Connect with us
BSM Summit
blank

BSM Writers

Does Playing The Game Prepare You For Sports Radio?

“I think it’s a lot easier being a pro athlete receiving constructive criticism than maybe somebody who’s never gone through that before.”

Derek Futterman

Published

on

blank

Put yourself in the shoes of a professional athlete. You have just retired from playing the game that you love, a craft you have been perfecting from the moment you stepped onto the field, and are wondering what comes next. These thoughts are quite common among retiring athletes. For many of them, stepping away from the sport as a player does not mean they step away from it completely.

After 15 years in the NBA, JJ Redick retired from playing but still remains involved in the landscape of the game as an analyst for ESPN. Similarly, former National Football League defensive end Chris Canty, following 11 years in the NFL, joined 98.7 FM ESPN Radio New York as an on-air host, and has seen his role evolve into working as a national host for ESPN Radio.

Many former athletes have or are in the process of establishing themselves as integral parts of the world of sports media, whether it be as an on-air host, analyst, contributor, executive, etc. Former athletes bring a perspective other commentators lack; that is, the ability to place themselves in the mindset of those on the field or court or ice, and discuss things from that angle.

Lou Merloni played Major League Baseball for nine seasons, the first five of which with his hometown Boston Red Sox. Merloni finished his career with a .271 batting average, and a .716 OPS as a second baseman in stints with the Red Sox, San Diego Padres, Cleveland Indians and Los Angeles Angels. After retiring in 2007, Merloni worked to find his niche in sports media, starting at WEEI as a co-host on The Big Show. Additionally, Merloni began his foray on the television side as an analyst on NESN’s Boston Red Sox pregame and postgame shows during the 2008 season. Today, Merloni continues to work at WEEI with Fauria as a co-host of Merloni and Fauria on weekdays from 2-6 p.m.

Tom Waddle played six seasons in the NFL as a wide receiver for the Chicago Bears. In 60 games, Waddle had 183 receptions and 2,109 yards, and retired from the game prior to the start of the 1995 season. Waddle has had roles on radio and television since his retirement Waddle currently serves as a football analyst for WLS-TV, and a co-host of Waddle and Silvy with longtime radio personality Marc Silverman on ESPN 1000 Chicago on weekdays from 2-6 p.m.

——-

Derek Futterman: How would you describe your relationship with the media during your playing days?

Lou Merloni (Host, WEEI): I think I had a pretty friendly relationship with all of those guys. I was a utility guy in Boston, but I think I made friends with a lot of the media members.

Tom Waddle (Host, ESPN 1000 Chicago): It was very friendly. I played from ‘89 to ‘95 and thought the relationship between all the players and the media – for the most part – was pretty good. I would definitely say that I had a good relationship with a lot of the guys covering the team. I actually was also doing some media work towards the tail end of my career, so I kind of looked at some of those guys as a good resource to guide me to do what I was going to do.

Futterman: What similarities exist, if any, between playing and talking about the game?

Lou Merloni: [As an athlete,] the test… is the game itself. And the test for us is the actual show itself. You really can’t accomplish either one if you don’t put the work in beforehand. If you’re playing — if you’re not doing the right things — taking your ground balls; taking batting practice; going over scouting reports, you’re not going to be prepared for the game. I feel like it’s the same thing with radio and the show. All the real work is done the night before in watching a game and writing down notes and waking up the next day and reading and thinking about what you want to do and putting a show together. And the test is the actual show, and at that point you have everything in front of you and you just perform.

Tom Waddle: [It is] very competitive. There are very few jobs and an immense number of people that want those jobs. There is a certain level of competition. It’s a challenge for sure; you’re in an arena that you might not be as comfortable in. You have to perform; when the light goes on in television, or when the music stops and it’s your turn to talk on the radio, you’ve got to have something to say.

Futterman: What do you say to those who might say you are unable to understand a fan’s point of view due to not experiencing the highs and lows in the same way they have?

Merloni: For me, it’s being in Boston where I grew up. I was a fan of the teams — following them as a fan, thinking as a fan, before I was a member of the Red Sox. When we were in the ALCS, you’re thinking as a professional athlete in the moment, but there are times you sit back, and say ‘Man, we win this game, we go to the World Series.’ And thinking as a fan: ‘[If we win,] we are going to the World Series.’ Sometimes the job takes you in different areas where you have to be more critical than you would be if you were just a fan, but I was a fan first before I was a professional athlete.

