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Everyone Appreciates Zach Gelb’s Grind

“I don’t like to look too far ahead, I have an incredible opportunity being 25 and doing a show Monday through Friday. If I try to think too much ahead, it will be a disservice to the audience.”

Brandon Contes

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You could say Zach Gelb was born into sports talk radio. Growing up the son of a longtime WFAN employee may have triggered Zach’s desire to work in sports radio, but it’s his own hard work that led him to where he is today.

When he was a kid, he’d go to work with his dad, Bob Gelb who produced Mike and the Mad Dog and later moved into sales and marketing for the station. Zach quickly grew an affinity for the industry and knew it was something he wanted to make a career out of.

Zach Gelb | CBS Sports Radio

From hopping on-air with Joe Benigno at eight-years old, to hosting internet radio shows in his parents’ basement, to building a professional sounding station at Temple University, Zach’s educational years always featured sports radio.

But his young career has never been without networking, taking chances and seeking opportunities to prove himself as a rising star in the industry. At the age of 25, Zach began the year 2020 as the new weeknight host for Entercom’s CBS Sports Radio, where you can hear him on their national network of stations Monday – Friday from 6 – 10pm ET.

Brandon Contes: The first time I heard something on-air from you was two years ago, when Boomer and Gio played your “I’m a professional broadcaster” rant [Laughs] with you yelling at your producer.

Zach Gelb: [Laughs] Of course. We were watching the NBA Draft lottery and they were taking forever, interviewing everyone associated with the top draft picks. It was obnoxious how they were dragging it out. My board-op told me to get to a read, which I already did. And then in the middle of the rant he was in my ear again reminding me about the read. I knew we still had a minute at the backend, so I was going to squeeze it in there, but again he says get to the read! That caused me to go off for a second, we were laughing about it afterwards, but it definitely got a lot of exposure when Boomer and Gio had fun with it the next day.

BC: It was a light-hearted, fun moment, but I still give credit to the producer and board-op that’s able to accept the on-air ribbing and realize the entertainment value in that moment. But people hear yelling at someone behind the glass and they go back to Mike and the Mad Dog – nicely produced, never hesitating to blame something on the producer. The funny part is – you’re in a unique spot because for years, their producer was your dad.

ZG: [Laughs] When I was talking about it the next day with Eddie Scozzare (Boomer and Gio’s board-op who held the same role for Mike and the Mad Dog) and Al Dukes (Boomer and Gio producer), they were getting a kick out of it. Eddie called it the cycle of abuse, but if we’re being honest I have a great relationship with everyone I work with behind the scenes, especially because it wasn’t that long ago when I was running my own board and producing my own show, while programming a station.

I have a great appreciation for the people behind the scenes and love their input. A successful show and what makes a great host is someone who comes in with ideas for guests and segments, but then I’ll ask how can we improve this? Because sometimes as a host, we might think we know everything, but it’s good to have people to bounce ideas off.

BC: Obviously you grew up around it, but did you always want to work in radio?

ZG: When I was eight years old all I wanted to do was skip school and go to work with my dad. One of my first on-air encounters, Ray Martel was producing the WFAN midday show. Martel is a big New England Patriots fan, and I grew up a Patriots fan too. I wore a Tom Brady jersey to the studios. Joe Benigno saw me, and they thought it would be a cute bit to have a kid on-air talking smack with Benigno. [Laughs]

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In the car ride home, I told my dad I wanted to do sports talk radio for a living. From there I started doing shows in my parents’ basement in high school and it developed into where I’m at today.

BC: Were those shows in your parents’ basement just for fun? Was it a podcast or broadcast anywhere?

ZG: It was on a network that’s no longer around called Shovio. Sid Rosenberg was on it, Leslie Gold The Radio Chick, Buc Wild, and they had an amateur channel which Sid suggested I try. I built some NFL connections, I went to the Super Bowl and got to interview Adam Sandler from Radio Row. I was doing that show when Rob Gronkowski was a rookie, I found him on Facebook, sent him a message and he came on for an interview. That’s also when I joined Twitter, I joined to send Kurt Warner a tweet and he came on the show after the Giants beat the Patriots in the Super Bowl the second time. I received necessary reps, even before I went to college.

