosting a 4-hour afternoon show?

A: Since we rotate different co-hosts, the hardest part is bringing the energy every single day. While I know the personalities we have coming in, I have to be the consistent one. That also means bending my desires and interests in show topics to what fits their strengths and desires. I always have to be trying to pull the best out of them while handling myself too.

Q: How do prepare, and who else is involved in your program’s creative process?

kroeger6A: It’s usually myself and Producer Tony. Tony has produced this format for years, so he’s got a great feel for what a co-host can offer every day and how to take advantage of it. We’ll bat ideas back and forth and often gauge other talent around the station on what they think will play that given day.

Q: What importance do you place on the show’s ratings, and how often do you and your Program Director (DJ Stout) work on the show together?

A: Honestly, and this might sound bad, I don’t put a ton of weight into that stuff. That’s not to say that I don’t care or am not interested in the ratings and what they say, but I’m more of a macro guy. Especially since I’m still young and learning in the industry.

I try to take care of a lot of the day-to-day things on and off the air that I think are important to putting on a great show, and I trust that everything else will fall in line because of it. My Program Director (DJ Stout) and I meet every few weeks to make tweaks and discuss what’s working and what’s not.

kroeger4Q: What’s the best piece of advice DJ’s given to you?

A: Have fun. I’m a high-energy guy in the first place so it comes naturally, but if we’re having fun, the listener most likely is too.

Q: On a daily basis, how many topics do you try to introduce to the audience?

A: It depends on the season. During the slower times of the year (post-NFL and summer months), I try to throw a lot the listener’s way to keep them engaged, and keep the show moving. Being caller-driven, once football season rolls around, we can roll with less topics, and allow the show to take off.

Q: Which subjects do you focus on most? Are there areas you try to stay away from, and if so, why?

kroeger3A: I’ve grown up in an era where Charlotte has shifted from being a college sports town to a pro sports town, specifically a Panthers town. Panthers, Hornets, college football and college basketball drive the ship and approximately in that order.

I enjoy the larger issues in sports: contracts, feuds, coaching/player dynamics, team building, etc. Anyone can break down a box score, but I enjoy the deeper discussions that exist in the sports world. I don’t mind some controversial topics when they pop up, whether it’s race, cultural, crime, etc. It’s not everyone’s cup of tea, but I think the larger social topics that exist in sports are fascinating.

Q: How much value do you place on callers being a part of the show? Why do/don’t they matter to you?

A: We are a caller-driven show and station. Callers are a big part what we do for two reasons: 1) good, consistent callers build a community around the show 2) awful callers generate more show content and fodder, which can generate more calls.

Q: When it comes to guests, how many do you try to secure for each day’s program? How do you decide who gets booked? And what is it you’re looking to gain out of each conversation?

kroeger5A: When it comes to guests, there’s no magic number. Mondays/Fridays during the NFL season are often pretty wide open, most times just one per show maximum. During the middle of the week, 2-3 is a normal number.

I think interviewing is my greatest strength, so I love having great guests, but they need to be just that, great. I want perspective from guests. They need to offer something to our audience that either I or my co-hosts can’t provide. Otherwise, what’s the point?

A sound bite isn’t what we’re after from a guest. We want stories, expertise, and a way to put into context the things we’re discussing on the show. For booking, my producer often comes to me with what he’s thinking and I’ll often shoot back with who I think would be great on a given topic. We work together.

Q: Looking at the world of sports radio today, what’s one area that you feel is getting worse and how can it be improved?

A: I think things are stale. I firmly believe Dan Le Batard has the best show going and it’s a perfect example of not being afraid to try things and fail miserably live on the air. And it’s that failure and embracing it that I think makes the show. If they screw up, don’t sweep it under the rug. Throw it into the massive stew that is the show.

They’ve found a way to take the intrinsic hate that exists around sports talk and media in general to become part of the show itself. They talk about music, TV, life, movies, things real people care about. At the end of the day, our demo is men. We all care about things outside of sports, so why not bring that stuff into the conversation every day?

I think this format is saturated with complacency and impatience. Try some things out, see if it takes root. I don’t think there are enough PD’s and talent out there willing to do that.

Q: For someone who’s considering this career path, what advice can you pass along to help them avoid mistakes and be successful?

kroeger2A: The best advice I could give someone is be willing to say “yes” and then know when the time comes to say “no.” I did anything and everything I could to get my foot in the door, gain experience and build a resume. With today’s media landscape, being diversified is as important as ever. I think that was a huge part of getting to where I am and hopefully where I’m still going.

On the other side, you do have to know and trust when you’ve earned your shot. I reached that point a few years ago and was determined to not settle with my career. I think it’s vital for people in the industry to know when they are ready and to not listen to the doubters or the things holding them back. Taking a job or gig isn’t as important as taking the right one.

Chris Kroeger can be heard weekdays from 3p-7p on 610 The Fan in Charlotte. To follow him on Twitter click here.

Sports Radio News

Dave Tepper Leaves Altitude Sports Radio To Become PD of News Radio KOA

“ The move represents a reunion for Tepper and GM Brenda Egger. She was the GM at Altitude that brought Tepper to the market in 2018.”



There’s a big change taking place in Denver radio. Dave Tepper has left Altitude Sports Radio to become the new program director for Newsradio KOA. The position became available after iHeart Denver recently parted ways with programmers Greg Foster and Tim Spence.

