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Does Sports Radio Value Its Black Audience?

Listening to the radio is FREE. There is no reason why the sports radio format shouldn’t have a higher Black listenership…and more Black hosts. Period.

Rob Taylor

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Congratulations, sports radio! (not really)

You’re so unique! You’re in a lane by yourself! You just so happen to be one of the only mediums in life where the dominating topics involve African Americans, but its hosts and audience are dominated by Whites.

Black folk are NFL fans too'

Seriously….how did this happen?

In urban radio, the format is dominated by Black hip-hop artists and Black on-air personalities like Funkmaster Flex of HOT 97 (New York City) and Big Boy of Real 92.3 (Los Angeles). And a majority of its listening audience is also Black. The same goes with urban adult contemporary radio.

Cable network VH1 got rid of all that “Behind the Music” stuff and went all “Love and Hip Hop,” “Flavor of Love,” “For the Love of Ray J,” and “Basketball Wives,” and not surprisingly, VH1’s audience also went majority-Black.

Place Stephen A. Smith on ESPN’s First Take, add rapper Wale to do the show intro, bring Black celebrities onto the show regularly, and whaddya know? The viewership of the two-hour daily First Take was at 53 percent Black, according to 2017 ESPN data, by far the largest Black viewership on ESPN during any part of the day.

One can understand The Golf Channel having a majority-White audience. Same with the NHL Network. But…from LeBron, to Zeke, to Deshaun Watson, to Kevin Durant, how in the world did the sports radio format, which endlessly discusses the actions of athletes that are mainly Black, sustain such a large percentage of White on-air hosts and listeners? African Americans are very engaged in radio; and surely we love sports, so what’s the issue here? And don’t you dare say, “Well, the NFL and NBA are majority-Black but the people who attend the games are majority-White…” That is an economic issue, a lesson in generational wealth, so we won’t even go there in this column…

Listening to the radio is FREE. There is no reason why the sports radio format shouldn’t have a higher Black listenership…and more Black hosts. Period.

I believe that the sports radio format, in general, cannot attract an increasingly Black audience because there are not enough sports radio program directors who “have been” Black. Notice I said, “have been.” As in, sports radio PDs “have always” been White for decades, and just like hockey, NASCAR and golf (with the exception of Tiger Woods), if young African Americans never see people that look like them in certain positions, a lot of them will believe it’s not a viable career choice. So, this goes back decades. 

More African American PDs would eventually equal more Black on-air hosts. More Black PDs would eventually equal more Black producers, executive producers and assistant PDs. The way people snap photos at work with their phones today, word would spread visually on social media and word-of-mouth to other Black individuals that this is a career for you. But you don’t see it, so you just move on to something else.

Terry Foxx is the program director at WFNZ in Charlotte. As outstanding as he is, shouldn’t have to carry the mantle as the only Black sports radio PD in the nation’s top 60 markets. He can’t move these mountains by himself.

I’m not the only one giving an opinion here. Some people in the sports radio format also wanted to weigh in on this column’s polarizing topic: “Does Sports Radio value its Black audience?” Below are the conversations I had with a few of them.

Emmett Golden, on-air host, ESPN Cleveland

Golden, Emmett | Good Karma Brands

Rob: Emmett, do you believe that in general, sports radio is specifically tailored for White men? Or do you think that the Black male audience is also thought about when making programming decisions on hosts, music selections, producer selections, etc?

Emmett: Generally speaking, I would say sports talk radio is tailored to White men because most of the people running radio stations are White men. I believe there are exceptions, but if you look at the lack of Black hosts, especially those that weren’t former pro/college athletes, you can’t help but feel like African Americans aren’t top of mind when people are programming radio stations. Now, over the past year with all of the social unrest going on in our country, I do believe there is a shift happening. I think there is more thought put behind having a diverse line up now than there has ever been before. 

Rob: Why do you believe there aren’t more Black sports radio hosts on the air these days?

Emmett: There are a variety of reasons. One of them is that I don’t think the decision-makers understand the spending power of the African American community. We know that “Cash Rules” and I believe that some people think that there’s more disposable income available from the middle age White man, so let’s hire middle age White men and they can sell to that same audience. Another reason is with the lack of minorities running radio stations there’s a relationship issue. Most people are likely to hire someone they know or someone that gets a referral from a person they know. I understand that’s just how things work but without the representation at the top, it’s tough for minorities to get the, “Hey I know the perfect person for the job” type of opportunity. 

