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Q&A with Mike Rutherford

Demetri Ravanos

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Mike Rutherford is a busy dude. He runs SB Nation’s Louisville blog Card Chronicle. He is also the college basketball editor for all of SB Nation. He’s one of my favorite college basketball guests and a guy that I send a lot of texts and interview requests to every February through April.

Since 2015 Mike has also been one half of Ramsey and Rutherford, an afternoon drive show in Louisville. Until earlier this year the show aired on Union Broadcasting’s 93.9 the Ville. In April, the pair temporarily said farewell before resurfacing last month on iHeartRadio’s 790 KRD.

Mike has had a front row seat to one of the strangest periods any college basketball program has ever experienced. Who would ever have guessed that the Katina Powell prostitution scandal would become “the other one” in Louisville basketball lore? On Halloween morning, I called him to talk about changing stations, how he balances all of his roles, and what it has been like to cover sports in Louisville over the past three years.

DR: In doing research for this interview I came across the open letter you penned for Card Chronicle when your show left 93.9 the Ville. Take me through the thought process that enabled you guys to press the pause button on Ramsey & Rutherford.

MR: It was a tough call. I like a lot of people at The Ville and ESPN Louisville. It was the first place I got to be on the radio and have it be a full-time gig. John Ramsey, my co-host, fought really hard to get me that job in 2014 and I think I became full-time in 2015. Anyway, he was unhappy with some of the stuff that was going on there. I didn’t necessarily agree with a lot of his complaints, but I respect him. He saw an opportunity to make a move to another station and it all happened very quickly. I didn’t really know what to do, because it was kind of “you gotta make this decision now and what it came down to was the guy that got me a job, wanted me to go with him to a new station, and so I owed him at least that much.

DR: It is a whole new world going from a place that is purely locally owned like The Ville and ESPN Louisville to iHeartRadio. What sort of changes have you had to get used to?

MR: It’s certainly way more corporate. You actually have to log if you want to take off. At the old station you just kinda didn’t show up. There was no one keeping count of your vacation days. Our new studio is much bigger. We meet people from different branches. They’re keeping track of our remotes and we’re getting paid for that, which is really nice. I really liked the “we’re doing this on the fly” nature of ESPN Louisville, where there wasn’t a hub of “this is where this gets done” and “that is where that happens.” But, it is really nice to be with a company that has been doing this at a really high level for a very long time.

DR: How much did you and John Ramsey talk between signing off on The Ville and signing back on on 790 KRD?

MR: We talked a decent amount. John always wants to hang out with me, which I love. We went to a couple of concerts together. Our wives get along great, so they like hanging out together too. Everything we did was social stuff. It wasn’t a whole lot of “are you paying attention to this?” or “have you called that person?”.

DR: So the day the Hoopocalypse (the pay-for-play college basketball scandal that has turned into an FBI investigation) breaks, you guys were still a week or so away from coming back on air, right?

MR: It was just perfect timing. We were supposed to do a reintroduction party for advertisers and Tom Jurich (Louisville’s recently fired athletic director) and Rick Pitino (Louisville’s recently fired head basketball coach) were going to be there. John was really excited about it and then the story breaks and I was like “so, I guess party’s off, right?” And John was like “yeah, party’s off.”

DR: So let’s talk about that, because over the last three years, has there been any time to come up for breath between scandals at Louisville?

MR: No. Just when you start to think you’re getting back to some normalcy of talking about wins and losses, something else insane happens and throws everything into turmoil again. That week when the FBI stuff broke, I was starting to think Pitino’s got the five-game suspension. There’s the NCAA appeal, but you can guess how that was going to go. At least we know how the whole thing was going to shake out and we can now get back to focusing on basketball. Then that happens and you’re back in total turmoil.

People forget that this whole thing – not this FBI thing, but Louisville’s string of scandals, kind of got started with the Chris Jones deal, where he was accused of sexual assault. He was ultimately vindicated, but ended up getting kicked off the team for missing a meeting or something like that. Then a few months later there was the Katina Powell stuff, which had a new lead every other week. Now there’s this.

