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Q Myers Is Making People Part Of Something

“Everyone isn’t in the same cookie cutter and sound the same. Everyone has their own flavor and I think that’s a great thing.”

Tyler McComas

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The goal was simple: To be the most popular hip-hop DJ in San Francisco. It was about as ambitious of a goal as there is in music radio, but for Qiant Myers, who goes by Your Boy Q, it was viewed as the top of the mountain. Anything less for the California kid would be viewed as a step down. 

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To chase that dream, Q started off as an intern at Wild 94.9 in San Francisco. He handed out prizes in the street, along with other entry level responsibilities. Though his duties were in no way glamorous, he knew immediately he wanted to be on the air at the same place he was at. But to do that, legendary Bay Area DJ Victor Zaragosa told him he’d have to leave the city and work his way back. 

So he did. For the next few years, he went all over California to perfect his craft as a radio DJ. He left San Francisco for Stockton, then to Merced and Fresno for a job at Q97.1. 

“That’s where I really started to get cooking,” said Q. “I even became the music director.”

As his career was starting to pick up, he left Fresno for a job in Monterey at a sister station of Q97.1. Unfortunately, it wasn’t a great situation and he left shortly after arriving. He found himself back in Fresno working at Power 106, which was a small start-up. The station soon went under and he was out of a job. Just as Q was starting to hit his stride, he was out of radio. 

He was on the sidelines for close to a year with a new job at FedEx. It wasn’t radio, but he was happy with the new gig and lifestyle. That’s when he got a call from the same person that gave him his last job in Fresno. 

“He said, are you done with radio?” Q said. “I said if the right opportunity came along, sure, I’d take it. He told me he was starting a new station in Texas. No joke. That’s what he told me. As a West Coast dude I was thinking Dallas, Houston, San Antonio or even Austin.”

But the opportunity wasn’t in any of the major markets in Texas. Instead, it was in Waco, a college town situated 90 miles south of Dallas.

Vocational School | Southern Careers Institute Waco Campus

“The only thing I knew about Waco was things got burned there,” laughed Q. “I basically shut it down immediately.”

But a friend urged him that Waco was a college town that he might actually like. Q did some research and came to the conclusion it was a risk worth taking. The thought process was simple: What’s the worst that can happen? If things didn’t work out, he would just return to California and get his job back at FedEx. 

Remember, even when he was out of radio, the goal was still San Francisco. 

“I took a train from Fresno to Los Angeles to San Antonio and then Waco,” said Q. “It took like three days. I wouldn’t recommend that to anybody,”

Q got to work at the music station but quickly realized he didn’t like the set up for how things were operating. Having been at several stations already, he knew things weren’t going to work for the start-up station. That’s when a competing station in the market called. 

“They called and said, hey, we’re really interested and you’re really good at what you do,” said Q. “I’ve never been a guy that’s crossed the street to the competition, my resume says that and I never want to be that guy, but what attracted me to this hip-hop station was the fact there was an ESPN radio affiliate in the building.”

That’s when he met David Smoak, arguably the most influential person in Q’s radio career. Their paths first crossed in 2010, when Smoak arrived in Waco to be the PD of ESPN Central Texas. From what Q understands, the station had reached a certain level, but Smoak’s arrival brought an instant credibility.

“People really started respecting that station,” said Q. “He was always really prideful and made sure the station sounded great.”

Q was at Power 108 but in 2011 he found himself inside the same building as Smoak. His life was changing and Q found more and more he wasn’t as passionate about hip-hop music as he had been earlier in his career. 

Instead, a real interest in doing sports radio was beginning to form. He loved his west coast teams and was always passionate about sports, now he had the idea of doing it at the same building he was already employed at. So he brought a strategy to action. He started bugging Smoak in the hallway.

“I would tell him, hey man, it would be really cool to be on ESPN,” Q said. “I never really thought he was taking me seriously or that he ever heard me, but he was a really cool dude.”

”You could tell he loved sports,” said Smoak. “He was always talking about something going on in sports. He had an incredible passion for the NFL, but he was more than just that. He was one of those that always wanted to pick my brain.”

