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Q & A with Ryan Porth

Brian Noe

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It isn’t every day that you bump into a 27-year-old program director in a top-30 market. Ryan Porth is a name to know in the sports talk radio business. He’s the PD of ESPN Radio 102.5 The Game and 94.9 Game 2 in Nashville, TN.

Ryan’s career path is uncommon. He earned a big promotion in the span of 10 days, one which typically takes years to achieve. I had a chance to connect with him and discuss his unique career path, future goals and his thoughts on the best and worst parts of sports talk radio.

Q: What was it about the sports talk radio business that initially interested you in pursuing it?

RP: When I was born and raised in Cincinnati, the voice of the Cincinnati Reds, Marty Brennaman, was an idol of mine. I used to play imaginary baseball in the backyard and act like I was Marty Brennaman. So as a little kid, I always wanted to be the radio voice of the Cincinnati Reds and that desire to work in sports broadcasting stayed with me through middle school and high school. I always knew it was what I wanted to do.

A few years after high school, I got a part-time job here at ESPN 102.5 The Game. That was July of 2012. Five years later I’m the damn Program Director of this thing. It’s crazy to think about. To have a job like this at my age, I pinch myself every day. To be working in the industry that I’ve dreamed of working in my entire life is a real blessing.

Q: Having started at The Game and worked your way up, does that impact the way you look at talent? For example, do you prefer seeing homegrown talent get a promotion rather than taking a look at options outside of your market?

RP: Being here for so long, I’ve seen many people move up the ranks — and it’s mostly been with producers — but I do believe in the theory of promoting from within if you can. You know their strengths. You know their weaknesses. You know everything about them. You can put them in the best position possible to maximize their strengths. That’s one risk with someone out of the market – you don’t know them as well on a personal level.

I’m very fortunate that since I was hired as Program Director, in the last 10+ months I haven’t had to make a change on the air with our lineup. All the guys that I inherited for the live shows from the morning show to the midday show to the afternoon show offer something a little different, and it’s been a pleasure working with them.

I think promoting from within is a trendy way to go. That isn’t to suggest that I won’t consider someone out of the market, but with your on-air talent, you want them to have the backstory knowledge of the Titans, and the Preds, and the Vols and everything that’s a hot-button issue in this town. In Nashville, it’s important to know the history of sports in this town. That goes with any town and radio station. I’m lucky to have a really good staff on board.

Q: It was crazy with the Preds last year. I went to a couple of those watch parties. Broadway street was completely shut down. It was a really, really cool thing. Could you see an MLB or NBA team in Nashville? How big of an impact do you think it’d make in the city and on the sports talk radio scene?

RP: If Major League Baseball or the NBA were to come here, it would only benefit our business in terms of having even more things to talk about. For where the city of Nashville is right now, I think having two pro sports teams with the Titans and the Preds, plus Nashville SC and the Nashville Sounds, is kind of a perfect mix. But with 80 to 100 people moving to Nashville every day, I can see in a decade or two it expanding to meeting a Philadelphia or Detroit in terms of having all the pro sports teams in town and being a hotbed for sports even more than it is now.

Q: Knowing the dynamics of this city, which do you think would make a bigger impact here, the NBA or MLB?

RP: I think Major League Baseball would make a bigger impact because of the timing in which the sport is played. The NBA would be going up against the Preds and I don’t know how successful a team would be here especially with Memphis right down the road. The Grizzlies are kind of viewed as Tennessee’s NBA team.

However, with Major League Baseball — while you do have the Braves, and the Reds, and the Cardinals within a stone’s throw of Nashville — I can envision an American League team working here in the future when the city grows more. I think Nashville in 10 to 20 years will be in a much better position for MLB than it is now.

Q: I hear a lot of negativity about sports talk radio. With all of the bellyaching of ‘this sucks’ and ‘they talk too much this’ and ‘they do too much that,’ what do you think is really, really good about sports talk radio right now?

RP: Whether it’s a negative topic or a positive one, connecting with fans is the most important thing in sports talk radio in my mind. Whether Butch Jones is on the hot seat or the Nashville Predators are going to the Stanley Cup Final, you want to have that connection with the fans.

