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Anatomy of a Broadcaster

Anatomy of a Broadcaster: Joe Buck

“Buck finds a way to make games exciting. Whether it be a great call in a huge moment or his ability to set the scene for a game that has a lot on the line.”

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He’s been the guy calling pretty much every big event on Fox since the late 1990’s. Joe Buck has become a regular part of many people’s Sundays, Mondays, Tuesdays, well you get it. Buck calls the NFL and Major League Baseball for the network, covering the biggest events on the biggest stages. The Super Bowl and of course the World Series.

Busy should be his middle name. During the baseball playoffs, he’s still working his Fox NFL gig, which can also include a Thursday night game. A couple of times in the last decade he’s called his own “doubleheader”. On October 14, 2012, Buck called an NFL game between the Giants and 49’ers in San Francisco, which started at 4:25pm Eastern Time. He then made the 7-mile journey across town via trolley for Game 1 of the NLCS between the Cardinals and Giants.

Buck has also become one of the most polarizing national announcers in recent memory. He is opinionated, sometimes sarcastic and is usually accused of having a bias against, well, pretty much every fanbase in sports. He’s been called a jinx to whatever team it is that a viewer follows. That’s a power many of us in the industry wish we had. Of course, it’s not true.

ROAD TO THE NETWORKS

Buck called play-by-play for the then Louisville Redbirds, a minor league affiliate of the Cardinals. He was a reporter for ESPN’s coverage of the Triple-A All-Star Game in 1989. Buck became a reporter for St. Louis’ CBS station KMOV in 1991, the same year he began broadcasting Cardinals games on local television and on KMOX radio. He would fill in for his father Jack Buck, while the elder Buck was working on CBS telecasts.

Buck continued to call Cardinals games after being hired by Fox Sports in 1994. Though as he got busier and busier with the network job, his local duties shrank. Prior to the 2008 season he announced that he would no longer be calling Cardinals games. It marked the first time since 1960 that a member of the Buck family was not part of the team’s broadcasting crew.

LIFE AT FOX

Buck has been the face and voice of Fox Sports since 1994. He was hired to work the NFL in the inaugural season on the network at age 25. Buck became the youngest person ever to announce a regular schedule of NFL games in network TV history.

He took over as the top play-by-play man in 2002 replacing the legendary Pat Summerall. Buck is only the third announcer to handle a television network’s lead MLB and NFL coverage in the same year. He joins NBC’s Curt Gowdy and ABC’s Al Michaels.

Buck, as mentioned, is also the top guy at Fox on the network’s coverage of Major League Baseball. In 1996, he was named Fox’s lead play-by-play voice teaming with Tim McCarver.

On September 8, 1998, Buck called Mark McGwire’s 62nd home run that broke the single-season record. The game was nationally televised live in prime time on Fox. Not a normal circumstance at all, but the record, at the time, was of huge national interest.

One of the other well-known broadcasts by Buck, included a tribute to his late father Jack. It came during the broadcast of the 2002 World Series. Game 6 between the Angels and Giants came down to an Anaheim comeback in the bottom of the 8th to take a lead on San Francisco. The Angels needed to win to stave off elimination. When the final out of the Angels victory was recorded, Buck said, “We’ll see you tomorrow night.” Buck’s father Jack had passed away only a few months earlier and it was a perfect hat tip to his dad, because Jack said the exact same phrase in 1991. Jack Buck made the original famous call when Minnesota’s Kirby Puckett hit a home run off of Atlanta’s Charlie Leibrandt to end Game 6 of the 1991 World Series.

Through 2020, Buck has called 22 World Series and 21 All-Star Games for Fox, the most of any play-by-play announcer on network television.

WHY IS HE SO GOOD?

For some, being the son of a Hall of Fame announcer would be enough for them to think, I can do this broadcasting thing, my dad did it so why not me? Yes, some get jobs based on their name. But just a few last as long as Joe has, because of one thing. No, not his name. Talent. He’s not his dad, he’s his own guy. As I wrote last summer.

Joe had a difficult time dealing with his dad’s shadow, but learned later that there was no reason to feel that way.

