Steve Kamer: Getting to Know a Familiar Voice
After losing his gig as overnight personality at now-defunct radio station Mix 105 in New York, Steve Kamer knew his best route to a lucrative life in broadcasting was going full throttle into a voice-over career.
“The choice was not mine, but the decision was easy to make,” Kamer told BNM.
He was able to parlay 17 years as a “terrible jock” into his on-air reinventing for himself.
By the time Kamer was “transitioning” as air personality, he was already the announcer for NBC’s Today show.
Over the next three decades, Kamer has established himself as a leading sound for many media companies.
Despite decades of high-profile voice-over work, with an upbeat and energetic style, there is no resting on any laurels for Kamer, 58, who is still working with coaches to hone and refine his style.
“It’s how you stay at the top of your game and not become a flash in the pan,” Kamer said. “Even though I’m working at what some would consider ‘the peak,’ there’s the next peak.”
He just concluded work for the Olympics on NBC. For two weeks you heard him primarily announcing sponsor billboards. His voice-over work in the sports division goes back to the early 1990s. But under the new management his vocal responsibilities are only needed every two years.
Kamer is also the voice of CBS Radio’s Top of the Hour network newscasts. However, since Entercom took over (and since changed to Audacy), he isn’t allowed to air on the affiliates.
He is the local and network branding voice for Saga Communications’ cluster of news/talk stations.
“In their case, Scott Chase, who’s the group PD, likes the idea of having the network voice doing the local promos,” Kamer said.
Along with the news entities, Kamer “found his voice” in daytime talk shows. His promo list could be part of a Paley Center exhibit. He estimates being heard on 20 programs over the years—Montel Williams, Geraldo, Donahue, Sally Jessy Raphael, Jerry Springer, Ananda Lewis among them and currently Tamron Hall.
Others are familiar with Kamer for joining the final season of Judge Judy after original announcer Jerry Bishop died.
Style aside, Kamer says he separates himself with customer service.
“If somebody commits to you as their announcer, you’re expected to be available when they need you,” Kamer said.
That means if he’s on vacation, Kamer is still expected to produce as necessary for his clients.
“I have a portable travel studio that I set up in the hotel room,” Kamer said.
Early in his voice-over career, he decided to create a home studio and be more accessible to his clients, while also saving himself from the commuting headaches.
“The bad news is everybody who has a home studio can compete for the same work,” he said.
The technical set-up doesn’t feature many bells and whistles. He uses all Apple products, including a Mac mini. But there is no separate announcer booth for Kamer.
“The whole room is padded and the sound is great,” he said.
In 2018, Kamer left the studio to surprise Steve Harvey, who never met his announcer, as he was interviewed from the audience about being single and taking care of his 92-year-old mother.
For Kamer, who hails from South Jersey, it started in radio at just 14 years old. His upbringing helped align the stars for his microphone mentality. At an early age, Kamer would sample stations from New York City and Philadelphia during the day and other markets at night.
“I always was intrigued by listening to voices on radio, and ultimately on television.” Kamer said.
The broadcasting bug bit as a youngster as his parents took him to several game show tapings in Manhattan and he was mesmerized by the announcers, especially watching the legendary Don Pardo do the audience warm-up for the original Jeopardy! on NBC.
The love for the industry was there and so was the voice.
“Even at a young age, I had a voice that stood out,” he said. “It didn’t have a New Jersey accent, which I think was probably a plus.”
During the Olympics, Kamer had to block out time each morning to record the latest scripts for producers in Stamford, CT. There was overall a lead time of two days from producing the audio to airing.
“They want to call or page, and have you immediately drop what you’re doing, get on the microphone and record with them,” Kamer said. “I always put my best voice forward.”
Breaking news could also force Kamer to quickly rerecord a new promo for shows like Tamron Hall even just hours before airtime.
Many weekdays Kamer can get in his recording booth at 8 a.m. and not finish until midnight.
To New York area sports fans, Kamer is the voice of the YES Network with his famous “Only on YES!” delivery. He’s been with the Yankees’ broadcast home since its inception in 2002.
“TV pays the bills, but radio is very exciting,” Kamer said. “There’s just no way around it. It’s immediate. I like to record something, hear it on the air and know that I’m a part of the overall station.”
He’s recently got a three-year renewal to remain as the voice of WGN Radio in Chicago.