Rob: Last, did you personally find any obstacles getting on air in your sports radio career because of your ethnicity? Or did it maybe help you get on air faster to increase diversity on the station?

Emmett: I feel like I was lucky. I got an opportunity to intern at ESPN Cleveland and after getting that opportunity I was able to show them my value. My ability to build relationships, my willingness to do ANYTHING that was asked of me, and my overall attitude is what separated me from others in my intern class. I got the opportunity and many minorities don’t get the chance. Where I am in my career now being Black (I’m biracial, Black and White, but I know the world sees me as a Black man and I embrace that) could benefit me as more people look to add diversity. The responsibility is on me to open as many doors for young Black men and women so they can get the opportunity that they deserve. I was a part of Good Karma Brands’ launch of 101.7 The Truth in Milwaukee and we need more stations/opportunities like those in the radio business.

Matt Fishman, Program Director, ESPN Cleveland

Matt Fishman Named Dir./Content At WKNR (850 ESPN Cleveland) | AllAccess.com

Rob: Overall, do you believe the sports radio format values its Black audience? For clarification, to those (usually) small percentage of Black listeners who are listening to a particular show, are those listeners valued in say, the show’s music selection, topics, hosts?

Matt Fishman: The great thing about sports is that it creates a place of connection across different races, genders, ages, backgrounds, etc. Ensuring your team is made up of talent from diverse backgrounds allows for unique perspective on various topics and subjects, helps to avoid “blind spots” and reaches and relates to the audience.

Rob: Matt, can you explain, as a program director, how you believe having hosts such as Emmett Golden and Je’rod Cherry impacts, maybe, the diversity of ESPN Cleveland and, maybe, the relatability factor of those hosts to Cleveland’s sizable African American audience?

Matt Fishman: Emmett and Je’rod are amazing. Their show The Next Level is very welcoming to fans of all backgrounds. When last summer’s Black Lives Matter demonstrations were taking place in Cleveland and across the country, Emmett’s perspective as a life-long Clevelander and an African American allowed him to talk about the injustices in a way that only he could.

Jimmy Powers, Brand Manager, 97.1 The Ticket, Detroit

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Rob: Do you believe that in general, sports radio values the Black audience?

Jimmy: Absolutely. Radio as a whole, is a very competitive business and every listener in the DMA is important to the success of our radio stations. Sports radio is no different. Since we have a very niche audience because of the format, all of our listeners are extremely valuable.”

Rob: What do you think can be done to increase, improve Black listenership in sports radio?

Jimmy: Creating content that is relevant and reflective to the listening audience is key. This means discussing major news stories that has an impact on the entire city; regardless if it’s a big local story or a national story, it should resonate to all listener demographics and shouldn’t be avoided. In addition, we need to continue to do our part to find more talent that reflects the market listeners as a whole.”

Scott Shapiro, Vice President, Fox Sports Radio

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Rob: Do you believe that in general, sports radio values the Black audience?

Scott: Every listener is important, no matter their demographic, race or identity. Representation plays a large role in showing the audience that they are valued. It’s no secret that the industry as a whole can do better to have more voices from people of color.  At FOX Sports Radio, it’s important to us and a priority to continue growing and fostering diversity on the network.  When looking across our seven-day-a-week lineup, we’re proud to have eight Black hosts making up 30 hours of weekly airtime. And we’re excited about our most recent launch, Up on Game, which airs Saturdays from 1-3pm ET, headlined by three former NFL players – LaVar Arrington, TJ Houshmandzadeh & Plaxico Burress.

Rob: Were there any reservations or concerns from yourself or anyone associated with FSR/Premiere about having two Black hosts (Rob Parker and Chris Broussard of The Odd Couple) host a daily three-hour program on a syndicated national network?

Scott: There were zero concerns or reservations. It was our idea to put Chris & Rob together, and they are a tremendous pairing that America loves! They host a wonderful show and we are extremely happy with it three years in as it continues to grow.

Rob: Last, how do you think sports radio could begin to cultivate more Black program directors?