You’re not going to make everyone happy in this industry, and a listener doesn’t have to agree with everything that a host has to say. But if a host can connect with the listener and make them understand where they’re coming from with their opinions, it makes for great radio. We’re also fortunate at ESPN 102.5 The Game to have two popular former Titans figures – wideout Derrick Mason and GM Floyd Reese – who can take fans behind the curtain on their experiences in the NFL and provide unique insight the listener can’t get elsewhere.

In the social media world that we live in now, it’s a different world than it was 10-15 years ago. You can get a lot of people’s opinions right there on Twitter and Facebook, but the medium of radio is still powerful. The mic that our hosts turn on every day is still powerful and the way that sports talk radio hosts can connect with listeners as they drive to work or lunch, with hosts wearing their emotions on their sleeves as if they’re a fan themselves, is one of many positive things about sports radio right now.

Q: What do you think could be better about sports talk radio?

RP: The one thing that I think people can fall victim to is hot-take radio. I think it only works for so long. Not only in sports talk radio but with TV, it can be a little overbearing at times. That’s something that a lot of listeners or viewers would appreciate seeing or hearing less of. We’ve got an afternoon host, Jared Stillman, that has a lot of opinions about everything in Nashville, but I wouldn’t consider him among the hot-take sports talk radio hosts. He’s just a Nashvillian that wears his emotions on his sleeve. I think those are the type of things that make sports talk radio great. Having a hot take just to have a hot take on something in the sports world, and doing that too much over time, can wear on the consumer.

Q: When you target new talent or hear a host for the first time, what characteristics appeal to you most?

RP: I’m a diehard Cincinnati Reds fan. I remember turning on ESPN 1530 after Game 5 of the 2012 National League Division Series. Mo Egger, who’s one of my favorites in this country in terms of talking sports, said something along the lines of, “I’m paid to know what to say, but I don’t know what to say right now.” It was real emotion, expressing exactly what the entire Reds fanbase was feeling at that time. If a sports talk radio host can connect with listeners and fans in that way, that is one of the best qualities in a host.

You have to be compelling and discuss topics that will make the listeners think, whether they agree or disagree. I think likability is another really good quality for radio hosts. Especially in the south where Southern hospitality is a real thing. Nashville is a different market from anywhere up north where it’s a heritage sports town. Everything is a little bit more laid back in Nashville and having some likability is an important trait in radio hosts. You don’t necessarily need them to like you, but you need them to like listening to you, and enjoy listening to you, because you obviously want to keep them listening. You don’t want to scare listeners away, because they may not come back.

Q: Likability and relatability are important everywhere, but might be even more important in Nashville. Do you think that what separates a good host from an excellent host can range based on the region they’re working in?

RP: I think so. A good host can handle the x’s and o’s of sports talk radio well. They can tease well. They can set up topics well. They can interact with callers well, but an excellent host has to have those intangibles of connecting and forming a relationship with the listeners without actually knowing them on a personal level. Making a listener feel like they’re in the studio with them, or sitting at the bar with them listening to your hosts share what they’re passionate about – those things help put you over the top as an on-air personality in my opinion.

Q: Some topics these days can be divisive. That can damage a host’s likability and relatability. Whether it’s the anthem protests or the sign at the Red Sox game, “racism is as American as baseball,” do you have a certain tactic or approach with your on-air staff about do’s and don’ts when addressing those subjects?

RP: I’m pretty lucky to have a lineup of hosts that know the right and wrong of what to say in those situations. When it comes to political stuff like that, no radio station wants their hosts to say something that will hurt the credibility or likability of a host or the radio station as a whole. But at the same time, giving hosts that freedom of speech when it’s necessary, when it’s valid, I think is important as a Program Director.

A lot of people use sports to escape from some of the crazy happenings going on in our country. There’s a good chance they have no desire to hear about politics when flipping on a sports radio station. So that’s what we try to offer our listener in times like those – talking about the Preds or Titans, or sports in general, to provide that escape.

Q: How do you balance big national stories with your local content? Is there a specific message you relay to your staff?

RP: In the last year, we’ve had the the Chicago Cubs win a World Series. That was a huge national story that our hosts talked about. Maybe not at length, but they talked about them winning it all. While there are Cubs fans in Nashville, they’re not considered a local team at all. But that was a huge story in sports and when those things happen, I think it’s important to talk about them.

