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Chris Bleck & Adam Abdalla Made It Hard For ESPN 1000 to Say No

What Thomas saw in Bleck and Abdalla when he first started at the station is what earned them their spot on-air. What Thomas has seen from them since is what has earned them his praise.

Kate Constable

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The Bleck and Abdalla show on ESPN 1000 was destined from the start.  

Adam Abdalla on Twitter: "Aren't we all?… "

Co-hosts Chris Bleck and Adam Abdalla both attended Libertyville High School in Libertyville, Ill., a town approximately 40 miles north of ESPN’s State Street studio in Chicago.

With last names close to each other in the alphabet, Bleck and Abdalla often found themselves sitting next to each other in class or hearing their names called close together when read by a teacher in alphabetical order.

They weren’t friends at the time, but rather friendly acquaintances.

Upon graduating high school, both Bleck and Abdalla stayed in-state for college. Bleck went to Colombia College to study broadcast journalism with a focus on radio, while Abdalla went to business school at DePaul with the goal of starting his own record company.

Abdalla quickly realized that business classes required quite a bit of math, something he didn’t particularly care for. Couple that with a required class on Joan of Arc and Abdalla was looking to transfer schools.

He decided on Columbia College where he planned to study music production but, like most college kids, switched his major for the second time when he learned about the radio department that was just one floor up from the music department.

At Columbia College, Gensler Turns the Atrium Building Inside Out
Courtesy: Tom Harris

“I walked in the first day and Chris is sitting there in one of the production booths during this thing called ‘studio time’ where you’d rent studio time to students so they can work on projects,” said Abdalla.

With shared interests in radio, sports, drinking beer and doing the stupid stuff 20-year-old college students do, the two began hanging out.

“We immediately became friends and it was like we had been friends our entire lives even though we weren’t really friends back in Libertyville,” said Bleck.

The two started doing radio shows together at Columbia’s student radio station WCRX and upon graduating in 2007, both began interning at ESPN Chicago.

When the internship ended, Abdalla was hired full-time while Bleck took a quick detour up Highway 94 to Kenosha, Wis., where he worked at 95 WIIL Rock before being called back to ESPN Chicago full-time in February of 2008.

At that time, Bleck and Abdalla were not only co-workers again, but they were also roommates, living in Wrigleyville, working the worst weekend shifts possible as board ops and as producers, yet having the time of their lives as young adults in a big city.

Having plenty of time to talk and bounce ideas off each other in the late-night hours, the two made a decision that would map out their next 15 years at the station – work hard to get better, get noticed and get on the air.

“We decided at that time, like, ‘hey, if we want to be on the air, we needed to actually do it,’” said Bleck. “Because what I think happens in our industry, is people just want to be on air, but they don’t want to actually practice being on the air.”

So Bleck and Abdalla practiced.  

“We immediately started recording podcasts even though we had no one listening to us and like podcasts at that time were still kind of new, but we made a point to hold ourselves accountable to do a show,” said Bleck.

They pitched an idea to Justin Craig, the program director at the time, and Adam Delevitt, the assistant program director.

“We went to them and we said, ‘hey, we want to do shows, but you’re not going to allow us to do shows, so what if we clip together the best segments throughout the week and it’ll be an hour-long podcast. We’ll introduce in and out of segments and we’ll keep it short, we’ll keep it really short,’” said Bleck.

They were given the green light and from there, “The Best of 1000” was born.

The two would intro clips from “Waddle and Silvy,” “Carmen and Jurko,” “Mike and Mike” – which ran on the station at the time – and any other shows they deemed worthy of being part of that week’s podcast.

For fear of doing or saying something that might jeopardize their opportunity, they kept each intro and outro simple and safe.

“This week, Mike and Mike talked to…”

“…alright, that was Mike and Mike, and this is “The Best of 1000,” and coming up, Waddle and Silvy talk to Charles Barkley.”