With this investigation and the fall out, it has been exhausting. Tom Jurich is out. Rick Pitino is out. It’s been something every single day. It’s amazing how normal it felt last night just sitting and watching an exhibition game and I’m not listening to board meetings and taking minutes, waiting for someone to call someone else an a-hole.

DR: One of the weird things that has happened in the middle of all of this is the rise of Lamar Jackson (Louisville’s Heisman Trophy-winning quarterback). It’s not a scandal certainly, but he brings a whole new level of attention than Louisville football is used to. That had to add to the madness somewhat, especially for your role at Card Chronicle.

MR: In a weird way, it almost became another negative. Not Lamar himself, but there is this overwhelming sense that here was a generational talent that we just kind of lucked into. He’s the type of kid that doesn’t usually come to play for Louisville football, and he’s been wasted. They aren’t going to win double-digit games with Lamar Jackson. That is remarkable!

We’re going to watch his highlights and be blown away by them. We’ll look at the stats and be blown away by them. Then you’ll look at the record and be blown away by them in a terrible way. In a strange fashion, Lamar’s greatness will add to the frustration of being a Louisville fan during this time period. What did we get out of it? One 43-point win over Florida State is the lone on-field result you take away from the Lamar Jackson era. Fans are furious about that! We hear about it after every loss on the radio show.

DR: So starting with the Chris Jones scandal up to now, do you feel pressure to beat the ESPN’s and USA Today’s of the world to the newest, biggest details of this story given that you live in the town and are part of the Louisville community?

MR: I’m not really trying to beat anybody. I mean, I am rarely reporting stuff at all. People come to the website or my radio show for reaction. John was really well connected to Tom Jurich, the former athletic director. People around here knew that. He never tried to hide it. So, he’d get news, but it could be counterproductive, because people knew exactly where it came from and then assumed the story was being spun. In those cases, being first to a story didn’t really help us.

In terms of competition though, no. If the goal is to get more readers or listeners, being first isn’t the best way to do that. My goal is to be the most informative or most entertaining.

DR: I’m glad you brought up John’s relationship with the athletic department, because it goes to my next question. How much do you feel like you have to balance access with being able to do the show or write the kind of pieces you want?

MR: Oh, a lot! John is a really talented guy, but sometimes he only wanted to tell one side of the story. He was always willing to listen to the other side when people called in or brought it up, but he didn’t want to project it himself, and Tom was his friend. If my best friend worked for AT&T and I hosted a tech radio show, I probably wouldn’t want to come on singing the praises of Google Fiber, right? But I was always really careful with what I did, because I never wanted to cast the show as only giving you half the truth every single day. I wanted to balance him out, because I know people are aware of his relationships. It’s been a daily thing and it still is.

DR: Since teaming up with John, and transitioning from being a writing talent to someone who also hosts a radio show, what have you discovered needs to change in terms of your preparation and the goals of what you’re trying to put out?

MR: The prep is still something I’m trying to get a handle on, because I’ve got Card Chronicle, I’m the college basketball editor for SB Nation, and I’ve got the radio gig. At some point something has to be sacrificed to a certain extent. Typically I go with Card Chronicle, because I get paid full time for the other stuff.

Each is its own thing. One job wants me to kind of be a Louisville homer. One wants me to be an entertaining Louisville guy. And then one demands that I am totally objective. Covering the Powell story especially was really hard. The radio show wants all the details and they want you to talk about what this news means for the program. Card Chronicle is supposed to be a Louisville fan that says “hey we can make fun of it and we’ll get through it,” you know? I mean, how “woe is me” are we supposed to get here? Then there’s the objective side for SB Nation that is all about “this is going on at Louisville, one of the ten most successful programs of all time, so what does it mean for college basketball?”.