BC: And then you went on to Temple, did you get to know Matt Rhule while you were there?

ZG: Yea I got to know Matt very well. I broke the story that he was leaving the Giants to become head coach at Temple. I would have him in studio, I would go to his office and Matt is still a guy that comes on with us to this day. We’re working on getting him on the new show soon.

BC: What station did you do your first professional show?

ZG: Right out of college, I did an afternoon drive show, producing a sports station and the irony is I was also running a Catholic station as a Jewish man which I get a kick out of. But it was Connoisseur Media and 920 The Jersey. Then I was hired to do Eagles postgame for 97.5 The Fanatic in Philly and soon after I spoke to Eric Spitz to start doing some shows with CBS Sports Radio. Last fall I moved to SiriusXM and now I’m back with CBS Sports Radio.

BC: Your dad has worked at WFAN throughout your whole life, but were you listening to Mike and the Mad Dog when he was producing or were you too young at that point?

ZG: I was younger, but for as long as I can remember I was listening. My birth was announced on-air!

Two early FAN encounters that stick with me, first when I met Don Imus. I remember my dad coming home and talking to my mom after work and even when he had a rough day, he would never curse in front of me or my sister. But with Imus, he would refer to him as the grouchy grandpa when talking in front of us. I was probably four or five the first time I met Imus, we were in an elevator and my dad said, ‘Zach this is Mr. Don Imus’ and I said ‘oh yea! the grouchy grandpa!’

Another time when I was with my dad, Mike and Chris were talking about famous Jewish baseball players, and I was in studio, as a kid, shouting names like Shawn Green in the background. Mark Chernoff quickly came in to tell the producer my shouting didn’t sound good off microphone so stop doing it. And now Mark is one of my bosses. [Laughs]

BC: You also interned at WIP in Philly, with another legendary radio host.

ZG: Yea, I interned with Angelo Cataldi which was great. What you get on-air with Angelo is what you get off-air. Angelo is so benevolent with his time. To this day, if you ever worked or interned on his show, you’re part of the family. Even as an intern I would sit in production meetings and offer suggestions of guests I had contacts for, Tom Glavine or Joe Theismann, and that helped us develop a relationship. Angelo gets to the studio around 3:30 in the morning and he was always helpful and great with his time in showing me how to think about things and present them on-air.

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BC: So Mike Francesa, Chris Russo, Sid Rosenberg, Angelo Cataldi, that’s some incredible names and talent to grow up around, watch first hand and learn from. It doesn’t get much better for a kid that wants to work in radio.

ZG: I think I have some of the greatest education that anyone my age received in broadcasting because I grew up around it and I would talk to them and network at a young age. To be able to learn from Sid Rosenberg, Mike and Chris, Angelo and Howard Eskin, it really helped.

BC: I’m sure it’s also fun for them to see you come back as a host because you being a middle school kid, high school, college, those days probably don’t feel very long ago to them, so to see you hosting on a national stage now at 25, it’s gotta be cool to watch that growth.

ZG: Absolutely. A lot of hosts like to give back because they remember me, that goes with players and coaches too. Matt Rhule, I first interviewed him when I was in college and now I’m on a national stage. They respect that grind.

The first time I interviewed Jim Nantz, I was in college. A few weeks ago, when he was doing a game in Philly he still invites me up to the broadcast booth and I think he appreciates the craft, the grind and the hard work. Kevin Harlan once said I’m better than he was at my age and – my jaw hit the floor – pinch me, there’s no way he said that. But they enjoy seeing the progression and it helps me realize the hard work is paying off.

BC: Do you have a show prep method? Do you listen to a lot of other shows, take in a lot of opinions, load up on stats and information?