Waddle: I think I got a head start on that because I was a blue collar player who was probably less athletic than most of the fans who were listening to us. I think I had a great relationship to begin with because there was an identity that existed from my playing days. I came into the industry, and my thought was: ‘I’m going to be honest. I’m going to give you the perspective I have. I’m going to be professional and tell you how I feel.’ I respect the players; the audience; and the fans, and in some ways, you have to walk a fine line by giving them what they deserve and respect, but not becoming personal. I came into the industry with the benefit of kind-of knowing how it stings when people are critical in a personal manner, and kind of felt that would be something that was going to be a focal point of my next career.

Futterman: How has being part of a team as an athlete differed from being part of a team as a broadcaster?

Merloni: It’s interesting. As much as baseball is a team sport, it’s probably the most individual sport of them all because my teammates, even though there’s things we can see and help with one another, whether it be scouting reports, when I’m in the box it’s up to me. When a guy hits me a ground ball, it’s up to me. There are ways where teammates definitely help you, but for the most part, it’s up to you to get the job done. I actually think in the media when you are doing a show with somebody, you rely on them more than you rely on a teammate to help you do your job in baseball. When it comes to baseball, I rely on my teammate for that show to click more.

Waddle: There’s some similarities, obviously. I don’t know that it is significantly different. Maybe smaller teams — on the air, it’s myself and Marc Silverman, and we have two producers. I live by the same concepts that everyone’s contributing and that no one is more important than anyone else. I was one of 11 in an offensive huddle; now I’m one of four doing a show from 2-6. I think there are more similarities than differences to be honest with you.

Futterman: Having been coached as a player, what similarities and differences have you noticed in handling feedback from media bosses?

Merloni: I think it’s a lot easier being a pro athlete receiving constructive criticism than maybe somebody who’s never gone through that before. As an athlete, if I’m not hitting well, I’m searching for answers and relying on resources and coaches to try to get me to where I want to be. And I don’t care what kind of criticism I hear from them; as long as it gets it to where I want to be — that’s all that matters. When you’re in the radio business, that doesn’t bother me — I just want to know what I need to do to be better. I think hearing that as a pro athlete; you are able to take those criticisms in this profession a little bit better than maybe some.

Waddle: You’ve got to be receptive to it. Just because I played in the NFL doesn’t mean I deserve any special type of treatment or recognition as a broadcaster. I want to be treated the same way by my bosses as I was by Mike Ditka – minus some yelling – as a player. I don’t have any problem with somebody coming in and saying, ‘Hey, guess what? I think you should have gone this direction with the interview.’ I am not above being coached, that’s for damn sure.

Futterman: How do you manage criticizing former teammates or friends on the air?

Merloni: That was the hardest part — the first few years of doing radio. When some of my former teammates and friends were still on the team. It made it a lot easier when some of those guys left, and I was able to look at it critically. I’ve always kind-of felt like the athlete will always be able to look himself in the mirror. Initially, they might not like what they hear, but at the same point, if it’s wrong that’s one thing. But if you are talking about ex-teammates or friends, you know them well, and you kind of know the reasons why things are going south. It’s not that they want to hear those things, but deep down, they might know that that’s the reason. That was probably the toughest thing to do for those first few years.

Waddle: It’s part of your job. I think you can be critical without being an asshole. As long as you don’t cross the line, or start making comments that are personally offensive, I don’t think that you’re crossing the line. I think the job is to give the opinions and analysis they brought you in to give; you have to have strong thoughts. I don’t have any inclination to want to take cheap shots at anybody; I don’t think it’s necessary, and I don’t think you’re doing anyone any favors.

Futterman: Who was the first player, coach or executive who you ticked off with something you said?

Merloni: Probably the first one was Terry Francona. I remember it was NESN right after a game, and there was a situation. I think I said after a game that I felt like [a player] should have bunted [in a situation]. That was the first time I had a conversation with a manager [as a member of the] media. It was one of those — you don’t have all the information; you don’t this, you don’t that. And I was like, ’No, I don’t. Unless you want to call and discuss it. All I can base it off of is what I see and what I know.’ We know in the media that we don’t know. There’s a lot of things that happen in the dugout and clubhouse that we don’t know about, but when we’re asked to react about it immediately, we can only base it off of our experiences and opinions. I always respected the fact that Terry wanted to talk to me about it, and we sort of moved on.

