We have two killer diseases in this country, one invisible and the other as blatant as seven gunshots fired toward a Black man’s back. If COVID-19 is insidious, police brutality is the naked terror. Imagine life as an African-American basketball player right now, locked down in a science globe by a league and two broadcast networks, watching the savagery in Wisconsin and figuring America is the same slave nation that oppressed their parents, grandparents and ancestors.
They are being paid, yes. But they do not trust The Man, so to speak. They wonder why Adam Silver, the commissioner who convinced them to resume this disjointed season, hasn’t been in the NBA Bubble and why the league’s interest in amplifying social justice initiatives has waned during the playoffs. And they don’t trust the owners, nearly all white men, even if sports has made many of the players wealthy and renowned. They want these billionaires to use their tentacles to influence politicians, regardless of party or persuasion, and stop the bloody massacre of Black people by white cops.
That message was just beginning to resonate Thursday throughout a $200-billion industry, allowing sports to avoid a devastating domino-effect stoppage, if only until the next shooting. But there to muck it up, as usual, were the socially ignorant klutzes of Major League Baseball, creating even more distrust a day after the NBA season was nearly shuttered by LeBron James, Kawhi Leonard and other players feeling helpless in fighting racial inequality from their Disney World confinement. The MLB lords have been stuck in self-sabotage for decades, undermining their sport with endless scandals, a sluggish on-field product and an existential disconnect with younger people. Their failures are as commonplace as another 450-foot pummeling of a juiced ball.
Still, it’s beyond comprehension that this old-fart operation, long mired in a racial crisis with its scarcity of Black players and executives, not only would delay a unified response to the shooting of Jacob Blake but also turn a New York ceremony into a finger-pointing farce.
Jackie Robinson shattered racial barriers in Brooklyn, a few miles from what is now Citi Field. He would have been ashamed to see the dysfunction in the hours preceding what should have been a simple edict: postponing the Mets-Miami Marlins game, following the lead of all other major-league games on the day’s schedule. I don’t trust the entirety of MLB leadership, so I’m still not sure who’s telling the truth and who might be in cover-up or throw-under-bus mode. But knowing the raw ineptitude of commissioner Rob Manfred, I’m not ready to assume Mets general manager Brodie Van Wagenen was mistaken when he accused Manfred of asking Mets and Marlins players to do the unthinkable: Walk off the field as a tribute to Blake, then return an hour later to … PLAY A BALLGAME?
The idea did come from someone’s convoluted mind. Would Manfred be so crass to prioritize scheduling issues, an ongoing quagmire in baseball’s nightmarish pandemic season, over the Black Lives Matter movement? It would be a fireable offense, another death knell for the sport, yet that is exactly what Van Wagenen suggested in the latest leaked video to burn a sports figure. Talking with two Mets colleagues in late afternoon as the fate of the game was being decided, Van Wagenen ripped Manfred as a leader who “doesn’t get it’’ while failing to understand that Mets players had zero interest in playing. What the loose-lipped GM didn’t know is what everyone should know in the 21st century: His conversation, which referenced an earlier meeting with Mets chief operating officer Jeff Wilpon, was being streamed on MLB.com. Minutes later, the video was posted on the team site, where it was discovered by a 20-year-old New Yorker who naturally shipped the clip into the breaking news viralsphere.
Said Van Wagenen to the others: “Baseball’s trying to come up with a solution, saying, `Oh, you know what would be super powerful’ — the three of us here, this can’t leave this room — `you know it’d be really great if you just have them all take the field and then they leave the field and then they come back and play at 8:10. And I was like, ‘What?’ I told Jeff … these guys aren’t playing. They’re not playing. But that’s Rob’s instinct.
“At a leadership level, he doesn’t get it. He just doesn’t get it.’’