At the same time, if there are other storylines going on nationally that we can relate to locally — for instance, if Jon Gruden says that Jameis Winston should be an NFL MVP candidate. Having our hosts take that and frame it in a way where they’re saying, “Jameis Winston, if he’s an NFL MVP candidate, then why isn’t Marcus Mariota?” Just doing things like that — finding that local connection where it can still be a good listen for the people who are tuning in just for local news or local sports talk.

There are so many outlets now where you can get national talk. We’ve got 102.5 The Game, but we’ve also got 94.9 Game 2, and 94.9 Game 2 is mostly the ESPN Radio syndicated lineup. So, we’ve got Mike & Mike in the Morning, and Russillo, and Le Batard, and Paul Finebaum in the afternoon. All of them talk about national storylines. Finding a way to connect the two — local and national — to bridge that gap, is an important thing for our local hosts to do.

Q: In Nashville, you’re up against 104.5 The Zone. Some view it as a huge challenge or a mountain that you’ve got to climb. What are the opportunities that it presents from where you guys are and how you’re going head-to-head with an opponent in the same town?

RP: I think the opportunity for us is the fact that we have a little bit of a different strategy in terms of on air. 104.5 The Zone, while they do talk their fair share of sports, they also like to dip into pop culture, entertainment, and things of that nature. For the listener that wants deep sports talk, they know they can come to 102.5 and we’re going to be talking about the local teams. We’re going to be talking about the Preds. We’re going to be talking about the Titans. We’re going to be talking about the Vols and anything else that is hot in this town. That’s our identity.

We don’t pump ourselves as Nashville’s Best Sports Talk just because it’s a catchy line. It’s something that we all believe in. We truly believe we deliver the best sports talk in this town. When it’s Preds, we have the best Preds talk. When it’s the Titans, we have the best Titans talk. When it’s the Vols, we have the best Vols talk. That’s something that we pride ourselves on. Their model has been successful for them and I respect them for that. At the same time, there are many listeners out there that just want sports talk and that’s what we try to deliver to them on a daily basis.

Q: Having transitioned from APD to PD, when you look back, what’s the biggest area of your personal growth that you’re most proud of?

RP: Well, it was a very quick transition. August 15th last year was my first day as Assistant Program Director. Then on August 26th, I became the interim Program Director. So, I had a grand total of 10 days under my belt as an Assistant Program Director. We were going through a lineup change at that time and I was the EP of our afternoon show, Jared & The GM. During those 10 days I didn’t have any time to learn how to be an Assistant Program Director.

I was put in a position where I went from Executive Producer of the afternoon show, and within two weeks I was steering the ship. It was a scary few weeks stepping into a role where I was learning everything on the fly. Fortunately, I had a great support staff and still do to this day. As a 27-year-old Program Director, I still learn things every single day. Hopefully, a year from now, I’m in an even better position in terms of knowing little nuances of how to be a PD. I feel like I’m light years ahead of where I was at this time last year when I was just worried about keeping us on the air.

I’d say the biggest thing in transition that I’ve had to learn is how to interact with each of our talent. Every single cat is skinned a different way. Learning how to handle the on-air talent, push their buttons and try to get the best out of them is something that I’ve had to learn very quickly. Luckily, as someone who was in the building for 4+ years before the change, I think I benefited because I knew most of our on-air talent already. I wasn’t a brand new PD at a brand new station. I’d say talent coaching and interaction are the biggest things for a Program Director to tackle and I’ve tried to make that a big focus of mine over the past year.

Q: What are your future goals in sports talk radio?

RP: The dream of being the radio voice of the Cincinnati Reds will always be there. If I’m 60 years old and haven’t been the radio voice of the Reds, I think I would still love to do that. Obviously the path that I’ve gone down in radio may not lead to that and I’m okay with it.

To be honest, I have no idea where this whole thing is gonna take me. I’ve been appreciative just to have 5+ years in this business in this building — to develop relationships and friendships that I’ll have forever. If something comes up nationally in the future, then I’m sure I’d consider it. If something suited my strengths well outside of radio, maybe I’d consider that too. But I love Nashville. I may be biased, but it’s the best city in the country to live in. It’s home and I don’t really want to change that.