Best of ESPN 1000 Show - PodCenter - ESPN Radio
Courtesy: ESPN

As the two got more comfortable over time, the clips got shorter, and their banter got longer. They began to move from what they thought sports radio was supposed to sound like to just doing radio. Eventually, the show earned its own timeslot in the station’s lineup, Saturday at 5 a.m.

While continuing to produce “The Best of 1000” and other podcasts on their own, Bleck and Abdalla also began getting on-air fill-in opportunities for various hosts.

“They were thrown a bone every now and then, you know, to do a weekend show or late-night show or whatever and that was about the extent of it,” said market manager Mike Thomas. “And then they took that, and they parlayed it into a regular weekend show.”

Thomas joined the station in January of 2020, and eight months later, after years of waiting their turn, “Bleck and Abdalla” became its own branded show, airing weekdays from 6-8 p.m. local time.

“We started like in like ’08, ’09 recording stuff and doing ‘The Best of 1000,’ but really, to fill in for people for so long and then to have someone come in and support you means all the world to us,” said Bleck regarding Thomas’ vision for the show.

“They deserve a lot of credit for sticking with it and for always kind of trying to get the attention of management and not giving up and going, ‘you know what, I’m a producer in market No. 3 and I should just be happy with that and maybe someday I’ll be able to be on the air when Marc Silverman retires,’” said Thomas. “They didn’t do that.”

It’s important to know that throughout all the years they spent recording their own podcasts, filling in for people and working to carve out opportunities for themselves, they were, and still are, full-time producers at the station, currently producing for “Waddle and Silvy.”

“When I’m in the studio it’s really dedicated to “Waddle and Silvy” and then, you know, we have a quick commercial break in between the two shows and it’s like you just jump out of the plane and then you hope you land every night,” said Bleck.

Being able to balance producing a 4-hour show and then immediately jumping into hosting a 2-hour show goes back to the longevity of their friendship and the chemistry between the two.

“We know each other so well that when the conversation is happening or we’re doing something spontaneous, we just kind of know what the other person is thinking almost before we even say it,” said Abdalla. “Like we’ve known each other longer than we’ve known our wives.”

“I feel like the give and take between the two of us and the ability to kind of take any topic, and like if I said I need you to talk about this for 10 minutes, I feel like the two of us are pretty confident that we could talk about any topic for at least 10 minutes, so with that comfort, I don’t worry about what we’re going to do on the night show,” said Bleck without discrediting the fact that there is definite preparation that still goes into each show.

Part of what industry members have said makes “Bleck and Abdalla” so great, is that they offer fresh, creative ways of talking about things that separate them from other shows, both at ESPN Chicago and other sports stations in general.

“They look at things differently,” said Thomas. “It’s a lot more just guy talk than it is sports talk, and they have a ton of fun every time they do a show. And they’re naturally funny, which is a huge benefit because you can’t teach funny.”

From comparing Bears rookie quarterback Justin Fields and head coach Matt Nagy to taking a date to prom, to an ongoing bit about who’s using Abdalla’s hot sauce from the station fridge, it’s not just all sports all the time for the longtime duo.

“Mike has done a really good job of kind of instilling in us that you don’t have to be sports for two hours or four hours or three hours, however long your show is, like people don’t only talk about sports, people talk about what they do in life,” said Abdalla.

What Thomas saw in Bleck and Abdalla when he first started at the station is what earned them their spot on-air. What Thomas has seen from them since is what has earned them his praise.

“I’ll give them the highest praise that I could probably give any show, and that is, I had the huge benefit of working with two of the guys that I think are the most creative guys in this industry and that’s [Fred] Toucher & Rich [Shertenlieb] in Boston,” said Thomas. “And when I listen to Bleck and Abdalla, I can hear some of the same types of creativity that we heard early on from Toucher & Rich.

“That’s extremely flattering because that show is the marquee of his old station,” said Bleck.

No photo description available.