ZG: I know some hosts say they never listen. I don’t buy that because people in this business are a fan of this business. Are there times I’m in my car listening to music? Sure, but it’s important to listen because you can develop a relationship with other shows.

As far as preparation its 24/7, my philosophy is simple. Give a product that’s compelling and entertaining. You want to encourage fan interaction on-air and on social media and you need to get guests that are some of the biggest names in sports. Don’t put someone on for the sake of putting them on and we’ve done that exceptionally well.

In the last two years on weekend overnights, we made national news. Whether it was Hue Jackson talking about Baker Mayfield, Bob Wylie about Freddie Kitchens, Donovan McNabb saying Carson Wentz needs to get to an NFC title game or the Eagles need to look for a new quarterback in the next couple years.

Social media is so important, we need to get those clips out, send them to local writers because not everyone’s listening to the show for four hours so pushing that content out on social and getting others to share it is very important.

BC: How about hosting nationally vs locally. You grew up around local radio, but they’re not talking about Hue Jackson and Baker Mayfield much on WFAN, do you like having the freedom to create different topics?

ZG: I like the options, it keeps you on your toes. For example, in New York you can do four hours on Carlos Beltran and the Mets easily. On the national stage, you need to find a larger conversation. You need to mix in the Astros and bring in the discussion of should players be suspended for the sign-stealing scandal? Broaden the conversation and invite the listener into the discussion so they’re not getting into their car saying he’s just talking about the Mets again.

Taking a topic and branching into conversations that fit nationally can be challenging, but it’s also the fun part, as is interacting with fans from all over the country and having those diverse opinions join the discussion.

BC: You’re 25 years old, you have a full-time gig on a national platform, what are you chasing? Is it a different time slot? A bigger platform? Going back to local, staying national? Are you even able to look ahead?

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ZG: I want to grow the show, develop as a broadcaster and take advantage of the opportunity I have right now. I don’t like to look too far ahead, I have an incredible opportunity being 25 and doing a show Monday through Friday. If I try to think too much ahead, it will be a disservice to the audience. You’re only as good as your last show in this business and you don’t want to slip up.

BC: It’s happened quick, to get where you are at 25 is a testament to your hard work and talent, but going from being a kid shouting in the background of a Mike and the Mad Dog broadcast, to internet radio, college radio, 920 The Jersey, local radio, part-time radio, to where you are now as a national host, have you been able to enjoy the progression? Absorb the ride?

ZG: No question, I appreciate it greatly and it shows hard work pays off. I don’t get complacent, I’m hungry as ever, grinding and booking my own guests, continuing to network. If anyone gets upset in this business, I always find that comical. You can be frustrated, but if you get upset and start to resent the business – there are so many people that would love to wear jeans and a t-shirt to work everyday and do this for a living. I have fun with it and don’t take myself too seriously. I’m the happiest I’ve ever been in my life just with what’s happened the last couple months.

BSM Writers

Amanda Brown Has Embraced The Bright Lights of Hollywood

“My whole goal was that I didn’t need people to like me; I needed people to respect me.”

Derek Futterman

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The tragic passing of Kobe Bryant and eight others aboard a helicopter, including his 13-year-old daughter Gianna, sent shockwaves around the world of sports, entertainment, and culture. People traveled to Los Angeles following the devastating news and left flowers outside the then-named STAPLES Center, the arena which Bryant called home for much of his career, demonstrating the magnitude of the loss. Just across the street from the arena, Amanda Brown and the staff at ESPN Los Angeles 710 had embarked in ongoing breaking news coverage, lamentation, and reflection.

It included coverage of a sellout celebration of life for Kobe and his daughter and teams around the NBA opting to take 8-second and 24-second violations to honor Bryant, who wore both numbers throughout his 20-year NBA career. They currently hang in the rafters at Crypto.com Arena, making Bryant the only player in franchise history to have two numbers retired.

