BSM Writers
Stacy Rost Isn’t Toning Herself Down
“There’s always going to be random losers that text in things that are meant to hurt you because they have issues and insecurities.”

Published
2 years agoon
By
Brian Noe
I don’t know many people who strive to be unaccepted. Most of us want to be welcomed and valued. It can be tempting to become a different version of yourself when facing criticism. But the only acceptance that truly feels good is being embraced for who you actually are. It’s something that Seattle sports radio host Stacy Rost knows all too well. That’s why she isn’t trying to repackage herself in order to fit into a box that others want; Stacy is here to be herself.

One of the biggest challenges Stacy faces is maintaining unwavering confidence in spite of negativity. Criticism is the archenemy of confidence. It’s like Giannis Antetokounmpo stepping to the free throw line as the opposing crowd collectively chants in an effort to throw him off. It isn’t easy to stay mentally focused, but it’s necessary. Stacy knows that in order to be at her best, she has to be carefree. She can’t be thrown off by trolls; dance as if no one is watching so to speak.
Stacy is very insightful. In our conversation the SeaTac, Washington native pinpoints an area in which many men in sports radio need to grow. It’s eye-opening to hear her description of how harmful a lack of interaction can be. Stacy also touches on how her nerves developed over time, and how her biggest strength and biggest weakness are tied together. (Oh, and props to her for being so patient with me. I’m much better at joining Zoom meetings than I am at starting them.) Enjoy.
Brian Noe: What teams did you grow up rooting for?
Stacy Rost: Being local, obviously the Seahawks. This is going to sound horrible being in sports radio; I wasn’t the biggest sports fan. I liked football, but it was never really explained to me. The extent to which it was explained to me was like “root for the blue guys”. Just basic, basic sports fandom, like obviously football being something that I think even casual sports fans are a fan of first. So that was me.
BN: How much catching up did you have to do to get to the level you’re at now in knowing the sport?
SR: Oh, a lot. A lot. I think it’s a somewhat non-traditional path, but I don’t think one that puts you at too much of a disadvantage. When I was about 17 or 18, I really got into sports, particularly college football and pro football but later obviously other sports as a way to kind of adjust to college. I would literally just sit and watch games and Google how many downs are in a football game? What’s offsides? What are all the teams? What are all of the positions on an offensive line? I would spend hours and hours and hours a week doing stuff like this. I think that even though sometimes I get a little self-conscious knowing that I was late to sports, for the last 10+ years I feel like I’ve thrown myself into feverishly learning everything I can about it.
BN: It’s funny because you might know more. Someone that grew up understanding the basics might not have researched the intricacies the way you have.
SR: I’m sure this is a feeling familiar especially with many women; it’s a little bit of an imposter syndrome where I never assume that I know anything. Sometimes that’s a hindrance because it hinders sometimes where confidence would be a great tool to have. Other times though it lets you kind of double check every single thing. Do I really know this rule, or do I want to make sure I look this rule up? I think it just makes you more prepared and more aware of how everything is because you never, ever, ever assume that you know.
BN: What are the expectations in Seattle in terms of a female host knowing her stuff? How does the market treat someone like you as far as that goes?
SR: I’ve never been a host in another city but I don’t think I would have become a host in another city, which probably answers that question. I think like in Boston I never would’ve been given a shot on radio. Whether it’s my tone or whether it’s being inexperienced, I think Seattle is a little more tolerant.
That said it’s still, like many other sports radio markets, not a very diverse market. If we’re diving into a bigger conversation about this, you’re going to get trolls in every single market no matter what. There’s always going to be random losers that text in things that are meant to hurt you because they have issues and insecurities.
When I first started that really hurt me because it’s socially weird. That is not a social norm. At no point in our lives are we told like, hey it’s okay to go up to this stranger and say something horrible. That’s socially deviant behavior. So you never know how to respond, but I’ve slowly started learning how to ignore that. The harder stuff is people — and when I say people I mean mostly men — who really do mean well, but who sometimes still struggle to include female counterparts whether it be in conversations or sharing work. You still struggle to assimilate completely. That’s what gets in your head a little bit more; when normal people that you think of as being normal people don’t always I guess, this sounds horrible, but make you feel validated.
BN: What would be an example of something that a quote-unquote normal person might say that you dislike?
SR: [Laughs] Sometimes it’s what they don’t say. It could be something like being at a training camp for a couple of years and you notice that you are never involved in football conversations. Or it could be something where you notice that male peers, meaning guys with different outlets, they never ask you questions or they never have conversations about sports with you. In a certain way that’s fine because they talk to each other about like concerts they went to. [Laughs] I do think I noticed particularly early in my career that in my opinion in trying to be really welcoming, sometimes people don’t know how to interact with someone they might think is different, so they just don’t. That can be accidentally harmful and alienating.