“People commit for long periods of time because they don’t want you to go somewhere else in the market,” he said.
So, the value of voice affords him “some sense of stability in a job that’s considered a freelance job.”
Even more so than traditional broadcasting, the voice-over business is highly competitive.
“There are a lot of great voice-over announcers, but there’s one Steve Kamer,” he said proudly. “That’s the mantel I claim. I play in my own sandbox.”
The next generation of voice-over artists ask him often how they can also become successful. He said a good voice isn’t enough. It can’t be a hobby; you need a coach and demo tape that stands out and shows your strongest assets.
“You can’t come across as desperate,” he said.
While every gig is important and treated with the same care by Kamer, he delineates the work, for example: “When I’m doing a radio station in Atlantic City, Des Moines, or Nashville, I put on a voice that’s reflective of wearing a pair of jeans or khakis,” Kamer said. “When I’m doing the Olympics, I put on my tuxedo voice.”
Typically, he works independently without direction, a process he considers “more efficient.”
“You might listen after a while and say, ‘They all sound the same.’ And maybe they do. But I try to give each one a little bit of its own uniqueness.”
Kamer has to “own the copy” by fact-checking and, obviously, confirming any confusing pronunciations.
CNN viewers were likely hearing him on promos in the run up to the cable network’s airing of the NYC Homecoming Concert on August 21.
However, his popularity has not translated into commercial work.
“[They] have not been an area that I’ve had a lot of success in,” Kamer admitted.
Another part of voice-overs that eludes Kamer are movie trailers and network prime-time promos.
“That’s a hard one. That really borders on being a good actor,” Kamer said. “Although the jobs that I do require some acting, those movie trailers and network promos require all acting.”
Those artists are storytellers and “the minute I put on the headphones and read a script, I’m not as good a storyteller as many of the people who are currently booking them,” he confessed. “I haven’t given up on those things, but those don’t come as easily for me. I would say that a lot of the people who do movie trailers and network promos can’t easily transition to what I do.”
He was able to separate himself from those high-profile movie announcers who missed out on work for months during the pandemic. Kamer, though, has been busy throughout for his radio and TV gigs, including Inside Edition.
“The style changed in many cases. I couldn’t be as hard hitting and abrasive in some reads. I had to pull it back and reflect what’s going on in the world, even in subtle differences,” Kamer said.
You’ll also find him doing narration work for the Smithsonian Channel, but “you really have to stay committed and interested in the subject matter.”
Despite his many assignments over the years, few people outside of the industry connect the dots to Kamer’s work.
“My voice is a celebrity. I’m not. Only my voice is famous.” Kamer said. “It’s exciting to be out and hear my voice on the TV or radio somewhere. But I like the anonymity of being in a room and not being known as the announcer guy.”
That cache as a voice on marquee projects has helped bring more big-name jobs.
Kamer is not worrying about spreading his voice too thin.
“If someone recognizes the voice, that’s fine,” he said. “But we want the voice to sort of be in the background and the message to be in the foreground.”
Sometimes his voice literally is spread too thin with a cold, or worse, laryngitis. Instead of it being a deal breaker, Kamer has been able to use the huskiness to his advantage.
“I’ve booked the job and then I can’t duplicate it when my voice gets better,” Kamer laughed.
Upon a visit to Atlantic City you might hear Kamer welcoming guests to the Hard Rock Hotel and Casino, where “they blast my voice with announcements constantly.”
Plus, using his fondness for transportation and his Jersey roots, he “greets” PATH train riders with next stop alert and the famous “please stand clear of the closing doors.”
He also enjoys being heard on a handful of New Jersey radio stations.
“It’s just really cool to be on local stations that you grew up listening to,” Kamer said.
When it comes to picking projects, Kamer needs to feel passionate about the topic.
“It’s not driven by money,” he admitted.
Despite that, Kamer was intrigued by the chance to earn his annual radio salary in a month of voice-over work.
That said, his rates are based on various factors, including market size and amount of copy per month.
“A local radio station isn’t going to pay the same as NBC Sports. That would be ridiculous,” Kamer said.
With a great career that shows no sign of slowing, Kamer occasionally wonders “what if”?
“Had radio continued to embrace me as a jock, I might still be doing it today,” he said.