He’s right. Manfred doesn’t get it, period, about anything. But that isn’t the point here. Three white men named Brodie, Rob and Jeff were making America Look Stupid Again. Had they already forgotten the powerful words of the previous night from Mets outfielder Dominic Smith? Weeping and choking up during an interview, Smith carved himself a place in history by saying this of the Blake shooting and racism in America: “The most difficult part is to see that people still don’t care. For this to continually happen, it just shows the hate in people’s hearts. That just sucks, you know. Being a black man in America is not easy.’’ All you need to know about the Mets is that the goofish Alex Rodriguez, part of a group angling to buy the team, would be a marked boardroom improvement over Fred Wilpon and his son. So, of course, they botched the Smith moment.
What followed was pure tragicomedy. Van Wagenen, an ill-advised hire with no management experience after a career as a sports agent, released a statement, saying he had the story wrong. It was Jeff Wilpon’s idea, he said — the most overt case of ratting out a boss in recent sports memory.
“Jeff Wilpon called Commissioner Manfred this afternoon to notify him that our players voted not to play,” he said. “They discussed the challenges of rescheduling the game. Jeff proposed an idea of playing the game an hour later. I misunderstood that this was the Commissioner’s idea. In actuality, this was Jeff’s suggestion. The players had already made their decision so I felt the suggestion was not helpful. My frustration with the Commissioner was wrong and unfounded. I apologize to the Commissioner for my disrespectful comments and poor judgement in inaccurately describing the contents of his private conversation with Jeff Wilpon.”
Later, in case everyone didn’t hear him the first time, Van Wagenen reiterated his apology during a conference call. “I have put myself and this organization into this conversation in a way that takes away from the real point,’’ he said. “I’m disappointed in myself.”
Or, was he was dutifully covering Manfred’s ass, with Wilpon’s approval, so the commissioner could avoid epic humiliation and nationwide calls to replace him with whatever fool wants the gig?
If Wilpon did hatch the plan, as he claimed, just be happy the Mets are on the sales block, assuming anyone really wants them. “To clear up any misunderstandings, it was my suggestion to potentially look into playing the game later because of scheduling issues,” Wilpon said. “Brody’s misunderstanding of a private conversation was and is inexcusable.’’
Somewhere on a Florida campus, LeBron was cringing. He had come close to taking down a league — and perhaps all of North American sports, by extension — when he walked out of a volatile players’ meeting after both Los Angeles teams, James’ Lakers and the Clippers, had voted to end the NBA postseason and go home. Now, here was living proof that executives and commissioners are clueless about social injustice. The players who questioned James in the ballroom might have said he was being selfish, that he could afford financially to pop the Bubble when they needed the paychecks. But if LeBron was thinking about himself, it was his legacy as an activist, which currently takes precedence over a fourth championship. After a night of sleep and a cooling of heads, the NBA playoffs carry on. But the games have lost their momentum, after a fun ride of basketball story lines, and any chatter about title contenders has been replaced by when the players next threaten to ditch the Bubble.
“You forget that being in the bubble is hard,’’ said Clippers coach Doc Rivers, who thought the season was over when his team initially voted no. “I don’t think it’s coincidence that everyone in this bubble seems to be a little more emotional. I’m not kidding, it’s true. I think part of the effect of being, like, jammed together every day, it has had that effect on everyone.” Besides, James is busy fighting the White House. “NBA players are very fortunate that they have the financial position where they’re able to take a night off from work without having to have the consequences,’’ said Jared Kushner, President Trump’s senior adviser and son-in-law, as the league was postponing two days of games.
After James fired back a tweet — “Change doesn’t happen with just talk!! It happens with action and needs to happen NOW! — Kushner offered to make peace. “Look, if LeBron James reached out to the White House or we could reach out to him, we’re happy to talk with him and say, `Look, let’s both agree on what we want to accomplish, and let’s come up with a common pathway to get there,’ ‘’ he said.
Trump was too busy ignoring the coronavirus during his re-nomination speech to react specifically to James, which surely bugs LeBron. “I don’t know much about the NBA protest,” Trump said. “I know their ratings have been very bad because I think people are a little tired of the NBA. They’ve become like a political organization, and that’s not a good thing.”