I just take it day by day and see where each one takes me. Hopefully I can continue to add to what I’ve built during my last five years in this business.

BSM Writers

When Will NFL Studio Shows See Fresh Faces?

Having a Hall of Fame lineup certainly lends credibility to any group of analysts, that said credibility can’t outweigh entertainment.

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It seemed NFL coaches were so old when I was a kid. Don Shula, Marv Levy, Bill Parcells, Dan Reeves, they all looked so old. Maybe I was just young and all those guys were just in their 40’s (which now, I might add, is quite young). No doubt, NFL coaching seemed like an old man’s game.

No longer is that the trend. The following NFL coaches are in the 40-or-younger crowd: Mike McDaniel, Kevin Stefanski, Brandon Staley, Sean McVay, Kevin O’Connell, ZacTaylor, Nick Sirianni and Arthur Smith. That’s one quarter of the head coaches in the NFL that are 40-years-old or younger. The NFL coaching youth movement is a very real thing.

When will that move to the NFL studio shows? That remains to be seen. Those shows are massive money makers for FOX and CBS but they have also started to trend a bit older. The networks are doing all they can to hook younger viewers to guarantee a long term viewership of games they pay billions to air. Need I remind you of the CBS/Nickelodeon simulcast of NFL Playoff games? The Over 50 crowd doesn’t know what it meant to “get slimed”; shoutout, Marc Summers.

It is startling to look at the cast of each studio show and the last time they were active in the NFL. Start with the desk of The NFL Today on CBS:

Bill Cowher – 2006

Boomer Esaiason – 1997

Phil Simms – 1993

Nate Burleson – 2013

The FOX numbers are even more startling. Look at the last active years of the analysis on FOX NFL Sunday:

Terry Bradshaw- 1983

Howie Long – 1993

Jimmy Johnson – 1999

Michael Strahan – 2007

If you are a 20-year-old NFL viewer, the only person of those eight analysts you can reasonably be expected to remember playing or coaching is Nate Burleson. This is not to say these shows don’t serve their purpose, to entertain and inform, not at all. Those shows can be very entertaining and the combined Hall of Fame knowledge on those two desks is unparalleled. But, in an entertainment world that is trending younger, when does the youth movement start?

Here’s one major issue, that list of players and coaches above have a lot of mustard jackets among them. Having a Hall of Fame lineup certainly lends credibility to any group of analysts, that said credibility can’t outweigh entertainment. If any show isn’t entertaining, it will not last long. These shows have found a way to weave in humor with the Pro Football Hall of Fame level of analysis.

But humor to some generations is not humor to all generations. What is funny to a guy in his 60’s may not reel in the 20-30’s crowd. Don’t tell me FOX and CBS are not interested in that group, they know it is crucial to long term success. FOX is so interested in that group they spent time using Snapchat filters on their hosts during the Thanksgiving studio shows. Make no mistake, that day brings a massive audience for FOX and CBS.

In fact, according to FOX Sports, the Dallas Cowboys-New York Giants game was watched by 42 Million viewers, the most-watched regular season game on any network on record. This is as big as it gets until the NFL reaches the postseason. It was on that stage FOX chose to use the Snapchat angle, knowing families were gathered across the nation watching that game. That meant an entryway to the younger demographic looking for anything to watch to get away from the conversation with their elderly aunt.

According to Omnicore Agency, Snapchat has 319,000,000 users and 65% of 18-29-year-olds in the United States use Snapchat. This is the audience FOX was trying to reach on their Thanksgiving studio show. It is the audience they would love to reach every Sunday.

Peyton Manning and Tom Brady have shown even the biggest names will walk straight from the most successful of careers to an NFL telecast. Manning is part of his production company’s Manning Cast during Monday Night Football and Tom Brady is slated for the main FOX booth after his retirement. If those two guys see value in it, you can bet most any player would.

FOX’s hand will soon be forced, Jimmy Johnson is 79 and Terry Bradshaw is 74. Those two can’t work forever and there will need to be a plan in place for the sake of continuity. The difficult thing is identifying which players or coaches have the gravitas to sit on that desk with those Hall of Famers.