Scott: It all starts from the bottom up. Bringing in more diverse voices in the hiring process is the place to start. That way a deeper pool of candidates learn the business from entry level to the managerial stages.

Matt Edgar, Program Director, 680 The Fan, Atlanta

90+ "Matt Edgar" profiles | LinkedIn

Rob: Overall, do you believe the sports radio format values its Black audience? For clarification, to those (usually) small percentage of Black listeners who are listening to a particular show, are those listeners valued in say, the show’s music selection, topics, hosts?

Matt Edgar: I don’t think the Black audience was always valued but I truly believe they are now.  Though I’ve mostly felt sports radio is color blind, more needed to be done to cater to the African American listener by way of hosts.      

Rob: Matt, is Atlanta a market that has a higher than usual Black listenership to The Fan? Or would people be surprised to know that it’s considerably smaller than the market’s percentage of African Americans?

Matt Edgar: The ratings don’t always show a higher than usual Black listenership for us and I honestly believe that’s a Nielson issue.  Whether it’s the make-up of the crowd at one of our events, our callers, feedback, etc., I feel very strong about our African American listener representation.    

Rob: You were the PD of the 2 Live Stews, when they were on the old 790 the Zone. Was the White audience, in general, a fan of the show? And what made it resonate so much with Black listeners?

Matt Edgar: The White audience was a fan of the show for the most part.  It had an originality that sports radio hadn’t heard much of yet…..two brothers, who disagreed & fought like brothers….they were African American, which was very unique to the sports radio landscape back then….they were pure fun! 

I thank those in the sports radio realm who opted to respond with comments for this important topic. If you would like to give your opinion, feel free to email me at rtaylor@newpittsburghcourier.com, and if you’re an African American in this world of sports radio who may have aspirations to become a PD or other commentary, let me know that as well.

Sports Radio leaders, take a look at the daytime programming on ESPN and Fox Sports 1. There’s more African American hosts/contributors on these two national networks from sunup to sundown, you’d think they were broadcasting from the Barber Shop. Mike Greenberg is surrounded by Black contributors, First Take is, well, engrained in African American culture, then Sage Steele anchors Sportscenter, followed by Jalen Rose’s platform, plenty of Black NBAers on The Jump, and you can’t miss Bomani Jones and Dominique Foxworth on Highly Questionable.

On the competition (FS1), there’s Brandon Marshall on First Things First, Shannon Sharpe on Undisputed, Joy Taylor on The Herd, and Marcellus Wiley and Emmanuel Acho on Speak For Yourself. It seems like the national TV sports conversation has a sizable percentage of African American hosts/contributors, unlike local sports radio.

Which brings me to national radio. As Scott Shapiro referenced earlier in this column, Chris Broussard and Rob Parker are making an impact in their daily Fox Sports Radio program as an African American tandem. Unfortunately, it’s very seldom to find two Black hosts with their own local sports radio show.  
And props go out to JR, of the JR Sport Brief Show on CBS Sports Radio, each weeknight from 10 p.m. to 2 a.m. ET. For those who thought he was just filling in during the pandemic…no no…he showed the audience that he was the real deal, as he’s nearly a year and two months into the national program. I had a chance to speak with JR about this column’s topic. He gave me that “look” that I could even see through the email, and he then referred me to a Tweet he posted on Aug. 26, 2020:

BSM Writers

Twitter Blue Debacle Showcases Company’s Ongoing Concerns

“If you start giving away blue badges to everyone, then it has no value. It’s the equivalent of a currency. if you start printing more, it gets devalued. Same for verified badges.”

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For years, a blue “verified” check mark on Twitter has long been considered a symbol of status. Anyone — entrepreneurs, journalists, business executives — could potentially end up in the same exclusive space as celebrities like Taylor Swift and Tom Brady. 

Perhaps the one quality that the blue check mark represented that had been overlooked was its authenticity stamp. The badge has been used all across social media platforms to signal an account’s authenticity — a verification that recently has proven to be of significant importance to not only people, but brands as well. 

Shortly after Elon Musk’s $44-billion takeover of Twitter, the billionaire swiftly made his mark which, among many things, included a democratization of the app’s verification system. With a $7.99 monthly subscription to Twitter Blue, which launched last year as the company’s first subscription service, users could now possess what had long evaded them: a blue check mark.