One of the commonalities between the two shows is their willingness to talk outside of sports. To talk about life. To talk about experiences. All of which makes for good radio, which Bleck said has been the duo’s goal from the beginning.

“I feel like that’s kind of the mold of what we want to be because that’s what we all listened to when we were growing up is that kind of creative just talk radio that’s not necessarily set on one segment and isn’t afraid to try things,” said Abdalla. “And when they do try things and if they do fail, they make fun of themselves and that’s funny too.”

To be able to do that, co-hosts need to have chemistry and a genuine friendship, all of which goes back to the halls of Libertyville High School, before they were friends and before they knew they were destined for radio together.

BSM Writers

John Mamola Didn’t Overthink New WDAE Lineup

“I don’t go book-to-book my talent, I just don’t. I think the more and more you dive into ratings, the more and more you overthink things.”

Brady Farkas

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Just over one month ago, WDAE in Tampa Bay reshuffled its daily line-up. The iHeartMedia station, programmed by John Mamola, moved the Ronnie and TKras program from mornings to afternoons and moved the midday Pat and Aaron show into mornings, while creating a new midday show centered around Jay Recher and producer-turned-host Zac Blobner.

The station let previous host Ian Beckles go as part of the reshuffling.

Barrett Sports Media caught up with Mamola this week to talk about the new line-up, the Tampa Bay market, the importance of developing from within and much more.

(Some of the answers have been edited for brevity and clarity)

BSM: It’s been just over a month since these changes took hold, what would you say is the overall response to them?

JM: Overall, really positive. We lost a really important piece and a pillar of the station in Ian Beckles, but with the moves that we did make, it was overall a pretty positive response from the listeners.

BSM: This wasn’t just creating one new show and calling it a day, this was moving multiple shows into new dayparts. How do you as a programmer get multiple hosts on board with re-arranging their schedules in that manner?

JM: My morning show went into afternoons so they didn’t have to wake up early, so they were very open and welcome to that. As for the original midday show, I knew they were early risers, so moving to mornings didn’t really affect their sleep schedules. And then my midday show, which is the new one, putting those two together is just a combination of some very young, hungry guys that always want new opportunity and are always looking to capitalize on opportunity.

So I wouldn’t say necessarily the convincing was the hard part because it just made a lot of sense for the people involved. The guys in the morning didn’t have to wake up early. The guys in the mornings are early risers anyway, and you get two young, hungry guys to take care of that opportunity so the convincing part was quite easy.

BSM: I got to know Zac Blobner a little bit on the Producers Podcast. He was highlighted a few episodes back and I thought really highly of him. Why was this the right time to get him into a full-time on-air role?

JM: Zac’s been doing some on-air stuff for on the weekends for a number of years. He had his own show and then we tried him out with a couple people on staff on Saturday mornings. That just didn’t necessarily work out but he has hosted a fantasy football show, which we actually air Orlando and in Miami as well as Tampa, live for the last five years.

So his on-air persona – he was a huge part of the morning show and the success of the Ronnie and TKras Show for their run in mornings. So if we were to elevate someone from inside, it just seemed like he was the right guy to elevate, and to pair with Jay Recher. It’s two young, hungry guys and they play well off each other. Some of the best highlights of my day are just sitting in their pre-show meetings with them and their producer Jon Dugas and just listening to how they collaborate together as a threesome on how to attack content, what sound to use, and what guests to book.

Really, it’s three producers in one room all talking about how to collaborate and do a show. Zac has earned the opportunity, just like Pat Donovan who was a producer first. Aaron Jacobson was a producer at first. It was Zac’s time and he’s done a tremendous job with it so far, albeit it’s only a month, but I totally expect it to be a very high ceiling for that show and for Zac in particular.

BSM: Some programmers believe on developing and promoting from within and some programmers believe in always looking for a splashy hire from the outside. Why is developing talent and promoting from within important to you and WDAE?