Jerry Barmash has been a fixture in New York radio for decades with anchor stints on WABC Radio and Bloomberg News. Jerry was also heard on WINS, WCBS and Wall Street Journal Radio. As a media writer, Jerry’s pieces were featured in Broadcasting & Cable, NY Daily News and Watercooler HQ. Jerry also hosts the interview podcast Here Now the News. He’s on Twitter @JerryBarmash and can be reached at email@example.com.
Dagen McDowell Is Ready For A New Adventure With Fox Business
“Every decision in America is born of policy, On the show, we bring that to our show. Talk about the news of the day.”
To know Dagen McDowell, you must understand what she comes from, where she comes from. You won’t know her until you know the lessons, kindness, and determination set forth by her parents.
Her parents operated a small grocery store, LW Roark and Company. Charles and Joyce McDowell were high school sweethearts and both went to college but decided to go back home and open a business. “This is in the middle of nowhere,” McDowell said. “It was a wholesale grocery store. They sold it in the late 90s.”
She said her parents were smart, encouraging, and took every opportunity to teach McDowell and her brother.
“They’d constantly talk up people who came into the store. Both of them have and had an insatiable curiosity about everything. They felt they learned things through their customers. It was more fun to learn about things from other people.”
McDowell’s parents never took a week off work. Never. The family took no vacations as most families would. Once while McDowell was in college at Wake Forest University, the family visited the Air and Space Museum on the Mall in D.C.
“Both of my parents were very interested in architecture and landscapes. We’d go to Williamsburg and just look at the buildings.”
McDowell joined FOX News Channel in 2003 and helped launch FOX Business Network as a founding anchor in 2007.
Her mother passed away three years ago and her father is still very much a part of her life. Her father was a constant teacher.
“One time my father, who we called Dowell McDowell, was putting up an outbuilding and asked me how long one line should be if the other line was such and such. He taught me the Pythagorean theorem when I was about 4 years old.”
McDowell was nurtured by parents with endless curiosity.
“I was raised by parents who would always debate and converse around the dinner table. We shared breakfast and dinner together every day. They loved learning, were always inquisitive, never afraid to ask a question. My parents shared a fearlessness and passed that on to me. I’ve never been embarrassed to ask people questions. I love talking to people and finding out about things.”
For a long time, McDowell had no idea what she wanted to do for a living. She knew if she worked at different jobs she’d eventually figure out what she was good at.
“I knew I was a decent writer, but I always tried to get information out of people, what they were doing. Ask if they were fulfilled and happy.”
At Wake, Forest McDowell majored in art history and had every intention of working in a museum, possibly as a curator.
“I interned at the Center for Contemporary Arts. I lived in Venice, Italy for a while. Wake Forest owns a house in Venice.”
After that it was Colorado. She moved back to New York during the recession of 1991 with a duffel bag. She took the Amtrak to New York City and sublet an apartment for six months.
“I had no TV, just a radio. I knew I could find something good to do in New York, there were so many jobs. I always wanted to live in the city. Either the city or way out in the country. Nowhere in between.”
She said being in New York made her feel anything was possible. This was January in 1994 when job ads were still in the physical newspaper, like the New York Times. McDowell interviewed at Institutional Investor through a referral from a friend.
“It was a brilliant magazine with terrific writing,” McDowell explained. “Very prominent in the industry. They were looking for someone to work with the newsletter written for the financial community.”
She’d cover topics like the bond business, Wall Street, and money management. The magazine made her take a reporting test where you’d make up a story and write it. She was offered a job and worked there for three years.
“I learned to be a journalist there,” McDowell said. “I could write but I became a better journalist. We’d break news, create our sources, and learn more and more about finance. People love to talk about what they do if you show interest.”
The next big job was SmartMoney.com, a resource and web newspaper for private investors. There McDowell wrote a personal finance column. She started doing commentary on television shows, the way a lot of people in different professions tend to do. “Then I started making more appearances on weekend financial or business shows,” McDowell said.
She got a call from Neil Cavuto about 20 years ago and he told McDowell, ‘Kid, you want a job? I know you don’t have much professional TV experience. We’ll give you some training and you’ll figure it out. If you do, you stay. If not, you go.’
McDowell said she was glad she was a writer first before she arrived at Fox. She writes her own scripts and has a background in finance and business writing.