“I was broadcasting Cardinal baseball in the major leagues at the age of 21, and that only happened because my last name was Buck. At the time, I fought that.”, the younger Buck told NPR in 2016. He continued, “But there’s also a little bit more of a sharp knife out there, as far as critics are concerned, that you better be as good as the old man, or in some cases better, to be considered a success.”. Being modest, Joe continued to NPR, “I know I do a decent enough job to keep my job, but I will forever be known to some people as Jack Buck’s son. And thank God he and I were best friends or that would drive me nuts. Instead, I consider it a high compliment.”

To me this is why the younger Buck is so polarizing. Some feel that since he’s not his old man, how can he do this job? Some may feel he’s just on the air because his name is Buck and dismiss him? There are those that don’t like his wit or sarcasm, saying he seems to come off as a know it all or aloof. Whatever the reason, it is a thing, Buck hating is real. There are Twitter accounts dedicated to the practice. Petitions online call for his job routinely. This is broadcasting in a new era of social media. Thick skin is required. Buck proves he’s above it, because here he is, a couple of decades later, still going strong. To know all of that is out there and still be able to do your job at a high level is an extraordinary thing. It’s a testament to his talent.

Buck finds a way to make games exciting. Whether it be a great call in a huge moment or his ability to set the scene for a game that has a lot on the line. It is such a compliment to a broadcaster when you achieve the level of “you know it’s a big game when you hear that voice” and Buck has.

I appreciate the enormity of the job he has, in being expected to get everything right. It’s an awesome responsibility.

CONTROVERSY

Buck has had to deal with some controversy over the course of his career. Several of them have popped up over the last few years, about things he said on air, and things picked up while not on the air.

There was the famous “mocking” of a flyover in Tampa. Before the game started, someone recorded the duo of Buck and Troy Aikman making comments about the planes overhead.

“That’s a lot of jet fuel just to do a little flyover,” Aikman is heard saying in the video.

“That’s your hard-earned money and your tax dollars at work!” Buck replied in a mocking tone.

Buck told the St. Louis Dispatch that he was a fan of military flyovers before sporting events. He also says that what sounded like he and partner Aikman mocking them that weekend was in fact an inside joke and sarcasm that was taken entirely out of context.

“The perception that we’re not supporting the military is crazy,” Buck told the paper. “We were being completely sarcastic. I’ve seen some of the most chilling flyovers you’d ever see. It’s like a communal experience. Flyovers are great.” Buck suspects that someone who isn’t with Fox clipped the audio, packaged it with video that wasn’t Fox’s and then sold it. 

Buck, in another recent controversy told Colin Cowherd on his podcast that he and Aikman used to sip tequila mixed drinks on occasion in the broadcast booth during games, and that he liked to nurse “the biggest beer” in the stadium to call baseball.

“I’ll say this. We have had that glass of bourbon in the booth. Although it’s not bourbon, it’s tequila, splash of Grand Marnier and grapefruit juice,” Buck replied. “I went through a couple years where, in the first inning of every postseason baseball game, I had the runner go get the biggest beer that the stadium sold. And I had it sitting there and I would sip it from time to time to remind myself to relax and have fun. I’m just doing a game.”

Buck says the remarks were just a tiny segment in a long conversation. He is not happy about the way it is playing out, leading some people to perceive that he slams drinks during the game — something that never was said.

“It is just another reminder that journalism is indeed dying and clickbait rules the day,” Buck tweeted. “… I am 51, not 15. I believe I am old enough to understand what a drink is.”

He said the drinks were just one of the tricks he has used over the years to calm his mind.

He puts notes to himself on his spotting boards to remind him to put things into perspective.

“The notes on my board ‘have fun’ ‘relax’ are examples from every Super Bowl,” he said. “Texts from friends pop the bubble and are needed during the game. The coffee machine and almost fake trips to it to leave the front of the booth are necessary for me.

HALL OF FAME

For his work over the years in the NFL, Buck is headed to Canton. He will receive the Pro Football Hall of Fame’s prestigious Pete Rozelle Award, given for “longtime exceptional contributions to radio and television in professional football.” Buck joins his father, Jack Buck, in receiving the award, the first father-son duo to do it.

