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Why Did The Sports Media Fall In Love With Ted Lasso?

“A quick Twitter search turns up familiar names like Mina Kimes, Adam Schein, Mike Golic Jr and so many others singing the Apple TV+ show’s praises.”

Demetri Ravanos

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It is hard to find someone that doesn’t like Ted Lasso. Look at Twitter, and you might find people that wear never having seen the show as a badge of honor, but it is rare you find someone that says they watched the entire first season and hated it.

It is a nearly perfect show, balancing smart comedy with beautifully played emotional moments, both uplifting and devastating. This isn’t at all what you expect when you read that Apple made a TV show out of a series of commercials starring Jason Sudeikis.

Ted Lasso Season 1 Review, How to Watch
Courtesy: Apple

While most people that watched the show gave it high marks, one group that seemed to be particularly in love with Ted Lasso was the sports media. A quick Twitter search turns up familiar names like Mina Kimes, Adam Schein, Mike Golic Jr and so many others singing the Apple TV+ show’s praises.

What is it about this show that connected with us? Sure, it is set in the sports world. But it can’t be that simple, right?

For the uninitiated, Ted is a division II college football coach that is hired to coach a Premier League soccer team, by the team’s new owner, the jilted ex-wife of the team’s former owner. Her goal is to run the franchise into the ground, but Ted, full of relentless positivity, is determined to find his definition of success. It features diva superstar players, personnel fights with management, a coach trying to change a culture, and plenty of interaction with the media.

Could it be that simple? Is it about being able to see ourselves as part of this character’s universe?

Mike DeCourcy, who covers college basketball for Sporting News and Big Ten Network, says that Ted Lasso, the character, is not like any coach most of us has covered. Part of the idea of the show is that the guy barely knows the rules of soccer. His plan is to succeed by building a team culture. Maybe those guys exist in the American sports landscape, but they would never be as honest about it as Ted is.

“I think those of us who’ve covered sports appreciate it because there is truth in Ted’s philosophy, and there is good in the sports we write and talk about and essentially allow to consume our lives,” DeCourcy told me. “We all know there are some involved who are not good people, or are up to no good, but there still is something essentially wonderful about the pursuit of excellence. At his core, that’s what Ted is communicating.”

Lauren Brooks covers the Jaguars for 1010XL in Jacksonville. She too is a Ted Lasso fan. I asked her if she could picture herself interacting with Lasso and other media members.

“Ted Lasso’s first press conference was as cringe-worthy as a Michael Scott meeting in the Office, but over time, I came to appreciate Ted’s unwavering honesty and vulnerability,” she said.” Often in sports, pressers contain cliches and we don’t glean much insight from them, but Ted had a way of disarming the media, even crusty Trent Crimm, and providing worthwhile information.”

The personal connection might help for some. For me personally, it was about just how good the writing was. When the show went for comedy, it delivered with moments like Ted answering his boss’s question about whether or not he believed in ghosts with “Yes, but I think it’s more important they believe in themselves.” When the show went for the heartstrings, it tugged as hard as it could.

Evan Cohen, of SiriusXM’s Mad Dog Sports Radio says the kindness and positivity of Ted Lasso was almost aspirational.

“We all can hope for kindness in ourselves, our teams and our fellow citizens but Ted Lasso gave us an ability to see, hear and copy it. It is tangible evidence that the belief in good can be strived for and realized…even if it is a scripted made for TV series.”

That relentless positivity is obvious central to who Ted Lasso is as a character and what the show is as a narrative. Would we have accepted it free of any cynicism if Ted Lasso had debuted in any year other than 2020? How much did the political climate and the dark cloud that was Covid hanging over our heads for so long contribute to the fanbase’s passion?

“I think the timing of it was huge. It came when we all needed joy and positivity,” says Matt Jones, of Kentucky Sports Radio and ESPN Radio, before noting that he doesn’t think that means there is no way the upcoming second season won’t elicit similar emotions and responses. “Finding the balance between uplifting and not cheesy is hard and since this walked the line so well, if it does it again, I for one will be very excited.”

Jason Martin of 104.5 the Zone in Nashville thinks that 2020 may have played a role, but the signs were there for a long time that a show like this would find a dedicated audience.