At least NBA players have an ally in Silver, though a message was sent through ESPN reporter Marc Spears that the commissioner needs to get “a helicopter’’ and invest more Bubble time with them. It could be worse: Their leader could be Manfred. That such a debacle could happen in such a sensitive time in history is another indictment of a man who shouldn’t have his job. Manfred can’t even control the buffoonery of a team across the East River from his midtown Manhattan office, much less guide baseball through an absurdist pandemic season interrupted by virus outbreaks and game shutdowns. He, too, issued a statement: “Over the past two days, players on a number of Clubs have decided not to play games. I have said both publicly and privately that I respect the decisions and support the need to address social injustice. I have not attempted in any way to prevent players from expressing themselves by not playing, nor have I suggested any alternative form of protest to any Club personnel or any player. Any suggestion to the contrary is wrong.”
Do you see a denial in there about Manfred asking the Mets and Marlins to play an hour after a symbolic walkout? Me, neither.
Only the NHL, which finally postponed games after criticism for not doing so the previous night, has had a weaker response to Jacob Blake than MLB. The Mets and Marlins did share a tender moment, standing for a moment of silence and placing a Black Lives Matter t-shirt on home plate before leaving the park — without a ballgame. Smith led the Mets onto the field, his tears having inspired the sports world. “It’s still overwhelming at this moment, just to see how moved my peers are — my teammates, my brothers, the front office, the coaching staff, everybody who talks to me on a daily basis,’’ he said. “Just to see how moved they were, it made me feel really good inside. It made me feel like we are on the right path of change.’’
The silence lasted 42 seconds. It came on the eve of Jackie Robinson Day, when every major-leaguer wears No. 42, even if a pandemic shifted the date from its usual April 15. The players and their tribute, it seemed, had saved the commissioner and Mets management from themselves.
But the reprieve was only temporary, as always. “It needs to be an ongoing thing,’’ Miami’s Lewis Brinson said of the Robinson tribute. “It can’t just be one day out of the baseball year that we bring light to everything.’’
“I think he would be amazed at the lack of progress in his eyes,” said Milwaukee’s Lorenzo Cain. “The fact we’re talking about this in 2020, I don’t see the progress in that. It’s almost like we’re going backwards.”
If this is a time machine, it might take us to the point of no return.
Jay Mariotti, called “the most impacting Chicago sportswriter of the past quarter-century,’’ writes a weekly media column for Barrett Sports Media and regular sports columns for Substack while appearing on some of the 1,678,498 podcasts in production today. He’s an accomplished columnist, TV panelist and radio talk host. Living in Los Angeles, he gravitated by osmosis to film projects. Compensation for this column is donated to the Chicago Sun-Times Charity Trust.
Beyond The Mask: Henrik Lundqvist Embraced 2nd Career in Sports Media
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal.”
Plucking the strings of an acoustic guitar, Henrik Lundqvist found himself beneath the bright lights once again, poised to put on a worthy performance. Just as he aimed to stop pucks from going in the net as the star goaltender of the New York Rangers for 15 seasons, Lundqvist sought to captivate viewers as half of a musical duo featuring former NHL forward Paul Bissonnette.
Their performance of “Good Riddance” by Green Day was in tribute to Rick Tocchet, a former NHL on TNT studio analyst who recently departed the network to serve as head coach of the Vancouver Canucks.
Lundqvist serves as a studio analyst for TNT’s coverage of the NHL, breaking down players and teams throughout the broadcast and bringing his own unique style to the set. His pursuit of a post-playing career in sports media was no guarantee from the moment he retired in August 2021; in fact, he never intended to stop playing the game and competing for a Stanley Cup championship at that time.
During the 2019-20 season, Lundqvist had lost playing time to young goaltenders Igor Shesterkin and Alexandar Georgiev, and by the year’s end, his deal was bought out by the team. In an effort to continue playing, Lundqvist signed a contract with the Washington Capitals – marking the first time in his NHL career that he would not step between the pipes for the Rangers.