Hall of Fame president David Baker surprised Buck with the news on a Thursday Night Football broadcast between the Bengals and Browns. Buck will be officially recognized during next summer’s enshrinement week in August, during the enshrinement of the Centennial Class of 2020.

The announcement left him speechless for a moment during the broadcast. “I don’t even know what to say. I feel like – what? That’s unbelievable.” 

JEOPARDY!

TV Sports Announcers for $400 please…

This NFL announcer for Fox TV shares a name with a male deer and will also be the host of Jeopardy.

Who is Joe Buck? Correct.

So, Joe Buck is going to appear on Jeopardy! as a guest host. His episodes are set to air in early August. Buck joins a long list of those that are interested in replacing the late Alex Trebek who passed away last year. He joins Aaron Rodgers, former Jeopardy! champion Ken Jennings, Anderson Cooper and Mayim Bialik on the roster of potential new hosts for the show.

CONCLUSION

I understand that Buck isn’t for everyone. People seem to enjoy picking him apart for every word, every nuance and every call. Seriously though, the guy has enjoyed a long and successful career, so he’s doing something right. You don’t stick around and perform at a high-level just because you have the same last name as a legendary broadcaster. I enjoy how Buck seems to play off the negativity and turn it into something to laugh about. Deep down, nobody likes to hear bad things about their broadcasts. At the same time, you can’t cave to the trolls and haters, they’re always going to be there, but seemingly so will Buck.

SUMMARY:

Joe Buck is the voice of the NFL and Major League Baseball on Fox and has been at it for a long time. The son of the late Jack Buck, he has carved out his own niche in the industry. Joe Buck has become the soundtrack for some of the biggest sporting events in the last 20+ years. Buck has dealt with controversy and detractors, but it hasn’t affected his longtime grip on the top job at Fox.

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Anatomy of a Broadcaster

Anatomy of an Analyst: David Cone

“You can tell immediately how well-suited he is for a role in the booth. Not that it should come as a surprise. He was always thought of as one of the more cerebral players during his career.”

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He’s authored a book and a perfect game. Now, David Cone is continuing to write the story of his broadcasting career. 

He was blessed with a long baseball career. He pitched for five teams after making his Major League debut for Kansas City in 1986. Cone has extended his association with baseball in his role as an analyst for the New York Yankees on the YES Network and for ESPN’s Sunday Night Baseball. 

Cone was a World Series Champion 5 times in his career, won the 1994 AL Cy Young Award, struck out 19 hitters in a game, was an All-Star 5 different times and won 20 games twice. Quite a resume for one of the game’s most clutch postseason pitchers (8-3 in 21 playoff games). 

David Cone was born in Kansas City, Missouri, and was drafted in the third round of the 1981 MLB Draft by the hometown Royals. He wound up pitching for Kansas City twice in his career. But after debuting for the team, he was traded to the Mets before the 1987 season. In 1988 he went 20-3 with a 2.22 ERA and yet wound-up finishing third in the Cy Young balloting. 

He finished his career with a 194-126 record and with 2,688 strikeouts. 

ROAD TO YES/ESPN

Cone has flourished as a broadcaster with the Yankees, but it was almost a short-lived stint in the Bronx. 

When Cone retired from baseball in 2001, he became a color commentator on YES during the network’s inaugural season (2002). All was good until he attempted a comeback with the crosstown Mets in 2003. The move infuriated Yankees owner George Steinbrenner and Cone was told he would not be welcomed back. After his second retirement from baseball, Cone was offered a broadcasting position with the Mets, but declined. 

In 2008, Cone rejoined the YES Network as an analyst and host of Yankees on Deck. He left the network during the 2009–10 offseason in order to spend more time with his family. But a year later, Cone returned to the Yankees broadcast booth in Toronto, working as analyst for a Yankees-Blue Jays series along with Ken Singleton. He has been with the network ever since.

David Cone is currently the Yankees’ lead color commentator, alongside former teammate Paul O’Neill. The two are paired with Michael Kay as the Yankees’ regular broadcast team. His work with YES has earned him four New York Emmy Awards.