“We all needed to escape into something and for many, the idea of a truly likable lead, a decent person, on a show with zero politics, no time to preach any message other than decency and grace, that was going to resonate. But if you’ll look, WandaVision, The Mandalorian, Loki, and certainly Ted Lasso are ALL examples of shows with characters to root for and universes that weren’t designed to wreck your day.”

For many, the appeal of Ted Lasso is, well, Ted Lasso. Steve Woods of 97.3 the Fan in San Diego points out his favorite scene is in the coach’s first meeting with his new boss and his unflinching honesty about how bad the drink he is offered is.

“We all would’ve choked the tea down,” Woods says. “All of us. He didn’t.”

Woods insists that in a profession where we cover so many people putting on an act for the cameras, Ted Lasso appeals to the sports media because the lead character is incapable of being anything other than himself at all times.

“Wouldn’t all of us like to cover  Ted Lasso? Someone who is genuine and takes the time to get to know you?  Someone who understands the absurdity of it all, while also remaining kind.”

This isn’t the first show that has created a strong sense of community. Think about the crazy live Twitter conversations that go on during episodes of The Bachelor or the immediate reaction to the disappointing finale of Game of Thrones. What is interesting though is that we all found Ted Lasso on our own time.

Apple TV+ has less than a third of the subscribers as Disney+. There was no overwhelming promotional push for Ted Lasso. Jason Sudekis is well-known to Saturday Night Live fans, but he isn’t the A-list star some other Apple TV+ shows had. Why did this break through? How did this show create a community with all of us discovering it at a different time?

Martin says it is about trusting friends’ opinion. Ted Lasso found its community through being good and earning word of mouth advertising.

“It’s such an easy recommendation from me to anyone, with the language and content caveat of course, because I haven’t ever left a Ted Lasso episode and not felt a little bit of joy that wasn’t as easy to spot prior to watching it,” he says. “It’s an infectious show, because hope and grace and kindness are so needed and we all quietly crave them in others toward us and crave others to feel about us the way we do about Ted. It’s an inspirational show about flawed people, but not evil people, all trying to live… who collectively grow as human beings. Not to mention Sudeikis seems like a pretty great guy. His rise is starting to remind me of Keanu Reeves… of which we could use more of both.”

I wondered if it is an echo chamber kind of thing. Certainly my Twitter bubble loves Ted Lasso. How does that translate in the real world though?

Woods told me that he and his partner Ben Higgins have brought the show up several times on their morning show and know that it isn’t just a small echo chamber of people that love the show.

“We get great response when we talk about it every time. Jason Sudekis remains at the top of our bucket list interview sheet. I have seen plenty of edgelords tweeting how they didn’t like it. I’m the most cynical human I know and I hate almost everything and I’ve watched it 4 times. I’ll probably start my 5th go around tonight.”

It’s a good time to follow the exploits of AFC Richmond. The show scored an unfathomable 20 Emmy nominations earlier this month. That is more than any comedy in its first season in history. Every actor with significant screen time was nominated for one of the major acting awards, including Sudekis, who is a shew-in to win Best Lead Actor in a Comedy Series.

Season 2 is on the horizon as well. It drops this week. Fans are excited, but nervous.

Like I said earlier, Ted Lasso’s is a dedicated fanbase. It would be devastating if season 2 isn’t on par with the first.

DeCourcy has his predictions and hopes for what we see next. He told me that all he can do is trust that Ted Lasso’s cast and crew are aware of the standard they set with the first season.

“I honestly can’t be sure where the story goes next, but I trust the creators because they delivered so perfectly the first time around. One thing I feel pretty strongly about: Jamie Tartt (a pretty boy, superstar-in-the-making character) registered so powerfully with viewers that there has to be another chapter for him. When England lost the European Championship to Italy on penalties, you’d be amazed how many Tweets I got that said, ‘Jamie Tartt should have taken one.'”

Martin has seen season 2 already and reviewed it for 104.5 The Zone’s website. As he puts it, “there’s a lot of story to pay off” this season and those payoffs are there. His thoughts on season 2 are overwhelmingly positive, but I asked him to avoid any specifics.

“In the first few episodes of the new season, a lot of things are addressed, one new character arrives with an important role, and the cold open is guaranteed to put a smile on your face, because you’ll be laughing.

“Ted Lasso doesn’t LOSE what made it special, even if there’s a new degree of depth to some of the characters and their own realities.”