During this tumultuous time, Bryant’s philosophy served as a viable guiding force, something that Brown quickly ascertained in her first month as the station’s new program director.

“I had people that were in Northern California hopping on planes to get here,” Brown said. “You didn’t even have to ask people [to] go to the station; people were like, ‘I’m on my way.’ It was the way that everybody really came together to do really great radio, and we did it that day and we did it the next day and we did it for several days.”

The 2023 BSM Summit is quickly approaching, and Brown will be attending the event for the first time since 2020. During her first experience at the BSM Summit in New York, Brown had just become a program director and was trying to assimilate into her role. Because of this, she prioritized networking, building contacts, and expressing her ideas to others in the space. This year, she looks forward to connecting with other program directors and media professionals around the country while also seeking to learn more about the nuances of the industry.

“The Summit is kind of like a meeting of the minds,” Brown said. “It’s people throughout the country and the business…. More than anything, [the first time] wasn’t so much about the panels as it was about the people.”

Growing up in Orange County, Brown had an interest in the Los Angeles Lakers from a young age, being drawn to play-by-play broadcaster Chick Hearn. Brown refers to Hearn as inspiration to explore a career in broadcasting. After studying communications at California State University in Fullerton, she was afforded an opportunity to work as a producer at ESPN Radio Dallas 103.3 FM by program director Scott Masteller, who she still speaks to on a regular basis. It was through Masteller’s confidence in her, in addition to support from operations manager Dave Schorr, that helped make Brown feel more comfortable working in sports media.

“I never felt like I was a woman in a male-dominated industry,” Brown said. “I always just felt like I was a part of the industry. For me, I’ve kind of always made it my goal to be like, ‘I deserve to be here; I deserve a seat at the table.’”

Brown quickly rose up the ranks when she began working on ESPN Radio in Bristol, Conn., working as a producer for a national radio show hosted by Mike Tirico and Scott Van Pelt, along with The Sports Bash with Erik Kuselias. Following five-and-a-half years in Bristol, Brown requested a move back to California and has worked at ESPN Los Angeles 710 ever since. She began her tenure at the station serving as a producer for shows such as Max and Marcellus and Mason and Ireland.

Through her persistence, work ethic and congeniality, Brown was promoted to assistant program director in July 2016. In this role, she helped oversee the station’s content while helping the entity maintain live game broadcast rights and explore new opportunities to augment its foothold, including becoming the flagship radio home of the Los Angeles Rams.

“Don’t sit back and wait for your managers or your bosses to come to you and ask what you want to do,” Brown advised. “Go after what you want, and that’s what I’ve always done. I always went to my managers and was like, ‘Hey, I want to do this. Give me a chance; let me do that.’ For the most part, my managers have been receptive and given me those opportunities.”

When executive producer Dan Zampillo left the station to join Spotify to work as a sports producer, Brown was subsequently promoted to program director where she has helped shape the future direction of the entity. From helping lead the brand amid its sale to Good Karma Brands in the first quarter of 2022; to revamping the daily lineup with compelling local programs, Brown has gained invaluable experience and remains keenly aware of the challenges the industry faces down the road. For sports media outlets in Los Angeles, some of the challenge is merely by virtue of its geography.

“We’re in sunny Southern California where there’s a lot of things happening,” Brown said. “We’re in the middle of Hollywood. People have a lot of opportunities – you can go to the mountains; you can go to the beach. I think [our market] is more about entertainment than it is about actual hard-core sports. Yes, obviously you have hard-core Lakers fans; you have hard-core Dodgers fans, but a majority of the fans are pretty average sports fans.”

Because of favorable weather conditions and an endless supply of distractions, Brown knows that the way to attract people to sports talk radio is through its entertainment value. With this principle in mind, she has advised her hosts not to worry so much about the specific topics they are discussing, but rather to ensure they are entertaining listeners throughout the process.