In 2022 he added to his busy schedule when it was announced he would be part of the Sunday Night Baseball broadcast team. David Cone works alongside Eduardo Perez, Karl Ravech and Buster Olney. 

In addition to all the broadcasting, Cone hosts a pitching podcast for Jomboy Media called Toeing the Slab with David Cone.

AS AN ANALYST

The first thing I notice about David Cone is just how smooth he is. Even experienced analysts are at a loss for words from time to time, but Cone’s thoughts are usually quite complete. It’s not like he’s a rookie, after all. 

You can tell immediately how well-suited he is for a role in the booth. Not that it should come as a surprise. He was always thought of as one of the more cerebral players during his career. When you listen to his analysis you are immediately struck by his vast knowledge of the game. Not only does he know the game, he can explain things in a way that makes them understandable to the average fan. 

For example. After the recent ejection of Mets’ pitcher Max Scherzer for using a foreign substance on his hand that made it ‘too sticky’. Cone, going along with the pitchers’ explanation that it was only rosin, washed off with alcohol, conducted an on-air experiment

During the Sunday Night Baseball broadcast, Cone put rosin from an MLB rosin bag on his fingers and said they got sticky just from that. After his fingers became discolored from the rosin, Cone, like Scherzer claimed he did, used alcohol to wash it off. Cone then showed how his thumb, index finger, and middle finger on his right hand were sticking together. 

“The alcohol sort of activates what’s left of the rosin,” Cone said. Finally, he went back to the rosin bag once more and grabbed a baseball, showing the ball hanging from his index and middle fingers due to the stickiness. ESPN Tweeted out the video and it’s amazing to see.

It may not have been his idea to perform the experiment, but Cone, nonetheless, made it work effectively. Based on his experience as a quality big league pitcher, it was more than credible. No tricks, no smoke, no mirrors, just facts for the viewer to plainly see. 

For a guy that pitched in the era before analytics took over the game, he’s pretty knowledgeable about the “inside” numbers. He seems at ease sharing the numbers, mainly as they relate to pitching. Spin rate, release point, and vertical and horizontal movement are a few that he regularly talks about. It almost seems as though he is jealous that he didn’t have access to these stats while he pitched. But he turns that jealousy into a feeling like he’s a little kid in a candy store, with eyes wide open. That’s a good thing. 

David Cone is a rare breed in the analyst world. His ability to combine the numbers with the vast experience he has as a former MLB pitcher keeps a good balance to his commentary. In other words, he’s not solely reliant on that information. Cone has the ability to reach back into his career and apply things he experienced to complement the analysis. Viewers love it when former players can tell a story from their time in baseball and make sense of it in the context of today’s game. 

He’s had to adjust on the fly, because of his national work with ESPN. In the YES booth, he can be more of a “hometown” analyst. He doesn’t go over the top, but he is known as a Yankees broadcaster. Because of that, Cone has had to change his commentary when working on Sunday nights, especially when he had to cover the Yankees/Red Sox game last April.

“I was really conscious of it there because I knew on the Red Sox side I had to be careful and make sure that I presented it in a fair way, a balanced way, or at least tried to,” Cone told The Athletic last year.

He’s done an admirable job. 

DID YOU KNOW?

Cone pitched the sixteenth perfect game in baseball history in 1999. It happened to take place at Yankee Stadium on Yogi Berra Day at the ballpark. Throwing out the ceremonial first pitch that afternoon? None other than Don Larsen, the author of one of the most famous perfect games, in Game 5 of the 1956 World Series. The catcher, of course was Berra. Cone remembered a conversation he and Larsen had before that game. It centered on the famous picture of Larsen and Berra in an embrace after the perfecto. 

“Don came out, he threw out the first pitch and I said, ‘Are you going to go run and jump in his arms again?’ And he said, ‘Kid, you got it wrong. He jumped in my arms.’ I messed that one up,” Cone recalled to MLB.com in 2019. “I thought I was pretty good at history. Apparently not.”

Cone remembered leaving the field after the perfect game. 

“I got out to the tunnel and there’s Don Larsen. I went up to him and hugged him like he was my father. Nothing needed to be said.”