That is good news. So many of us have very high hopes and will not be happy if they aren’t met. What will be really interesting is the debate that comes next: Is a Ted Lasso recap good content on a Friday?

BSM Writers

790 The Ticket Was Something Special And Stugotz Knows It

“I had programmers calling me saying this is the best local lineup that they’ve ever seen, that they’ve ever heard.”

Demetri Ravanos

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When I was making the transition from the rock world to talk radio, there was one show I looked at as a guide. I got laid off from 96 Rock in Raleigh, NC in the summer of 2011. That was the beginning of my flirtations with streaming and podcasts, which is how I stumbled onto The Dan Le Batard Show with Stugotz on 790 The Ticket out of Miami.

Coming from a format that I felt out of place in at times, I instantly latched onto a show that reveled in pointing out how out of place it was in its own format. It became a daily listen for me, which opened me up to hearing other voices on the station like Jonathan Zaslow, Joy Taylor, Brian London, Brendan Tobin, Brett Romberg and others.

There were unique thinkers and passionate sports fans in every day part on 790 The Ticket. What set the station apart though is that I never heard anyone that sounded uncomfortable when the conversation turned to something that wasn’t a Dolphins’ loss or LeBron’s stat line. They talked sports the way normal human beings talk about sports. It was part of their lives, not the only thing they paid attention to.

Look at the outpouring of love for the station on Thursday. Hosts, producers and programmers from across the country took to social media to eulogize the station when the news broke that it would cease to exist the following week.

I can’t say for sure that all of those people felt the same way I did about the station and I cannot say whether or not it was for the same reasons. What I can say is 790 The Ticket had an influence that stretched far beyond South Florida.

Jon Weiner, better known as “Stugotz” to fans of the The Dan Le Batard Show, helped start the station in 2004. He told me that it didn’t take long for him to learn just how much The Ticket’s approach was making an impression on everyone in sports radio.

“I had programmers calling me saying this is the best local lineup that they’ve ever seen or heard,” he said in a phone call on Sunday. “I had people from out of market who had secure jobs at places that weren’t startups sending resumes and tapes because they wanted to be part of it. So yeah, we were aware and it is what we were going for. We got there pretty quickly and we were aware of the impact, not just in South Florida, but throughout the country.”

Last week, Brian “The Beast” London said his internal alarm bells first went off when he heard the Miami Heat were giving up their relationship with 790 the Ticket. The station and the team had been partners since 2008. He said in a YouTube video that it was hard to imagine the team’s games being heard anywhere else.

I asked Stugotz if he had the same feeling when he heard that news. He said in hindsight, he realized it was the beginning of the end, but he didn’t really get a sense something was up until Jonathan Zaslow was let go.

“[Zaslow] had been there since basically day one with us. And so I just kind of figured, yeah, between the Heat and then that I felt, okay, you don’t make a move like that unless there’s going to be some sort of seismic change. Otherwise, there’d be no reason to let him go. That was the moment I was like ‘okay, 790 is likely going away.'”

His feelings are no secret. He took to social media immediately on Thursday and said that the news that 790 The Ticket would soon be going away filled him with both sadness and pride. What Stugotz told me in our phone call was that he realizes that the station lasted about 15 years longer than it should have.

When the station was sold to Lincoln Financial Media, he was not expecting that company to want to keep a sports station. Senior Vice President Dennis Collins surprised him.

“The company saw so much potential in what we had built, both from a lineup and a sales perspective that they kept it going and that’s why it lasted all the way to 2022. We got it up and going and were responsible for the first three or four years, but Dennis saw the growth potential with the lineup we put together. That made me feel great because I had a pit in my stomach like ‘Oh, man, this thing we started is going to go away. It’s going to be three, four years and gone.’ And he said, ‘No, we love it. We want to keep it going’. So that was a huge compliment to everyone.”

Stugotz described the original owner of 790 The Ticket as a “young, good looking real estate mogul driving around in Lamborghinis.” That certainly helped the image of the station when it launched, but it is also a phenomenon that was very of the moment. It’s not 2004 anymore. Lamborghini-owning real estate moguls aren’t chomping at the bit to pour money into radio stations.