JM: I think it’s vital for every brand to have a good bench and to continue to find different ways to utilize that bench. Maybe not on the Monday through Friday, but definitely on the weekends in some capacity. And if not there, then on the digital product. You bring in certain guys to push everyone else. Zac was one of those guys. Jay Recher was one of those guys. Pat Donovan was one of those guys. Ronnie and TKras were two of those guys. I like to bring in guys that have a goal and want to push everyone to be better, not just themselves, but push everyone to be better. We have a tremendous team atmosphere on WDAE and we’ve had it for a number of years.

And when you do a lot of change, like we did about a month ago, you don’t want to keep it too foreign. You want to keep it with somebody that the audience knows and the audience has grown to know. Because the minute you start bringing in out of town people that nobody’s ever heard of or you start going to syndication instead of staying live and local, you start to lose your cume, and you start to lose that branding.

We like to put out as much as we can with whatever we have and I think having good, driven people in the hiring process, albeit I’ve hired a little young over my time here, it’s continued to push the narrative that we are continually growing from within and this was just the latest step of that. I don’t think that’s going to change anytime soon.

BSM: When you have new shows and shows in different dayparts, are you mentioning things like ratings and revenue to them? Or do you just tell them to build the shows and worry about it later?

JM: I don’t go book-to-book my talent, I just don’t. I think the more and more you dive into ratings, the more and more you overthink things. It’s important, but it’s not the biggest thing. For me, it’s the sound of the show. If the show sounds like it’s got energy, if it sounds like it’s progressing, if it sounds like we’re creating more attention by what we’re saying and we’re developing as talents and as a station, you feel it. You don’t need to see the numbers. The numbers are the numbers.

The system is great when it’s great but when it’s terrible, it’s still flawed. You know? I mean, Neilson ratings only get you so far but If I start seeing stream numbers go up, which I’ve seen, that’s a positive.  If I see digital traffic or social media growth or something like that, that’s a metric I can track. Today I went to the gas station and they had our sports station on. If I can hear that, that means we’re doing something right. I don’t look book-to-book. I think PDs that dive into numbers and analytics and, and clocks…. Look, if you put out entertaining stuff, they’ll stick with you. And it starts with giving that confidence to your talent. And that’s how I program.

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BSM Writers

Brock Huard Believes The Third Time’s The Charm For Brock and Salk

“If I was a radio consultant, there’s two muscles you have to build constantly. A is listening and B is curiosity.”

Tyler McComas

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It just felt right for Brock Huard when he stepped back behind the mic at Seattle Sports 710. On September 6th, he returned to the airwaves with longtime partner Mike Salk in morning drive. It’s been almost three months since Huard returned to radio, but it still feels as right as it did that early September morning. That’s because the business is in his blood. 

“Once radio is in your blood, it doesn’t leave,” said Huard.

If you talk sports radio with Huard for any length of time, you won’t question his love or intelligence about the industry. He truly loves and understands the business. When you have a former player that has an incredible amount of passion for sports radio, you really have something. Seattle Sports 710 really has something with Huard and his return to the airwaves made locals in the Pacific Northwest very happy. 

Brock & Salk haven’t had to deal with the challenges that new shows experience in the first few months. They’re not trying to establish a chemistry and flow together. They’ve had it after doing a show together twice before, plus a podcast the two hosted together.

“He and I had still done the podcast together for the last couple of years, and had a number of conversations over that time about how fun that hour and a half was, each and every week,” said Huard. “We never really missed a podcast and we both thoroughly enjoyed it. Had we not done that podcast for two years, I don’t know if we would have come back for a third iteration. The third time has been the charm on this iteration.”

What makes the show isn’t just Huard being a former athlete or Salk being a very dynamic and experienced host. The two share an incredible chemistry that shines through on the air. However, Huard thinks there’s one reason in particular that the two mesh so well on air. 