“People know the four letters E-S-P-N mean sports, but really our focus is more on entertainment more than anything,” Brown said. “I think the [talent] that stick out the most are the ones that are the most entertaining.”

Entertaining listeners, however, comes through determining what they are discussing and thinking about and providing relevant coverage about those topics. Even though it has not yet been legalized in the state of California, sports gambling content has been steadily on the rise since the Supreme Court made a decision that overturned the Professional and Amateur Sports Protection Act established in Murphy v. National Collegiate Athletic Association (2018). Nonetheless, Brown and ESPN Los Angeles 710 have remained proactive, launching a sports gambling show on Thursday nights to try to adjust to the growing niche of the industry.

Even though she has worked in producing and programming for most of her career, Brown is eager to learn about the effect sports gambling has on audio sales departments. At the same time, she hopes to be able to more clearly determine how the station can effectuate its coverage if and when it becomes legal in their locale.

“I know that a lot of other markets have that,” Brown said regarding the legalization of sports gambling. “For me, I’m interested to hear from people who have that in their markets and how they’ve monetized that and the opportunity.”

No matter the content, though, dedicated sports radio listeners are genuinely consuming shows largely to hear certain talent. Brown recalls receiving a compliment on Twitter earlier this quarter where a listener commented that he listens to ESPN Los Angeles 710 specifically for Sedano and Kap. Evidently, it acted as a tangible sign that her philosophy centered around keeping people engrossed in the content is working, and that providing the audience what it wants to hear is conducive to success.

At this year’s BSM Summit, Brown will be participating on The Wheel of Content panel, presented by Core Image Studio, featuring ESPN analyst Mina Kimes and FOX Sports host Joy Taylor. Through their discussion, she intends to showcase a different perspective of what goes into content creation and the interaction that takes place between involved parties.

“A lot of times in the past, all the talent were on one panel; all the programmers were on one panel,” Brown said. “To put talent and a programmer together, I think it’s an opportunity for people to hear both sides on certain issues.”

According to the most recent Nielsen Total Audience Report, AM/FM (terrestrial) radio among persons 18-34 has a greater average audience than television. The statistical anomaly, which was forecast several years earlier, came to fruition most likely due to emerging technologies and concomitant shifts in usage patterns.

Simultaneously, good content is required to captivate consumers, and radio, through quantifiable and qualifiable metrics, has been able to tailor its content to the listening audience and integrate it across multiple platforms of dissemination. The panel will give Brown a chance to speak in front of her peers and other industry professionals about changes in audio consumption, effectuated by emerging technologies and concomitant shifts in usage patterns.

Yet when it comes to radio as a whole, the patterns clearly point towards the proliferation of digital content – whether those be traditional radio programs or modernized podcasts. Moreover, utilizing various elements of presentation provides consumers a greater opportunity of finding and potentially engaging with the content.

“We do YouTube streaming; obviously, we stream on our app,” Brown said. “We’ve even created, at times, stream-only shows whether it’s stream-only video or stream-only on our app. We all know that people want content on-demand when they want it. I think it’s about giving them what they want.”

As a woman in sports media, Brown is cognizant about having to combat misogyny from those inside and outside of the industry, and is grateful to have had the support of many colleagues. In holding a management position in the second-largest media market in the United States, she strives to set a positive example to aspiring broadcasters. Additionally, she aims to be a trusted and accessible voice to help empower and give other women chances to work in the industry – even if she is not universally lauded.

“I’ve kind of always made it my goal to be like, ‘I’m no different than anyone else – yes, I’m a female – but I’m no different than anyone else,’” Brown expressed. “My whole goal was that I didn’t need people to like me; I needed people to respect me.”

Through attending events such as the BSM Summit and remaining immersed in sports media and the conversation at large about the future of sports media, Brown can roughly delineate how she can perform her job at a high level.

Although the genuine future of this business is always subject to change, she and her team at ESPN Los Angeles 710 are trying to come up with new ideas to keep the content timely, accurate, informative, and entertaining. She is content in her role as program director with no aspirations to become a general manager; however, remaining in her current role requires consistent effort and a penchant for learning.