Age comes for all of us and there isn’t a Snapchat filter that can change that. If they do invent one, maybe my kids will tell me about it…and show me how to use it.

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Can Tom Brady Realistically Be the Critical NFL Broadcaster He Envisions?

If Brady frequently harped on players and the level of performance on the field, would he risk becoming the NFL’s John Smoltz?

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Tom Brady and his presumed future as a broadcaster has been viewed with some skepticism. After 23 seasons of playing in the NFL, and considering what this season has apparently cost him personally, will he still want to devote so much time to football calling games each week?

Naturally, this is under the presumption that the 2022-23 NFL season will be his final one as an active player. And it’s easy to draw such a conclusion. Would he really want to put himself through another season like this one?

Ending his brief retirement to play another season with the Tampa Bay Buccaneers may have been the breaking point for his marriage. The Bucs aren’t playing well, compiling a 5-6 record going into Week 13. Yet in an NFC South division in which no team currently has a winning record, Tampa Bay could still make the playoffs.

Joe Buck recently expressed doubt to Jimmy Traina on the Sports Illustrated Media Podcast as to whether or not Brady will ever join Fox Sports and the 10-year, $375 million contract reportedly waiting for him. It’s one thing for football fans and sports media observers to speculate on Brady’s future. But it’s quite another for people in the industry — and in this case, someone who still has close ties to decision-makers at Fox Sports — to ask questions.

Last week on his Let’s Go podcast, however, Brady sounded like he’d already put some thought into how he’ll approach broadcasting — or as he put it, his second career. Perhaps he was influenced by having the famously outspoken Charles Barkley as a guest on the show, but Brady believes he would be candid in his analysis and commentary.

“I’m going to be on TV and have the opportunity to be more critical than what I’ve been as a player,” Brady said to Barkley and Let’s Go host Jim Gray.

He then explained that whenever he had a problem with a teammate or coach, he addressed it directly and the issue stayed between them. That would obviously be different on television, where Brady is talking to the viewing audience.

“As I think forward… I’ve had 23 seasons professionally, when I watch football now, the only thing I see — nine out of 10 — is ‘Man, that was a really bad play,'” Brady added. “As opposed to the really spectacular play that [Patrick] Mahomes made or the spectacular play Josh Allen made. Now, it’s like, ‘Man, what a bad defensive play, what a bad play by the quarterback.'”

In Brady’s view, playing with exceptional athletes like Randy Moss, Wes Welker, Rob Gronkowski, Julian Edelman, and Mike Evans set a standard in his mind. But expecting a high level of play from teammates is quite different than applying such a measure to players he’s watching and scrutinizing as a broadcaster.

As a quarterback and team leader, Brady can directly affect the outcome of events. He can help inspire greater effort and achievement. Or as we’ve seen during Brady’s career with the New England Patriots, he can break a player’s spirit (especially rookie wide receivers) by grinding them against the diamond wheel of expecting perfection.

The first thought is that Brady could be enormously popular with viewers and media if he was critical of players or coaching decisions. That’s often the first flaw fans will point out in a broadcaster. “Ah, he never rips anybody. Protects his buddies.”

It’s why Barkley is so popular. We want to hear what he’s going to say. We don’t know what he’s going to say. But it will likely be sharp and funny. Yet is that too much to expect from a game analyst? Brady cites golf analyst Johnny Miller (“scathing”) as a model. But he also seems to understand that there’s a risk in being too negative.

Barkley warned against that earlier in the conversation with Brady and Gray when sharing advice that he received from Dick Ebersol upon his entry into broadcasting.

“People always tell you they want to hear the truth. They really don’t, Jim,” Barkley said. “[Ebersol] said, ‘Fans want you to tell them two things: Their favorite player is great and their team is great. If you tell them their favorite player isn’t great or their team sucks, they automatically don’t like you.'”

If Brady frequently harped on players and the level of performance on the field, would he risk becoming the NFL’s John Smoltz? Smoltz is frequently criticized for acting as if he does not like baseball in its current form. And viewers get tired of listening to that.