“Theoretically, this would have made it easier for some brands or influencers to get verified than it has been in the past,” Galen Clavio, director of undergraduate studies for the Media School at Indiana University Bloomington, wrote in an email about the possible benefits of Twitter Blue’s verification accessibility. 

“From an algorithmic perspective, that would have made sense to pursue under the Twitter setup that everyone had come to know,” he added. 

While perhaps not a surprise to Musk or Twitter executives, everyday people were paying for the newly revamped Twitter Blue to boast their social media clout. Whether Twitter leadership knew it or not, though, those same subscribers took the opportunity to verify themselves using the alias of actual people. 

Very quickly, Twitter Blue created an abundance of impersonators masquerading as verified celebrities and companies. Misinformation was hard to identify, making it tougher to find information in an era already plagued by discrepancies between fact and fiction.

“If you start giving away blue badges to everyone, then it has no value,” Alessandro Bogliari, CEO of the Influencer Marketing Factory, an influencer marketing agency, wrote in an email. “It’s the equivalent of a currency. if you start printing more, it gets devalued. Same for verified badges.”

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A screenshot of a fake account created to appear as pharmaceutical company Eli Lily shows the dangers of allowing anyone to be verified on Twitter.

Shortly after the Twitter Blue re-launch, a tweet was sent from an account using the same logo and name of Eli Lilly, a pharmaceutical company. It read, “We are excited to announce insulin is free now.” The tweet seemed legit — the branding seemed real, as did the company name. It also boasted a blue-check mark, so it had to be true. 

As just one of many misrepresentations that succeeded it, the Eli Lilly tweet was a fake. Even when Twitter finally removed the tweet, more than six hours later, the fraudulent account had more than 1,500 retweets and 10,000 likes. The pharma company’s stock also plummeted $368 a share to $346 a share, reportedly erasing billions in market cap, according to several economic reports. Eli Lilly’s stock price currently sits at roughly $352 as of Nov. 16th.

“I can only imagine the damage a tweet like that made for the company, its employees, stakeholders, shareholders and anyone really related to their offering,” Bogliari said. “Some were able to tweet from their official accounts and restore it a bit. Others, I imagine, used PR and reputation firms to get to a solution fast. But it’s not that easy for all of them… for others it could be potentially a damage so big they won’t be able to survive, not just in terms of market cap/stock value, but also in terms of reputation and customers love.”

The verification mishap affected not only Eli Lilly’s reputability and profitability, but could also spell trouble for Twitter’s revenue stream.

“It’s making it really easy for advertisers to say: ‘You know what, I don’t need to be here anymore,’ and walk away,” Jenna Golden, who previously ran Twitter’s political and advocacy ad sales team, said in an interview with The Washington Post. “People are not just providing inaccurate information but damaging information, with the ability to look legitimate. That is just not a stable place for a brand to invest.”

Sports personalities were also hurt by the preponderance of fake users across Twitter. Basketball star LeBron James trended on the platform after a tweet from someone with the user handle, @KINGJamez, claimed that the 37-year-old was leaving the Los Angeles Lakers to join his former club, the Cleveland Cavaliers. 

Adam Schefter, a notable football analyst at ESPN, also trended after someone with the user handle, @AdamSchefterNOT, revealed that Las Vegas Raiders head coach Josh McDaniels lost his job. While the user handle clearly indicates that it didn’t come from the actual Adam Schefter, the fact that it was quote tweeted could have led many people to assume it was really Schefter, since many were unlikely to take the time to click and confirm the tweet — and tweeter’s — validity.

These are just a few specific instances where, while a more open verification system could have helped Twitter users, the idea did not lead to a successful implementation.

“Being verified would have given those brands more credibility and be marked as the official brand — impersonation happens also for smaller brands and not just for Fortune 100 companies,” Bogliari said. “So the idea was theoretically good — I would say only for brands and certain individuals and not just for everyone… documents and proof (are still) required but the execution showed us all the flaws.”

Verification issues aside, Twitter faces an uncertain future under Musk’s leadership. As much as 50% of the company’s 7,500 employees predating Musk’s ownership have been laid off under his tenure. The billionaire also revealed that Twitter’s cost-cutting methods are a result of the company losing upwards of $4 million daily. He’s even announced potential bankruptcy if Twitter doesn’t correct its financial woes. 

