Connect with us
blank

BSM Writers

Everyone Appreciates Zach Gelb’s Grind

“I don’t like to look too far ahead, I have an incredible opportunity being 25 and doing a show Monday through Friday. If I try to think too much ahead, it will be a disservice to the audience.”

Brandon Contes

Published

on

blank

You could say Zach Gelb was born into sports talk radio. Growing up the son of a longtime WFAN employee may have triggered Zach’s desire to work in sports radio, but it’s his own hard work that led him to where he is today.

When he was a kid, he’d go to work with his dad, Bob Gelb who produced Mike and the Mad Dog and later moved into sales and marketing for the station. Zach quickly grew an affinity for the industry and knew it was something he wanted to make a career out of.

Zach Gelb | CBS Sports Radio

From hopping on-air with Joe Benigno at eight-years old, to hosting internet radio shows in his parents’ basement, to building a professional sounding station at Temple University, Zach’s educational years always featured sports radio.

But his young career has never been without networking, taking chances and seeking opportunities to prove himself as a rising star in the industry. At the age of 25, Zach began the year 2020 as the new weeknight host for Entercom’s CBS Sports Radio, where you can hear him on their national network of stations Monday – Friday from 6 – 10pm ET.

Brandon Contes: The first time I heard something on-air from you was two years ago, when Boomer and Gio played your “I’m a professional broadcaster” rant [Laughs] with you yelling at your producer.

Zach Gelb: [Laughs] Of course. We were watching the NBA Draft lottery and they were taking forever, interviewing everyone associated with the top draft picks. It was obnoxious how they were dragging it out. My board-op told me to get to a read, which I already did. And then in the middle of the rant he was in my ear again reminding me about the read. I knew we still had a minute at the backend, so I was going to squeeze it in there, but again he says get to the read! That caused me to go off for a second, we were laughing about it afterwards, but it definitely got a lot of exposure when Boomer and Gio had fun with it the next day.

BC: It was a light-hearted, fun moment, but I still give credit to the producer and board-op that’s able to accept the on-air ribbing and realize the entertainment value in that moment. But people hear yelling at someone behind the glass and they go back to Mike and the Mad Dog – nicely produced, never hesitating to blame something on the producer. The funny part is – you’re in a unique spot because for years, their producer was your dad.

ZG: [Laughs] When I was talking about it the next day with Eddie Scozzare (Boomer and Gio’s board-op who held the same role for Mike and the Mad Dog) and Al Dukes (Boomer and Gio producer), they were getting a kick out of it. Eddie called it the cycle of abuse, but if we’re being honest I have a great relationship with everyone I work with behind the scenes, especially because it wasn’t that long ago when I was running my own board and producing my own show, while programming a station.

I have a great appreciation for the people behind the scenes and love their input. A successful show and what makes a great host is someone who comes in with ideas for guests and segments, but then I’ll ask how can we improve this? Because sometimes as a host, we might think we know everything, but it’s good to have people to bounce ideas off.

BC: Obviously you grew up around it, but did you always want to work in radio?

ZG: When I was eight years old all I wanted to do was skip school and go to work with my dad. One of my first on-air encounters, Ray Martel was producing the WFAN midday show. Martel is a big New England Patriots fan, and I grew up a Patriots fan too. I wore a Tom Brady jersey to the studios. Joe Benigno saw me, and they thought it would be a cute bit to have a kid on-air talking smack with Benigno. [Laughs]

Related image

In the car ride home, I told my dad I wanted to do sports talk radio for a living. From there I started doing shows in my parents’ basement in high school and it developed into where I’m at today.

BC: Were those shows in your parents’ basement just for fun? Was it a podcast or broadcast anywhere?

ZG: It was on a network that’s no longer around called Shovio. Sid Rosenberg was on it, Leslie Gold The Radio Chick, Buc Wild, and they had an amateur channel which Sid suggested I try. I built some NFL connections, I went to the Super Bowl and got to interview Adam Sandler from Radio Row. I was doing that show when Rob Gronkowski was a rookie, I found him on Facebook, sent him a message and he came on for an interview. That’s also when I joined Twitter, I joined to send Kurt Warner a tweet and he came on the show after the Giants beat the Patriots in the Super Bowl the second time. I received necessary reps, even before I went to college.