Smoak randomly called Q into his office to chat. He wanted to know if the hip-hop radio DJ wanted to do sports. Q’s pestering finally paid off. ESPN Central Texas was starting a new midday show and they wanted him to be a part of it. Obviously, Q was ecstatic but then Smoak mentioned something at the tail end of the conversation. 

“Then he told me he didn’t have any money for me,” laughed Q. 

“He always showed up and would do anything, even for just a segment, without getting a nickel,” Smoak said.

But that didn’t matter. In August of 2012, Q’s sports radio career began with no money attached. By October 2012, he found his way on the payroll. It was a testament to how quickly the company was impressed by his abilities. 

For the next 18 months, he was doubling as a music DJ and sports radio host. Two shows a day was tough, especially doing a sports show in a market he wasn’t super familiar with, but he figured it out quickly and made it happen. Finally, in 2014, the parent company came to him with the option of going full-time at ESPN Central Texas. It was a no-brainer. Sure, the money still wasn’t great, but he didn’t care. It was done. Sports radio was now his sole professional focus. 

Q never thought he would be in Waco for a decade, but that’s where he spent the most important stages of his radio career. He parlayed his experiences in central Texas, along with some podcasting and co-hosting opportunities outside of the market, to a job with Lotus Broadcasting in Las Vegas. Yet again, it took accepting host roles where he wasn’t getting paid, but his determination to get his voice in the market was a major reason why he’s now employed in the desert. 

Q manages four different radio stations, as well as hosting at Raider Nation 920 and the Locked on Raiders podcast, among other things. He’s truly a do-it-all employee at Lotus Broadcasting. 

“The biggest key is time management and I think that’s the one thing I’ve been really good at in my life,” Q said. “It’s tough and intense but luckily I have a great support staff, like my wife, who understands and supports everything I do.”

The goal is no longer San Francisco. Even though he was chasing the urge to get back to The Bay, a friend told him Vegas should be his priority. Why? His favorite team, the Raiders, are there. His mom is there and the market is exploding right now on the sports media front. 

It seems Q always finds great advice from people. That’s a credit to the people he surrounds himself with. But the advice to leave San Francisco behind and pursue Vegas was one of the best things someone could have told him. He’s a PD and gets to cover his favorite NFL team on a daily basis. It’s not the dream job he was after, but the dream job found him.

Your Boy Q (@YourboyQ254) / Twitter

“He just always wanted to soak in information about sports talk radio,” Smoak said. “He was always full throttle with his knowledge of sports and how much he wanted to talk about it. It just all came natural to him and the rest is history. 

It’s hard to tell if Q is more talented as a PD or a host. He’s extremely gifted in both areas. His Locked on Raiders podcast is unique in the fact he takes calls and texts. Granted, they’re not live and previously recorded, but it’s a feature not common in the podcast space that’s really helped the growth of the show.

“I think people like to be a part of something,” Q said. “That’s what made me think that was a good idea. I found out you could put up a voicemail line attached to your Gmail. People call in and leave messages and I put them on the show. I treat the podcast the same way I do the radio show.”

You can also hear his show, Unnecessary Roughness, on Raider Nation 920 from 2-4 p.m. every weekday. Though his podcast and radio show are formatted in a similar manner, there are still a few things you’ll hear differently on terrestrial radio. 

“Obviously, I’ll have more guests on the radio show,” said Q. “Even though it’s Raider Nation 920, I’ll talk UNLV, boxing, UFC, A’s potentially moving to Vegas, all of that.”

His podcast has actually helped his radio show. The following that he’s built on Locked on Raiders has started trickling over to his radio show. They’ll listen to his podcast in the morning and then his radio show in the afternoon.

Gambling talk is mixed in, sure, but he doesn’t hide he’s still not perfect when it comes to that type of content. 

“I wasn’t really well-versed on sports gambling content and I’ll be honest, I’m not the most well-versed now,” said Q. “But I’m learning.’

Just like he did learning the landscape of Baylor athletics and high school football in central Texas, Q will undoubtedly figure out sports gambling, too. Granted his role doesn’t nearly require it as much as other sports media entities in the city, but it is an important piece in how the industry will evolve in the future. 

Q has turned his previous passions of being a hip-hop DJ and moving back to San Francisco, into hosting sports radio shows and podcasts. He’s passionate about the city of Vegas and he’s passionate about being one of the few black PD’s in sports radio. 