“I see the Twitter Blue controversy as one of several items that are likely to just make brands and creators look elsewhere in the social media landscape,” Clavio said. “Twitter offers minimal exposure for creators and brands to the public when compared to other networks, and a much higher risk of doing or saying something that can cause a crisis.”

As more people grow skeptical about Twitter, alternatives have started to emerge. More people are visiting platforms like Discord, Reddit, even Tumblr. Others are joining Mastodon, a free and open-source microblogging site that has drawn comparisons to Twitter for its timeline of short updates arranged chronologically rather than algorithmically. 

As recently as Nov. 12th, Mastodon boasted approximately 6.63 million accounts, a 17% increase from the 5.65 million users it had on October 28th. 

From internal struggles to increased competition, Musk inherited a Twitter that, for better or worse, might be on a continual spiral to irrelevancy. 

“It’s clear that the Twitter platform is pretty fractured right now,” Clavio said. “At the end of it all, I think a lot of brands will just opt out of having a presence on Twitter, paid or otherwise. It’s just not big enough of a platform to justify the potential negative exposure.”

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BSM Writers

Christian Arcand Returns To Where It All Started At WEEI

“Going to WEEI was a no-brainer for me. I started there. That’s my radio home.”

Derek Futterman

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Since the turn of the century alone, Boston has hosted 12 ticker tape parades to celebrate championships. Christian Arcand has had the opportunity to experience that success firsthand, initially as a diehard Boston sports fan and then as a voice of the fan. Now as he begins his second stint at the WEEI — this time as a producer and weekend host — he aims to ensure a seamless transition for both the Merloni, Fauria, & Mego afternoon drive show and his career in sports media.

Returning to a station where his Boston radio career began, Arcand enters the same building where he started his last sports media job with 98.5 The Sports Hub. Once the station moved to Dorchester, Massachusetts, WEEI moved its studios to the location – and it is where its shows are broadcast from today. Arcand’s time at 98.5 The Sports Hub ended in being laid off last month; despite that though, going to work evokes feelings of nostalgia and déjà vu.

“Walking back in there for the first time was pretty wild,” Arcand said, who returned to WEEI earlier this week. “I was laid off from The Sports Hub and it was a big surprise to me and to, I think, everybody that [it] happened.”

After graduating from the University of Colorado, Arcand moved back east to work for WDIS AM 1170 in Norfolk, Massachusetts, which he says isn’t really an option for those entering the business today.

“These little stations are all gone,” Arcand expressed. “Those were pipelines to places like WEEI and WFAN and other places in the area. You’d work in Connecticut or you’d work in Rhode Island or whatever and these places all just disappeared.”

Just over a year later, Arcand made the move to ESPN New Hampshire, initially co-hosting Christian and King with Tom King, a sportswriter for the Nashua Telegraph covering the New England Patriots, Boston Bruins and other college and high school sports. The show was broadcast during the midday time slot from noon to 3 p.m. and sought to entertain the audience while informing them about the day’s action.

After nearly four years on the air, Arcand transitioned to work with Pete Sheppard, a former member of the heralded WEEI program The Big Show hosted by Glenn Ordway, on Arcand and Sheppard. Additionally, Arcand was named as the show’s executive producer, meaning that while the show was going on, he was often focused on many different tasks. Once Christian and King was brought back, he continued working in this dual role before the show ended in January 2017, six months before the format flipped from ESPN-branded sports to oldies.

“It was a lot – cutting up all the audio you want to play, then playing it during the show, then cutting the commercial [and] trying to answer the phone,” Arcand said. “It was this whole thing, but I really loved it; we had a lot of fun up there.”

While Arcand currently works at WEEI, it is his second stint with the station – and this time, he is working in a brand new role. He initially joined the station in 2013 as a sports anchor and co-host of the evening program Planet Mikey featuring Mike Adams. Shortly thereafter, he helped launch WEEI Late Night, airing from 10 p.m. to 2 a.m. where he became known in the Boston marketplace going on the air after the conclusion of Boston Red Sox live game broadcasts.