“Relationships are very important overall in this business whether you’re a programmer or not,” Brown said. “Relationships with your talent; relationships with your staff. If you invest in your people, then they’re going to be willing to work hard for you and do what you ask them to do.”

The 2023 BSM Summit is mere days away, and those from Los Angeles and numerous other marketplaces will make the trip to The Founder’s Club at the Galen Center at the University of Southern California (USC).

Aside from Brown, Kimes and Taylor, there will be other voices from across the industry sharing their thoughts on aspects of the industry and how to best shape it going forward, including Colin Cowherd, Rachel Nichols, Al Michaels and Eric Shanks. More details about the industry’s premiere media conference can be found at bsmsummit.com.

“I’m excited to be a female program director amongst male program directors for the first time and get a seat at the table and represent that there can be diversity in this position,” Brown said. “We don’t see a lot of it, but… there is an opportunity, and I hope I can be an example for other people out there [to show] that it’s possible.”

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BSM Writers

Pat McAfee Has Thrown Our Business Into a Tailspin

Yet even with all the accomplishments he’s been able to achieve, McAfee is still anxious and unsatisfied with the state of his show and his career.

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When you have one of the hottest talk shows in America, you’re always up to something. That’s the case for the most popular sports talk show host in America – Pat McAfee. 

The former Pro Bowl punter was on top of the world on Wednesday. With over 496,000 concurrent viewers watching at one point, McAfee was able to garner an exclusive interview with frequent guest Aaron Rodgers who announced his intention to play for the Jets.

Yet even with all the accomplishments he’s been able to achieve — a new studio, consistent high viewership, a syndication deal with SportsGrid TV, a four-year, $120 million deal with FanDuel — McAfee is still anxious and unsatisfied with the state of his show and his career.

At the end of the day, he is human and he’s admitted that balancing his show, his ESPN gig with “College Gameday,” and his WWE obligations has taken a toll on him.

McAfee and his wife are expecting their first child soon and he recently told The New York Post he might step away from his deal with FanDuel. Operating his own company has come with the responsibility of making sure his studio is up and running, finding people to operate the technology that puts his show on the air, negotiating with huge behemoths like the NFL for game footage rights, booking guests, booking hotels, implementing marketing plans and other tasks that most on-air personalities rarely have to worry about.

McAfee says he’s looking for a network that would be able to take control of those duties while getting more rest and space to spend time with family while focusing strictly on hosting duties. FanDuel has its own network and has the money to fund such endeavors but is just getting started in the content game. McAfee needs a well-known entity to work with who can take his show to the next level while also honoring his wishes of keeping the show free on YouTube.

The question of how he’s going to be able to do it is something everyone in sports media will be watching. As The Post pointed out in their story, McAfee hasn’t frequently stayed with networks he’s been associated with in the past for too long. He’s worked with Westwood One, DAZN, and Barstool but hasn’t stayed for more than a year or two.

There’s an argument to be made that the latter two companies weren’t as experienced as a network when McAfee signed on with them compared to where they are today which could’ve pushed the host to leave. But at the end of the day, networks want to put money into long-term investments and it’s easy to see a network passing on working with McAfee for fear that he’ll leave them astray when he’s bored. 

It’ll also be difficult for McAfee to find a network that doesn’t put him behind a paywall. Amazon and Google are rumored to be potential new homes. But both are trying to increase subscribers for their respective streaming services.

It will be difficult to sell Amazon on investing money to build a channel on YouTube – a rival platform. For Google, they may have the tech infrastructure to create television-like programming but they aren’t an experienced producer, they’ve never produced its own live, daily talk show, and investing in McAfee’s show doesn’t necessarily help increase the number of subscribers watching YouTube TV.