The conditions may be similar to what Stugotz and his partners saw in 2004. You could look at the radio landscape in Miami and see a way that a new challenger could fit in the sports radio scene. But what are the chances it actually happens?

It’s a great question,” Stugotz said. “So just to go back to that time, two sports radio stations were popping up in every market. I’m not certain if that’s still the case anymore just because of podcasting and the way the way younger people are consuming media through Tik Tok, Snapchat, and other things that aren’t AM radio.”

He is quick to commend Audacy, the current owners of the 790 AM frequency. Dan Le Batard and Jorge Sedano were part of his early lineups at 790 The Ticket because Stugotz recognized the Cuban-American community in Miami was not being served in the sports space in 2004, just like it isn’t being properly served in the news/talk space right now. That’s why there’s room for the conservative-leaning brand Radio Libre in Miami and other markets are likely paying attention.

“It seems like a good plan, and I know it’s something that the Spanish population should have and deserves to have and probably was not being catered to correctly. So, yeah, I could see there’s a warning sign to some other sports radio stations or news stations in other markets where the Hispanic population is great. Absolutely!”

It is a shame that 790 The Ticket is no more and it is concerning that a station with its legacy and influence can simply disappear. But if we are being real, it isn’t the first station of its kind to suffer that fate and it won’t be the last.

As the media business changes and leaves sports stations vulnerable to something cheaper and with broader appeal, 790 The Ticket and stations like it should be touted as examples of how to rise above the noise and make an impact. Stugotz and his partners looked around in 2004 and said “we can be different and we can do this better” and that’s exactly what they did.

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BSM Writers

Chris Simms And His Self-Professed ‘Big Mouth’ Enjoying Life At NBC

“One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”

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To be a good football analyst, one certainly has to know and love the sport but you also can’t be afraid to use the most important tool that you have to do the job. Chris Simms has all of those attributes and NBC lets him use them to the best of his abilities.

“I love football and I love X’s and O’s and I got a big mouth so it’s a great combination,” said Simms. “Between my podcast, Pro Football Talk with Mike Florio, and Sunday Night Football, I get plenty of time to talk and get my studies out there.”

There’s no doubt that Chris inherited that self-professed big mouth from his father, former NFL quarterback and longtime NFL on CBS analyst, Phil Simms.

So, the question had to be asked…does Chris have a bigger mouth than his father?

“Yeah, I probably do,” admitted the younger Simms. “That’s a big mouth to overcome, but I think I probably got him beat in that department.”

Chris Simms set out to follow in his father’s footsteps on the field and played quarterback for Ramapo High School in New Jersey where he earned a pair of All-State honors. After graduating high school in 1999, Simms moved on to play quarterback at the University of Texas where he posted a 26-6 career record as a starter and was the team MVP during his senior season in 2002.

Simms was drafted by the Tampa Bay Buccaneers in the third round of the 2002 NFL Draft and he would guide the Bucs to a playoff berth in 2005.  He would also go on to play for the Tennessee Titans and Denver Broncos completing a seven-year NFL playing career. He spent one season as an assistant coach with the New England Patriots before taking his talents to the world of broadcasting.

He started with FOX Sports as a college football announcer in 2013 and then joined Bleacher Report in 2014 while also serving as a color commentator for the NFL on CBS.

And then in 2017, Simms joined NBC Sports where he has certainly found a home.

“I couldn’t be happier,” said Simms. “It’s a great company to work for. Just good people all around. They’ve given me the platform to be me. One of the things that I worried about was that I came from Bleacher Report and is NBC going to try to curtail my personality a little bit…sometimes I like to swear on my podcast and do stuff like that and they’ve really allowed me to be me which I really appreciate.”

Simms wears many different suits at NBC Sports, most notably his role as a studio analyst on Football Night in America leading into Sunday Night Football. He’s also a part of the SNF post-game show Sunday Night Football Final on Peacock, Pro Football Talk with Mike Florio, and Chris Simms Unbuttoned, a streaming/digital show that is also a podcast multiple days a week.

But the most eyeballs are on him during Football Night in America, the most watched studio show in sports.

“I grew up wanting to play in these games more than be the guy in the studio but this is like the second-best thing,” said Simms. “I was kind of that kid at 4 or 5 (years old) who could tell you every player in the NFL, their number and all that type of stuff. It’s the NFL on the biggest stage. It’s such a well-done show. I get to be there with Maria Taylor along with Tony Dungy, and Jason Garrett, and Mike Florio, and Matthew Berry. We got a great team and it makes Sunday fun.”