Unlike his time in New Hampshire though, he was solely hosting and not producing – requiring him to adjust to not having as much oversight regarding the inner workings of each program.

“I’m not a control freak, but I remember [thinking], ‘Wow, this is different. I’m not running the board anymore. I’m not playing my own stuff,’” Arcand said. “….That was kind of jarring at first [but] I ended up working with a lot of great producers and I still am today.”

Mike Thomas, who currently serves as the senior vice president and market manager for Audacy Boston, was integral in building 98.5 The Sports Hub from its launch in August 2009. He was responsible for signing Arcand away from WEEI to join the brand as co-host of The Adam Jones Show airing weeknights.

Working alongside show producer Jeremy Conley, he gained an in-depth understanding of what it entails to produce a sports talk radio show in a major market, helping broaden his knowledge of the craft and position him for his current job with WEEI.

“I really had a good opportunity to learn from some of, I think, the best [producers] in the business,” Arcand said. “….It’s cool being a fan of these guys and then getting to work with them and learn from them and all that other stuff…. It’s really a job that requires a lot, and the guys who are really good at it, I think, are just top-notch.”

Over the last several years, 98.5 The Sports Hub has earned massive wins across the Nielsen ratings, recently finishing number one in the summer book across all dayparts in the men 25-54 demographic. Days later though, the station’s parent company Beasley Media Group made budget cuts, resulting in Arcand and Toucher and Rich producer Mike Lockhart’s employment being terminated.

While Lockhart has since been re-hired after Fred Toucher and Rich Shertenlieb lobbied for the decision to be reversed, Arcand was in the job market quickly mulling over his future in the industry. In fact, it was reported that Arcand was on the verge of signing a three-year contract that would have kept him at the station before the termination of his employment.

“I was so shocked that it had happened and it was sort of hard to deal with it,” Arcand expressed. “Then I was angry about it and then I sort of channeled that into, ‘Okay, what am I going to do next here?’ You start thinking, ‘Is this it? Is this the end of the career? Are you going to even continue doing this?,’ and that was a thought I had a couple of times.”

Arcand’s abrupt departure from 98.5 The Sports Hub and Boston sports radio was short-lived though, as there was a substantial market for his services. In the end, he communicated with Thomas and WEEI operations manager Ken Laird, utilizing industry connections and his own versatility to return to the place where he began working professionally in Boston.

“Seeing that WEEI was in the market for someone on-air and to produce [the afternoon] show, I was right there and willing to try out something I hadn’t done in a while,” Arcand said. “It was a no-brainer, really. Going to WEEI was a no-brainer for me. I started there. That’s my radio home.”

As someone once again “new” to the station, Arcand is looking to foster a working chemistry with afternoon hosts Lou Merloni, Christian Fauria and Meghan Ottolini, along with radio producer Ryan Garvin. Arcand enters the role replacing show executive producer Tyler Devitte who left the station to pursue other opportunities and feels that the composition of the show is unique in the sports radio landscape. In short, it gives them an opportunity to further differentiate themselves from other afternoon programs across multiple platforms of dissemination.

“It’s an interesting show because Lou and Christian are both ex-jocks,” Arcand explained. “It’s rare that you sort of see shows where it’s just two guys like that and it was just them for a while but then with [Glenn] Ordway and then they brought in Meghan [Ottolini].”

Arcand had been listening to the afternoon drive program long before the offer to return to WEEI was made to him and now looks to offer his insight and expertise when necessary. He does not want to enter his new role with insolence or by coming off as dogmatic when expressing his opinions about the show.

“I’m sort of taking the approach of observing more than maybe I would in a couple of weeks from now or something,” he said. “I want to sort of make sure I get the rhythm of the show and the clock and everything like that. Those are all things that you have to be more aware of when you’re behind the glass as opposed to on the air.”

Arcand will be hosting a solo radio program on WEEI every Saturday afternoon, reminiscent of Sunday Service, a weekend show he used to host on 98.5 The Sports Hub. He is excited to be able to return to the Boston airwaves and connect with his audience once a week to bring them the latest sports news and entertaining talk – all while bringing his trademarks of sarcasm and congeniality.

“I’m really comfortable just sitting in the room, cracking the mic and talking with the callers or putting out my points and getting to certain things that I want to touch on,” Arcand said. “….I think my style is one that you just sort of tune in and you’re hanging out with me for a couple of hours.”