BC: And then you went on to Temple, did you get to know Matt Rhule while you were there?

ZG: Yea I got to know Matt very well. I broke the story that he was leaving the Giants to become head coach at Temple. I would have him in studio, I would go to his office and Matt is still a guy that comes on with us to this day. We’re working on getting him on the new show soon.

BC: What station did you do your first professional show?

ZG: Right out of college, I did an afternoon drive show, producing a sports station and the irony is I was also running a Catholic station as a Jewish man which I get a kick out of. But it was Connoisseur Media and 920 The Jersey. Then I was hired to do Eagles postgame for 97.5 The Fanatic in Philly and soon after I spoke to Eric Spitz to start doing some shows with CBS Sports Radio. Last fall I moved to SiriusXM and now I’m back with CBS Sports Radio.

BC: Your dad has worked at WFAN throughout your whole life, but were you listening to Mike and the Mad Dog when he was producing or were you too young at that point?

ZG: I was younger, but for as long as I can remember I was listening. My birth was announced on-air!

Two early FAN encounters that stick with me, first when I met Don Imus. I remember my dad coming home and talking to my mom after work and even when he had a rough day, he would never curse in front of me or my sister. But with Imus, he would refer to him as the grouchy grandpa when talking in front of us. I was probably four or five the first time I met Imus, we were in an elevator and my dad said, ‘Zach this is Mr. Don Imus’ and I said ‘oh yea! the grouchy grandpa!’

Another time when I was with my dad, Mike and Chris were talking about famous Jewish baseball players, and I was in studio, as a kid, shouting names like Shawn Green in the background. Mark Chernoff quickly came in to tell the producer my shouting didn’t sound good off microphone so stop doing it. And now Mark is one of my bosses. [Laughs]

BC: You also interned at WIP in Philly, with another legendary radio host.

ZG: Yea, I interned with Angelo Cataldi which was great. What you get on-air with Angelo is what you get off-air. Angelo is so benevolent with his time. To this day, if you ever worked or interned on his show, you’re part of the family. Even as an intern I would sit in production meetings and offer suggestions of guests I had contacts for, Tom Glavine or Joe Theismann, and that helped us develop a relationship. Angelo gets to the studio around 3:30 in the morning and he was always helpful and great with his time in showing me how to think about things and present them on-air.

blank

BC: So Mike Francesa, Chris Russo, Sid Rosenberg, Angelo Cataldi, that’s some incredible names and talent to grow up around, watch first hand and learn from. It doesn’t get much better for a kid that wants to work in radio.

ZG: I think I have some of the greatest education that anyone my age received in broadcasting because I grew up around it and I would talk to them and network at a young age. To be able to learn from Sid Rosenberg, Mike and Chris, Angelo and Howard Eskin, it really helped.

BC: I’m sure it’s also fun for them to see you come back as a host because you being a middle school kid, high school, college, those days probably don’t feel very long ago to them, so to see you hosting on a national stage now at 25, it’s gotta be cool to watch that growth.

ZG: Absolutely. A lot of hosts like to give back because they remember me, that goes with players and coaches too. Matt Rhule, I first interviewed him when I was in college and now I’m on a national stage. They respect that grind.

The first time I interviewed Jim Nantz, I was in college. A few weeks ago, when he was doing a game in Philly he still invites me up to the broadcast booth and I think he appreciates the craft, the grind and the hard work. Kevin Harlan once said I’m better than he was at my age and – my jaw hit the floor – pinch me, there’s no way he said that. But they enjoy seeing the progression and it helps me realize the hard work is paying off.

BC: Do you have a show prep method? Do you listen to a lot of other shows, take in a lot of opinions, load up on stats and information?