From the “it takes one to know one” category, Simms has also made a name for himself with his ranking of NFL quarterbacks. He’s very diligent when it comes to watching the live action and also in his film study and his top-40 rankings have become a hot topic within the business and around the office coolers.

Simms is well aware that his rankings have become a lightning rod of discussion.

“It all kind of started organically just because I would make statements,” said Simms. “People were like ‘Why don’t you start making a list?’ It’s a really hard thing to do. It offends a lot of people and I hate that. I root for all of these guys and I say on my podcast all the time I hope this guy proves me wrong. I hope he shits on me and shows me that I was wrong. It’s certainly not personal. One of the things I pride myself on is studying and immersing myself in the game all of the time.”

Simms became a full-time employee of NBC Sports in 2019, but his first role with the network came in 2017 when he became a studio analyst for Notre Dame Football.

Here’s a kid that grew up in North Jersey where there’s a ton of Notre Dame alumni and he’s standing on the sidelines at South Bend as part of Fighting Irish telecasts.

“Another special entity,” said Simms. “I used to get chills being out on the field every Saturday there. It gave me great experience in a different way with the halftime show and the pre-game show. One of the years I was kind of the third man in the booth but I was on the sideline. It gave me some reps on in-game stuff as well. I think most importantly what that did for me more than anything is that it opened up more eyes at NBC about me.”

And now Simms’ work has him in the discussion for a new potential opportunity down the road. 

NBC, alongside FOX and CBS, has secured a seven-year media rights deal with the Big Ten Conference that will commence next season. NBC will air Big Ten Saturday Night, the first time that Big Ten Football will have a dedicated primetime broadcast on a national broadcast network. Peacock will stream an additional eight Big Ten games each season and NBC/Peacock will air the 2026 Big Ten Championship Game.

There have been rumblings that Simms could be involved in the coverage. Is he interested?

“I’m intrigued by it,” admitted Simms. “I’m very all NFL right now but broadcasting game is fun. It’s definitely something on my radar for sure. I do have some producers here in the building that are like ‘I’m going to tell the boss I want you to do some of the Big 10 games this year and what do you think about announcing?’ I’ve already had some people in my ear talking about it. It’s awesome for the company regardless. It just expands our football world. As far as me being involved, we’ll see.” 

In a relatively short amount of time, Chris Simms has built up quite the broadcasting portfolio. From FOX to Bleacher Report and CBS to his current expanded role with NBC, Simms has established himself as one of the premier NFL analysts in the business and his podcast has given him the freedom to do something that he loves to do. Including putting his money where his mouth is. 

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BSM Writers

The Pat McAfee Alternate Broadcast Presents Unique Challenges

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Alternate broadcasts are all the rage these days, and ESPN, in conjunction with Omaha Productions, debuted a new one this weekend as The Pat McAfee Show aired an alternate broadcast of the Clemson and North Carolina State game Saturday evening.

A few weeks ago, I wrote that Manningcast copy-cats were destined for failure. And while I don’t believe McAfee’s debut was a failure by any stretch of the imagination, I couldn’t help but notice it brings its own set of challenges.

First and foremost, College Football Primetime with The Pat McAfee Show — the world’s most convoluted way to say “The McAfeecast” — doesn’t really resemble the Manningcast. And rightfully so. I’m not sure there are two more polar opposite sports media brands than the Mannings and McAfee. The Mannings are funny, but not too funny and never “blue”, while often concerned about how finely quaffed their hair looks and whether the button-down shirt color matches with the Nordstrom quarter-zip they’ve donned. Meanwhile, McAfee wears his black tank-top, like usual, and put his best Pittsburgh-ese foot forward.

Even though the Mannings and McAfee are opposites doesn’t mean they can’t work together, however. The alternate broadcast was a win for Manning, a win for McAfee, a win for ESPN, and a win for viewers.

People love Pat McAfee. Plain and simple. For a multitude of reasons that we can get into in a later story, but let’s focus on that for a moment. It was a big portion of my column a few weeks ago. The Manningcast works because people like Peyton and Eli. The KayRodcast doesn’t work because people hate Michael Kay and Alex Rodriguez. It’s honestly, truly, that simple.