Ultimately, Christian Arcand has made the move back to what he refers to as his radio home. As he concludes his first week back at WEEI, he is focused on producing the afternoon drive program and complimenting that with his solo show on Saturdays, the first of which will take place tomorrow from noon to 2 p.m. Through all of his endeavors, he will talk about Boston sports with his listeners no matter the season, giving them a platform to engage with the hyperlocal coverage.

“Being back at WEEI is something that I’m really happy about,” Arcand expressed. “I was excited to get started, [and] now that I’m there, I’m excited to see where we can take this show.”

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BSM Writers

What Twitter Alternatives Exist For Sports Media?

Sports Twitter is a major vehicle that has helped establish the platform’s reputation for accurate and authentic up to the minute information.

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The reality of Twitter dying as a platform was looked at as a bit hyperbolic when Elon Musk first took over the social media network. Now though, it is slowly coming closer and closer to potential reality.

Musk has been on a quest to salvage Twitter’s economic stability but has done so in an irrational and unplanned fashion. The actions he has taken include publicly criticizing his employees and firing them after pushback and firing essential engineers who literally keep the platform from crashing. Developers have even warned Twitter users with two factor authentication to either remove the feature or to remain logged in because the function that handles that process no longer works.

Sports Twitter is a major vehicle that has helped establish the platform’s reputation for accurate and authentic up to the minute information. It has helped establish the careers of insiders such as Adrian Wojnarowski, Shams Charania and Adam Schefter. In case Twitter does actually come to an end, what should reporters who rely so much on the platform do?

Establish an email list through Substack

With permission from their employers, I would suggest starting a newsletter list that they would be able to carry with them in case they decided to leave their employer at some point (all three of the mentioned journos recently signed extensions). Posting on Substack through a mobile device is just as easy as posting on Twitter and it gives users an almost similar experience to what they had with using Twitter in the sense that they could have their email notifications turned on and they could interact with other basketball lovers through Substack’s comments section.

Create a live blog that always exists on your employer’s page

A running page of information that was sponsored and existed on ESPN or Stadium’s page would make digestible, quick hit commentary monetizable for the networks that employ Shams, Woj and Schefter. It brings people back to their employer’s page and establishes even more of a bond between consumers and apps/websites – a connection that has been taken away from many due to the existence of social media.

Establish a Mastodon server

With over a million users, Mastodon has become the closest thing to a Twitter alternative that’s available. Even though signing up for an account is a little confusing and the ability to search for unique users and takes isn’t fully established in comparison to Twitter – Mastodon has a similar look and feel to Elon’s platform and it gives employers more control over who is and isn’t interacting with their employees and what they are able to see. It would make it easier on ESPN or Stadium’s part to constantly promote links to their pages for viewers and readers to consume.

It’s the closest thing that is available to establishing your own social media network without the startup costs, hiring of engineers and figuring out tech issues. An advertising mechanism hasn’t been established yet but ESPN or Stadium could be in the forefront (because of the credibility they bring to the table) of establishing the revenue side of things alongside Mastodon.

Stick it out with Elon

NBC Universal’s advertising head recently told AdAge that NBC is sticking it out with Twitter. Twitter’s ad program has faced setback since Elon’s takeover but it is still much more established and streamlined that anything else available out there that is similar to Twitter. She also said that Twitter is the biggest host of NBC content on the internet (besides NBC owned platforms of course).

If a major company like NBC is standing with Twitter and if most major advertisers haven’t left yet, maybe sports reporters should also stay put for now. Twitter is not a startup. Despite the disarray we read about everyday, it’s still an established company that is up and running. We are all using Twitter itself to talk smack about its mismanagement but the reality is we are all still using Twitter. Even those who have gone away from the platform still come back more often than not to check in on what is happening directly on Twitter.

Maybe the grass will eventually be greener on the other side and Elon will have Twitter on more established ground. Maybe Elon files for bankruptcy and sells it to bankers who create an environment of stability for the company.

The reality is there is no other platform as good at real time reaction than Twitter so maybe sticking it out and keeping status quo is the best thing for everyone to do. See you later on Twitter (follow me @JMKTVShow).

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