Connect with us

BSM Writers

I Fell In Love With iHeartRadio’s Talkback Button

“It gives the show the same local presence without the awkwardness of bad calls or the fear of someone going off-topic or better yet dropping a 4-letter word that the FCC wouldn’t approve of.”

Published

on

If you’ve worked in the local sports talk radio scene for any length of time you’ve at some point thought “how can I better involve my audience?”.

Anyone can book guests, we all develop topics, and those things are certainly important. However, the deep connection we can make with our audience is what sets us apart from nationally syndicated shows and static/dry local shows. It’s the best hosts that find a way to exploit the dynamics of audience engagement that set themselves up for long-term success.

There was a time not too long ago when the only way to truly engage with listeners and get a live reaction on what they’re feeling about the news of the day was to call the station. Now, we have social media, text lines, and all sorts of ways to connect. 

With the rise in so many other convenient lines of communication, a good number of listeners are opting for the instant gratification of being able to tag their favorite hosts on social and tell them what they’re thinking. And let’s face it, for many listeners, the idea of calling in to voice your opinion is inconvenient time-wise and kind of intimidating. Calling a radio show live is a lot of pressure, so the ones that don’t do it often are doing it less and the ones who do it all the time get past the phone screener far too often. We all have “that” caller. 

The elephant in the room is, of course, staffing. It’s more difficult than ever to consistently take phone calls for a lot of radio shows around the country. Hosts are producers, producers are co-hosts, and frankly, we’re running out of hands in local radio. Sure, there are bigger markets that are able to staff the 3rd man or woman in the room that can chime in from time to time, help with production, help with social, and answer calls! But, we are not all so lucky. So, what’s the answer if you still want to hear from listeners? Well, Hubbard Radio figured out one option a while back and now iHeart is about to take the practice nationwide.

iHeartMedia’s iHeartRadio app now has a feature called “Talkback” where you can press a little microphone icon that rests right next to the play button for streaming live audio, this button allows any listener to record a thirty-second memo that is sent to the radio station they are listening to in an instant.

When Hubbard first rolled this out at 101 ESPN in St. Louis, it was called “Mic Drop.” Either way, pretty cool idea, right?

Here is how iHeart describes this feature on their website: 

“An innovative way to have your voice heard! Engage with your favorite on-air hosts and DJs in on-air conversations by tapping, recording, and sending your voice directly from within the iHeart app for iOS and Android.”

How can I use Talkback?

  1. Navigate to a participating Live Station
  2. Tap the microphone button and record a voice message up to 30 seconds (First-time users may be required to grant microphone access)  
  3. Select “Try again” and repeat step 2, or select “Send
  4. Voice recording is instantly sent to the station!

Now, for full disclosure, I am an iHeart employee so to be crystal clear, this is not a fluff piece where I’m trying to earn brownie points from the corporate office. Rather, I am giving feedback on the feature as a host who is greatly benefiting from it so far. I truly believe that this can perfectly supplement the radio caller. It gives the show the same local presence without the awkwardness of bad calls or the fear of someone going off-topic or better yet dropping a 4-letter word that the FCC wouldn’t approve of.

The audio that is recorded is sent to us on the back end. The producer can then download the audio file like an MP3, edit what they want to use, and air it minutes later. It’s that easy. Same zest and zeal of a live call-in without any of the negatives. 

When big news breaks, we’ll still open up the live line, but for day-to-day use, the Talkback feature on iHeart is truly a game-changer. This allows our listeners’ voices to still be heard, it’s the beauty of our format if you’re willing to embrace it. This now makes that content easier to filter into your shows if you have access to it. It wouldn’t surprise me a bit if this takes over the live call-in for stations outside of the iHeart and Hubbard portfolios within the next several years too. 

BSM Writers

Being Wrong On-Air Isn’t A Bad Thing

…if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign.

Published

on

WRONG BAD

In the press conference after the Warriors won their fourth NBA title in eight years, Steph Curry referenced a very specific gesture from a very specific episode of Get Up that aired in August 2021.

“Clearly remember some experts and talking heads putting up the big zero,” Curry said, then holding up a hollowed fist to one eye, looking through it as if it were a telescope.

“How many championships we would have going forward because of everything we went through.”

Yep, Kendrick Perkins and Domonique Foxworth each predicted the Warriors wouldn’t win a single title over the course of the four-year extension Curry had just signed. The Warriors won the NBA title and guess what? Curry gets to gloat.

The funny part to me was the people who felt Perkins or Foxworth should be mad or embarrassed. Why? Because they were wrong?

That’s part of the game. If you’re a host or analyst who is never wrong in a prediction, it’s more likely that you’re excruciatingly boring than exceedingly smart. Being wrong is not necessarily fun, but it’s not a bad thing in this business.

You shouldn’t try to be wrong, but you shouldn’t be afraid of it, either. And if you are wrong, own it. Hold your L as I’ve heard the kids say. Don’t try to minimize it or explain it or try to point out how many other people are wrong, too. Do what Kendrick Perkins did on Get Up the day after the Warriors won the title.

“When they go on to win it, guess what?” He said, sitting next to Mike Greenberg. “You have to eat that.”

Do not do what Perkins did later that morning on First Take.

Perkins: “I come on here and it’s cool, right? Y’all can pull up Perk receipts and things to that nature. And then you give other people a pass like J-Will.”

Jason Williams: “I don’t get passes on this show.”

Perkins: “You had to, you had a receipt, too, because me and you both picked the Memphis Grizzlies to beat the Golden State Warriors, but I’m OK with that. I’m OK with that. Go ahead Stephen A. I know you’re about to have fun and do your thing. Go ahead.”