ZG: I know some hosts say they never listen. I don’t buy that because people in this business are a fan of this business. Are there times I’m in my car listening to music? Sure, but it’s important to listen because you can develop a relationship with other shows.

As far as preparation its 24/7, my philosophy is simple. Give a product that’s compelling and entertaining. You want to encourage fan interaction on-air and on social media and you need to get guests that are some of the biggest names in sports. Don’t put someone on for the sake of putting them on and we’ve done that exceptionally well.

In the last two years on weekend overnights, we made national news. Whether it was Hue Jackson talking about Baker Mayfield, Bob Wylie about Freddie Kitchens, Donovan McNabb saying Carson Wentz needs to get to an NFC title game or the Eagles need to look for a new quarterback in the next couple years.

Social media is so important, we need to get those clips out, send them to local writers because not everyone’s listening to the show for four hours so pushing that content out on social and getting others to share it is very important.

BC: How about hosting nationally vs locally. You grew up around local radio, but they’re not talking about Hue Jackson and Baker Mayfield much on WFAN, do you like having the freedom to create different topics?

ZG: I like the options, it keeps you on your toes. For example, in New York you can do four hours on Carlos Beltran and the Mets easily. On the national stage, you need to find a larger conversation. You need to mix in the Astros and bring in the discussion of should players be suspended for the sign-stealing scandal? Broaden the conversation and invite the listener into the discussion so they’re not getting into their car saying he’s just talking about the Mets again.

Taking a topic and branching into conversations that fit nationally can be challenging, but it’s also the fun part, as is interacting with fans from all over the country and having those diverse opinions join the discussion.

BC: You’re 25 years old, you have a full-time gig on a national platform, what are you chasing? Is it a different time slot? A bigger platform? Going back to local, staying national? Are you even able to look ahead?

Image result for zach gelb cbs sports radio

ZG: I want to grow the show, develop as a broadcaster and take advantage of the opportunity I have right now. I don’t like to look too far ahead, I have an incredible opportunity being 25 and doing a show Monday through Friday. If I try to think too much ahead, it will be a disservice to the audience. You’re only as good as your last show in this business and you don’t want to slip up.

BC: It’s happened quick, to get where you are at 25 is a testament to your hard work and talent, but going from being a kid shouting in the background of a Mike and the Mad Dog broadcast, to internet radio, college radio, 920 The Jersey, local radio, part-time radio, to where you are now as a national host, have you been able to enjoy the progression? Absorb the ride?

ZG: No question, I appreciate it greatly and it shows hard work pays off. I don’t get complacent, I’m hungry as ever, grinding and booking my own guests, continuing to network. If anyone gets upset in this business, I always find that comical. You can be frustrated, but if you get upset and start to resent the business – there are so many people that would love to wear jeans and a t-shirt to work everyday and do this for a living. I have fun with it and don’t take myself too seriously. I’m the happiest I’ve ever been in my life just with what’s happened the last couple months.

BSM Writers

790 The Ticket Was Something Special And Stugotz Knows It

“I had programmers calling me saying this is the best local lineup that they’ve ever seen, that they’ve ever heard.”

Demetri Ravanos

Published

on

blank

When I was making the transition from the rock world to talk radio, there was one show I looked at as a guide. I got laid off from 96 Rock in Raleigh, NC in the summer of 2011. That was the beginning of my flirtations with streaming and podcasts, which is how I stumbled onto The Dan Le Batard Show with Stugotz on 790 The Ticket out of Miami.

Coming from a format that I felt out of place in at times, I instantly latched onto a show that reveled in pointing out how out of place it was in its own format. It became a daily listen for me, which opened me up to hearing other voices on the station like Jonathan Zaslow, Joy Taylor, Brian London, Brendan Tobin, Brett Romberg and others.

There were unique thinkers and passionate sports fans in every day part on 790 The Ticket. What set the station apart though is that I never heard anyone that sounded uncomfortable when the conversation turned to something that wasn’t a Dolphins’ loss or LeBron’s stat line. They talked sports the way normal human beings talk about sports. It was part of their lives, not the only thing they paid attention to.