Waddle: There’s no question about that. I was working with David Kaplan on WGN Radio, and we were in a broadcast trailer outside of Wrigley Field. I think it was a weekend game, and we were doing postgame coverage of the Cubs, and our show branched out into all sports arenas. We had Jerry Krause on, and we were previewing a draft prospect or something of that nature and I asked a question about a particular player in college, and the college season was over at the time, so it wasn’t an inappropriate question. Jerry bit my head off, and became very unprofessional with me. I remember taking my headset off, and looking at David Kaplan, and going ‘Well, you can take this the rest of the way — I’m done.’ That just didn’t sit well with me, and maybe I was being a dumbass or a hothead about it, but even someone as accomplished as Jerry Krause, I just thought it was an unnecessary approach he took to my question. I think that was the first time I was exposed to somebody giving me hell about something, and I didn’t handle it with the maturity I would handle it with 25 years later.

Futterman: If there is one piece of advice you can share with athletes who might be considering moving into this business, what would it be?

Lou Merloni: Don’t hold back. Be fair, but give a strong opinion, and remember that this is your job. Your job is to be truthful and analyze what you see. I think some guys that come in the media that aren’t all in the media kind of soft pedal a little bit. Their friendships are more important than their next career, and I’m not saying you should just destroy your friendships, but your friends should realize that you’ve moved on and this is now your job if they are really your friends.

Tom Waddle: Be prepared. No different than when you were playing against the Lions, or you lined up against the Packers. If you weren’t prepared, you’d be exposed quickly, and your job security would be challenged and you wouldn’t last long. The same goes for the broadcast industry. There are guys who go out and work just as hard covering teams or the different things who are talking about as former players because of the work ethic that got them to where they got to. I would always tell anyone — be willing to do the hard work; don’t think you are going to get by just because of your accomplishments on the field. You are in a different arena, and will be exposed quickly. I think the same lessons you learned on the playing field will serve you well and the television and radio booth. What you did as an NFL player — there’s a shelf-life to that if you don’t hone your craft and work at it.”

Futterman: What remaining goals do you hope to accomplish in the media industry?

Merloni: I think it’s funny because when you’re done with baseball — whether you are a Hall of Famer or not — I think a lot of athletes would tell you that an important thing is how a lot of your former teammates talk about you. You can be a Hall of Famer [with] nobody [liking] you. It’s how they talk about you afterwards. When the career is over, or whatever my goal is, people can look back and say ‘He said what’s on his mind. It wasn’t just cheering for the home team all the time.’ I hope people look back and say I gave an honest opinion. My goal isn’t any more than that — to do my job and to do it the best I can.

Waddle: I’ve been so blessed at this point. I never would have thought that I would work at the NFL Network or ESPN in Bristol; that I would do national work, or have my own radio show with anybody. I feel so blessed that I’ve been given so many of the opportunities I’ve been given. I don’t have these lofty goals — I feel like I’ve been able to accomplish and experience a lot. I just want to continue to be better every day, and continue to work hard at it and hopefully entertain people. Maybe that sounds like I don’t have a lot of goals — I do — I’ll be 55 in February. I want to do this for the foreseeable future, and get better at it every day.

BSM Writers

30 Sports Media Predictions for 2023

Avatar photo

Published

on

blank

The sports media industry is a unique animal that can never be tamed, and 2023 will be no different. The news cycle of all the latest moves, acquisitions and technological transformations are what keep sites like this running.

It’s an industry that everyone is interested and everyone has an opinion on because it affects their everyday lives – whether they want to admit it or not. 

How will that industry change in 2023? Here are some of my way too late, three weeks in media predictions for 2023.