But to be fair, Smoltz was excellent during this year’s National League Championship Series and World Series in explaining how pitchers execute a game plan versus batters. And if Brady had the ability to quickly explain what he was seeing and the reason for his criticism, rather than just heavy sighing or huffing, that could be compelling commentary.

Yet that would have to be balanced with some healthy admiration too. Maybe not Tony Romo-level gushing, but some insight into how spectacular a play is would balance a broadcast out nicely.

It’s encouraging that Brady has some idea of what kind of broadcaster he’d like to be. When news of Fox essentially reserving Brady for his post-playing career was reported, the sentiment was that he was taking an offer that couldn’t be turned down ($375 million!) and might end up as more of a corporate shill (“brand ambassador,” etc.) than a broadcaster of substance.

Judging from his remarks to Barkley, Brady has put some thought into this. Maybe he’s been thinking about it for years. Perhaps it crystallized during his one-month retirement. But is Brady being naive about what’s realistic for a broadcaster? Would a Johnny Miller work in an NFL booth? Players might not clap back at Brady and his seven Super Bowl championships as they do to Barkley and his zero NBA titles.

Ultimately, however, fans would hold Brady to the high standard he’s envisioned for himself in broadcasting. The possibility of a must-watch analyst in an NFL broadcast booth is certainly enticing. Maybe he’s created some anticipation and intrigue for his career after football. Tom Brady has never shied away from expectations as a player. Perhaps the same will apply to him as a broadcaster.

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Jac Collinsworth Has Learned From The Best

“The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else.”

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Jac Collinsworth got his first taste of Notre Dame football while watching his brother Austin play for the Fighting Irish. There was his brother playing on special teams and getting a chance to return kicks.

“I remember sitting in the stands for his first football game inside Notre Dame Stadium thinking this is the coolest thing I’ve been a part of,” said Collinsworth. “The history of this building and my brother is out there in a Notre Dame jersey.”

Not only did Jac eventually go to Notre Dame as well, but he just completed his first season as the play-by-play voice for Notre Dame Football on NBC. As a student, Jac was part of the NBC sideline production team during his four-year education at South Bend from 2013 to 2017 and he was the sideline reporter for the NBC broadcast of the Blue/Gold spring game in 2016 and 2017.

“To work on the broadcasts for four years — as an intern really — with Alex Flanagan and then with Kathryn Tappen for three years down there on the sideline and being in all those production meetings, it was such an invaluable piece of the journey for me.”

And now, the 27-year-old is the television voice of the Fighting Irish.

“To see it all come full circle and be up there in the booth, it was really a special experience every single game,” said Collinsworth.

After graduating from Notre Dame, Collinsworth joined ESPN where he was a correspondent for NFL Live and Sunday NFL Countdown while also hosting the ESPN-owned ACC Network’s football show The Huddle.

Jac then returned to NBC in 2020 and was part of the Notre Dame telecasts during the pregame show and halftime show for two seasons. Collinsworth had the opportunity to learn under veteran play-by-play voice Mike Tirico, especially during the production meetings.

Tirico became a mentor to Collinsworth.

“I felt like I was getting a graduate degree watching him handle those meetings,” said Collinsworth. “The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else. To be able to do that for two years and still have him as a close friend and somebody I can text…I text with him before every single game.”

Another huge mentor to Collinsworth has been the legendary Al Michaels, the former play-by-play voice for Sunday Night Football who is now calling the Thursday night package for Amazon.

“I talk to him all the time,” said Collinsworth. “I’ve had dinner with him. He invites me out to play golf. We just get on the phone and spent 45 minutes just breaking down everything.  Every time that phone rings I don’t care what I’m in the middle of, I walk outside and I take that call.”

Collinsworth, the son of former Bengals wide receiver and current NFL Sunday Night Football analyst Cris Collinsworth, first felt the broadcasting itch growing up in Ft. Thomas, Kentucky.  It goes without saying that his father was a huge influence, but Jac remembers when Highlands High School was being renovated when he was in 7th and 8th grade.

The first part of the renovation was a brand-new broadcast facility.

“It was a studio that had these amazing cameras, a desk, lights and two sets,” recalled Collinsworth. “To this day, I’ve never seen a high school setup…I mean this is better than most college setups…a state of-the-art facility.”