BN: It’s interesting to me because I’m just thinking of companies that have training where it’s like don’t do this, and don’t say that, right? But you’re talking about the opposite; do this, make someone feel included. It’s funny that you can follow a company’s training yet still make someone feel weird if you don’t interact with them.
SR: And that’s the stuff that hurts you more, particularly when you’re first starting out because you think is it me? Is there something with me why I’m left out? And it keeps you from growing.
I remember one person, his name is Steve Cohen, he’s with The Athletic now. He was such a huge mentor and a great friend when I first started because we had a mutual friend in common. I specifically remember there was a player that had come in for the Seahawks who had a heated moment in a training camp. Steve was told by someone else, oh yeah I talked to this guy’s OC and he would do this all the time in college, or something like that, just little nuggets of information. You miss out on so many of those when people don’t talk to you and when you don’t form those relationships. Again, I think that in my experience there has been a good faith effort by many of the men in my market to be welcoming. But I think as a whole because sports media isn’t exceptionally diverse particularly in radio, there’s still some learning to be done.
BN: Did you have more nerves when first were on the air, or when you got the lead hosting opportunity and a much bigger stage?
SR: I was never nervous when I started, ever. I don’t know what it was; I didn’t think twice about it. I don’t remember feeling nervous when I started doing radio at all. I became more nervous as a result of feeling less confident because I started seeing so much negative feedback. If we’re being open, the last year and a half of being more forward-facing as a lead host as opposed to starting out as a third chair, I think that is when for the first time in radio at all I started wondering do I sound stupid? Am I saying the right thing? Does this sound bad?
I was doublethinking every show because you’re dealing with people reacting to you negatively for the first time. In my personal experience, the feedback I was getting was so negative. You struggle internally with thinking I want to be able to get back to when I felt I was naturally good at it, but now I don’t feel like I can naturally be myself because people just don’t like it.
That’s a very vulnerable statement. But again I never thought twice when I started. It was only later that I started to think wait, do people like me? It was certainly the first time that I was questioning hang on, am I an unlikable person? [Laughs] I didn’t realize this was my brand. Am I like a villain? I never thought about that before.
BN: What helped you get out of your own head so you could stay focused on what you need to do?
SR: When I initially started specifically on air, we had a lot of women behind the scenes here. A lot of them had either been in radio for a while or had been hosts for a while. It was easy to talk to them and have them be like hey, I dealt with this too, let’s go get a coffee and get over it. It was a very healthy support system at work. There were men that I worked with too who were also incredibly supportive. So that’s the first part is just a really good support system.
I think the second one is Jake Heaps and Curtis Rogers, my co-host and producer. We’re all friends outside of this; it’s a familial kind of feeling. They joke around, gang up, make fun of me sometimes. We all tease each other, but other times they give you that tough love of don’t care about this person, that doesn’t matter. They know me well enough to tell when a comment on a text line or a tweet into our show has bothered me. They know well enough to nip it in the bud and be like hey let’s get excited about this next segment. Forget that guy, we’ve got 30 minutes left in the show, let’s really go all-in.
The three of us are able to very quickly pick up on how each other is feeling in the moment. When you have a show to do and someone hurts your feelings, yeah I might feel sad after the show, but you can’t just go through the rest of the show feeling down. That in a weird way has also helped train myself to get over that quickly.
BN: What is it that you love about what you do?
SR: Oh my God, everything. I love having fun every day. I feel like when I started going on air it was the very, very first time in my life when I thought, oh my God, I love what I’m doing. I feel like I found — not what I’m supposed to do, that sounds horribly narcissistic — but I found something that I love doing that encapsulated so much of how I love interacting with people. I love asking questions and laughing and having fun and telling stories and getting mad and getting fired up. You can do so much of that every single day. And you get paid to do it; that’s amazing.
I love watching sports for a living. I’m sure you love that.
On Sundays you’ll never catch me complaining ever in my life about overtime for a game. The fact that we get paid to sit and watch a football game is unbelievable. I love that it is literally our job to leave a game and think what did I love? What did I hate? How did they get better? Now I get to think about this for hours and not feel like I’m dwelling. We’re paid to think about this game. Everything — the analysis, the conversation; I love almost everything about it.
BN: Who are some of the female broadcasters or broadcasters in general that you look up to?
SR: I used to love watching The Dan Patrick Show in the morning. I love his interview style, how casual he sounds. What’s funny is I don’t sound anything like him or have the same style at all. Personally I feel I’m horrible at interviews and so I still watch a lot of his.
Same with Rich Eisen, who has a different style, but I feel both are just wonderful interviewers. That is something I do love about our job; the opportunity to talk to people. I love the two of them. I find myself loving more analysts.
I’m sure any woman that you interview would say Mina Kimes. Women like Doris Burke and Maria Taylor, Jemele Hill, who has also written wonderful stuff. She’s so clear about her opinions in a way that I still struggle to be. She’s someone I also love following. There are so many.
I loved Katie Nolan with whatever outlet she was with even back when she was just first starting with YouTube videos to now. She has a podcast I just listened to, which was just this candid, free-thought monologue about mental health struggles she had. I thought oh my God, I’ve never heard anything this candid in my life. Wow, that’s such a cool way to do a podcast. I’m sure it wasn’t something she intended.