  1. By the end of the year, NBA rights will be close to settled. ESPN and TNT will continue to keep their rights but it’ll be a much smaller package. TNT and CBS will bid together and split inventory. TNT won’t air Thursday games until after January, CBS will air weekend afternoon games. ESPN will be added into the NBA All-Star rotation and air the game every other year. TNT/CBS will be added to the Finals rotation and air a simulcasted Finals on the years it doesn’t air on ESPN and ABC. NBC/Peacock will acquire a streaming exclusive package of Tuesday games with some playoff games and a couple of random regular season games for NBC to promote the package on Peacock. The Finals will air in Spanish on Telemundo and Peacock. Amazon will acquire the rights to the in-season tournament, play-in games and air a free game of the week produced by the RSNs to promote NBA League Pass as an Amazon Prime Channel customers can buy.
  2. The NBA will create its own behind the scenes show with Amazon Prime
  3. NASCAR will continue to split its rights between Fox and NBC/Peacock
  4. ESPN and Fox will split the College Football Playoff but ESPN will keep the college football national championship and Rose Bowl exclusively no matter what year it is in the deal
  5. Amazon will acquire Pac-12 After Dark Saturday night rights and take the Pac-12 Network over the top – making it an Amazon Prime Channel. ESPN acquires the rest of Pac-12’s rights
  6. A celebrity sports production company will take control of Pac-12 Network’s unscripted programming and distribute it on Amazon
  7. Bill Simmons will host an NBA megacast produced by Omaha Productions for ESPN
  8. Omaha Productions will take control of an ESPN channel (ESPNU or ESPNEWS) and produce its own slate of programming and/or move the podcasts it produces over to the network for linear viewing
  9. Jake Paul’s media company, through PFL’s relationship with ESPN, will produce programming for ESPN+
  10. The Pat McAfee Show will air live on delay on FanDuel TV in addition to the YouTube stream
  11. NWSL rights will be split between Apple and CBS. The final will simulcast on both outlets.
  12. ESPN and the UFC will agree to a new deal
  13. Endeavor will acquire WWE and keep Vince McMahon and Nick Khan in charge
  14. WWE Raw will stay on USA Network, WWE Network stays with Peacock, WWE Smackdown will go to Disney+/ESPN+
  15. Netflix airs their first live sporting event as well as live after-shows about its sports reality shows
  16. Bally Sports and the MLB come to a streaming agreement that includes MLB.tv
  17. NFL Media will be acquired by Sony, which will use Embassy Row to produce all shows (they already produce GMFB and Amazon’s live sports talk). All international games will move to NFL Network with the exception of those earmarked for ESPN+ and Peacock. Sony will use NFL Network/NFL+ as an extra way to promote movies, leverage Game Show Network in cable negotiations and package it together with Jeopardy! and Wheel of Fortune into an OTT bundle of its own.
  18. Tom Brady will not join Fox Sports and his deal will be voided
  19. LeBron’s Uninterrupted will produce NBA games for a new rights holder, probably Amazon if they win rights
  20. Dan Patrick will announce his semi-retirement, he’ll stop hosting on Fridays, continue podcasting and leave radio as a whole in 2024. Marcellus Wiley and Ross Tucker as a duo will replace him, with DP’s production company producing the radio/TV simulcast
  21. ESPN and FanDuel will sign an expanded partnership in a surprise after it was rumored that ESPN and DraftKings had a deal
  22. A major professional sports team will sign part of its local rights away to an OTA company (Nexstar or Scripps), using those games to start its own local subscription service
  23. The WNBA will sign a rights deal with ESPN, CBS, Amazon, and NBC/Peacock. ESPN will keep the Finals exclusively.
  24. DirecTV will keep the commercial rights to Sunday Ticket
  25. NBC RSN’s will air on Peacock
  26. Super Bowl averages 102 million viewers if the game is close, 97 million if its a blowout
  27. NBA Finals and World Series both average 10 million viewers
  28. NBA takes over production of its own network, teams up with Microsoft when the new rights deal begins
  29. The CW acquires rights to another low-level sports, sublicenses college sports, air celebrity boxing/combat sports
  30. DraftKings launches its own TV network (maybe even a diginet?), airs Dan LeBatard’s show

Here are some non-sports media predictions:

  1. CNN starts its own primetime panel show similar to The View or The Five with both genders, mixture of newscasters and comedians/personalities
  2. CNN hires Hasan Minhaj to host in primetime once a week on Thursday nights
  3. Tom Llamas takes over NBC Nightly News, Lester Holt goes back to Dateline, becomes NBC’s Diane Sawyer with the goal of getting big newsmaker interviews that turn into primetime specials while also creating specials for NBC News Now
  4. Digital outlets team up together to create a smart TV news network that takes ad dollars away from NBC News Now and ABC News Live
  5. CBS News head is replaced by Wendy McMahon
  6. Al Roker retires from Today, stays on as a host on the 3rd hour
  7. Today gets syndicated to non-NBC stations
  8. GMA3 keeps Amy Robach, TJ Holmes goes to Nightline and 20/20, Deborah Roberts takes over for Robach on 20/20, DeMarco Morgan will co-host w/Robach
  9. It’s announced that the 2024 Oscars will be simulcasted on Disney+ 
  10. Charles Barkley gets a monthly showcase of some type on CNN
  11. NewsNation launches a newscast with Elizabeth Vargas on The CW
  12. The CW gets a new name
  13. Seth Meyers’ show does in fact move to MSNBC and NBC affiliates get an hour back 
  14. Stephen A. Smith gets a chance to talk politics on a TV network on a regular basis, either on a cable net/ABC News Live or a premium channel
  15. Bill Maher and John Oliver will produce some sort of content for CNN
  16. Chelsea Handler takes over The Daily Show
  17. Desus Nice takes over CBS’ late night slot for James Corden
  18. Paramount Global is sold 
  19. More live sports talk moves to TNT or TBS including NBA TV shows
  20. Vice is sold, its channel is sold to a different company
  21. Ana Cabrera takes over 11 a.m. on MSNBC
  22. HLN will no longer broadcast on television, it’ll be a true crime FAST channel
  23. Robin Meade becomes a host on NewsNation
  24. A major news network opens a bureau w/ a big name talent hosting from Nashville or a news brand launches in the region targeting middle America with major names and investment
  25. A news show rivaling 60 Minutes will launch on Netflix
  26. Vox will bolster its FAST channel with some talent from cable news
  27. Fox News will lose lawsuit to Dominion and forced to pivot some programming to straight news as will Newsmax