“I remember when Jason Barrett wrote an article about it and I was so all over it,” said Q. “I think it’s a need. What really opened my eyes was when I was in Texas and we’d go to Radio Row at the Super Bowl. There was literally a group of us that would get together and say, here are the African Americans that are on the radio that haven’t played the sport professionally in the state of Texas. There were like eight or nine of us and Texas is huge!

7 "Q Myers" profiles | LinkedIn

“I love the fact Lotus gave me that opportunity and they never hesitated. The more people that look like me that get more opportunities to show what we can do, I think it’s going to open the door for other people, as well. The more diverse the better, because it makes for better radio. Everyone isn’t in the same cookie cutter and sound the same. Everyone has their own flavor and I think that’s a great thing.”

BSM Writers

Being Wrong On-Air Isn’t A Bad Thing

…if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign.

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WRONG BAD

In the press conference after the Warriors won their fourth NBA title in eight years, Steph Curry referenced a very specific gesture from a very specific episode of Get Up that aired in August 2021.

“Clearly remember some experts and talking heads putting up the big zero,” Curry said, then holding up a hollowed fist to one eye, looking through it as if it were a telescope.

“How many championships we would have going forward because of everything we went through.”

Yep, Kendrick Perkins and Domonique Foxworth each predicted the Warriors wouldn’t win a single title over the course of the four-year extension Curry had just signed. The Warriors won the NBA title and guess what? Curry gets to gloat.

The funny part to me was the people who felt Perkins or Foxworth should be mad or embarrassed. Why? Because they were wrong?

That’s part of the game. If you’re a host or analyst who is never wrong in a prediction, it’s more likely that you’re excruciatingly boring than exceedingly smart. Being wrong is not necessarily fun, but it’s not a bad thing in this business.

You shouldn’t try to be wrong, but you shouldn’t be afraid of it, either. And if you are wrong, own it. Hold your L as I’ve heard the kids say. Don’t try to minimize it or explain it or try to point out how many other people are wrong, too. Do what Kendrick Perkins did on Get Up the day after the Warriors won the title.

“When they go on to win it, guess what?” He said, sitting next to Mike Greenberg. “You have to eat that.”

Do not do what Perkins did later that morning on First Take.

Perkins: “I come on here and it’s cool, right? Y’all can pull up Perk receipts and things to that nature. And then you give other people a pass like J-Will.”

Jason Williams: “I don’t get passes on this show.”

Perkins: “You had to, you had a receipt, too, because me and you both picked the Memphis Grizzlies to beat the Golden State Warriors, but I’m OK with that. I’m OK with that. Go ahead Stephen A. I know you’re about to have fun and do your thing. Go ahead.”

Stephen A. Smith: “First of all, I’m going to get serious for a second with the both of you, especially you, Perk, and I want to tell you something right now. Let me throw myself on Front Street, we can sit up there and make fun of me. You know how many damn Finals predictions I got wrong? I don’t give a damn. I mean, I got a whole bunch of them wrong. Ain’t no reason to come on the air and defend yourself. Perk, listen man. You were wrong. And we making fun, and Steph Curry making fun of you. You laugh at that my brother. He got you today. That’s all. He got you today.”

It’s absolutely great advice, and if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign. It means they’re not just listening, but holding on to what you say. You matter. Don’t ruin that by getting defensive and testy.

WORTH EVERY PENNY

I did a double-take when I saw Chris Russo’s list of the greatest QB-TE combinations ever on Wednesday and this was before I ever got to Tom Brady-to-Rob Gronkowski listed at No. 5. It was actually No. 4 that stopped me cold: Starr-Kramer.

My first thought: Jerry Kramer didn’t play tight end.

My second thought: I must be unaware of this really good tight end from the Lombardi-era Packers.

After further review, I don’t think that’s necessarily true, either. Ron Kramer did play for the Lombardi-era Packers, and he was a good player. He caught 14 scoring passes in a three-year stretch where he really mattered, but he failed to catch a single touchdown pass in six of the 10 NFL seasons he played. He was named first-team All-Pro once and finished his career with 229 receptions.