Lundqvist never played a game for the team though, as it was discovered in a medical exam that he would need open-heart surgery to replace his aortic valve while also having an aortic root and ascending aortic replacement. Less than two months after the successful five-hour operation, he was back on the ice rehabbing and attempting to make a full recovery – but a few months in, he began to feel unexpected chest pain. Following a medical checkup, Lundqvist was told he had inflammation around his heart. It was a significant setback that required him to step off the ice, take off his goaltender equipment and rest for several months.
After discussions with his family and friends, Lundqvist determined that the risk of taking the ice outweighed the rewards and officially stepped away from the game. Rather than conjuring hypothetical scenarios wherein he did not experience the misfortune and played for the Capitals, Lundqvist looked to the future amid the ongoing global pandemic and thought about how he could best enjoy his retirement.
“I was just mentally in a very good place,” Lundqvist said. “I didn’t have a choice; I guess that makes it easier sometimes when the decision is made because you can’t go back-and-forth – ‘Should I?’ ‘Should I not?’ Yeah, I wanted to play but it was just not meant to be for me.”
Before any definitive resolution on his future endeavors was made though, the Rangers announced that the team would retire Lundqvist’s No. 30 in a pregame ceremony during the 2021-22 season, making him just the 11th player bestowed that honor in franchise history. As a five-time NHL All-Star selection, 2011 Vezina Trophy winner, and holder of numerous franchise records, Lundqvist had the accolades to merit this profound distinction.
Moreover, he was an important component in growing the game of hockey and contributing to the greater community, serving as the official spokesperson for the Garden of Dreams Foundation and founder of the Henrik Lundqvist Foundation. He also was a two-time recipient of the organization’s prestigious Steven McDonald Extra Effort Award, honoring the player “who goes above and beyond the call of duty.”
Throughout the night, attendees regaled Lundqvist with chants of “Hen-rik!” and were treated to flashbacks of some of his memorable career moments. The night was of monumental importance for Lundqvist, during which he expressed his gratitude to the Rangers’ organization, former teammates and fans. Then, Lundqvist — referred to as “The King” — promptly took his place among team legends beneath the concave ceiling of “The World’s Most Famous Arena.”
“When I look back at my career, I know, to me, it was all about preparation; how I practiced and how I prepared for each game at practice,” Lundqvist said. “There’s no regrets, and I hope people, when they think about how I played, [know] that it was 100% heart and commitment to the game.”
Before this ceremony though, Lundqvist and Rangers owner James Dolan had held several meetings with one another. The purpose of these conversations was to determine the best way for Lundqvist to remain involved with the team, its fans, and the community. In the end, he was named as a lead studio analyst on MSG Networks’ broadcasts of New York Rangers hockey before the start of the 2021-22 season: the start of his foray in sports media.
This past summer, Lundqvist negotiated a new deal with Madison Square Garden Sports and Madison Square Garden Entertainment in which he maintained his in-studio responsibilities while increasing involvement in other areas of its sports and entertainment ventures. In this new role, Lundqvist supports the business operations for both companies, assisting in digital content development, alumni relations, and partner and sponsor activities.
When Lundqvist is not in the studio or the office, he can often be found at Madison Square Garden taking in New York Rangers hockey, New York Knicks basketball, or one of the arena’s renowned musical performances. Usually, when he is in attendance, he is shown on the arena’s center-hung video board as an “NYC Celebrity” and receives a thunderous ovation from the crowd.
“The network is just part of it, but it feels great to come there,” Lundqvist said of Madison Square Garden. “Every time I go there – to see the people that I’ve known for so long – but also I love that place; I love The Garden. I think the energy [and] the variety of things that happen there is something I really appreciate. It feels really good to be a part of that.”