I think there are so many great examples of women and men, but especially women, pushing the boundaries of what sports radio and sports coverage sounds like in a way that I love.
BN: When you mentioned Dan Patrick’s style it got me thinking of this; what style works in Seattle and what style doesn’t play there?
SR: Oh man, that’s a great question. I’m still figuring it out myself. My own experience with figuring out what works and doesn’t is also going to be gender. There might be a facetious tone that works with some men that sometimes isn’t going to work with me because people think I’m being serious. That’s part of a problem.
I do think a facetious tone, being sarcastic, being analytical can work well here. I think there are really smart fan bases that really embrace that. I think that being hot take experts can be trickier. It depends what your hot take is going to be. I think the sports media culture is just a little different so that sometimes doesn’t land in the way it might in a place like Boston or New York. I think that’s to be expected. If you were to think to yourself what would work in New York that wouldn’t in Seattle, maybe some abrasiveness. That would probably be something.
BN: What would you say right now is your biggest strength as a host and your biggest weakness?
SR: I would say they’re tied together. My biggest weakness is sometimes just not being confident, which is the most important thing you need as a radio host. Talk about an Achilles heel. The most important thing you can do as a radio host is be confident and think your opinion matters and people should hear it. It’s this weird kind of thing that might not always play in real life if you were with your friends, and it makes for a fantastic radio host.
Someone who’s confident, thinks he or she has something to say, and everyone needs to hear it right away. But that’s the stuff that draws people to you. It’s like a magnet. I think that when I’m at my best, I have it. When I’m at my best it’s not trying to be someone else or trying to tone myself down to try to preemptively combat stereotypes I think people have of me. For instance, if I want to make a joke about a reality TV show, when I first started I just would’ve done it. I would’ve said forget that, I’m going to make this joke, it’s funny. Or I would’ve been more facetious or more carefree. That’s when I’m at my best. I’m not trying to sound more palatable to someone who doesn’t think women should be completely themselves in sports radio. That’s really a universal skill that makes everyone at their best.
The biggest weakness is sometimes not having that, and biggest strength is I think when I have it — and I sound narcissistic saying it — I think when I’m confident, I’m great. I feel like I’m exactly where I should be.
BN: What do you see in the future for yourself? Is there any specific goal that you would like to accomplish?
SR: I don’t know. I’d love to veer into podcasts said everyone ever in radio. Whether it’s my own interview style or content that I personally like that isn’t always suited to purely sports radio, I think there are some types I’d love to be able to explore. I think trying newer audio mediums, podcasting, things like that; I’d love to continue to explore that and branch off into that. As far as where it goes after that, I don’t know. I just hope that my love for what I do is able to translate to just give me opportunities, to keep finding new things.
BN: How about if you were in another market? Have you basically been in the same area throughout your life?
SR: I have. Yeah, if I was in another market, oh man, I’m not convinced again like I said I’d be given a shot in another market.
BN: Why not, right? You’re personable and you know your stuff. Why wouldn’t it work in another market?