Look at the outpouring of love for the station on Thursday. Hosts, producers and programmers from across the country took to social media to eulogize the station when the news broke that it would cease to exist the following week.

I can’t say for sure that all of those people felt the same way I did about the station and I cannot say whether or not it was for the same reasons. What I can say is 790 The Ticket had an influence that stretched far beyond South Florida.

Jon Weiner, better known as “Stugotz” to fans of the The Dan Le Batard Show, helped start the station in 2004. He told me that it didn’t take long for him to learn just how much The Ticket’s approach was making an impression on everyone in sports radio.

“I had programmers calling me saying this is the best local lineup that they’ve ever seen or heard,” he said in a phone call on Sunday. “I had people from out of market who had secure jobs at places that weren’t startups sending resumes and tapes because they wanted to be part of it. So yeah, we were aware and it is what we were going for. We got there pretty quickly and we were aware of the impact, not just in South Florida, but throughout the country.”

Last week, Brian “The Beast” London said his internal alarm bells first went off when he heard the Miami Heat were giving up their relationship with 790 the Ticket. The station and the team had been partners since 2008. He said in a YouTube video that it was hard to imagine the team’s games being heard anywhere else.

I asked Stugotz if he had the same feeling when he heard that news. He said in hindsight, he realized it was the beginning of the end, but he didn’t really get a sense something was up until Jonathan Zaslow was let go.

“[Zaslow] had been there since basically day one with us. And so I just kind of figured, yeah, between the Heat and then that I felt, okay, you don’t make a move like that unless there’s going to be some sort of seismic change. Otherwise, there’d be no reason to let him go. That was the moment I was like ‘okay, 790 is likely going away.'”

His feelings are no secret. He took to social media immediately on Thursday and said that the news that 790 The Ticket would soon be going away filled him with both sadness and pride. What Stugotz told me in our phone call was that he realizes that the station lasted about 15 years longer than it should have.

When the station was sold to Lincoln Financial Media, he was not expecting that company to want to keep a sports station. Senior Vice President Dennis Collins surprised him.

“The company saw so much potential in what we had built, both from a lineup and a sales perspective that they kept it going and that’s why it lasted all the way to 2022. We got it up and going and were responsible for the first three or four years, but Dennis saw the growth potential with the lineup we put together. That made me feel great because I had a pit in my stomach like ‘Oh, man, this thing we started is going to go away. It’s going to be three, four years and gone.’ And he said, ‘No, we love it. We want to keep it going’. So that was a huge compliment to everyone.”

Stugotz described the original owner of 790 The Ticket as a “young, good looking real estate mogul driving around in Lamborghinis.” That certainly helped the image of the station when it launched, but it is also a phenomenon that was very of the moment. It’s not 2004 anymore. Lamborghini-owning real estate moguls aren’t chomping at the bit to pour money into radio stations.

The conditions may be similar to what Stugotz and his partners saw in 2004. You could look at the radio landscape in Miami and see a way that a new challenger could fit in the sports radio scene. But what are the chances it actually happens?

It’s a great question,” Stugotz said. “So just to go back to that time, two sports radio stations were popping up in every market. I’m not certain if that’s still the case anymore just because of podcasting and the way the way younger people are consuming media through Tik Tok, Snapchat, and other things that aren’t AM radio.”

He is quick to commend Audacy, the current owners of the 790 AM frequency. Dan Le Batard and Jorge Sedano were part of his early lineups at 790 The Ticket because Stugotz recognized the Cuban-American community in Miami was not being served in the sports space in 2004, just like it isn’t being properly served in the news/talk space right now. That’s why there’s room for the conservative-leaning brand Radio Libre in Miami and other markets are likely paying attention.

“It seems like a good plan, and I know it’s something that the Spanish population should have and deserves to have and probably was not being catered to correctly. So, yeah, I could see there’s a warning sign to some other sports radio stations or news stations in other markets where the Hispanic population is great. Absolutely!”