It kinda makes you realize that there is room for the same voice to touch all three. Media is changing. People aren’t trying to hide their fandom as much anymore. You’ve got Scott Van Pelt on the 11:00 Sportscenter every night talking about Maryland. So, I don’t think people care so much as long as you’re being fair.

DR: So what is the makeup of fandom in Louisville? Since it is the city’s university, is the town overwhelmingly red and white or is it more evident that it is the biggest city in the state of Kentucky and you more often see Kentucky fans that want to revel in the misfortunes of Louisville?

MR: Yeah, I mean there are more Kentucky fans in Jefferson County than anywhere else in the state, and they’ll tell you that the town is 50/50, but its not. It’s closer to 65/35 or 60/40.

DR: 60/40 Louisville?

MR: Yeah. The only big, comprehensive study done on this was about ten years ago, but it was related to football. Kentucky fans are Alabama fans or Ohio State fans or whatever when it comes to football. The results of that one were 61% Louisville, 28% Kentucky and the remainder just didn’t care. So it’s more than 50/50, but they have a huge influence. You grow up with Kentucky fans. You work with them. You’re around UK fans everyday. It’s why UK fans will tell you the games in Lexington are more contentious – football or basketball, because you’ve got this population of Kentucky fans that have never had to interact with Louisville fans and they’re just going to let you have it while you’re there.

DR: I’ve never thought about it from that angle before. I wonder if Auburn fans would say that about going to Tuscaloosa. Or really any rivalry that is the town against the big state university.

MR: Yeah, there’s a lot at play there. You’ve got Louisville fans vs. Kentucky fans, but there is also the state of Kentucky vs. the city of Louisville or country UK fans vs. city Louisville fans. It opens up a window that can get pretty ugly.

DR: So in learning your audience, what have you discovered their expectation is? How much of the show is going to be about Louisville basketball or football…or hell, baseball. They’ve had a really good baseball team recently.

MR: No doubt. I’d say about 75-80%. I mean it’s supposed to be a Louisville show, but we get off topic a little bit. You have to, unless there is a prostitution scandal or some other national news thing going on, but we take a lot of calls too. They drive the show sometimes and typically they go to football or basketball.

John and I are so different. The people that follow me on Card Chronicle expect me to be funny and make jokes. It’s why they tune in. John’s a long time radio guy. He’s a lot older than me and knows how to talk to that audience.

DR: So given the way the town lines up behind both Louisville and Kentucky, do you think Louisville could ever support pro sports?

MR: Oh yeah. A publication in town named me one of the 20 sports business people to know. So they did this cool round table discussion with all of us and one of the things that came up is getting a pro team here and how that could keep Louisville going and keep pace with cities like Indianapolis and Nashville. These are cities that Louisville would compare itself to about 30 years ago, but it hasn’t really kept up in part because it doesn’t have a pro sports franchise.

But it also came up that a pro team could be a unifying deal for this rivalry. And it’s amazing how much the rivalry came up. J. Bruce Miller is a prominent attorney in town who used to work in government and he said that in the 70’s and 80’s they would go to the capital in Frankfort and they could get whatever they wanted. They could get anything done. Now you can’t go to Frankfort from the city of Louisville and get anything done because no one wants to work with you because they don’t want to be on the wrong side of this rivalry.

He blamed the media, which was great, because I was the only media member. But you blame the rivalry. Hell, if they do bring an NBA team here, there’s a vocal contingent that doesn’t want them to play in the Yum Center because it’s associated with U of L basketball. We have an NBA ready arena and they talk about renovating Freedom Hall if it ever does come here.

I think we’d do well with a pro sports franchise and it would do great for the entire city.

DR: So if a league were to come to Louisville, the best fit would be the NBA?

MR: The NBA or MLS. There is a USL team here. I think it’s their third season and they’re well-supported. Just a couple of nights ago, the city approved a plan for a 10,000 seat stadium for the team in the Butchertown neighborhood and then there will be a big push for an MLS team. It will be tough though because they would be competing with Cincinnati and Columbus, and the MLS would probably go to Austin first, but there’s hope. But in the next decade if anything moves to town it’ll likely be the NBA or MLS.