SR: Seattle’s funny, man. I think I would be challenged to be a little more forward in other markets. I think it would put me in a spot. To be frank, that would probably be good for me to practice being like, hey do you want this coach fired or not? That’s not quite the conversation we’re having here. But yeah, I love what I do and I know that radio in so many ways whether it’s through podcasts, digital, whether it’s video properties, whatever it is will continue to evolve. So I want to explore all of those things and all of those opportunities.

Brian Noe is a columnist for BSM and an on-air host heard nationwide on FOX Sports Radio’s Countdown To Kickoff. Previous roles include stops in Portland, OR, Albany, NY and Fresno, CA. You can follow him on Twitter @TheNoeShow or email him at bnoe@premierenetworks.com.
BSM Writers
Is There Still a Place for Baseball Talk on National Sports Shows?
“Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance.”

Published
12 hours agoon
March 29, 2023
Last week at the BSM Summit, I hosted a panel focused on air checks. I wish I could say we covered the topic thoroughly, but we got derailed a lot, and you know what? That is okay. It felt like real air checks that I have been on both sides of in my career.
Rob Parker of The Odd Couple on FOX Sports Radio was the talent. He heard thoughts on his show from his boss, Scott Shapiro, and from his former boss, legendary WFAN programmer Mark Chernoff.
Baseball was the topic that caused one of our derailments on the panel. If you know Rob, you know he is passionate about Major League Baseball. He cited download numbers that show The Odd Couple’s time-shifted audience responds to baseball talk. To him, that proves there is not just room for it on nationally syndicated shows, but that there is a sizable audience that wants it.
Chernoff disagrees. He says baseball is a regional sport. Sure, there are regions that love it and local sports talk stations will dedicate full hours to discussing their home team’s games and roster. National shows need to cast a wide net though, and baseball doesn’t do that.
Personally, I agree with Chernoff. I told Parker on stage that “I hear baseball talk and I am f***ing gone.” The reason for that, I think, is exactly what Chernoff said. I grew up in Alabama (no baseball team). I live in North Carolina (no baseball team). Where baseball is big, it is huge, but it isn’t big in most of the country.
Now, I will add this. I used to LOVE baseball. It is the sport I played in high school. The Yankees’ logo was on the groom’s cake at my wedding. Then I had kids.
Forget 162 games. Even five games didn’t fit into my lifestyle. Maybe somewhere deep down, I still have feelings for the sport, but they are buried by years of neglect and active shunning.
Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance.
Me, and millions of sports talk listeners like me, look at baseball like a toddler looks at broccoli. You probably aren’t lying when you tell us how much you love it, but damn it! WE WANT CHICKEN FINGERS!
A new Major League Baseball season starts Thursday and I thought this topic was worth exploring. I asked three nationally syndicated hosts to weigh in. When is baseball right for their show and how do they use those conversations? Here is what they had to say.
FREDDIE COLEMAN (Freddie & Fitzsimmons on ESPN Radio) – “MLB can still be talked nationally IF there’s that one player like Aaron Judge or Shohei Ohtani can attract the casual fan. MLB has definitely become more local because of the absence of that SUPER player and/or villainous team. I wonder if the pace of play will help bring in the younger fans that they need, but the sport NEEDS that defining star that is must-see TV.”
JONAS KNOX (2 Pros & a Cup of Joe on FOX Sports Radio) – “While football is king for me in sports radio, I look at baseball like most other sports. I’m not opposed to talking about it, as long as I have an angle or opinion that I am confident I can deliver in an entertaining manner. A couple of times of any given year, there are stories in baseball that are big picture topics that are obvious national discussions.
“I think it’s my job to never close the door on any topic/discussion (except politics because I don’t know anything about it).
“But also, if I’m going to discuss a localized story in baseball or any other sport for that matter – I better have an entertaining/informed angle on it. Otherwise, I’ve let down the listener and that is unacceptable. If they give you their time, you better not waste it.”
MAGGIE GRAY (Maggie & Perloff on CBS Sports Radio) – “While I was on WFAN there was almost no amount of minutia that was too small when it came to the Mets and Yankees. On Maggie and Perloff, our baseball topics have to be more centered around issues that can be universal. For example, ’Is Shohei Ohtani the face of the sport? Is Ohtani pitching and hitting more impressive than two sport athletes like Bo Jackson and Deion Sanders? Do you consider Aaron Judge the single-season homerun king or Barry Bonds?’ Any baseball fan or sports fan can have an opinion about those topics, so we find they get great engagement from our audience.”