I think it benefitted the McAfeecast to debut with a smaller game, which seems counterintuitive because it was a matchup of top ten teams in primetime. But let’s be realistic, a number five versus number ten ACC game doesn’t hold the same weight as a number five versus number ten Big Ten or SEC game. And it helped McAfee and crew, because there are obvious kinks to work out.

Firstly, there are entirely too many people on the screen. I’m going to have nice words to say about BostonConnr than the eight-and-a-half-year-old that went viral earlier this summer, but god love ya, your time to shine likely isn’t on primetime on ESPN. In my opinion, for the McAfeecast to really work in the future, a similar setup to the Manningcast with McAfee and A.J. Hawk being the prominent figures on screen is the best solution to the problem. I know McAfee believes in his boys. It’s one of his more endearing qualities, and is frankly part of the reason his show is so successful. But you’re reaching a different audience on ESPN2 on Saturday nights, and the reason the either tuned in or will stay is because of McAfee’s presence.

I didn’t get a great feel for McAfee’s thoughts or reactions on the game simply because you didn’t get a closeup of his face. The best moments of the Manningcast, outside of Eli flipping the double birds or Peyton saying “I can’t hear shit”, have been when the pair have been absolutely disgusted by a decision made by a coach or player and their face shows it without any words following up their reactions. And McAfee definitely holds that ability, and I wish I would have gotten a better sense of his facial reactions on-screen.

Also, and I know this is something McAfee can’t actually control, he had to be a bit more reserved on cable television. Part of the allure of The Pat McAfee Show is the — let’s call it extreme candor — with which he speaks. I believe that’s the scholarly way to write “he says f*** frequently”. And believe me, I subscribe to the theory that the FCC should allow hosts the ability to say obscenities 15 times per week, so I’m down for McAfee’s swearing. But you’re just simply never going to get that on ESPN2. You’re likely never going to get that if the broadcast aired on ESPN+, either. For a “family friendly” company Disney, those cards are just flat out never going to be on the table for McAfee.

One of the things McAfee is known for is his boundless energy, which felt lacking at times on Saturday, but it’s understandable. The man was on College GameDay earlier in the day, flew back to the studio to do the alternate broadcast after travelling the day before to get to Clemson to be on GameDay. I’m sure that takes a toll. On top of that, you’re doing something new for the first time, while trying to, essentially, heard cats on the screen, and you can be a little wiped out by the end of the night.

However, the goodwill McAfee has bought with fans over his extreme generosity was on display as the alternate broadcast donated more than $100,000 to Dabo Swinney’s charity, The Jimmy V Foundation, and the American Red Cross. It was a brilliant move for a debut broadcast, because it acts as a slight shield for criticism. How can you complain about something that raised hundreds of thousands of dollars for charity?

The alternate broadcast, for the most part, avoided the biggest problem I have with the Manningcast. The interviews. I’ve never been watching Monday Night Football, or the Manningcast for that matter, and thought “Man, I wish they were talking to Tracy Morgan right now!” McAfee brought on Peyton Manning, for obvious reasons, and former NC State quarterback Phillip Rivers. That’s it. They didn’t rely on guests to carry them through down periods. The eight folks on screen did most of the heavy lifting, and for that, I thank them.

The McAfeecast was certainly different than any other alternate broadcast I’ve consumed. The crew shooting hoops for extra donations to charity during stoppages of play definitely kept things light and interesting. I couldn’t help but be invested in whether or not someone would bury three out of five threes during an injury timeout for more money for charity.

Speaking of injury timeouts, McAfee planned a giveaway and told fans to use a certain hashtag and when to screenshot or take a picture of their TV. Immediately following him saying “now!”, an injured player appeared on the screen, and he instantly shouted “No! Not now! No! We don’t want that, and we hope he’s ok”. It was a light-hearted, nearly hilarious moment that brought levity to the situation.

The highlight of the cast, however, was — in true McAfee style — picking up on things other broadcasters wouldn’t, like an angry fan. The entire crew shouting at the same time in this specific moment was spectacular television.

Overall, I thought the McAfeecast got off on the right foot. There is undeniably a market for an alternate broadcast based around the former NFL punter’s personality, and I look forward to seeing where the show goes from here.

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