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Anatomy of a Broadcaster

Anatomy of a Broadcaster – Boog Sciambi

“While Sciambi excels at every sport he does, I think his voice best lends itself to baseball.”

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In the sports broadcasting industry, if you say “I saw Boog today”, nobody looks at you funny. They know immediately who you are talking about. 

Jon “Boog” Sciambi is one of the more recognizable people in the world of play-by-play. He currently serves as the voice of the Chicago Cubs on the Marquee Sports Network. Sciambi is also the voice of Sunday Night Baseball on ESPN Radio. He’ll add World Series duties on ESPN Radio this fall. 

Sciambi grew up in Philadelphia as a huge Phillies fan. Strange that he got a job with the Cubs, because it was a Cubs/Phillies game in 1976 that he got his first exposure to the Friendly Confines of Wrigley Field. When Sciambi was six years old, he was visiting his grandparents and got to watch the game on TV. 

The Cubs took a 12-1 lead after three innings. He wasn’t leaving and in fact predicted the Phillies would come back and win it. He was right, thanks to his favorite player Mike Schmidt hitting four home runs in the game for an 18-16 extra inning win. 

As is the case with some of us that get into baseball broadcasting, our first choice would be to play the sport. Sciambi went to Boston College with that intent, but that dream ended when he was cut from the team as a freshman. He started bar tending and dabbling in radio, with a weekly talk show with two of his good friends, who we’ll talk more about in a bit. 

ROAD TO MARQUEE/CUBS

On January 4, 2021, Marquee Sports Network named Sciambi as the play-by-play announcer for its Cubs telecasts. 

“When you look at the signature franchises in baseball, you’re talking about the Yankees, the Dodgers, the Red Sox, and the Cubs,” Sciambi said at the time in a Marquee Sports Network release. “Chicago has always been one of the special places to go broadcast the game. Baseball matters there.” It was quite a road in getting there. 

Sciambi got his first real taste of broadcasting at BC’s 1000-watt FM radio station. He would host a weekly talk show with fellow classmates, Joe Tessitore and Bob Wischusen, both of whom have their success stories in the industry.

In 1996, Sciambi, worked for the Boise Hawks, an Angels’ farm club in a short-season A league. One day, he decided to ask broadcaster Dave O’Brien to review his play-by-play. 

“A few days after I gave him the tape, he stares at me for a second, holds up the tape and says ‘When you gave me this tape, I thought it would stink. It didn’t.’” Sciambi told the Sports Broadcast Journal in 2019

Sciambi’s first break in Major League Baseball was getting into the play-by-play chair for the then Florida Marlins from 1997-2004. While in Miami, he hosted talk shows in the city on 790 The Ticket and WQAM. He left the former in 2008 to focus on his new main job, with the Atlanta Braves. 

Boog joined the Braves broadcast team on SportSouth and FSN South in 2007. He was paired with Joe Simpson. Late in the 2009 season Sciambi announced he was leaving the Braves to join ESPN’s Major League Baseball and college basketball coverage full-time. Sciambi is the network as the play-by-play voice for MLB on ESPN Radio, while continuing the same role for college basketball and MLB on ESPN, which he had done since 2005. 

At ESPN, Sciambi served as one of the play-by-play voices of Wednesday Night Baseball telecasts for the network beginning with the 2014 season. Sciambi had contributed to ESPN Radio’s World Series coverage as the on-site studio host since 2007 and provided post-game, on-field interviews for SportsCenter. Additionally, he had done play-by-play for both the College and Little League World Series and in 2020, served as a play-by-play commentator for ESPN’s KBO League coverage. It was announced last season, that Sciambi would take over the broadcasts of the World Series on ESPN Radio, starting with this year’s Fall Classic. 

Sciambi was also tabbed to replace Matt Vasgersian as the play-by-play voice of MLB: The Show video game series, starting with MLB The Show 22. He’s paired with Chris Singleton who used to be part of the Chicago White Sox’s broadcast. 

Sciambi said that he recorded over 200 hours of audio to get in all the player names, types of plays, and other sorts of commentary that might typically be in a game broadcast.