Demetri Ravanos is the Assistant Content Director for Barrett Sports Media. He hosts the Chewing Clock and Media Noise podcasts. He occasionally fills in on stations across the Carolinas. Previous stops include WAVH and WZEW in Mobile, AL, WBPT in Birmingham, AL and WBBB, WPTK and WDNC in Raleigh, NC. You can find him on Twitter @DemetriRavanos and reach him by email at DemetriTheGreek@gmail.com.
BSM Writers
Who Can Sports Fans Trust Once Twitter Ditches Legacy Verified Blue Checks?
The potential for Twitter chaos after April 1 is looming.

Published
2 days agoon
March 28, 2023
As of April 1, Twitter will finally make a dreaded change that many will view as an April Fools’ prank. Unfortunately, it won’t be a joke to any user who cares about legitimacy and truth.
Last week, Twitter officially announced that verified blue checkmarks will be removed from accounts that have not signed up for a Twitter Blue subscription. Previously, accounts whose identity had been verified were allowed to keep their blue checks when Twitter Blue was implemented.
On April 1st, we will begin winding down our legacy verified program and removing legacy verified checkmarks. To keep your blue checkmark on Twitter, individuals can sign up for Twitter Blue here: https://t.co/gzpCcwOpLp
— Twitter Verified (@verified) March 23, 2023
Organizations can sign up for https://t.co/RlN5BbuGA3…
But shortly after Elon Musk purchased Twitter and became the social media company’s CEO, he stated his intention to use verification as a revenue source. Users would have to pay $8 per month (or $84 annually) for a Twitter Blue subscription and blue checkmark verification. Paying for blue checks immediately set off red flags among users who learned to depend on verified accounts for accredited identities and trusted information.
The entire concept of verification and blue checks was simple and effective. Users and accounts bearing the blue checkmark were legitimate. These people and organizations were who they said they were.
As an example, ESPN’s Adam Schefter has faced criticism for how he framed domestic violence and sexual misconduct involving star NFL players, and deservedly so. But fans and media know Schefter’s tweets are really coming from him because his account is verified.
Furthermore, Twitter took the additional step of clarifying that accounts such as Schefter’s were verified before Twitter Blue was implemented. He didn’t pay eight dollars for that blue checkmark.