BSM Writers

Jac Collinsworth Has Learned From The Best

“The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else.”

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Jac Collinsworth got his first taste of Notre Dame football while watching his brother Austin play for the Fighting Irish. There was his brother playing on special teams and getting a chance to return kicks.

“I remember sitting in the stands for his first football game inside Notre Dame Stadium thinking this is the coolest thing I’ve been a part of,” said Collinsworth. “The history of this building and my brother is out there in a Notre Dame jersey.”

Not only did Jac eventually go to Notre Dame as well, but he just completed his first season as the play-by-play voice for Notre Dame Football on NBC. As a student, Jac was part of the NBC sideline production team during his four-year education at South Bend from 2013 to 2017 and he was the sideline reporter for the NBC broadcast of the Blue/Gold spring game in 2016 and 2017.

“To work on the broadcasts for four years — as an intern really — with Alex Flanagan and then with Kathryn Tappen for three years down there on the sideline and being in all those production meetings, it was such an invaluable piece of the journey for me.”

And now, the 27-year-old is the television voice of the Fighting Irish.

“To see it all come full circle and be up there in the booth, it was really a special experience every single game,” said Collinsworth.

After graduating from Notre Dame, Collinsworth joined ESPN where he was a correspondent for NFL Live and Sunday NFL Countdown while also hosting the ESPN-owned ACC Network’s football show The Huddle.

Jac then returned to NBC in 2020 and was part of the Notre Dame telecasts during the pregame show and halftime show for two seasons. Collinsworth had the opportunity to learn under veteran play-by-play voice Mike Tirico, especially during the production meetings.

Tirico became a mentor to Collinsworth.

“I felt like I was getting a graduate degree watching him handle those meetings,” said Collinsworth. “The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else. To be able to do that for two years and still have him as a close friend and somebody I can text…I text with him before every single game.”

Another huge mentor to Collinsworth has been the legendary Al Michaels, the former play-by-play voice for Sunday Night Football who is now calling the Thursday night package for Amazon.

“I talk to him all the time,” said Collinsworth. “I’ve had dinner with him. He invites me out to play golf. We just get on the phone and spent 45 minutes just breaking down everything.  Every time that phone rings I don’t care what I’m in the middle of, I walk outside and I take that call.”

Collinsworth, the son of former Bengals wide receiver and current NFL Sunday Night Football analyst Cris Collinsworth, first felt the broadcasting itch growing up in Ft. Thomas, Kentucky.  It goes without saying that his father was a huge influence, but Jac remembers when Highlands High School was being renovated when he was in 7th and 8th grade.

The first part of the renovation was a brand-new broadcast facility.

“It was a studio that had these amazing cameras, a desk, lights and two sets,” recalled Collinsworth. “To this day, I’ve never seen a high school setup…I mean this is better than most college setups…a state of-the-art facility.”

The class was called “Introduction to Filmmaking” and Collinsworth started out wanted to be a cameraman. 

“I became obsessed with running around the school and filming all this stuff whatever students were doing,” said Collinsworth. 

From there, Jac gained experience in editing and producing but deep down inside he thought he wanted to be a cameraman…that was until his first taste of on-air experience.

“They started a rotation where everybody in the class had to try hosting the announcements live right before the final period of the day,” said Collinsworth.

And the rest is history.

An important part of Jac’s growth as a play-by-play announcer came last spring working NBC’s coverage of the United States Football League. Paired with Jason Garrett, Collinsworth was able to continue the learning process before taking over the Notre Dame duties. He appreciated the fact that these were really good football players that were among the best players on their college teams and could very well be in the NFL.

And just like for the players, the USFL was an opportunity for Jac to get better at his craft. 

“Just continuing to learn the art form of calling a game,” said Collinsworth. “The timing and getting out of the way sometimes and letting the broadcast breathe and rising for those big moments.” 