Stephen A. Smith: “First of all, I’m going to get serious for a second with the both of you, especially you, Perk, and I want to tell you something right now. Let me throw myself on Front Street, we can sit up there and make fun of me. You know how many damn Finals predictions I got wrong? I don’t give a damn. I mean, I got a whole bunch of them wrong. Ain’t no reason to come on the air and defend yourself. Perk, listen man. You were wrong. And we making fun, and Steph Curry making fun of you. You laugh at that my brother. He got you today. That’s all. He got you today.”

It’s absolutely great advice, and if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign. It means they’re not just listening, but holding on to what you say. You matter. Don’t ruin that by getting defensive and testy.

WORTH EVERY PENNY

I did a double-take when I saw Chris Russo’s list of the greatest QB-TE combinations ever on Wednesday and this was before I ever got to Tom Brady-to-Rob Gronkowski listed at No. 5. It was actually No. 4 that stopped me cold: Starr-Kramer.

My first thought: Jerry Kramer didn’t play tight end.

My second thought: I must be unaware of this really good tight end from the Lombardi-era Packers.

After further review, I don’t think that’s necessarily true, either. Ron Kramer did play for the Lombardi-era Packers, and he was a good player. He caught 14 scoring passes in a three-year stretch where he really mattered, but he failed to catch a single touchdown pass in six of the 10 NFL seasons he played. He was named first-team All-Pro once and finished his career with 229 receptions.

Now this is not the only reason that this is an absolutely terrible list. It is the most egregious, however. Bart Starr and Kramer are not among the 25 top QB-TE combinations in NFL history let alone the top five. And if you’re to believe Russo’s list, eighty percent of the top tandems played in the NFL in the 30-year window from 1958 to 1987 with only one tandem from the past 30 years meriting inclusion when this is the era in which tight end production has steadily climbed.

Then I found out that Russo is making $10,000 per appearance on “First Take.”

My first thought: You don’t have to pay that much to get a 60-something white guy to grossly exaggerate how great stuff used to be.

My second thought: That might be the best $10,000 ESPN has ever spent.

Once a week, Russo comes on and draws a reaction out of a younger demographic by playing a good-natured version of Dana Carvey’s Grumpy Old Man. Russo groans to JJ Redick about the lack of fundamental basketball skills in today’s game or he proclaims the majesty of a tight end-quarterback pairing that was among the top five in its decade, but doesn’t sniff the top five of all-time.

And guess what? It works. Redick rolls his eyes, asks Russo which game he’s watching, and on Wednesday he got me to spend a good 25 minutes looking up statistics for some Packers tight end I’d never heard of. Not satisfied with that, I then moved on to determine Russo’s biggest omission from the list, which I’ve concluded is Philip Rivers and Antonio Gates, who connected for 89 touchdowns over 15 seasons, which is only 73 more touchdowns than Kramer scored in his career. John Elway and Shannon Sharpe should be on there, too.

Continue Reading

BSM Writers

Money Isn’t The Key Reason Why Sellers Sell Sports Radio

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions.

Jeff Caves

Published

on

Radio Sales

A radio salesperson’s value being purely tied to money is overrated to me. Our managers all believe that our main motivation for selling radio is to make more money. They see no problem in asking us to sell more in various ways because it increases our paycheck. We are offered more money to sell digital, NTR, to sell another station in the cluster, weekend remotes, new direct business, or via the phone in 8 hours. 

But is that why you sell sports radio?

In 2022, the Top 10 highest paying sales jobs are all in technology. Not a media company among them. You could argue that if it were all about making money, we should quit and work in tech. Famous bank robber Willie Sutton was asked why he robbed twenty banks over twenty years. He reportedly said,” that’s where the money is”. Sutton is the classic example of a person who wanted what money could provide and was willing to do whatever it took to get it, BUT he also admitted he liked robbing banks and felt alive. So, Sutton didn’t do it just for the money.

A salesperson’s relationship with money and prestige is also at the center of the play Death of a Salesman. Willy Loman is an aging and failing salesman who decides he is worth more dead than alive and kills himself in an auto accident giving his family the death benefit from his life insurance policy. Loman wasn’t working for the money. He wanted the prestige of what money could buy for himself and his family. 

Recently, I met a woman who spent twelve years selling radio from 1999-2011. I asked her why she left her senior sales job. She said she didn’t like the changes in the industry. Consolidation was at its peak, and most salespeople were asked to do more with less help. She described her radio sales job as one with “golden handcuffs”. The station paid her too much money to quit even though she hated the job. She finally quit. The job wasn’t worth the money to her.

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions. I never wanted to sell anything else and specifically enjoyed selling programming centered around reaching fans of Boise State University football. That’s it. Very similar to what Mark Glynn and his KJR staff experience when selling Kraken hockey and Huskies football.  

I never thought selling sports radio was the best way to make money. I just enjoyed the way I could make money. I focused on the process and what I enjoyed about the position—the freedom to come and go and set my schedule for the most part. I concentrated on annual contracts and clients who wanted to run radio commercials over the air to get more traffic and build their brand.

Most of my clients were local direct and listened to the station. Some other sales initiatives had steep learning curves, were one-day events or contracted out shaky support staff. In other words, the money didn’t motivate me enough. How I spent my time was more important. 

So, if you are in management, maybe consider why your sales staff is working at the station. Because to me, they’d be robbing banks if it were all about making lots of money.  

Continue Reading

BSM Writers

Media Noise: BSM Podcast Network Round Table

Published

on

Demetri Ravanos welcomes the two newest members of the BSM Podcast Network to the show. Brady Farkas and Stephen Strom join for a roundtable discussion that includes the new media, Sage Steele and Roger Goodell telling Congress that Dave Portnoy isn’t banned from NFL events.

Continue Reading
Advertisement
Advertisement

Trending

Copyright © 2021 Barrett Media.