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The Success of ‘Get Up’ Made Returning to Radio Possible For Mike Greenberg

“Greenberg said for at least the first 18 months of the show, Get Up required all of his time to figure out what they wanted it to be and how to execute, but now he has time to invest in other projects.”

Brandon Contes

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After nearly two decades hosting a national radio show, it only took three years for the platform to lure Mike Greenberg back. But as he noted in the latest BSM podcast, timing had to be right for a radio return and his TV show had to be operating efficiently. 

Greenberg said for at least the first 18 months of the show, Get Up required all of his time to figure out what they wanted it to be and how to execute, but now he has time to invest in other projects.

“That’s in no way to suggest I’ve checked out in any way mentally,” Greeny told Jason Barrett. “But Get Up is something that is now rolling along and doesn’t require my being involved in every meeting and every conversation and being on top of it every second, so at that point I started thinking about what else could I start putting my time and energy into.”

Earlier this year, Greenberg said he received an unexpected phone call gauging his interest in returning to ESPN Radio. It was part of ESPN Radio’s plan to formulate their lineup into shorter shows. 

The anchor of ESPN Radio’s new lineup is their morning show featuring Keyshawn Johnson, Jay Williams and Zubin Mehenti. The morning trio will undoubtedly face skepticism and criticism from an audience that might be used to something different, but according to Greenberg, their focus needs to be on “getting the show right.”

“If you do a good show, the advantage of being on ESPN is unimaginable, it’s overwhelming. As I always said about Get Up, we’re on a channel people watch. when we figure this out, they’re still going to be there to see,” Greeny said. “Just focus on making the show great and once it is, people will listen to it and people will like it.”

As Keyshawn, Williams and Mehenti launch their morning show, Greenberg joins a midday timeslot that’s new to him, but also presents the exciting opportunity to cover news as it happens. Radio provides an immediacy and intimacy that is inherently special for breaking news. 

“I’ve been doing mornings for the last 21 years,” Greeny noted. “And what very seldom happens in the morning in sports is anyone getting hired, fired or traded…the things that constitute big breaking sports stories almost never happen on my watch.”

One variable that certainly influences the immediate success of launching a new sports radio show in 2020 is the ability of leagues to play games during a pandemic. While he’s justifiably skeptical college football will take place, Greeny remains confident that we’ll see the 2020 NFL season. 

Sports will support the show, but important social issues won’t be ignored. According to Greenberg, the most important aspect of correctly handling those conversations is taking the appropriate amount of time to do so. Offer multiple sides, speak from the heart and give every opinion a fair amount of time to be expressed. 

The latest episode of the BSM podcast includes professional advice from Greenberg on a talk show host’s responsibility to delivering effective teases, why they matter, and how Mike handles executing them during live shows. Greeny also shares his approach to hosting a national program and trying to serve everyone everywhere, as well as memories of former 97.1 The Ticket morning host Jamie Samuelsen, and how he learned of the Detroit sports radio host’s passing.

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Ian Rapoport: ‘I Would Be Surprised’ If a Thursday Night Game Gets Flexed

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Is all of the consternation and hand-wringing about flex scheduling much ado about nothing? Ian Rapoport was on with Pat McAfee Tuesday and said despite the NFL owners voting to bring flex scheduling to Thursday Night Football, it isn’t the weekly threat some are making it out to be.

“I would say this from what I know of this, I would still be surprised if any game was flexible,” the NFL Network insider said. “I would be surprised if any game was flexed because they don’t want to use it.”

Flex scheduling in Sunday Night Football is used to create the best matchups in the league’s marquee window. With the option coming to Mondays and Thursdays this season, Rapoport says the bar for justifying moving not just kickoff times, but days, is going to be high.

Thursday Night Football has the most restrictions. The league will have to announce any moves almost a month ahead of when the game actually kicks off. When McAfee pointed to the Pittsburgh Steelers’ visit to New England in Week 14 as a prime candidate to be flexed out of Thursday night, Rapoport outlined a very specific scenario where he could see it happening.

“It’s not going to be like, ‘Well, we have a little bit better game, so maybe we’ll do that,’” he said. “It’s going to be like, ‘Okay, we have Mason Rudolph starting versus Bailey Zappe. Like, no one will watch this. We have to move.’ That’s to me, that’s under the circumstances that you’d see a flex.”

Last season, the matchups for Thursday Night Football were especially bad in some weeks. Al Michaels even made reference to it on the air during games. Having flex scheduling could help to avoid that, but Rapoport says the option is about protecting Amazon in the event circumstances around a game change drastically, not simply placating critics.

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Hall of Fame Baseball Writer Rick Hummel Dies at Age 77

“Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch.”

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Rick Hummel has passed away after a brief illness. The legendary baseball journalist was 77 years old.

Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch. His death comes in the first season after announcing his retirement.

Covering the team was something of a dream come true for the St. Louis native. He reported on three World Series wins and seven National League pennants. He was recognized by the National Baseball Hall of Fame in 2006.

The 2022 season was Hummel’s last of a 51-year run covering the team for the Post-Dispatch. It wasn’t the end of his career though. He went to Jupiter, FL in February to cover spring training as a free lance writer for a number of different outlets.

Rick Hummel will certainly be missed by his friends and loved ones. He will also be missed by the Cardinals community, who already mourned the loss of Mike Shannon earlier this month.

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Pablo Torre Explains Goals of Future Meadowlark Media Project

“I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Ricky Keeler

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While we know that Pablo Torre is going to have a new show with Meadowlark Media in the future, he hasn’t exactly been specific as to what it will be. We continue to look for bits and pieces from Torre about his show that will begin sometime before the NFL season begins. 

Torre was a guest on The Rights To Ricky Sanchez: The Sixers Podcast with Spike Eskin and Michael Levin (around the 22 minute mark) and he said that he is at Meadowlark to follow his curiosities and he thinks back to the story he wrote for ESPN The Magazine in 2015 about the 76ers and trust the process serves as a guide to him.

I have things I am obsessed with that I want to explain to people, and I believe there are stories in sports and in the national cultural conversation that either could use a little more smarts or a little more humor and I want to figure out how I can be the place where you find smart and funny when it comes to storytelling in sports in a narratively informed way. I’m being very vague about it, but the magazine sensibility of that process story is something that serves as a North Star in my brain.

“How do I tell a story that people from afar are maybe somewhat familiar with, but can get under the hood of to articulate and reveal and report some things that serve as something close to a definitive treatment to it?”

One thing that Torre thinks is a big opportunity in the media landscape is that there is an open lane to tell sports stories in the audio format. 

“There’s a lot of narrative series, some of which are excellent, but in terms of an always-on show where someone’s job is to follow a curiosity down the rabbit hole and/or tell a story/interviewing a person as a way of explaining something larger. I want to bring a viewpoint that because sports is so much about living or dying with these games as we have been, I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Torre isn’t going to be able to cover everything in sports, but he said that he wants to take a complicated story and make it simpler for the listeners.

“My goal is not that I’m going to cover everything, but I’m going to give you stories of a different genre, stories that explain and go deeper. I want to make this fun, but also premised on contextualizing complicated stories in a simpler way.”

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