The need for verification is never more vital than when fake accounts are created to deceive users. Such accounts will put “Adam Schefter” as their Twitter name, even if their handle is something like “@TuaNeedsHelp.” Or worse, some fake accounts will create a handle with letters that look similar. So “@AdarnSchefter” with an “rn” in place of the “m,” fools some people, especially at a quick glance when people are trying to push news out as fast as possible.
Plenty of baseball fans have been duped over the years by fake accounts using a zero instead of an “o” or a capital “I” instead of a lowercase “l” to resemble Fox Sports and The Athletic reporter Ken Rosenthal. That trick didn’t get me. But when I covered Major League Baseball for Bleacher Report 10 years ago, I did fall for a fake Jim Salisbury account that reported the Philadelphia Phillies traded Hunter Pence to the San Francisco Giants. Capital “I,” not lowercase “l” in “Salisbury.” Pence was, in fact, traded to the Giants two days later, but that didn’t make my goof any less embarrassing. I should’ve looked for the blue checkmark!
But after April 1, that signifier won’t matter. Legacy blue checkmarks will be removed from accounts that haven’t paid for Twitter Blue. Some accounts that were previously verified might purchase a subscription to maintain that blue check. But those that were deemed legitimate prior to Musk taking over Twitter likely won’t. (There are also rumors that Twitter is considering a feature that would allow Twitter Blue subscribers to hide their blue check and avoid revealing that purchase.)
That could be even more true for media organizations, which are being told to pay $1000 per month for verification. Do you think ESPN, the New York Times, or the Washington Post will pay $12,000 for a blue check?
well the new paid checkmarks seem to be working exactly how we all expected pic.twitter.com/4Thk63i9il
— SB Nation (@SBNation) November 9, 2022
We’ve already seen the problems that paying for verification can cause. Shortly after Twitter Blue launched, accounts pretending to be legacy verified users could be created. A fake Adam Schefter account tweeted that the Las Vegas Raiders had fired head coach Josh McDaniels. Users who saw the “Adam Schefter” Twitter name went with the news without looking more closely at the “@AdamSchefterNOT” handle. But there was a blue checkmark next to the name this time!
The same thing occurred with a fake LeBron James account tweeting that the NBA superstar had requested a trade from the Los Angeles Lakers. There was a “@KINGJamez” handle, but a “LeBron James” Twitter name with a blue check next to it.
Whether it’s because fans and media have become more discerning or Twitter has done good work cracking down on such fake accounts, there haven’t been many outrageous examples of deliberate deception since last November. But the potential for Twitter chaos after April 1 is looming.
If that seems like an overstatement, it’s a very real possibility that there will be an erosion of trust among Twitter users. Media and fans may have to take a breath before quickly tweeting and retweeting news from accounts that may or may not be credible. False news and phony statements could spread quickly and go viral across social media.
Starting April 15th, only verified accounts will be eligible to be in For You recommendations.
— Elon Musk (@elonmusk) March 27, 2023
The is the only realistic way to address advanced AI bot swarms taking over. It is otherwise a hopeless losing battle.
Voting in polls will require verification for same reason.
Even worse, Musk has announced that only verified Twitter Blue accounts will be seen in your “For You” timeline as of April 15. (He can’t claim it’s an April Fools’ Day joke on that date.)
Obviously, that carries far more serious real-world implications beyond sports. Forget about a fake Shams Charania account tweeting that Luka Dončić wants to be traded to the Lakers. It’s not difficult to imagine a fake Joe Biden account declaring war on Russia and some people believing it’s true because of the blue checkmark.
We may be nearing the end of Twitter being a reliable news-gathering tool. If the accounts tweeting out news can’t be trusted, where’s the value? Reporters and newsmakers may end up going to other social media platforms to break stories and carry the viability of verification.
When Fox Sports’ website infamously pivoted to video in 2017, Ken Rosenthal posted his MLB reporting on Facebook prior to joining The Athletic. Hello, Instagram. Will someone take their following and reputation to a fledgling platform like Mastodon, Post, Spoutible, or BlueSky, even if it means a lesser outlet?
If and when that happens, Twitter could still be a community but not nearly as much fun. Not when it becomes a matter of trust that breaks up the party.

Ian Casselberry is a sports media columnist for BSM. He has previously written and edited for Awful Announcing, The Comeback, Sports Illustrated, Yahoo Sports, MLive, Bleacher Report, and SB Nation. You can find him on Twitter @iancass or reach him by email at iancass@gmail.com.
BSM Writers
There’s a Lesson For Us All in Florida Atlantic’s Elite 8 Broadcast Struggle
“It is a ton of faith our industry has been forced to place in a single mode of delivery.”