An incredibly big moment for Jac would be if the opportunity to work a game with his father ever presented himself. It’s something that he’s thought about and would love to see come to fruition somewhere down the road.

But if that happens, there could be a problem for the viewers.

“Would anybody be able to tell who is talking?” joked Jac.  

Jac and his father sound so much alike it’s scary. In fact, during our twenty-minute phone conversation, I really had to pay attention to listen for any discernable difference between Jac and his dad and it was very hard to find any.

But it would still be fascinating to hear them work together.

“I think it would be a very cool experience,” said Jac. “We would have so much chemistry that it would be a crazy experience. I would love to do it. I’d be getting out of his way and let him make points and I wouldn’t be afraid to take a couple of shots at him. I think it would be damn entertaining.” 

While their on-air roles are different, Jac has been able to learn a lot about broadcasting from his father. While he does — for the most part — give his son some space when it comes to work, Cris leaves Jac a note prior to each broadcast, mainly has it pertains to a specific aspect of a telecast like coming back from a break or the flow of a telecast.

But there’s one valuable lesson that Jac learned from his dad years ago that he has adopted for himself.

“Probably the biggest thing I’ve learned from him is, he is a worker man,” said Collinsworth.  “He just works at this stuff.” 

Jac would constantly see his father going through film at various hours during the day, but Cris would still pay close attention to his son’s studies at school and would let Jac know about it if he saw something wasn’t right.

Like when Jac would be having some difficulty with a math assignment.

“I’m like ‘Dad, this is calculus, I can’t figure out how to do this equation’,” said Jac. “He would put that clicker down and come up and he would be deep in the math book going through the chapters learning all this calculus that he hasn’t done in 40 years.  I’d come down at six in the morning and he’d still be flipping through the math book while I’m eating breakfast and he’s teaching me the lesson to make sure I got it for the quiz.

“That’s how he was…just the work element is the biggest thing that I still use every day and I definitely got it from him.”

Aside from his football duties, Collinsworth has also been a NASCAR studio analyst for NBC and he’s also been the voice of Atlantic Ten Men’s Basketball and the Atlantic Ten Tournament. There’s something to be said for getting experience in multiple sports because each sport has its own pace and its own flow.

Some play-by-play voices specialize in one sport and some can handle multiple assignments.  In Jac’s case, there’s one sport that stand above all the others.

“The rhythm, feel and flow of a football game is my favorite,” said Collinsworth. “Football has always been my first love and grew up around it. Basketball happens fast not to mention you’re on the court and you’re right there in the middle of it. I’ve called baseball games too and that’s a very slow game.” 

Jac Collinsworth is still very early in his broadcasting career but he has great talent and he’s been rewarded with some amazing opportunities like Notre Dame Football and being part of NBC’s NFL coverage.

But he knows that he’s had some help along the way and he’s very grateful for it.

“I feel like I’m living out a dream and I feel like I’m standing on a lot of people’s shoulders that helped me get there,” said Collinsworth. “I think about a lot of people who didn’t need to but chose to help me when I was a kid. I feel like I have a great responsibility to take that advice and take it as far as I can and that’s what I’m trying to do.”

And it all started with a high school television studio and his willingness to try all different aspects of the business.   

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BSM Writers

Chris Kinard Has 106.7 The Fan, The Team 980 Primed For Continued Success

“Coming right out of the books and beating our direct competitor in the first month will always be something I’m proud of.”

Derek Futterman

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When Jim Riggleman resigned as manager of the Washington Nationals in June 2011, it was the first time Chris Kinard thought the fanbase cared about the team.

Riggleman wanted the Nationals to pick up the option on his contract and effectively remove the “interim” tag from his job description, and once they declined to do so, he essentially packed up and left.

From the time he was young, Chris Kinard was interested in media, and he had early exposure in the industry since his uncle Lee worked as a television news anchor in Greensboro, N.C. The elder Kinard was the pioneer of the Good Morning Show on WFMY News 2 and was honored with the dedication of the main studio in his honor from where he worked since 1956.