Networks like ESPN, CBS, NBC, and Fox might make sense to partner with. But McAfee faces the possibility of being censored due to corporate interests. Each of these networks also operates its networks or streaming channels that air talk programming of their own. Investing in McAfee could cannibalize the programming they already own.

And if McAfee works with a traditional network that isn’t ESPN, it could jeopardize his ability to host game casts for Omaha or analyze games on Gameday. It’s not impossible but would definitely be awkward on days that McAfee does his show remotely from locations of ESPN games with ESPN banners and signage that is visible in the background.

If SportsGrid has the money to invest in McAfee, they might be his best bet. They have all the attributes McAfee needs and they already have a relationship with him. It is probably unlikely that he’ll be censored and he would even be able to maintain a relationship with FanDuel – a company SportsGrid also works alongside.  

Roku is another option — they already work with Rich Eisen — but they would move his show away from YouTube, something McAfee should resist since the majority of smart TV users use YT more than any other app.

If the NFL gave McAfee editorial independence, they would make the perfect partner but the likelihood of that happening is slim to none. NFL Media has independence but it was clear during the night of the Damar Hamlin incident that they will do whatever is necessary to stay away from serious topics that make the league look bad until it’s totally unavoidable. 

It’s hard to think of a partner that matches up perfectly with McAfee’s aspirations. But once again, at the moment, he’s on top of the world so anything is possible. The talk show host’s next move will be even more interesting to watch than the other fascinating moves he’s already made that have put the sports media industry in a swivel.

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BSM Writers

5 Tips For Networking At the BSM Summit

“Have a plan and don’t leave home without it.”

Jeff Caves

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Bring your game plan if you attend the BSM Summit in LA next Tuesday and Wednesday. No matter your purpose for attending: to learn, get a job, speak, or sell an idea, you must be able to read the room. To do that, it helps to know who will be there and how you can cure their pain. 

Have a plan and don’t leave home without it. If you have time, buy How to Work a Room by Susan Roane. If you don’t, just follow these five tips:

  1. INTRODUCE YOURSELF: Before you arrive at The Summit, figure out what you want, who you want to meet, and what you will say. Once you get there, scout out the room and see if anyone of those people are available. Talk to speakers after they have spoken- don’t worry if you miss what the next speaker says. You are there to meet new people! Most speakers do not stick around for the entire schedule, and you don’t know if they will attend any after-parties, so don’t risk it. Refine your elevator pitch and break the ice with something you have in common. Make sure you introduce yourself to Stephanie, Demetri and Jason from BSM. They know everybody and will help you if they can.  
  2. GET A NAME TAG: Don’t assume that name tags will be provided. Bring your own if you and make your name clear to read. If you are looking to move to LA or want to sell a system to book better guests, put it briefly under your name. Study this to get better at remembering names.
  3. LOSE THE NOTEBOOK: When you meet folks, ensure your hands are free. Have a business card handy and ask for one of theirs. Remember to look people in the eye and notice what they are doing. If they are scanning the room, pause until they realize they are blowing you off. Do whatever it takes to sound upbeat and open. Don’t let their clothes, hair, or piercings distract from your message. You don’t need to wear a suit and tie but do bring your best business casual wear. A blazer isn’t a bad idea either. 
  4. SHUT UP FIRST! The art of knowing when to end the convo is something you will have to practice. You can tell when the other person’s eye starts darting or they are not using body language that tells you the convo will continue. You end it by telling them you appreciate meeting them and want to connect via email. Ask for a business card. Email is more challenging to ignore than a LinkedIn request, and you can be more detailed in what you want via email. 
  5. WORK THE SCHEDULE: Know who speaks when. That is when you will find the speakers hanging around. Plan your lunch outing to include a few fellow attendees. Be open and conversational with those around you. I am a huge USC fan, so I would walk to McKays– a good spot with plenty of USC football memorabilia on the walls. Sometimes you can find the next day’s speakers at the Day 1 after party. Need a bar? Hit the 901 Club for cheap beer, drinks, and food. 

You’re welcome. 

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