“Before the business network was launched, they had only one business reporter and two senior business correspondents,” she said. “I’ve gotten to do so many different jobs, use different muscles, so to speak. As the years have passed I’ve discovered other talents I may have and I’m incredibly grateful for that.”
There’s a new show in town. McDowell and Sean Duffy will co-host The Bottom Line which will air on weeknights from 6-7:00 PM ET.
McDowell said she and Duffy come from extremely similar backgrounds. Duffy is from rural Wisconsin and McDowell is from Virginia.
“We know what small-town living is like, “McDowell said. “I might live in New York City but where I grew up affects the way I view the world. I’m still grounded in my hometown. On the show, we look south and west with everything we cover. You have to think of your audience. Rather than talking about them, we talk with them. That’s our shared background and vision. Sean is extremely down to earth and generous.”
McDowell said the show is not financially based, but steeped in business.
She said Duffy’s experience as a former U.S. Congressman, he understands policy as well as financial matters.
“Every decision in America is born of policy,” she said. “On the show, we bring that to our show. Talk about the news of the day.”
This is different from anything McDowell has done in the past.
“It’s a two-anchor show in the evening,” she explained. “This is not taking place during market hours. We tie all the business happenings together from the day. Again, it’s not about Washington or New York. It’s about the people we grew up with. We talk to them. Build a relationship with them on the air. For me, this is not just sitting in front of a camera. I can run off at the mouth as well as anyone, hang in there with the filibuster.”
McDowell says she is blunt, but hopes she isn’t rude. During a recent interview for the new show she used the terms ‘pig potatoes’ and ‘chapped backsides.’
“Those are terms I just made up,” she said. “I make up a lot of phrases and don’t always know what they mean. I have an entire repertoire of those kinds of phrases.”
Duffy assumed they were southern phrases he had to learn from McDowell, but she assured him she’d never heard them anywhere else.
“I’m just making stuff up,” McDowell said. “You can’t curse. Can’t say BS. At least you shouldn’t say BS on television. You don’t want to say manure. You never want to say something that makes people wince or evokes a smell.”
Dealing with people directly and bluntly seems to come from her mother.
“My mother had grit,” McDowell said. “She was also very kind, never syrupy. I used to say she had no magnolia-mouth.
That’s got to be a southern phrase.
McDowell said her mother was not a servile flatterer, but she was kind. Always there when somebody was in need.
“She had real grit. She’d stand and fight for her friends and family members.”
Her mother passed away after being diagnosed with stage-four cancer.
“She went through unimaginable pain,” McDowell said of her mother. “For nearly six years. You want to talk about somebody who was tough. There was nobody more pugnacious than my mother.”
She explained even with her illness, her mother was always on the go. Continuing to live her life. When questioned about being so active while she was ill, her mother continued to show grit.
“My mother would say she didn’t want to walk around looking like she had cancer. She asked, ‘What choice do I have? I could lay in bed and wait to die, or I can get up and do what I can .’”
McDowell said her mother’s illness taught her to be a caregiver in ways she never could have imagined. Her mother taught her to find moments of joy every single day, in the smallest of things.
“It can be as simple as telling a stranger to have a great day. Treat a perfect stranger with kindness. I do it all day long. I know it sounds corny, but I want to be known as a person who brings a casserole to a friend when they’re ill.”
A one-sheet from Fox tells you McDowell and the culmination of her background is perfect for The Bottom Line. The fact is, it’s true.
Jim Cryns writes features for Barrett News Media. He has spent time in radio as a reporter for WTMJ, and has served as an author and former writer for the Milwaukee Brewers. To touch base or pick up a copy of his new book: Talk To Me – Profiles on News Talkers and Media Leaders From Top 50 Markets, log on to Amazon or shoot Jim an email at firstname.lastname@example.org.
Airing The Tyre Nichols Video Was A Necessity
There were hard moments to watch in those videos, hard sounds to hear. But they aired.
Far be it for me not to address this outrageous and embarrassing instance in humanity. After the videos of Memphis police brutally beating Tyre Nichols were shown on television there really seemed to be more outrage emerging from society this time than from the media, for a change. One would think that’s how we wish things to be.
In instances like this, where the video and audio images are far from brief but are instead chaptered as they unfold, there are few options other than to let them run their course. Clocks — breaks hard and soft — are out the window, just as in live coverage.
Because that’s what this was, only the live this time was us, and as we all absorbed and reacted to actions disapprovingly familiar yet somehow foreign at the same time, the impact was still becoming apparent even though we already knew the outcome.