Sitting alongside former teammate and studio analyst Steve Valiqutte and sportscaster John Giannone, Lundqvist appears in the MSG Networks studios, located across the street from the arena, for select New York Rangers games. From the onset, he brought his allure and expertise to the set and appealed to viewers – so much so that national networks quickly began to take notice.
“I enjoy watching hockey [and] talking hockey, but the main thing to me is the team; the people that you work with,” Lundqvist said. “The guys on the panel [and the] crew behind. I really enjoy that part of it and having a lot of fun off-camera.”
One month later, Lundqvist was on his first national broadcast for the NHL on TNT where he and Bissonnette famously performed a cover of “Nothing Else Matters” by Metallica that went viral on social media. It had been known that Lundqvist was a musician, famously performing on Late Night with Jimmy Fallon in his Rangers uniform to celebrate the end of the 2012-13 NHL lockout.
In fact, during his retirement ceremony, the Rangers gifted him with a custom-made guitar painted by David Gunnarsson, the same artist who used to paint Lundqvist’s goalie masks.
Aside from occasional music performances, Lundqvist brings an esoteric base of knowledge to the NHL on TNT panel as its only goaltender. Whether it be through player breakdowns, interviews, or dialogue with other analysts, Lundqvist has a perspective to which few professional hockey players can relate. There are various goaltenders among local studio panels surrounding live hockey game broadcasts, and Lundqvist is in a unique situation with MSG Networks in that he and Valiquette are both former goaltenders. Yet on Turner Sports’ national coverage, he is the only voice speaking to this different part of the game.
“It’s not a coincidence you see a lot of goalies working [on] panels and analyzing the game because that’s a huge part of playing in goal,” Lundqvist explained. “Yes, you need to stop the puck, but a huge part of being a goalie is analyzing what’s going on. We can never really dictate the play so you need to analyze what’s happening right in front of you.”
In broadcasting at both the local and national level, Lundqvist is cognizant of the differences in each network’s studio programs. Lundqvist says appearing on the MSG Networks studio panel is more about being direct with the viewer, whereas the NHL on TNT views its panel as being conversational in nature. With Turner Sports, Lundqvist also asks his colleagues about the different teams around the league since he is most familiar with the Rangers both as a former player and studio analyst.
“I’m closer to the Rangers; I see more of what’s going on,” Lundqvist stated. “When you work [national] games, maybe you focus in on teams on the West Coast or [part] of the league you don’t see as often. You try to talk to the other guys on the panel and the crew and figure out things that are interesting about those teams.”
Hockey is a team sport, and Lundqvist felt grateful to play with his teammates and face his competitors over the years. Now as an analyst though, it is his job to analyze their games and critique them when necessary; however, he does not try to be excessively critical.
Lundqvist knows the trials and tribulations associated with the sport and can relate to scenarios many players face on a nightly basis. Therefore, he thinks about his own experience before giving an opinion, especially a critique, instantiating it with comprehensible, recondite knowledge and/or by recounting a similar situation.
“I’d much rather give them positive feedback obviously because I know it is a tough game,” Lundqvist said, “and sometimes it might look like an easy mistake, but if you can give the viewer a better explanation of why he did that, they might have a different view of that mistake.”
Now metaphorically being beyond the goalie mask, Lundqvist’s vision of the game has evidently shifted. He discerns just how intense the schedule is and the rapid pace of the game, axioms he was aware of while playing but inherently avoided thinking about. He has implemented his refined viewpoint of the game accordingly into his analysis, simultaneously utilizing the mindset and savvy he cultivated on the ice. It is, quite simply, a balancing act.
“I think people can be pretty quick to jump on guys and critique them,” Lundqvist said. “That’s where maybe you take an extra look and try to understand why it happened and give those reasons. I think that’s where it helps if you played the game [for] a long time and just love the game [because] you have a pretty good understanding of why guys react a certain way.”