“Because we listen,” said Huard. “That’s number one. I will listen to so many radio shows when I’m on the road and I’m like, this is bad radio. And you can tell hosts aren’t listening to one another, they’re just waiting for their time to talk and they fill and it’s terrible.

“If I was a radio consultant, there’s two muscles you have to build constantly. A is listening and B is curiosity. I think for 14 years he’s still genuinely curious about me and how my mind works, world views, ideology and sports views. After 14 years, I’m equally interested in how he thinks and it’s very different than me.

“It was hard to be able to listen and respect one another, because we come from two totally different world views, in many ways. But at the same time, when you do, and you’re curious to listen to the other side and what they have to say, you create unique content.

“He and I used to have to build these big show sheets when we started and we still have structure and everyday there’s still show sheets, but a consultant by the name of Rick Scott told me this early on, he said you know your show will be good, when you don’t get to half of the stuff on your show sheet. And he was absolutely right 14 years ago.”

Co-hosting morning drive at Seattle Sports 710 isn’t the only gig Huard has in sports media. He’s also a college football analyst for FOX. He’ll be on the call Friday night for the Pac-12 Championship game between USC and Utah. But everything ties back to radio for Huard and a recent experience on an airplane made him realize it again. 

“I was sitting next to this very smart gentleman the other day on my trip home from college football, and he was crushing crossword puzzles like I’ve never seen before,” said Huard. “He’s a very successful attorney and you could see for him, that was such a tool to keep his mind sharp. For me, radio is the same thing. It’s been the best training ground for everything I do with media, especially television.

“If you can do live radio and equip your mind to listen and strengthen that listening muscle, while also creating content, it’s a pretty good active tool. It keeps my mind sharp and plays to my mind’s strengths, I think, with just how wackado I can be between my ears at times. If you have a tremendous partner that helps shape you, like Salk is to me, then it’s just addictive and gets in your blood and doesn’t leave.”

As it relates to radio, being a college football analyst has its perks, because of the access it gives Huard. Every week before calling a game, he gets production meetings with head coaches, which gives him insight that others may not have. It also awards Huard the opportunity to create relationships with coaches. But how much of what’s said does he feel like he can use on the game broadcast or his radio show?

“99.9 percent is used on the air, on the show and sometimes I gain insight and share it with coaches that I know to encourage them,” said Huard. “It baffles me how many times I will hear from my peers, oh, I hate these coaches meetings. I don’t get anything out of them. And I’m like, God bless you. I will have a career for the rest of my life if that’s the way you approach it. It’s the most valuable real estate we have. It’s a forum that nobody else has.

“Yeah, they have press conferences, but if you build true trust and relationship and confidence, they want to tell you their story. They want to share their team. I can’t tell you how many times content from those meetings comes to life in my sit downs with Pete Carroll or Jerry Dipoto, GM of the Mariners or Scott Servais, or on the air or off the air.”

Huard has an insight to college football that few in the Pacific Northwest has, but that doesn’t mean he and Salk will jam pack content from that sport into the show. The duo knows that Seattle cares about. Sure, there’s an interest for college football, but not anywhere near the hunger from Seahawks and Mariners content. 

For example, Huard called the TCU vs. Baylor game two weeks ago, which featured one of the best endings in college football this year, when the Horned Frogs nailed a field goal as time expired. The call of the moment was spectacular and could be the shining moment of the season for a TCU team that looks destined for the College Football Playoff. On the Monday after, Huard and Salk made it a part of the show, but never had the intention of making it the majority of the show. 

“Our audience is dominated by the Seahawks and Mariners,” said Huard. “That dominates 80 to 90 percent of our conversation. I would say lifestyle is probably the rest. For example, we played that highlight today four times over the course of the show. We rank things at the end of every show and it was my Top 5 games of my broadcast life in 14 years on the road and that was number 1.

“I often use conversations and things I learned from those games and players and relate them to the Seahawks and Mariners. Dave Aranda talked about living with expectations and how hard that is in our meeting on Friday. He said, you watch, TCU is going to have to live in an entirely different world, where you’re on the mountain top instead of climbing it. And then you relate that toward the Seahawks or the Rams this year.