It is a shame that 790 The Ticket is no more and it is concerning that a station with its legacy and influence can simply disappear. But if we are being real, it isn’t the first station of its kind to suffer that fate and it won’t be the last.

As the media business changes and leaves sports stations vulnerable to something cheaper and with broader appeal, 790 The Ticket and stations like it should be touted as examples of how to rise above the noise and make an impact. Stugotz and his partners looked around in 2004 and said “we can be different and we can do this better” and that’s exactly what they did.

Continue Reading

BSM Writers

Chris Simms And His Self-Professed ‘Big Mouth’ Enjoying Life At NBC

“One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”

Avatar photo

Published

on

blank

To be a good football analyst, one certainly has to know and love the sport but you also can’t be afraid to use the most important tool that you have to do the job. Chris Simms has all of those attributes and NBC lets him use them to the best of his abilities.

“I love football and I love X’s and O’s and I got a big mouth so it’s a great combination,” said Simms. “Between my podcast, Pro Football Talk with Mike Florio, and Sunday Night Football, I get plenty of time to talk and get my studies out there.”

There’s no doubt that Chris inherited that self-professed big mouth from his father, former NFL quarterback and longtime NFL on CBS analyst, Phil Simms.

So, the question had to be asked…does Chris have a bigger mouth than his father?

“Yeah, I probably do,” admitted the younger Simms. “That’s a big mouth to overcome, but I think I probably got him beat in that department.”

Chris Simms set out to follow in his father’s footsteps on the field and played quarterback for Ramapo High School in New Jersey where he earned a pair of All-State honors. After graduating high school in 1999, Simms moved on to play quarterback at the University of Texas where he posted a 26-6 career record as a starter and was the team MVP during his senior season in 2002.

Simms was drafted by the Tampa Bay Buccaneers in the third round of the 2002 NFL Draft and he would guide the Bucs to a playoff berth in 2005.  He would also go on to play for the Tennessee Titans and Denver Broncos completing a seven-year NFL playing career. He spent one season as an assistant coach with the New England Patriots before taking his talents to the world of broadcasting.

He started with FOX Sports as a college football announcer in 2013 and then joined Bleacher Report in 2014 while also serving as a color commentator for the NFL on CBS.

And then in 2017, Simms joined NBC Sports where he has certainly found a home.

“I couldn’t be happier,” said Simms. “It’s a great company to work for. Just good people all around. They’ve given me the platform to be me. One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”

Simms wears many different suits at NBC Sports, most notably his role as a studio analyst on Football Night in America leading into Sunday Night Football. He’s also a part of the SNF post-game show Sunday Night Football Final on Peacock, Pro Football Talk with Mike Florio, and Chris Simms Unbuttoned, a streaming/digital show that is also a podcast multiple days a week.

But the most eyeballs are on him during Football Night in America, the most watched studio show in sports.

“I grew up wanting to play in these games more than be the guy in the studio but this is like the second-best thing,” said Simms. “I was kind of that kid at 4 or 5 (years old) who could tell you every player in the NFL, their number and all that type of stuff. It’s the NFL on the biggest stage. It’s such a well-done show. I get to be there with Maria Taylor along with Tony Dungy, and Jason Garrett, and Mike Florio, and Matthew Berry. We got a great team and it makes Sunday fun.”

From the “it takes one to know one” category, Simms has also made a name for himself with his ranking of NFL quarterbacks. He’s very diligent when it comes to watching the live action and also in his film study and his top-40 rankings have become a hot topic within the business and around the office coolers.

Simms is well aware that his rankings have become a lightning rod of discussion.

“It all kind of started organically just because I would make statements,” said Simms. “People were like ‘Why don’t you start making a list?’ It’s a really hard thing to do. It offends a lot of people and I hate that. I root for all of these guys and I say on my podcast all the time I hope this guy proves me wrong. I hope he shits on me and shows me that I was wrong. It’s certainly not personal. One of the things I pride myself on is studying and immersing myself in the game all of the time.”