The challenge tacitly embedded in the jobs of most studio analysts – Lundqvist’s included – is in presenting the information to the audience in a manner through which it learns without being confused. It is a delicate craft that takes time and genuine understanding to master, especially related to promulgating hockey analytics as Valiquette does on MSG Networks and within his company, Clear Sight Analytics.
“There’s a lot of educated viewers out there, but there’s also a lot of people that maybe don’t watch as much hockey,” Lundqvist said, “so you want to find that middle ground where you kind of educate both sides.”
By broadcasting both locally and nationally in addition to working in a specially-designed business operations role, Lundqvist is staying around the rink in his retirement while facilitating the growth of hockey. Despite the profusion of young talent, dynamic action and jaw-dropping plays, viewership of the sport on ESPN and TNT’s linear channels has dropped 22% from last season, according to a report by Sports Business Journal.
For Lundqvist though, he does not feel much has changed from playing regarding his responsibility to advance the reach and appeal of the sport. He played professionally for 20 years, beginning his career in his home country of Sweden, primarily in the Swedish Elite League (SEL). In the 2004-05 season, his final campaign before arriving in New York City, Lundqvist had won the award for most valuable player. Furthermore, he was recognized as the best goalie and best player, leading Frölunda HC to its second Elitserien championship in three seasons.
His NHL debut came five years after he was selected in the seventh round of the 2000 NHL Entry Draft by the New York Rangers but unlike many rookies over the years, he came polished and prepared to embrace the lights of Broadway. Following an injury to starting goaltender Kevin Weekes, Lundqvist was inserted into the starting lineup and, from that moment on, virtually never came out.
By the end of his first year, he had been named to the NHL All-Rookie Team and was a Vezina Trophy finalist for best goaltender. Additionally, he remains the only goaltender to begin his NHL career with seven consecutive 30-plus win seasons.
“I think the league is doing a great job of growing the game,” Lundqvist said. “In the end, it comes down to the product and right now, it’s a great product. I feel really good about, the best way I can, to promote the game [by] talking about it, but… it feels like I’ve been doing that for 20 years.”
One means through which Lundqvist attempts to grow the game is within the studio demos he performs with the NHL on TNT, displaying different facets of the game in a technical manner. The show also embraces the characteristics of their analysts and implements them in lighthearted segments, such as zamboni races, putting competitions, Swedish lessons and, of course, musical performances.
“I’m huge on mindset and the pressure,” Lundqvist said. “I love to talk about that type of stuff and give the viewer a better understanding of what goes through their heads. In terms of personality, I don’t know if I can say [that] I’m a serious guy because I love to have fun and laugh and do fun things.”
Lundqvist thoroughly enjoys what he is doing both locally and nationally, and he ensures he surrounds himself with people he wants to be around. There are plenty of other broadcast opportunities for former hockey players, such as moving into the booth as a color commentator or between the benches as a rinkside reporter. At this moment though, he is more focused on being immersed in his current roles, performing them to the best of his ability while ensuring he allocates time to spend with friends and family.
“I see myself more as an analyst in the studio more than traveling around and being in the rink,” he said. “I think that’s another thing with the schedule; it works really well with my schedule to have one or two commitments with the networks, but then I have other things going on in my life that I commit to.”
Plenty of comparisons can be drawn between playing professional hockey and covering the sport from the studio in terms of preparation and synergy. Yet the end result is not as clearly defined since “winning” in television is quantifiably defined as generating ratings and revenue. Undoubtedly, Lundqvist is focused on doing what he can to bolster hockey’s popularity; however, he also wants to enjoy this new phase of his career being around the game he loves.
“In sports, you win or you lose,” Lundqvist explained. “With TV, you want to be yourself [and] you want to get your point out – but at the same time, if you do it at the same time you’re having a good time, I feel like that’s good TV.”