Now this is not the only reason that this is an absolutely terrible list. It is the most egregious, however. Bart Starr and Kramer are not among the 25 top QB-TE combinations in NFL history let alone the top five. And if you’re to believe Russo’s list, eighty percent of the top tandems played in the NFL in the 30-year window from 1958 to 1987 with only one tandem from the past 30 years meriting inclusion when this is the era in which tight end production has steadily climbed.

Then I found out that Russo is making $10,000 per appearance on “First Take.”

My first thought: You don’t have to pay that much to get a 60-something white guy to grossly exaggerate how great stuff used to be.

My second thought: That might be the best $10,000 ESPN has ever spent.

Once a week, Russo comes on and draws a reaction out of a younger demographic by playing a good-natured version of Dana Carvey’s Grumpy Old Man. Russo groans to JJ Redick about the lack of fundamental basketball skills in today’s game or he proclaims the majesty of a tight end-quarterback pairing that was among the top five in its decade, but doesn’t sniff the top five of all-time.

And guess what? It works. Redick rolls his eyes, asks Russo which game he’s watching, and on Wednesday he got me to spend a good 25 minutes looking up statistics for some Packers tight end I’d never heard of. Not satisfied with that, I then moved on to determine Russo’s biggest omission from the list, which I’ve concluded is Philip Rivers and Antonio Gates, who connected for 89 touchdowns over 15 seasons, which is only 73 more touchdowns than Kramer scored in his career. John Elway and Shannon Sharpe should be on there, too.

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BSM Writers

Money Isn’t The Key Reason Why Sellers Sell Sports Radio

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions.

Jeff Caves

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Radio Sales

A radio salesperson’s value being purely tied to money is overrated to me. Our managers all believe that our main motivation for selling radio is to make more money. They see no problem in asking us to sell more in various ways because it increases our paycheck. We are offered more money to sell digital, NTR, to sell another station in the cluster, weekend remotes, new direct business, or via the phone in 8 hours. 

But is that why you sell sports radio?

In 2022, the Top 10 highest paying sales jobs are all in technology. Not a media company among them. You could argue that if it were all about making money, we should quit and work in tech. Famous bank robber Willie Sutton was asked why he robbed twenty banks over twenty years. He reportedly said,” that’s where the money is”. Sutton is the classic example of a person who wanted what money could provide and was willing to do whatever it took to get it, BUT he also admitted he liked robbing banks and felt alive. So, Sutton didn’t do it just for the money.

A salesperson’s relationship with money and prestige is also at the center of the play Death of a Salesman. Willy Loman is an aging and failing salesman who decides he is worth more dead than alive and kills himself in an auto accident giving his family the death benefit from his life insurance policy. Loman wasn’t working for the money. He wanted the prestige of what money could buy for himself and his family. 

Recently, I met a woman who spent twelve years selling radio from 1999-2011. I asked her why she left her senior sales job. She said she didn’t like the changes in the industry. Consolidation was at its peak, and most salespeople were asked to do more with less help. She described her radio sales job as one with “golden handcuffs”. The station paid her too much money to quit even though she hated the job. She finally quit. The job wasn’t worth the money to her.

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions. I never wanted to sell anything else and specifically enjoyed selling programming centered around reaching fans of Boise State University football. That’s it. Very similar to what Mark Glynn and his KJR staff experience when selling Kraken hockey and Huskies football.  

I never thought selling sports radio was the best way to make money. I just enjoyed the way I could make money. I focused on the process and what I enjoyed about the position—the freedom to come and go and set my schedule for the most part. I concentrated on annual contracts and clients who wanted to run radio commercials over the air to get more traffic and build their brand.

Most of my clients were local direct and listened to the station. Some other sales initiatives had steep learning curves, were one-day events or contracted out shaky support staff. In other words, the money didn’t motivate me enough. How I spent my time was more important. 

So, if you are in management, maybe consider why your sales staff is working at the station. Because to me, they’d be robbing banks if it were all about making lots of money.  

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BSM Writers

Media Noise: BSM Podcast Network Round Table

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Demetri Ravanos welcomes the two newest members of the BSM Podcast Network to the show. Brady Farkas and Stephen Strom join for a roundtable discussion that includes the new media, Sage Steele and Roger Goodell telling Congress that Dave Portnoy isn’t banned from NFL events.

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