By the time he was in fifth grade, Chris Kinard began listening to radio and realizing it may be a viable career path for him to pursue. He shadowed his uncle in 1996 to learn about news media and television broadcasting; however, he gravitated towards working in radio in part because of WJFK-FM, and had an affinity towards professional sports.

“A local morning show here in D.C. on a top 40 station was kind of my entry point,” Kinard said. “I listened to that show actually when it moved over to WJFK for years in middle school and high school.”

At the time, WJFK-FM was broadcasting in the talk format and was among the network of stations syndicating The Howard Stern Show and other programming targeted towards the male 25-54 demographic. Kinard was an avid listener of the station, tuning in to its programming for several hours a day over the course of many years.

Today, it is known as 106.7 The Fan and it is managed, along with Audacy’s cluster of radio stations by Kinard himself. He was responsible for flipping the station’s format from talk to sports in 2009 and has helped cement the brand as dominant in the ratings.

“Flipping the station to sports will always be a bittersweet thing for me,” Kinard said. “I grew up with the station [in] the previous format and I took a lot of pride in what we were doing at the time, but I think we launched with great success. Coming right out of the books and beating our direct competitor in the first month will always be something I’m proud of.”

During his freshman year at American University, he got word that The Sports Junkies were making a public appearance a few minutes away from his childhood home. Additionally, he found out the show was looking for people to volunteer to serve as interns, an opportunity he knew was simply too good to pass up.

Inherently shy, Kinard introduced himself with the hopes of landing an internship at WJFK-FM. A few weeks later, he received a phone call informing him that he was selected to work as an intern, a surreal opportunity for him to begin working in sports media. Little did he know he would still be working at the station, albeit in a more substantial role, 25 years later.

“When it started and when I was actually in the building and seeing the behind the scenes, I was kind of in awe,” Kinard said. “….I had no idea what I was doing really except that I really wanted to be there and couldn’t believe that I was and wanted to soak it all in.”

Three months later, one of the show’s producers who largely acted as a call screener left the station to pursue another opportunity in media. As a result, there was a gap to be filled, and since Kinard had been diligent and responsible as an intern, he was hired part-time to take over the role. At the conclusion of his sophomore year in college, he was hired full-time as the producer of The Sports Junkies – a development in his career he calls “fortuitous” initially difficult to foresee balancing with two years remaining to earn his undergraduate degree.

“It was a really kind of interesting conversation with my parents about whether to do it or not and how it would impact my schoolwork and that kind of thing,” Kinard said. “I just was determined to take that opportunity; I knew how scarce they were I guess just by seeing people who had been at the station and working part-time [for] several years who had left because they couldn’t get a full-time position.”

By the time he was in his junior and senior years, Kinard had valuable professional experience from working at WJFK-FM and also interning at the local ABC affiliate station. Although he participated in some of the student-run media outlets at the school, his mindset was to prioritize what he was doing off campus.

“I’m not sure that I actually got a lot out of college to be honest with you because I was doing it outside of school already just by kind of virtue of connections,” Kinard said. “Being in Washington, D.C. and all the opportunities that are available here, [that was] really… my focus more than anything else.”

During his first year as show producer, The Sports Junkies became nationally syndicated on Westwood One Radio and was achieving notoriety and high ratings within the marketplace. The show is hosted by four childhood best friends – John Auville, Eric Bickel, Jason Bishop, and John-Paul Flaim – who began the program on public access television in Bowie, Maryland before joining WJFK-FM as evening hosts in 1996. None of them had any formal broadcast training, instead utilizing their indelible chemistry and local background to auspiciously impact sports media.

“They’re very authentic,” Kinard expressed. “I think when people hear them, they can relate to them. They sound like every guy’s group of friends sound when you get together. I think they sound like our city; they sound like sports fans in Washington over the last 30 years.”

All four co-hosts recently inked four-year contract extensions to keep The Sports Junkies on 106.7 The Fan, officially putting pen to paper together in studio earlier this month.