PLAY-BY-PLAY

While Sciambi excels at every sport he does, I think his voice best lends itself to baseball. He’s smooth and polished, but not to the extreme that it sounds forced in any way. Sciambi’s style is all his own. That’s a compliment. 

There are many voices out there today that sound the same, like machines, very ‘announcer-y’. Fake effected voices are a dime a dozen, but ones like Sciambi’s are in a class of their own. He doesn’t try to sound like anyone else. In fact, I’ve had multiple conversations with him over the years and the way he talks off air is the way he talks on air. 

Sciambi has a booming voice that he controls very well. He’s very conversational in between the action, but rises to the occasion when the play warrants excitement, enthusiasm or disappointment. Then there’s his sense of humor. I love the fact that Sciambi isn’t afraid to poke a little fun at himself. Self-deprecation goes a long way with a viewer, especially if a mistake gets made. Everyone is human, so own it right?

I like how Sciambi is able to simplify some of the more complicated details of the new stats and numbers in the game of baseball. He is able to explain them in terms that even those who don’t follow closely can understand. For example, on a Tuesday night broadcast from Cincinnati, Boog was talking about the importance of Exit Velocity. He started by saying something to the effect of “I know this frustrates some people to hear about how hard a ball is hit. But, last year in the Major Leagues, if you hit the ball 95 miles an hour or above you hit .488, that’s why exit velocity matters.” His broadcast isn’t riddled with analytics, but there’s enough there to keep the interested parties happy without driving those that aren’t away. 

I’m a big fan of Sciambi’s work. I’ve known him for a while and he’s as good a person as he is a broadcaster. 

DID YOU KNOW?

Sciambi is passionate about raising awareness for and supporting people who live with Amyotrophic Lateral Sclerosis, or ALS. His friend, Tim Sheehy, died of ALS in 2007. Sciambi is on the board of directors of Project Main St., which works to improve the quality of life for those affected by the disease. The organization, which has raised over $1 million, hosts an annual Tim Sheehy Gala and Softball Classic support their mission.  

Remember that I told you, Sciambi’s favorite Phillies player growing up was Mike Schmidt? How about this? The night that the Cubs announced Sciambi had taken the job as their broadcaster, he got a call from an unfamiliar number, and low and behold, it was Schmidt himself. 

Sciambi’s nickname, “Boog,” was given to him owing to his physical resemblance to former major league player Boog Powell. 

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Anatomy of a Broadcaster

Anatomy of an Analyst: Doris Burke

“Doris Burke has an ease about her. A quiet confidence if you will.”

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Basketball and Doris Burke have been synonymous for many years. At the age of 7, she started to play the game that would eventually get her to the top of her profession. Along the way she’s recorded many firsts for women in this field which I’ll detail later. Burke has also become an inspiration to other women already in broadcasting and those thinking about a career in media. Pretty impressive. 

Burke was raised in Manasquan, New Jersey. She was the youngest of eight children, and started playing basketball in the second grade. She starred at Providence, where she was the team’s point guard all four of her years there and made an impact immediately. 

During her freshman year, Doris Burke led the Big East in assists. She was a second-team All-Big East player once and twice made the all-tourney team of the Big East Women’s basketball tournament. Burke held seven records upon graduation, including finishing her career as the school and conference’s all-time assists leader, a record that has since been broken. She served as an assistant coach for her alma mater for two years from 1988-90.

From there it was time to embark on a Hall of Fame career.

ROAD TO ESPN/ABC

Burke began her broadcasting career in 1990 as an analyst for women’s games for Providence on radio. That same year, she began working in the same role on Big East Women’s games on television, and in 1996 she began working Big East men’s games. 

Doris Burke has been working for ESPN covering basketball in different roles since 1991. It has also allowed her to do other things along the way that were unchartered for women in the business. In 2000, Burke became the first woman to be a commentator for a New York Knicks game on radio and on television; she is also the first woman to be a commentator for a Big East men’s game, and the first woman to be the primary commentator on a men’s college basketball conference package.  In 2017, Burke became a regular NBA game analyst for ESPN, becoming the first woman at the national level to be assigned a full regular-season role. 