It’s happened before.
Not always like this but we’ve seen it before, police encounters shown on the news overtakes and become the news.
It takes effect as the sights and sounds are digested, dissected, and discussed, often before their potential impact could really be imagined.
In 1991, when the Handycam footage crossed screens for the first time and we learned Rodney King’s name, we didn’t know then but we had a feeling.
We were on the right track, though as newsrooms evolved and street reporting incorporated a different type of storytelling.
I was a cop in 1991. Changes came. Some.
It’s 2023, I’m no longer a cop. Changes will come again. Some.
Turning points — or the overused watershed moments — mean just as much to the news media as they do to law enforcement.
The “why’s” that make this a turning point are more society and community based this time around than they were in 1991.
At least I think so. And I don’t think it makes a bit of difference who’s involved this time.
There were hard moments to watch in those videos, and hard sounds to hear. But they aired. Where they couldn’t air, they were described in great detail; descriptions sometimes can be worse than the real thing. Sometimes, not this time.
And they should air, they shouldn’t stop airing. This is what happened and this is what people need to see and hear and this is exactly why we are here.
Warn them, provide them with a heads up that they’re not going to like what happens next. It’s life and we show life, and we show what some of us do with it when it’s someone else’s.
Overall, I would say the news platforms held their composure, even after the videos were released. I saw, read, and heard some refreshingly neutral coverage, even from outlets where I expected hard turns into the lanes on either side of the road.
Legitimate questions were asked by anchors and reporters and much of the time, the off-balance issues were raised more by those on the sidewalks and those on the other side of the cameras and microphones.
As much as I find myself in disagreement with what I often see on the cable networks — all the cable networks — I did find a sense of symmetry watching CNN’s Don Lemon speak with Memphis City Council Chair Martavius Jones in the hours after the videos were released.
Regular protocols be damned, Lemon and producers lingered patiently as Jones, visibly overcome by emotion, struggled to regain breath and composure enough to be able to speak. Rather than cut away or move to other elements, they stood fast and it became an example of what often requires no words.
There were fewer punches pulled on other platforms as well.
The sounds of the screams, the impacts, and the hate-filled commands were broadcast through car radios.
As were Tyre Nichol’s calls for his mom. They aired. They had to.
Bill Zito has devoted most of his work efforts to broadcast news since 1999. He made the career switch after serving a dozen years as a police officer on both coasts. Splitting the time between Radio and TV, he’s worked for ABC News and Fox News, News 12 New York , The Weather Channel and KIRO and KOMO in Seattle. He writes, edits and anchors for Audacy’s WTIC-AM in Hartford and lives in New England. You can find him on Twitter @BillZitoNEWS.
Does the Republican Establishment Get It?
For many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections.
In a move that seemed to go against the wishes of the patriotic American grassroots, the Republican party on Friday re-elected RNC Chairperson Ronna McDaniel.
The media immediately took notice, as many on television and radio are now wondering why the party would re-elect a chairperson who has been so unpopular with the base of its party.
Grant Stinchfield discussed this issue Friday night on his program, Stinchfield Tonight, which airs on Real America’s Voice network.
“Ronna McDaniel holds on to her chairmanship of the Republican Party. By a whopping total of — what were the numbers– 111 to 54. Harmeet Dhillon only received 54 votes. Mike Lindell 4 votes. This is proof to me that the Republican establishment is dug in,” Stinchfield — formerly of Newsmax — said. “Don’t tell me they’re out of touch. See, you tell me they’re out of touch, that implies ignorance. They’re not ignorant about anything.”
As sentiment for Dhillon grew in the days leading up to Friday’s vote, many influential politicians and party donors publicly offered her their support and endorsement. These included Gov. Ron DeSantis (R-FL), as well as donors Mike Rydin, Dick Uihlein, and Bernie Marcus.
Also on board were musician and outspoken conservative John Rich, along with the state GOP of Nebraska and Washington State. Countless journalists and media personalities, such as Charlie Kirk, Miranda Divine, and Lou Dobbs, also came out publicly in support of Dhillon. Former President Donald Trump remained neutral, not making a public choice of either of the three candidates.
For many of Dhillon’s supporters, the deciding factor was public sentiment across the party’s base.