Simms became a full-time employee of NBC Sports in 2019, but his first role with the network came in 2017 when he became a studio analyst for Notre Dame Football.

Here’s a kid that grew up in North Jersey where there’s a ton of Notre Dame alumni and he’s standing on the sidelines at South Bend as part of Fighting Irish telecasts.

“Another special entity,” said Simms. “I used to get chills being out on the field every Saturday there. It gave me great experience in a different way with the halftime show and the pre-game show. One of the years I was kind of the third man in the booth but I was on the sideline. It gave me some reps on in-game stuff as well. I think most importantly what that did for me more than anything is that it opened up more eyes at NBC about me.”

And now Simms’ work has him in the discussion for a new potential opportunity down the road. 

NBC, alongside FOX and CBS, has secured a seven-year media rights deal with the Big Ten Conference that will commence next season. NBC will air Big Ten Saturday Night, the first time that Big Ten Football will have a dedicated primetime broadcast on a national broadcast network. Peacock will stream an additional eight Big Ten games each season and NBC/Peacock will air the 2026 Big Ten Championship Game.

There have been rumblings that Simms could be involved in the coverage. Is he interested?

“I’m intrigued by it,” admitted Simms. “I’m very all NFL right now but broadcasting game is fun. It’s definitely something on my radar for sure. I do have some producers here in the building that are like ‘I’m going to tell the boss I want you to do some of the Big 10 games this year and what do you think about announcing?’ I’ve already had some people in my ear talking about it. It’s awesome for the company regardless. It just expands our football world. As far as me being involved, we’ll see.” 

In a relatively short amount of time, Chris Simms has built up quite the broadcasting portfolio. From FOX to Bleacher Report and CBS to his current expanded role with NBC, Simms has established himself as one of the premier NFL analysts in the business and his podcast has given him the freedom to do something that he loves to do. Including putting his money where his mouth is. 

Continue Reading

BSM Writers

The Pat McAfee Alternate Broadcast Presents Unique Challenges

Avatar photo

Published

on

blank

Alternate broadcasts are all the rage these days, and ESPN, in conjunction with Omaha Productions, debuted a new one this weekend as The Pat McAfee Show aired an alternate broadcast of the Clemson and North Carolina State game Saturday evening.

A few weeks ago, I wrote that Manningcast copy-cats were destined for failure. And while I don’t believe McAfee’s debut was a failure by any stretch of the imagination, I couldn’t help but notice it brings its own set of challenges.

First and foremost, College Football Primetime with The Pat McAfee Show — the world’s most convoluted way to say “The McAfeecast” — doesn’t really resemble the Manningcast. And rightfully so. I’m not sure there are two more polar opposite sports media brands than the Mannings and McAfee. The Mannings are funny, but not too funny and never “blue”, while often concerned about how finely quaffed their hair looks and whether the button-down shirt color matches with the Nordstrom quarter-zip they’ve donned. Meanwhile, McAfee wears his black tank-top, like usual, and put his best Pittsburgh-ese foot forward.

Even though the Mannings and McAfee are opposites doesn’t mean they can’t work together, however. The alternate broadcast was a win for Manning, a win for McAfee, a win for ESPN, and a win for viewers.

People love Pat McAfee. Plain and simple. For a multitude of reasons that we can get into in a later story, but let’s focus on that for a moment. It was a big portion of my column a few weeks ago. The Manningcast works because people like Peyton and Eli. The KayRodcast doesn’t work because people hate Michael Kay and Alex Rodriguez. It’s honestly, truly, that simple.

I think it benefitted the McAfeecast to debut with a smaller game, which seems counterintuitive because it was a matchup of top ten teams in primetime. But let’s be realistic, a number five versus number ten ACC game doesn’t hold the same weight as a number five versus number ten Big Ten or SEC game. And it helped McAfee and crew, because there are obvious kinks to work out.