Since 2016, The Sports Junkies has been simulcast on NBC Sports Washington, and although listeners now have the ability to add a visual component to their experience, it did not change how any of the co-hosts approach the job. From the beginning, there was a mutual understanding that the show would still operate in the same way with the cameras serving the purpose of pulling back the metaphorical curtain.

“It is really a fast-paced show in terms of the camera switching and the direction of it because there’s four guys, so I think this show translates really well,” Kinard said. “There’s a lot going on because there are four hosts, not just two talking heads. There’s also two producers that chime in a lot. There’s a lot of movement, I think, within the show because of just how dynamic of a cast it is.”

Since its official shift to the sports talk format in 2009, 106.7 The Fan had primarily competed with The Team 980 to try to win in the ratings. In November 2020, Audacy, officially agreed to acquire various stations across the United States owned by Urban One, including The Team 980, effectively ending that competition. Part of Kinard’s job is to oversee both sports talk stations, which now compete with ESPN 630 DC.

“We have some really talented staff,” Kinard said. “I’m not sure we’ve ever had more talent under one roof than we have now. Having two stations in my market allows me to groom new people and give people opportunities quicker than I could with just one station.”

Moreover, he helped launch 1580 The Bet, a radio station broadcasting in the growing sports gambling format in partnership with the BetQL Audio Network and CBS Sports Radio. Its creation coincided with a nationwide effort by Audacy to better utilize certain signals to their full potential, and with the proliferation and legalization of sports betting in select states across the country, many of them flipped to this format.

“I think it was important to have the BetQL Network represented in Washington at a high level because of the proximity to the MGM National Harbor, which is just kind of 15 minutes away from the radio station,” Kinard said. “[It is] on a signal that, in the past, had not been a big ratings play, so that was a great opportunity to just kind of own sports in Washington – to have 106.7 The Fan; The Team 980; and 1580 The Bet all under one umbrella.”

A compelling draw to sports radio is live game broadcasts, and as brand manager of Audacy DC, Kinard is responsible for maintaining 106.7 The Fan’s relationship with the Washington Capitals and Washington Nationals. When the teams are doing well, it usually results in better metrics for the station.

“There’s a huge correlation between winning and listenership and also advertiser interest,” Kinard said. “There’s a segment of the fanbase, I think, that thinks that local sports radio roots against the teams. It’s not that we root for the teams necessarily, but if you ask any host probably on any radio station in America whether it’s better for their individual show’s success and their overall station success if the teams are successful, I think everyone’s going to say it’s way better.”

Prior to the start of this NFL season, Audacy DC parted ways with the Washington Commanders due to a disagreement regarding “the value of the broadcasts.” The Team 980 was previously owned by the Washington Commanders franchise itself and had been the flagship station of the team for several years through its sale to Urban One in 2019. The Fan had not had the radio broadcast rights to the Commanders since 2006 before it was broadcasting in the sports talk format, hence why The Sports Junkies co-host Eric Bickel stated that the station had had no relationship with the team for two decades.

Since the Commanders officially entered into a new partnership with iHeartRadio, its flagship station has been BIG 100, which airs a classic rock format. Consequently, The Team 980 had the opportunity to change its on-air strategy, airing five hours of pregame coverage every week followed by extensive postgame coverage. During the games themselves, the station has broadcast Burgundy & Gold Gameday Live, a show that has had stellar listenership thus far.

“I think play-by-play rights are really important and do have a ton of value, but only if it’s done in a way where there’s partnership on both sides but also an understanding on both sides that the team has a job to do and the radio station has a job to do,” Kinard expressed. “Our focus is just to continue to provide great talk and coverage of the teams.”

As media continues to evolve with changes in technology and consumption habits, Kinard remains optimistic about the future because of the influx of new talent and the leadership at Audacy.

“We have just a wealth of talent and content, and I think that content will cut through no matter what’s going on with technology,” he said. “I think that we will continue to push to make sure that we are on the platforms that we need to be on and that we own that content and can monetize it for the future. I don’t know how anyone could compete with that, so I’m really excited about it.”