If that wasn’t enough, from 2009 to 2019 she served as the sideline reporter for the NBA Finals on ABC. I mentioned it was a Hall of Fame career and it was officially deemed as such in 2018. Burke was selected to enter the Basketball Hall of Fame as the Curt Gowdy Media Award winner.

AS AN ANALYST

“Doris Burke has an ease about her. A quiet confidence if you will.” Relying on her past experiences in the game as a player and coach, the information she brings her audience is relatable. Some analysts struggle to bring home a point in a way that a casual fan will understand. Burke has no trouble with this. Her ability to spell it out, concisely and conversationally sets her apart from most analysts, male or female. 

Burke attacks her job, knowing that some will question her authority when it comes to commentary on the NBA. She doesn’t mind steering into the skid.

“I am mindful of the fact that I have not played or coached in the NBA,” Burke said to Sportscasting.com last year. “It doesn’t mean that I can’t do a very competent job. I think I try to do that every single night, and I’m never afraid to ask questions.” 

It’s all about the information to Burke, and has nothing to do with the fact she’s a woman covering the NBA.

“If you enhance a viewer’s experience, it doesn’t matter what your gender is,” she said. “As long as you are competent and put in the work … you’re going to be accepted.”

Doris Burke learned the ropes so to speak from several women that came before her. In an NBA.com piece from January of last year, she outlined how much she enjoyed watching former ESPN SportsCenter anchor Gayle Gardner. Early on in her career at ESPN, Burke got to work with Robin Roberts on WNBA and women’s college basketball broadcasts along with Ann Meyers Drysdale and Nancy Lieberman. Roberts was Burke’s inspiration as she started her career path. She admired the professionalism that each displayed. 

“Working alongside Robin Roberts … the one thing I would tell you is the most powerful means to change or impact somebody is by your actions,” Burke said. “She was the epitome of professionalism and competency and garnered the respect of the people around her because of the work habits she had. Watching Robin early on let me know that the basis for everything is the work you put into something.”

While Roberts may have been influential to Burke, Burke has been a beacon for other woman that are getting opportunities in broadcasting.  When asked about their role model, YES Network analyst Sarah Kustok, 76ers play-by-play broadcaster Kate Scott and former WNBA player and current Miami Heat studio analyst Ruth Riley Hunter all mentioned Burke by name.

“Burke is the best example for anyone — male or female,” Hunter told NBA.com. “I love the way she describes the game. She adds so much to every broadcast, and when I was playing in the WNBA I was always really inspired by her work.”

Burke is popular amongst her colleagues at ESPN/ABC, thanks to a tireless work ethic an ability to adapt to whichever sport she may be calling that day. Count Jeff Van Gundy among her biggest fans.

“She’s the best, most-versatile analyst and commentator at ESPN,” Van Gundy said of Doris Burke in 2017 via Deadspin. “She does it all—great interviewer, commentator, studio analyst—everything. And she is an expert at it all—women’s and men’s college basketball, the NBA and the WNBA. She’s the LeBron James of sportscasters. There’s no better broadcaster out there right now.”

Burke is equally a big fan of Van Gundy and the top broadcast crew for ESPN/ABC’s NBA coverage. That includes Mike Breen and Mark Jackson as well. 

“We are talking about three of the best to ever do it. Mark, Jeff and Mike have held down the NBA Finals for over a decade with commentary that is the best of the best. Hubie Brown is a living legend. All of those men have been nothing but gracious and supportive of me,” Burke told the Athletic. 

Doris Burke is considered one of the best NBA analysts around.  Her bosses at ESPN made sure to re-sign her to a multi-year deal and promised she will be involved in “high profile” NBA games in both the regular season and playoffs. Burke will also call finals games on ESPN Radio and appear on the NBA Sunday Showcase program on ABC.

Good for her and good for fans of the NBA on ESPN/ABC.

DID YOU KNOW?

In 2010, she was featured as the new sideline reporter for 2K Sports ‘NBA 2K11’ video game. She has appeared in every version since, including the latest ‘NBA 2K23’.   

As a senior at Providence in 1987 she was the school’s Co-Female Athlete of the Year.  

Her basketball idols growing up were Kyle Macy, Kelly Tripucka and Tom Heinsohn.  

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