“Inevitably, yes, those moments create content, either emotionally or football 101. Radio is all encompassing in that way. I never understand radio hosts who try to play it straight. I just don’t. I think it’s bad radio. You have to be willing to live your life and put your life out there, whether it’s good, bad or ugly. The more you do that, the more you attach yourself and connect with your audience.”

It feels like the third time is truly the charm for Huard and Salk. They listen, they have chemistry and the content is a refreshing mix of sports and lifestyle. 

“He and I are not comedians,” said Huard. “We don’t play fake laugh tracks like others do. He and I will land way more on the analytical information side than maybe a consultant would tell us what morning radio people want. But I think where it cuts through is he and I put our lives out there. Our parenting success and failures. Relationship struggles, kids, sports, youth sports, that’s probably where we connect in a way that’s more lifestyle. That’s the word I would use.”

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BSM Writers

Chuck Swirsky Embodies ‘Always A Pleasure’

“I love working with Bill Wennington and each and every day I have the same enthusiasm of calling a Bulls game like I did as a five-year-old child calling games off a TV.”

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It’s hard to imagine there are any more positive thinking people in the world than Chuck Swirsky. If you don’t believe me, just check out his daily tweets. Swirsky has a lot to be upbeat about, he’s doing what he’s always wanted to, and now he’s written a book.

Always a Pleasure” is his creation, putting thoughts on paper, or iPad or whatever, about stories and people he’s encountered over the more than 40-years he’s been in the business.

The title is aptly accurate. Chuck is always a pleasure to be around and is one of the most supportive people I’ve ever met. He encourages those that need it. Swirsky always has time for people in the business and those trying to get into this crazy racket. I’ve seen and experienced it for myself, so trust me when I tell you, it’s the truth.

There are those that have worked multiple decades in play-by-play, and I’ll bet each and every one of them has been asked at some point, ‘hey, why don’t you write a book?’. Sounds easy enough, I’m sure. But when you really think about it, how can a person be expected to fit 40 plus years of work into a book that wouldn’t be the size of a dictionary?

More on that in a moment. I was wondering what makes someone in Swirsky’s position to write a book. So, I asked him. He outlined the main reason he decided to put pen to paper and tell some of his favorite stories and recall good memories.

“Over the past several years I was approached by several publishers and writers who were interested in detailing my journey in sports broadcasting, featuring my stops calling major college athletics and NBA basketball in addition to sports talk.” Swirsky told me. “I was reluctant to do so but a year ago I had a change of heart knowing 2022-23 Bulls season would be my 25th in the NBA, including my 2-thousandth NBA play-by-play game.”

Swirsky didn’t use a sportswriter or an author to tell his tale. “For years I have saved notes and decided to write the book myself, in my own words. I love my job. I have no desire to retire. I want to continue broadcasting Bulls game for many more years as long as my health and clarity allow me to do so.” he said.

“I love working with Bill Wennington and each and every day I have the same enthusiasm of calling a Bulls game like I did as a five-year-old child calling games off a TV. I have the utmost respect for the Reinsdorf  family and our entire organization.  I just felt this was the right time to write a book.”

I have followed Swirsky’s career closely and gotten to know him over the years. Growing up in Chicago, I was fortunate enough to hear him in his early days here, at the old WCFL (now ESPN 1000), where he became one of the pioneers of sports talk radio. He’s called games on radio and television.

For DePaul, Michigan, select White Sox games, the Raptors and now over the last nearly 2 decades, the Bulls. That’s a lot of experience and a lot of experiences for one person. It made ‘editing’ the book a little difficult.

“I could have easily written another 100 pages featuring additional sports personalities and stories.” Swirsky said. “But I elected to highlight specifics of a timeline allowing the reader to understand that my quest to reach a childhood goal of broadcasting NBA basketball was met with challenges, setbacks and ultimately persevering through hard work, focus, passion and positivity.”