“They’re reading the same chat boards. They’re getting the same emails I’m reading. I will literally post something about this race when I was supporting Harmeet Dhillon. There was not one comment – not one – that supported Ronna McDaniel. Everyone wanted change,” Stinchfield said, noting that the party elite saw the same groundswell of support for change.
“Now, nobody has an issue as Ronna McDaniel is some evil kind of person. I don’t believe she is. I believe, though, that she is part of the establishment. She’s been around too long as far as the establishment goes. And she’s been ingrained in doing business as usual. It’s not working.”
In making their choices known, many Dhillon supporters simply pointed to the scoreboard during McDaniel’s reign.
“Think about where we are. 2018, we lost the House. 2020, we lost everything. 2022, we won the House, but we should have really steamrolled the House and we should have taken back the Senate, which we didn’t do,” Stinchfield said. “That means we’re on a real losing track since she took over. I don’t like being on a losing track. I like being on a winning track.
“Something has got to change when you talk about all of this. So how does Ronna McDaniel get 111 votes and Harmeet Dhillon only get 54 votes, when everyone, every Republican voter I talk to said it was time for change?” pondered Stinchfield.
And even more than the losses, for many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections. The most recent example of which came in Arizona, where presumptive gubernatorial favorite, Kari Lake, was “defeated” when countless voting irregularities occurred in some of the state’s most deep-red areas.
“Under her watch, Democrats instituted a mail-in ballot scheme. That may be even worse than losing, when you talk about the House and the Senate and all these things. The fact that we now have a junk mail-in ballot scheme across the country under Ronna McDaniel’s watch is serious trouble. Very serious trouble,” Stinchfield said on Friday. “And so the reason it is is because the Democrats are rigging the system.”
For years – until Donald Trump descended the golden escalator and took the world by storm – the Republican party had the reputation of being the party of the rich. Rush Limbaugh used to refer to this wing of Republicans as “the country club crowd.” President Donald Trump flipped the narrative completely, offering a clear vision of hope and patriotism to working-class America.
Reputable polling — such as Richard Baris’ Big Data Poll — consistently showed Trump running well ahead of almost every Republican candidate during the 2022 mid-term election cycle. In other words, Trump still maintains considerably more support across the country than most of the individual Senate or House candidates experienced.
Many experts believe this is because voters still view Trump as an outsider, while they view the Republican party much less favorably.
“Let’s tell you how out of touch they are, how elitist they are,” Stinchfield said, calling out the GOP establishment. “This meeting that went on, do you know where it is? It’s at the Waldorf Astoria Monarch in California. One of the most expensive resorts in America. You’re lucky if you get a room for a thousand dollars a night down there on Dana Point. Now, it’s a beautiful hotel, but why is the Republican Party holding an event there? Then I went back and I looked at what RedState did. RedState went back and looked at some of the expenses that the Republican Party under Ronna McDaniel’s leadership was spending money on.
“Take a look at this. $3.1 million on private jets. $1.3 million on limousine and chauffeur services. $17.1 million on donor mementos. $750,000 on floral arrangements. Now you compare this to the Democrats. The Democrats spent $35,000 on private airfare. A thousand dollars on floral arrangements. A thousand. Not $750,000. A thousand. And the $17.1 million they spent on donor mementos, the Democrats spent $1.5 million.
“Democrats know where to put the money. It’s not giving donors gifts. Donors shouldn’t want gifts. If you give money, give money. You don’t need the fancy pin to put on your lapel.”
Following her loss, Dhillon warned her party that it must listen to the base, saying, “if we ignore this message, I think it’s at our peril. It’s at our peril personally, as party leaders and it’s at our peril for our party in general.”
Rick Schultz is a former Sports Director for WFUV Radio at Fordham University. He has coached and mentored hundreds of Sports Broadcasting students at the Connecticut School of Broadcasting, Marist College and privately. His media career experiences include working for the Hudson Valley Renegades, Army Sports at West Point, The Norwich Navigators, 1340/1390 ESPN Radio in Poughkeepsie, NY, Time Warner Cable TV, Scorephone NY, Metro Networks, NBC Sports, ABC Sports, Cumulus Media, Pamal Broadcasting and WATR. He has also authored a number of books including “A Renegade Championship Summer” and “Untold Tales From The Bush Leagues”. To get in touch, find him on Twitter @RickSchultzNY.
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