Once their careers conclude, many athletes think about pursuing a post-playing career and oftentimes end up taking on a role in sports broadcasting. On MSG Networks alone, there are plenty of former players who take part in studio coverage on live game broadcasts, such as Martin Biron of the Buffalo Sabres, Bryce Salvador of the New Jersey Devils, and Matt Martin of the New York Islanders. At the national level, Turner Sports employs Paul Bissonnette, Anson Carter, and Wayne Gretzky for its studio broadcasts, while ESPN’s top studio crew includes Mark Messier and Chris Chelios.
All of these former professional hockey players had an obligation to regularly speak with media members, answering questions about games and the season at large. Lundqvist maintained a professional relationship with journalists and beat reporters, and he most enjoyed taking questions when the team was doing well. Regardless of what the end result of a game was though, he had a responsibility to divulge his thoughts and, in turn, be subject to criticism and/or negative feedback.
His stellar career and persona all came from emanating a passion for the game – and it continues to manifest itself beyond the television screen. Listening to those passionate about the game discuss it usually engenders euphony and lucidity to viewers, analogous to the sound of the puck hitting the pads or entering the glove. It is a timbre Lundqvist created 27,076 times throughout his NHL career (regular season and playoffs) in preventing goals, and one he now aims to explain en masse.
“The reason why I kept going to the rink and put all the hours in was because I really enjoyed it,” Lundqvist said. “If you decide to go into media or whatever it might be, I think the bottom line is [that] you have to enjoy it and make sure you have good people around you.”
Derek Futterman is a features reporter for Barrett Sports Media. In addition, he serves as the production manager for the New York Islanders Radio Network and lead sports producer at NY2C. He has also worked on live game broadcasts for the Long Island Nets and New York Riptide. He previously interned for Paramount within Showtime Networks and wrote for The Long Island Herald. To get in touch, find him on Twitter @derekfutterman.
Should the NBA Nationalize Local TV Rights Like MLS?
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
Diamond Sports has been anything but a diamond in the sports world. As subscribers leave cable and satellite for streaming services, companies are dropping RSNs nationwide because they are too expensive to carry. This has caused an impending bankruptcy for the company, which owns the local rights to dozens of sports teams nationwide. It is also putting the NBA, NHL, and MLB at major financial risk.
In the short term, it is known that teams will still broadcast on their RSNs even if they aren’t getting the paychecks they were promised in previous rights deals. This will affect teams’ ability to pay players and could even create an unfair advantage among the haves of the sports world like the Yankees and Lakers and the have-nots. The NFL doesn’t face the same problems that the other leagues are facing because its rights have been nationalized.
With the NFL’s continued television dominance, college conferences also bundling up games together for more money, and the MLS guaranteeing themselves television revenue after packaging local and national rights together, could we see the other leagues follow suit? It is an option that is much easier said than done but it seems like we are moving closer to it becoming reality.
The NBA’s upcoming rights negotiations will be this transformational idea’s first testing grounds.
The biggest problem the NBA and other leagues would face are that the local rights to all of its teams don’t expire at the same time. If the league were to sign a deal that included giving all local rights to a streamer, the amount which the league was getting paid would be very unique year after year. It would be crazy for a streamer to pay a huge chunk of money to the NBA all at once if the number of teams they have local rights to changes every year.
It would also be insane to pay an astronomical amount if the streamer is only getting the local rights to small-market teams like the Cavs and the Pistons. A major market team like the Lakers doesn’t renew their local rights until 2032. We’re still in 2023. How does that affect the league’s operating costs?
The NBA would also have to figure out whether teams whose rights don’t expire yet deserve to be included in the pot of money garnered from selling local rights to a streamer. Whether they are or they aren’t, does it put each team at different competitive advantages and/or disadvantages when trying to acquire free agents or front-office personnel?
One of the most interesting puzzles to figure out is what influence a league owner like Washington’s Ted Leonsis has in this potential measure when all is said and done. Leonsis just acquired complete control of the regional sports network — currently named NBC Sports Washington — that broadcasts Wizards and Capitals games for millions of dollars, although the exact amount remains undisclosed.