The move represents a reunion for Tepper and GM Brenda Egger. Egger was the GM at Altitude that brought Tepper to the market in 2018. She left to take the reigns at iHeart in December 2020. Tepper will be responsible for all aspects of the on-air experience, including talent, content, programming, and online presence, as well as Denver Broncos and Colorado Rockies broadcasts. He will report to JoJo Turnbeaugh, Region Senior Vice President of Programming for iHeartMedia Rockies Region.

“We are very excited Dave will be leading our incredible team at KOA,” said Turnbeaugh. “Dave’s track record, vision and leadership is exactly what we need as KOA continues to evolve as Colorado’s, News, Talk and Sports leader.”

Altitude Sports Radio went through a lineup revamp early on under Tepper before settling in the past few years. The station built its morning show around Vic Lombardi, Marc Moser, and Brett Kane, afternoons around Nate Kreckman and Andy Lindahl, and middays around Ryan Harris, Scott Hastings, and Josh Dover. The station also moved from 950 AM to 92.5 FM, and added an affiliation with VSiN.

At KOA, Tepper will work with both sports and news talk programming. He’s familiar with both formats having previously managed 1620 The Zone and News Talk 1290 KOIL in Omaha. Tepper also previously programmed ESPN 97.5 in Houston, and served as the Kansas City Chiefs Radio Network Studio Coordinator and National Network Producer for Westwood One’s broadcasts of the College World Series. He has also worked on-air as a sports talk host in Houston and Austin, TX after starting behind the scenes at KLSX and KABC in Los Angeles.

“I’m thrilled and humbled by the opportunity to take the legendary KOA brands to new heights, including the game-changing chance to work with the Broncos, Rockies and Colorado Buffaloes radio networks,” said Tepper. “My proud journey that includes working with a variety of sports and talk formats, talents and sports radio networks has prepared me for this unique and once in a lifetime step.”

Altitude Sports Radio hasn’t announced a timeframe for when it expects to hire a new leader.

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Sports Radio News

Travis Demers Steps Away From Rip City Radio 620

Demers announced on Twitter on Wednesday that he will be leaving his post as co-host of Rip City Drive with Chad Doing to become a stay-at-home dad.

Jordan Bondurant



Travis Demers

Portland Trail Blazers play-by-play announcer Travis Demers is going to be taking some time to enjoy being around his family.

Demers announced on Twitter on Wednesday that he will be leaving his post as co-host of Rip City Drive with Chad Doing to become a stay-at-home dad.

Demers clarified that he will still be calling Blazers games and be involved with the team’s radio production, but he’s going to take this opportunity to be more involved in the lives of his kids.

For now, Doing will fly solo hosting Rip City Drive. iHeartRadio Portland has not announced whether a replacement will be hired.

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Sports Radio News

Dan Le Batard: Hank Goldberg Was a Legend But Terrible To Many People

“I don’t want to get aggregated as ‘Le Batard Dances on Hank Goldberg’s Grave’…I would never say that I am happy to see anyone die. I am just saying that I was never that happy when he was alive.”



Many mourned the passing of Hank Goldberg on Monday. He was a longtime, loud voice in Miami radio on WIOD and even longer with WQAM. He was also a familiar face to ESPN viewers.

Dan Le Batard, beginning in 1990, was also a loud voice in Miami as a columnist with the Miami Herald. He and Goldberg had a strong, often bitter, rivalry that played out in the eyes of the public.

On The Dan Le Batard Show with Stugotz, Le Batard commented on the passing of Hank Goldberg and his comments were an “honest” discussion of the two’s history.

“More than merely a legend, I can say this honestly, if not for Hank Goldberg, this would not exist (referencing the now podcast). All of it. The Hank Goldberg coaching tree, the best thing it birthed, sits right next to me. It has belched out little other radio talent but Stugotz is the lasting legacy of what Hank Goldberg did.”

The podcast goes on to tell the story of Stugotz, once the executive producer for Hank Goldberg, needing looking talent when he was part of a group that launched WAXY-AM also known as 790 The Ticket. Stugotz never forgot how much Goldberg did not like Le Batard. Goldberg would read Le Batard’s columns on air and react to them weekly with vitriol. Stugotz got an idea to counter-program Goldberg’s and WQAM’s ratings dominance.

“Because he would talk about Dan so much when I was the executive producer of his show,” Stugotz said, “I figured ‘hey I got to hire this guy to go against Hank Goldberg… if I can get Hank to go against Dan or Dan go against Hank then Dan would have a daily platform to snap back if he wanted to.”

Le Batard would join WAXY and the back-and-forth that came mostly from Goldberg’s frequent bashing of the columnist, now had two sides. Le Batard, who well aware of how his comments may seem, tried to tame the waters some.

“I don’t want to get aggregated as ‘Le Batard Dances on Hank Goldberg’s Grave’ or buries Hank Goldberg. I would never say that I am happy to see anyone die. I am just saying that I was never that happy when he was alive,” Le Batard opined. “He was truly terrible to so many people…you want to talk about this honestly? He was a legend, yeah. And he was an asshole to a whole lot of people”.

Stugotz added more context. “Hank didn’t like you (Le Batard) because Hank had an ego and you were a perceived threat”.

Le Batard referenced stories he didn’t want tell about Goldberg “playing defense” on his career but did say that Goldberg’s impact on the city was undeniable.

“Hank Goldberg in this town, did create a sports voice that helped make us more national. And made gambling a little more normal. And Hank Goldberg in this town, before anyone else, was a big shot in this town…”

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