Published
2 days agoon
March 28, 2023By
Ryan Brown
Ken LaVicka and Kevin Harlan probably don’t have a ton in common. Both of them were announcing an Elite Eight game over the weekend, that is one thing tying them together, but their experiences were wildly different. Harlan is on CBS with a production crew numbering in the dozens making certain all goes smoothly. LaVicka, the voice of the Florida Atlantic Owls, is a production crew himself, making certain those listening in South Florida heard the Owls punch their Final Four ticket. At least, that was LaVicka’s plan.
The Florida Atlantic Owls are going to the Men’s Final Four. Even while typing that sentence, it still seems odd to say. Do you know how many college basketball teams are thinking “how can Florida Atlantic make the Final Four and we can’t?” These are the types of stories that make the NCAA Tournament what it is. There is, literally, no barrier stopping any team from this tournament going on the run of their life and making it all the way.
Everyone listening in South Florida almost missed the moment it all became real for the Owls. With :18.6 to go in Florida Atlantic’s Elite Eight game against Kansas State, the Madison Square Garden Ethernet service to the front row of media seating went completely dark.
It was on that row that Ken LaVicka was painting the picture back to South Florida. Well, he was until the internet died on him.
Nobody does a single show away from their home studio anymore without trying to avoid the nightmare of Ethernet failure. Gone are the days of phone lines and ISDN connections, all the audio and video is now sent back to the studio over the technological miracle that is the internet. It is a ton of faith our industry has been forced to place in a single mode of delivery.
Take that anxiety and multiply it by 1,000 when that Ethernet line is connected to a Comrex unit for the most important moment of your career. LaVicka had the great fortune of a Kansas State timeout to try something, anything, to save the day. In his quick thinking, he spun around and grabbed an ethernet cable from row two which, as it turns out, still had internet access flowing through it’s cables. That cable, though, was the equivalent of an iPhone charging cord; never as long as you need it to be.
One of LaVicka’s co-workers from ESPN West Palm held the Comrex unit close enough to the second row for the cable to make a connection and the day was saved. LaVicka was able to call the last :15 of the Florida Atlantic win and, presumably, get in all the necessary sponsorship mentions.
It was an exciting end to the FAU v. Kansas State game, a great defensive stop by the Owls to seal the victory. LaVicka told the NCAA’s Andy Katz he tried to channel his inner Jim Nantz to relay that excitement. The NCAA Tournament excitement started early this year. In the very first TV window 13 Seed Furman upset 4 Seed Virginia with a late three pointer by JP Pegues, who had been 0-for-15 from beyond the arc leading up to that shot. It is the type of play the NCAA Tournament is built upon.
It was called in the manner Kevin Harlan’s career was built upon. Harlan, alongside Stan Van Gundy and Dan Bonner, called the Virginia turnover leading to the made Furman basket with his trademark excitement before laying out for the crowd reaction. After a few seconds of crowd excitement he asked his analysts, and the world, “Did we just see what I think we saw? Wow!” Vintage Kevin Harlan.
One reason we are so aware of what Harlan said, and that he signaled his analysts to lay out for the crowd reaction, was a CBS Sports tweet with video of Harlan, Van Gundy and Bonner in a split screen over the play. It gave us a rare look at a pro in the middle of his craft. We got to see that Harlan reacts just like he sounds. The video has more than six million views and has been retweeted more than 6,000 times, a lot of people seem to like it.
Kevin Harlan is not in that group. Harlan appeared on Richard Deitsch’s Sports Media podcast after the video went public and said he was embarrassed by it. Harlan added he “begged” CBS not send the tweet out but to no avail. Harlan told Deitsch “I don’t know that I’m glad that they caught our expression, but I’m glad the game was on the air. I think I join a chorus of other announcers who do not like the camera.”
There’s a valuable announcer lesson from Harlan there; the audience is almost always there for the game, not you. Harlan went on to describe the broadcast booth to Deitsch as somewhat of a sacred place. He would prefer to let his words accompany the video of the action to tell the story. Kevin Harlan is as good as they come at his craft, if he thinks that way, there’s probably great value in that line of thought.
We can learn from LaVicka, as well. You work in this business long enough and you come to accept technical difficulties are as much a part of it as anything. They always seem to strike at the worst times, it is just in their nature. Those who can find a way to deal with them without everything melting down are those who can give their audience what they showed up for. Those who lose their mind and spend time complaining about them during the production simply give the audience information they don’t really care about.
The Final Four is an unlikely collection of teams; Miami, San Diego State, Connecticut and Florida Atlantic. You all had that in your brackets, right? Yep, the Florida Atlantic Owls are going to the Final Four and Ken LaVicka will be there for it. Now, if the internet will just hold out.

Ryan Brown is a columnist for Barrett Sports Media, and a co-host of the popular sports audio/video show ‘The Next Round’ formerly known as JOX Roundtable, which previously aired on WJOX in Birmingham. You can find him on Twitter @RyanBrownLive and follow his show @NextRoundLive.