Continue Reading

BSM Writers

Robbie Hummel Beat Others His Age to the Broadcasting Booth

“I thought about how, in a way, not wanting to play overseas and giving up professional basketball at the age of 28 or 29; I kind of beat people my age to the profession.”

Derek Futterman

Published

on

blank

For most basketball team personnel and fans, the injured list garners a negative connotation because it sidelines athletes, alters routines and threatens the longevity of playing careers, like that of Robbie Hummel.

Sometimes, though, athletes simply get unlucky and suffer injuries because of external factors, some of which are not even related to the game itself. Then when one fully recovers, it can seem like a matter of time before they are penciled in on the injured list and within a state of limbo. Oftentimes, injuries on any given night seem inevitable, and unfortunately for Hummel, he knows this tale all too well.

Throughout his collegiate and professional career, Hummel experienced a deluge of obstacles when it came to staying healthy. As a top recruit out of Valparaiso High School, he matriculated at Purdue University where he studied management and played for the Boilermakers men’s basketball team.

Following a successful freshman season in which he was named a member of the First Team All-Big Ten, Hummel suffered from back spasms and a broken vertebra, limiting his availability and minutes on the court. The next year amid a stretch of 10 straight wins in conference play, Hummel tore his right ACL and in recovery, re-tore it, forcing him to sit out of his senior year and redshirt to play again and prove his worth.

After his redshirt senior year where he stayed relatively healthy and was named the recipient of the Thoms A. Brady Comeback Award, Hummel was drafted 58th overall by the Minnesota Timberwolves in 2012. In that first year though, he played professionally in Spain and endured a right meniscus injury.

Upon his recovery, he took the court with the Timberwolves in 2013, appearing in 98 games over two seasons with the team. In the middle of that second year, his professional career was cut short when he fractured the fourth metacarpal in his right hand and was ruled out indefinitely – but he never gave up on the NBA or the sport of basketball.

As a native of Valparaiso, Indiana, Hummel was often around the hardwood either as a player or a fan. The game was rooted in the area’s culture and a regular part of people’s lives, especially in the wintertime when the weather was not conducive to playing sports outdoors.

Whether it was watching Bryce Drew hit “The Shot” for Valparaiso University, attending high school basketball games in his youth, or following the Chicago Bulls’ dynasty of the 1990s, basketball was the center of Hummel’s world.

“I was a kid that filled out 20 brackets just to see if I could get one that was right,” Hummel said. “….I loved to play and I still love to play. I wish I could move better – now that I’m 33, I don’t move great – but I love the game; I’ve been around it for such a long time.”

Upon enduring the injury as a member of the Timberwolves, Hummel traveled to Syracuse University to participate in Sportscaster U. The program, offered for free to NBA players, was organized by the National Basketball Players’ Association in conjunction with the university’s heralded S.I. Newhouse School of Public Communications and taught by Syracuse Orangemen color commentator Matt Park.

Over the years, some of the camp’s attendees have included Charles Barkley, Shaquille O’Neal and Tobias Harris, all of whom learn from Park and other program contributors in settings meant to replicate the industry.

“It was just a crash course in all things broadcasting,” Hummel said. “….We called a game for TV; we called a game for radio; we did a demonstration at Syracuse’s practice facility like you’d see on a College GameDay-type setting. You got a really good idea of all the things you could possibly do in the media.”

Hummel began the subsequent year playing overseas in Italy with Olimpia Milano with the thought of broadcasting in the back of his mind. It became more prevalent though when he tore the labrum in his shoulder, forcing him to return to the United States to get surgery and undergo rehabilitation for six months.