Firstly, there are entirely too many people on the screen. I’m going to have nice words to say about BostonConnr than the eight-and-a-half-year-old that went viral earlier this summer, but god love ya, your time to shine likely isn’t on primetime on ESPN. In my opinion, for the McAfeecast to really work in the future, a similar setup to the Manningcast with McAfee and A.J. Hawk being the prominent figures on screen is the best solution to the problem. I know McAfee believes in his boys. It’s one of his more endearing qualities, and is frankly part of the reason his show is so successful. But you’re reaching a different audience on ESPN2 on Saturday nights, and the reason the either tuned in or will stay is because of McAfee’s presence.

I didn’t get a great feel for McAfee’s thoughts or reactions on the game simply because you didn’t get a closeup of his face. The best moments of the Manningcast, outside of Eli flipping the double birds or Peyton saying “I can’t hear shit”, have been when the pair have been absolutely disgusted by a decision made by a coach or player and their face shows it without any words following up their reactions. And McAfee definitely holds that ability, and I wish I would have gotten a better sense of his facial reactions on-screen.

Also, and I know this is something McAfee can’t actually control, he had to be a bit more reserved on cable television. Part of the allure of The Pat McAfee Show is the — let’s call it extreme candor — with which he speaks. I believe that’s the scholarly way to write “he says f*** frequently”. And believe me, I subscribe to the theory that the FCC should allow hosts the ability to say obscenities 15 times per week, so I’m down for McAfee’s swearing. But you’re just simply never going to get that on ESPN2. You’re likely never going to get that if the broadcast aired on ESPN+, either. For a “family friendly” company Disney, those cards are just flat out never going to be on the table for McAfee.

One of the things McAfee is known for is his boundless energy, which felt lacking at times on Saturday, but it’s understandable. The man was on College GameDay earlier in the day, flew back to the studio to do the alternate broadcast after travelling the day before to get to Clemson to be on GameDay. I’m sure that takes a toll. On top of that, you’re doing something new for the first time, while trying to, essentially, heard cats on the screen, and you can be a little wiped out by the end of the night.

However, the goodwill McAfee has bought with fans over his extreme generosity was on display as the alternate broadcast donated more than $100,000 to Dabo Swinney’s charity, The Jimmy V Foundation, and the American Red Cross. It was a brilliant move for a debut broadcast, because it acts as a slight shield for criticism. How can you complain about something that raised hundreds of thousands of dollars for charity?

The alternate broadcast, for the most part, avoided the biggest problem I have with the Manningcast. The interviews. I’ve never been watching Monday Night Football, or the Manningcast for that matter, and thought “Man, I wish they were talking to Tracy Morgan right now!” McAfee brought on Peyton Manning, for obvious reasons, and former NC State quarterback Phillip Rivers. That’s it. They didn’t rely on guests to carry them through down periods. The eight folks on screen did most of the heavy lifting, and for that, I thank them.

The McAfeecast was certainly different than any other alternate broadcast I’ve consumed. The crew shooting hoops for extra donations to charity during stoppages of play definitely kept things light and interesting. I couldn’t help but be invested in whether or not someone would bury three out of five threes during an injury timeout for more money for charity.

Speaking of injury timeouts, McAfee planned a giveaway and told fans to use a certain hashtag and when to screenshot or take a picture of their TV. Immediately following him saying “now!”, an injured player appeared on the screen, and he instantly shouted “No! Not now! No! We don’t want that, and we hope he’s ok”. It was a light-hearted, nearly hilarious moment that brought levity to the situation.

The highlight of the cast, however, was — in true McAfee style — picking up on things other broadcasters wouldn’t, like an angry fan. The entire crew shouting at the same time in this specific moment was spectacular television.

Overall, I thought the McAfeecast got off on the right foot. There is undeniably a market for an alternate broadcast based around the former NFL punter’s personality, and I look forward to seeing where the show goes from here.

Continue Reading
Advertisement blank
Advertisement blank

Barrett Media Writers

Copyright © 2022 Barrett Media.