The class was called “Introduction to Filmmaking” and Collinsworth started out wanted to be a cameraman. 

“I became obsessed with running around the school and filming all this stuff whatever students were doing,” said Collinsworth. 

From there, Jac gained experience in editing and producing but deep down inside he thought he wanted to be a cameraman…that was until his first taste of on-air experience.

“They started a rotation where everybody in the class had to try hosting the announcements live right before the final period of the day,” said Collinsworth.

And the rest is history.

An important part of Jac’s growth as a play-by-play announcer came last spring working NBC’s coverage of the United States Football League. Paired with Jason Garrett, Collinsworth was able to continue the learning process before taking over the Notre Dame duties. He appreciated the fact that these were really good football players that were among the best players on their college teams and could very well be in the NFL.

And just like for the players, the USFL was an opportunity for Jac to get better at his craft. 

“Just continuing to learn the art form of calling a game,” said Collinsworth. “The timing and getting out of the way sometimes and letting the broadcast breathe and rising for those big moments.” 

An incredibly big moment for Jac would be if the opportunity to work a game with his father ever presented himself. It’s something that he’s thought about and would love to see come to fruition somewhere down the road.

But if that happens, there could be a problem for the viewers.

“Would anybody be able to tell who is talking?” joked Jac.  

Jac and his father sound so much alike it’s scary. In fact, during our twenty-minute phone conversation, I really had to pay attention to listen for any discernable difference between Jac and his dad and it was very hard to find any.

But it would still be fascinating to hear them work together.

“I think it would be a very cool experience,” said Jac. “We would have so much chemistry that it would be a crazy experience. I would love to do it. I’d be getting out of his way and let him make points and I wouldn’t be afraid to take a couple of shots at him. I think it would be damn entertaining.” 

While their on-air roles are different, Jac has been able to learn a lot about broadcasting from his father. While he does — for the most part — give his son some space when it comes to work, Cris leaves Jac a note prior to each broadcast, mainly has it pertains to a specific aspect of a telecast like coming back from a break or the flow of a telecast.

But there’s one valuable lesson that Jac learned from his dad years ago that he has adopted for himself.

“Probably the biggest thing I’ve learned from him is, he is a worker man,” said Collinsworth.  “He just works at this stuff.” 

Jac would constantly see his father going through film at various hours during the day, but Cris would still pay close attention to his son’s studies at school and would let Jac know about it if he saw something wasn’t right.

Like when Jac would be having some difficulty with a math assignment.

“I’m like ‘Dad, this is calculus, I can’t figure out how to do this equation’,” said Jac. “He would put that clicker down and come up and he would be deep in the math book going through the chapters learning all this calculus that he hasn’t done in 40 years.  I’d come down at six in the morning and he’d still be flipping through the math book while I’m eating breakfast and he’s teaching me the lesson to make sure I got it for the quiz.

“That’s how he was…just the work element is the biggest thing that I still use every day and I definitely got it from him.”

Aside from his football duties, Collinsworth has also been a NASCAR studio analyst for NBC and he’s also been the voice of Atlantic Ten Men’s Basketball and the Atlantic Ten Tournament. There’s something to be said for getting experience in multiple sports because each sport has its own pace and its own flow.

Some play-by-play voices specialize in one sport and some can handle multiple assignments.  In Jac’s case, there’s one sport that stand above all the others.

“The rhythm, feel and flow of a football game is my favorite,” said Collinsworth. “Football has always been my first love and grew up around it. Basketball happens fast not to mention you’re on the court and you’re right there in the middle of it. I’ve called baseball games too and that’s a very slow game.” 

Jac Collinsworth is still very early in his broadcasting career but he has great talent and he’s been rewarded with some amazing opportunities like Notre Dame Football and being part of NBC’s NFL coverage.

But he knows that he’s had some help along the way and he’s very grateful for it.

“I feel like I’m living out a dream and I feel like I’m standing on a lot of people’s shoulders that helped me get there,” said Collinsworth. “I think about a lot of people who didn’t need to but chose to help me when I was a kid. I feel like I have a great responsibility to take that advice and take it as far as I can and that’s what I’m trying to do.”

And it all started with a high school television studio and his willingness to try all different aspects of the business.   

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