During this time, Purdue Boilermakers head coach Matt Painter reached out to Hummel and asked if he wanted to help out with the team, offering his home as a place of residence. Hummel agreed to work with the team in West Lafayette, Ind. and continued to work his way back from the injury.

Shortly thereafter, the Big Ten Network called Hummel to inquire about his interest in becoming involved with some of its in-studio coverage of conference tournament games. To reiterate, Hummel had not given up on returning to play in the National Basketball Association but wanted to experiment working in the space and gradually adapted as time went on.

In fact, he proceeded in the 2016 preseason with the Denver Nuggets but was waived before the start of the regular season. As a result, he signed to play internationally in Russia but longed to be home with his family and friends. Making one last attempt at an NBA comeback, Hummel was preparing for a workout with the Milwaukee Bucks but hurt his back the day before, an occurrence he considered a sign that it was time to move on.

Luckily for Hummel, he had accepted the chance to appear on the Big Ten Network and was noticed by a broadcasting agent during the stint. Despite lacking broadcasting experience, the agent was interested in potentially representing him and the two kept in touch regarding future opportunities in the industry.

Once Hummel knew his playing days were over, he and his agent worked on closing a deal for him to join the Big Ten Network and ESPN as a color commentator and studio analyst. He looks at the misfortunes in his career on the bright side, associating his various injuries as steps to his discovery of a career in sports media.

“I thought about how, in a way, not wanting to play overseas and giving up professional basketball at the age of 28 or 29; I kind of beat people my age to the profession,” Hummel said. “A lot of people play until they’re 32-33 years old and I have been doing this for five years now. They’re retiring now and trying to get into this and I kind of beat people my age to it.”

Although Hummel has continued taking the floor as part of FIBA 3×3 World Cup – in which he was named the 2019 USA Basketball Male Athlete of the Year after leading his team to a gold medal finish – broadcasting is his primary focus and means to stay connected to the game. His travel schedule is quite intensive and sometimes involves multiple cities in the span of just a few days in which he broadcasts basketball games on different mediums.

This requires continuous preparation to be sure he is ready for the next broadcast and his process is intensive: it consists of watching 30-40 clips of individual player highlights using Synergy Sports Technology; compiling a spreadsheet with relevant stats and information; and keeping a notebook with information about the previous games he has called.

Yet relying on comprehensive preparation and knowledge of tendencies usually goes out the window by gametime, instead focusing on what is taking place on the floor and reacting to it. When the game takes place, the preparation instead serves the purpose of contextualizing situations and enabling Hummel to more effectively think in the moment.

“I make a sheet – but I only make one just because writing stuff down helps me remember,” Hummel said. “I think that I’ve gotten to a point where I’ve been very comfortable not having to look down. If I put it on the sheet, I look it over before the game and I can draw from that as I’m watching the game. I think [that] has been a process because early on, I’m sure I was looking down a decent amount and you’re missing stuff.”

Just as most color commentators aim to do, Hummel brings a different perspective to the broadcast than his play-by-play announcer thanks to the perspectives afforded to him playing professional basketball. He tries to simplify his deft knowledge of the game, acquired through years of experience at different levels, to make it coherent for the average viewer. He looks at Jay Bilas and Jim Spanarkel for validation in his style in which he simply tells it like it is using familiar vernacular to best serve his audience.

“I think I would be somebody who’s not speaking in cliché,” he said. “I think that I really try to watch what’s happening on the floor, and I think my favorite guys that do this that I listen to have been people who have been very good at making complex basketball plays more simple for the viewer.”

Hummel is not far removed from playing professional basketball when comparing him to other color commentators or studio analysts – but the haste evolution of the sport has engendered him to adapt. The game today is predicated on an increased volume of three-point shooting and a positionless style of play prioritizing defensive matchups. Much like sports media, its rapid transformation coerces flexibility in thinking and versatility in performance.

“I think that going through those situations and understanding how you want to guard these things is really beneficial to then talk about that on air,” Hummel said. “You can see the way that teams are scheming and you can kind of relate [it to] your own experience.”

Throughout his time working in sports media, Hummel has paired with several play-by-play announcers – most regularly Jason Benetti, Brandon Gaudin and Kevin Kugler. In frequently working with the same group of play-by-play announcers (although that has somewhat changed this year), Hummel is able to do his part in fostering synergy, facilitating a more seamless broadcast.