What does Leonsis do with his network if his team’s games can no longer air there? Can his team opt out of participating in a potential league offering? Or if the games continue to air on his network but are simulcasted locally on the streamer that wins local rights on a national scale, does the streamer have the ability to pay less money for rights?
If so, does that make the deal as lucrative for the NBA? And what does that mean for retransmission fees that cable companies like Comcast pay to Leonsis and other RSNs they’re still carrying?
The league will face a similar problem with the Lakers, Bulls, Knicks and other franchises that either wholly own or partially own a part of the RSNs where they broadcast their games.
I don’t have the answers to any of these questions which is why they are written here in this column. Unfortunately for the leagues, they don’t have the answers either. But if the NBA figures out a way to nationalize their product even more and make streaming games more appealing by ending local blackouts, it’ll benefit the game more than it hurts the game.
NBA, NHL, and MLB games are still some of the highest-rated programs locally in many markets when you look at how they rate vs. other cable and broadcast offerings. But at this point, the ability to charge everyone for a program that only ten percent of subscribers are watching is a losing business proponent.
The leagues should start from scratch and sell a mass package of games for maximum profit. It gives fans a more centralized location to watch their favorite teams and puts the leagues on a much more steady path than where they could be headed sooner rather than later.
Diamond in the rough to sparkling jewel of light? Only time will tell.
Jessie Karangu is a columnist for BSM and graduate of the University of Maryland with a bachelor’s degree in journalism. He was born and raised in Baltimore, Maryland but comes from Kenyan roots. Jessie has had a passion for sports media and the world of television since he was a child. His career has included stints with USA Today, Tegna, Sinclair Broadcast Group and Sightline Media. He can be found on Twitter @JMKTVShow.
Do You Have Affirmations Of Gratitude?
“We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right?”
Having gratitude for your life is all the rage. If you, like me, have trouble starting your day with positive affirmations and maintaining a positive outlook about your job, read on!
We are told to be grateful for what we have and remember it could be worse. That feels like a really low bar, right? Here is another version. Try a few affirmations of gratitude instead.
“I HAVE A JOB.”
With interest rates rising, inflation increasing, and spending down; corporations are laying people off. PayPal laid off 7% of its entire workforce. Amazon let 18,000 go. Alphabet (Google) said goodbye to 12,000 jobs. Radio sales managers need to hire people like you – experienced sellers with a track record of bringing home the bacon.
“I AM A PROBLEM SOLVER.”
You solve a problem for your company when it comes to revenue. You know people, and you sell advertising better than anything they can come up with…so far.
Yes, they are trying to replace you, but Zoom Info reports iHeart’s self-serve spot buying service, AdBuilder, is doing under 5 million in business. You have time to solidify your value. Be happy you are the rainmaker.
“I WORK IN THE PEOPLE BUSINESS.”
Sports talk radio is the ultimate companion to millions of listeners. They aren’t robots, and your stations improve their lives by talking about what they care about 24/7. Celebrate selling access to callers, Twitter followers and FANS who go to games. You also get to work with local celebrities that everybody knows but you know best. We all need a connection to other people and want to be seen and heard.
“I GET TO CHANGE HOW I FEEL ABOUT MYSELF.”
In this job, you determine your value, feelings about your work, and who you work with. You get to set a strategy and talk to the businesspeople you want to help and do business with. It’s like running your own business with a tremendous support staff. Try to do it independently, and you will appreciate accounting, traffic, production, and sales assistance. Those wins produce deposits in your bank account.
“I HAVE COMPETITION!”
That format competitor across the street does things differently and sometimes better than you or tries to imitate you and looks terrible. They motivate you to beat them to a new account or put a moat around your best clients so they can’t be touched. They keep you sharp and willing to try new things. Good competition schemes to take money from your station, and your management needs you to protect them. And they also provide a place for you to work one day. The FTC wants to eliminate non-competes so you can walk across the street this year.
Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at email@example.com or find him on Twitter @jeffcaves.