Kinard’s vertical movement in the industry might not have been possible without finding a mentor in Michael Hughes, the station’s general manager. Over the years working in the industry, Kinard grasped that managers are often not thinking about the needs and wants of individuals because of the myriad of responsibilities they are juggling related to the entity as a whole over any given period of time.

As a result, it is essential for subordinates to communicate with their superiors, as they are “at the mercy of the communication [they] receive,” according to Kinard.

“I had a conversation with him about… wanting to be a program director,” Kinard said of Hughes. “I think he took that seriously and took that to heart and he said, ‘Well, let me help you be prepared for that when the time might come.’ It just so happened that it came less than a year later.”

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BSM Writers

Pete Thamel Was ESPN’s College Football Missing Link

His no-frills approach is refreshing in a time when many “insiders” view being as famous as the athletes they cover as a quasi-goal for their futures.

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For a network often accused of “running” college football, it always seemed odd to me that ESPN never had that true news-breaking reporter it had for other sports. That is, until it hired Pete Thamel in January of this year.

ESPN poured resources into “insiders” like Adam Schefter, Adrian Wojnarowski, and Jeff Passan while it poured rights fees into the SEC, Big 12, Pac-12, ACC, and the College Football Playoff, but from the outside, it looked as if the network just wasn’t interested in having that same type of reporting for college football, which is truly puzzling.

When the entire postseason of the country’s arguably second favorite sport is centered around what is best for your television channel, you would think supplementing it with high level, national reporting would be a priority.

Maybe the right deals never came to fruition or maybe the value just wasn’t seen by the network until Thamel became available, but his contributions to ESPN’s college football coverage have been immeasurable.

In a day and age where reporters break news on Twitter and get around to eventually writing a story for their outlet’s website, Thamel flexed his reporting chops in a major way on Sunday. While the rest of the college football world was still pondering whether Ohio State should consider firing Ryan Day, Thamel dropped a bomb on the sport’s landscape by revealing Wisconsin had hired Cincinnati head coach Luke Fickell to run their program. His initial tweet was accompanied by a link to ESPN’s website with further details about the move.

Pete Thamel was so convinced he was the first and potentially only person working on that ever-changing breaking news story, that he took the time to write the story, submit it through ESPN’s editorial staff, and then release the news before anyone else. In 2022, that’s the equivalent of mailing his story from side of the country to the other in order to break news. And yet, he was so far ahead of the game that he was able to take his time, gather his facts, and report an accurate, succinct story that would be of value to him and his network. What a novel concept.

One of Thamel’s best qualities as an “insider” is he — thus far — hasn’t been plagued by questions that have been a factor in the perception like his ESPN counterparts. Schefter, Wojnarowski, and Passan have each faced their own incidents during their time as the lead reporters for ESPN but Thamel, in my opinion, is unlikely to be pulled into those scenarios. It seems clear Thamel doesn’t release things for the benefit of anyone other than himself and the outlet he works for.

He doesn’t seem to be swayed by agents, athletic directors, coaches, boosters, or anyone else with skin in the game. His no-frills approach is refreshing in a time when many “insiders” view being as famous as the athletes they cover as a quasi-goal for their futures.

Last week, College GameDay host Rece Davis noted on the show’s podcast that Thamel brought “something to GameDay that GameDay’s desperately needed for years”, and he’s right. Not only did ESPN need a news breaker for it’s digital outlets, but it needed that presence on its pregame show.

And when you think about it, nearly ever other pregame show has that role filled. Schefter and Chris Mortensen hold that role for ESPN’s NFL coverage, FOX Sports has Jay Glazer in its NFL pregame show and Bruce Feldman for Big Noon Kickoff. It’s just an area ESPN lacked.

But they made a fantastic hire by bringing Thamel aboard, and his reporting will serve the worldwide leader well over the course of the following weeks as the college coaching carousel heats up.

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Barrett Media Writers

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