The familiarity with Benetti, for example, kept Hummel from interfering with his call of David Jean-Baptiste’s game-winning three-point shot on Westwood One Radio. The last-second heave, which took place just past halfcourt, defeated the Furman Paladins in the Southern Conference Tournament championship game to send Jean-Baptiste’s team, the Chattanooga Mocs, to the NCAA tournament for the first time since 2016.

“He talked for a minute straight and I’m glad I wasn’t jumping in or interrupting him because he was so good,” Hummel said of Benetti’s call. “Just kind of taking that in and watching those Chattanooga kids get to go to the NCAA tournament; then on the other side of that [to] see Furman – and you hate this part – the devastation on one side [and] the elation on the other.”

The process of cultivating synergy demands time and genuine investment, along with cooperation on both sides in order to effectuate a compelling broadcast product for consumers on a nightly basis. Through activities such as going out to dinner or conversing about topics not related to the job, colleagues are able to learn more about one another and bring a personal element to the broadcast when appropriate.

“I think getting to know your partner is incredibly helpful,” Hummel said. “I’ve been very lucky that I’ve worked with great people. It’s something that I definitely recognize and am thankful for because those guys are great.”

When Hummel is doing games for Westwood One Radio, it is more difficult to find space in which to intersperse his analysis and opinion than it is on the Big Ten Network and ESPN. During one broadcast, it was apparent to him that the Michigan State Wolverines were pushing the pace of play during the NCAA tournament, necessitating the play-by-play announcer to keep up with the game and call the action.

“You feel like you’re maybe stealing a paycheck in the sense that it’s so much more of a play-by-play guy’s game,” Hummel explained regarding broadcasting games on radio, “and it makes sense because the play-by-play guy has to really let the viewer know what’s going on. TV is much more of [an] analyst’s game because you can watch; you can see it with your two eyes [and] the play-by-play guy doesn’t have to say every little thing that’s happening.”

Hummel enjoys calling college basketball games and hopes to continue doing it for a long time, but he would like to pair it with another job down the road: calling NBA games. Last season during an outbreak of COVID-19 within the Chicago Bulls organization, he was asked to step in on a few broadcasts to fill in for radio analyst Bill Wennington. It was representative of a full-circle moment, as Hummel grew up listening to former Bulls play-by-play announcer Doug Collins and followed the dynasty led by Hall of Fame guard Michael Jordan since the team played just one hour away from his hometown.

Yet it came in an unfavorable circumstance, a scenario Hummel did not wish had occurred, but nonetheless gave him his first chance at broadcasting an NBA game. It was the beginning of an unprecedented stretch in which Hummel worked with a slew of different commentators – including K.C. Johnson on three minutes’ notice for one game in January – and experienced back-to-back game-winning shots by all-star forward DeMar DeRozan.

“To do the Bulls games and get to be back in that setting was terrific,” Hummel said. “….It was a great time [and] I hope I get to do more. I hated the fact that I was doing it because Stacey Wiggins and Bill Wennington got COVID; that’s not what you want to have happen to get that opportunity.”

It just so happened that during his stretch on the Bulls broadcasts, another team had experienced a similar outbreak of COVID-19 and needed Hummel to be prepared not to fill in on its broadcast – but to potentially suit up and appear in an NBA game. On Dec. 19, the Bulls were facing the Los Angeles Lakers and Hummel was not sure whether he would be broadcasting or playing in the game. Thankfully, no Lakers players ended up testing positive for the infectious disease and Hummel was behind the mic.

In a similar mold to what Kirk Herbstreit just completed in regularly broadcasting college football with Chris Fowler on ESPN and NFL Thursday Night Football games with Al Michaels on Amazon Prime Video, Hummel has interest in potentially one day taking on a dual role. There are subtle differences between basketball at the college and professional levels, according to Hummel, largely because of the elevated style of play in the latter. It was after filling in on the Bulls’ broadcasts when he recognized the margin between both entities in terms of shot-making and athleticism.

“I love the atmosphere of college basketball and the pageantry,” Hummel said. “I think that playing for your school is such a special, unique thing for these kids and just the atmospheres that we see in college hoops…. To see those things up close is very special but the NBA, from a talent perspective, is just [at] a different level.”

Off the court, a difference between these two levels of basketball is in the responsibilities of the athletes. In college, the athletes are students majoring in different subjects; therefore, they are responsible for attending classes and achieving a satisfactory level of academic performance. In the NBA, the athletes are students of the game of basketball, immersing themselves in the sport although some pursue additional outside business ventures. No matter the level or the circumstance though, there is a quality Hummel believes he must exhibit to earn and maintain the respect of team personnel, fans and colleagues.