Writing books can be a way to look back on a career. Swirsky if far from done. He never really reflected on things, because he was always looking forward. But the retrospective allowed him to realize a few things along the way.

“I would say this. I am my own worst critic.  I very seldom look back on my career. While I was writing “Always A Pleasure” I had to stop and truly reflect how blessed I  am to be in the position where  I am today. I never take it for granted. Never have. Never will.” Swirsky said.  “Nothing is easy. It’s hard. This business can be exhilarating yet so difficult. I never get too high nor too low although I’m very sensitive and my insecurities get the best of me which is probably not a good thing , especially in radio-television.”

In looking back there’s bound to be a few lessons learned from the past. Swirsky did find a few things in writing the book that he remembered, educated him along the way. “I learned that anyone who applies themselves, making  a commitment to work on their  skill set, and their weaknesses through hard work, dedication, passion and purpose, can be successful.” he said. 

“For example, not every professional athlete is going to hit .330. Let’s say another player is hitting .240. What is keeping him in the big leagues? Is it his  glove,  his ability to play multiple positions?  His  character in the locker-room? The same principle is in effect in our industry. Maximize your strengths and do it with a great attitude, humility and kindness.”

Swirsky’s book details his interactions with some very familiar people in the business and the sports world. “I have plenty of stories featuring some of the biggest names in sports ranging from Hall of Fame baseball star Willie Mays who many consider perhaps the greatest player of all time to Kobe Bryant who left our world way too soon.” he says. “When you’ve been a professional broadcaster for 46 years, one  meets many, many players, coaches, executives, media and sports personalities along the way.” 

The one thing you can say about Swrisky, is he is real. There’s no pretense or facade. A genuine human being that is interested in what people have to say. Athletes, coaches, broadcasters and yes, even fans. His book has been reviewed by some of the greats. Mike Breen, Chris Bosh and even Steph Curry. Here’s the 2-time NBA MVP’s take on Swirsky and the book.

Having known Chuck since my days as a still-developing youth player in Toronto, where my dad was a member of the Raptors, I can attest to the fact that his passion for people and basketball is deep and sincere.

Chuck’s unique desire to mentor young people, especially minorities and those of different cultures and backgrounds, will help inspire those who share the same dreams, dreams that enabled him to persevere to the top of his profession.

I’m proud of Chuck, and excited that others can become enlightened by his exciting broadcasting journey, which includes nearly 25 years in the NBA and, of course, a trio of Curry family members shooting from the stars, just like him.

A book written by someone as accomplished in this industry as Swirsky draws interest because of who he is. But the Bulls’ play-by-play man is always thinking of others and trying to help where he can, just like Curry said. Along with stories, he lends his knowledge and relates it to those who are already in broadcasting and those trying to get in.

“I’m hoping those in our industry who read the book even those outside the radio-tv, new media field will come away knowing that perseverance is a powerful resource to help withstand the emotional heartache of rejection, disappointment and loneliness.” said Swirsky. He adds, “I have experienced everything. The good. The bad. The ugly. I’m talking all levels.  My message is to stay true to your core values. In this case,  my foundation is  built on respect,  kindness, honesty, sincerity and selflessness.”  

Given the opportunity to beam about the finished product, Swirsky in typical fashion, deflected any praise. Simply saying, “I am very humbled and appreciative of  the professionalism of the book’s publisher, Eckhartz Press. They allowed me to be me. That’s all I wanted. Mission accomplished. I am grateful.”

The entire industry should be grateful for people like Swirsky. There are so few in the business who are as kind and caring as he is. There are just as few people that take interest in others, and help mentor the next generation like Chuck. Inspiring stories, a career chronicle and life lessons, “Always a Pleasure” is going to be on my must-read list for the holidays. Congrats “Swirsk” keep up the great work.

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