“I think fairness is the biggest part,” he said. “[Being] critical and giving a guy his props when those props are due; [and] it’s not personal saying a kid takes a bad shot or makes a bad decision. [It] doesn’t mean he’s a bad player or a bad kid. I think as long as you’re verbalizing that, it’s okay to be critical when that time [comes].”

Hummel has broadcast the first two weeks of the NCAA tournament on Westwood One Radio and would like to one day have a chance to do it on television. If the right situation were to become available in which to coach, he would consider lending his vision and expertise to help a team win in that way as well. No matter what the future holds for him though, he aspires to remain involved in the game of basketball, the sport that continuously knocked him down but, in so doing, gave him a lucky break and fostered a new career.

“This is a career that I want to do for a long time,” Hummel said. “I feel fortunate that I get to do it because it is a privilege to get to watch high-level basketball whether it’s in the Big Ten or other conferences or doing some Bulls games…. I am fortunate in that regard and it is kind of crazy to look back as to how it can be a silver lining.”

For athletes, stepping away from any sport can be a difficult challenge, leading them to want to remain immersed in it. Throughout his time playing basketball, Robbie Hummel had a sense that his future may lie working in sports media since he was always fascinated with who was calling the games in which he played and listening to their commentary.

He also became friendly with Larry Clisby, the play-by-play announcer at Purdue University, and, from him, learned about the industry and the art of broadcasting itself. Without his indefatigable drive to succeed in a new chapter of his life, Hummel may not have made it to where he is today: one of the nation’s top college basketball analysts with an auspicious future ahead.

“I think taking advantage and picking the brain of the play-by-play guy at your college when you’re there [and] talking to guys who are doing games [is important],” Hummel advised former athletes, “and then if anything kind of comes by chance, [it could] maybe be something that you could do. I do look back and [ponder] if I had said ‘No’ to [the] Big Ten Network and said, ‘You know what? I’m just going to focus on helping the team.’ I might not be doing this.”

Continue Reading

BSM Writers

The Sales Survey Says…

“I surveyed the survey as well and have five takeaways that could make you more money.”

Jeff Caves

Published

on

blank

I pay attention anytime a survey comes out about what media salespeople think. The Center for Sales Strategy (CSS) took the time to survey 139 sales managers and 153 salespeople who all had 11 or more years of sales experience in radio, TV, cable, digital, and newspapers. The survey was conducted in October of last year across several different market sizes. The survey results can lead you down some paths that could help you make more money, feel more satisfied in your work and get some help doing it. These are intended to provide management with better insight into resource investment, sales staff direction, and increased revenue for this year. 

The study focused on the sales department structure, learning, and development, setting appointments and the sales process, sales enablement, and the media industry’s outlook and culture. You can download a copy of the report if you give them your email here. I surveyed the survey as well and have five takeaways that could make you more money.

WHERE TO WORK?

49% of sales managers want you to be in the office 50% of the time. So, if you have a manager who believes this when they call for two in-office meetings or training sessions per week, don’t get on Zoom. Be there! And go in Friday morning too. Be honest if you have a manager who doesn’t care where you work. Do you get more done at home in private or with peer pressure and energy at the office? 

DON’T LET YOURSELF FEEL UNDERAPPRECIATED

If you feel like the 38% of salespeople who report only feeling sometimes valued or never, or you are amongst the 1/3 who feel like your manager only talks to you about your positives because they have to do something about it, suggest to the manager what motivates you to improve and see if that makes a difference. If it is that important to you and you are unhappy, move on. Go down the street. 72% of sales managers think their staff should increase, not decrease.

SEE SOMEBODY

63% of salespeople have between two and five face-to-face meetings with prospects weekly. Sadly, 37% do not. 93% of our managers want to see salespeople have four or more per week. Make it a goal to zoom or see one prospect per day. Does that sound THAT difficult? 80% of the sellers agree that it is much harder to get an appointment in 2022 than in 2017. Give the prospect a written proposal of what you discuss. 75% of your managers think you present too few written proposals weekly. ONE SHEETS and avatars! ! How can a prospect buy what isn’t defined? 

KNOW YOUR PACE

Half all salespeople say it takes less than 30 days to find, present and close a prospect. 88% say it takes less than 90 days. The truth is probably in the middle. When you do your pipeline report, remember these stats. Allow a few months for the fruits of your labor. 

FOLLOW THE MONEY

The top 3 categories of business being chased are recruitment, home services, and healthcare. DO IT. 

Continue Reading
Advertisement

blank

Barrett Media Writers

Copyright © 2023 Barrett Media.