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Anatomy of a Broadcaster

Anatomy Of An Analyst: Gene Steratore

“There’s a calmness and authoritative way about him. Steratore seemingly commands respect when he opens up his mic to comment on a play, giving his opinion.”

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“Let’s bring in our rule’s analyst, Gene Steratore, Gene what did you see on that play?”

If you’ve been watching CBS/TNT/TBS/TRU coverage of the NCAA Tournament, you’ve undoubtedly heard that question asked. Steratore has been providing rules analysis for the network for both the NCAA and the NFL. He’s sort of a unicorn when it comes to having the knowledge and first-hand experience both on the field and on the court.

Oh yeah, and he possesses the ability to actually relate the information to the audience.

This role has become a major part of broadcasts now. These ‘experts’ help the viewer to understand rulings and why certain calls should or should not have been made. 

BEFORE TELEVISION

If you think Steratore is busy these days, he was even busier before he decided to retire. Steratore spent 15 years as an on-field NFL game official, 13 of those seasons as a referee. He entered the NFL as a field judge in 2003, was promoted to referee in 2006, and worked 14 playoff games. He finished his career as the referee in Super Bowl LII. That was the Eagles’ 41-33 win over the Patriots on the Philly Special. Steratore also worked two conference title games, as well as serving as the alternate referee for Super Bowl XLIV. 

Steratore started officiating NCAA Division I Men’s Basketball in 1997 and worked numerous Conference Tournament games in the Big Ten, ACC, Big East, Atlantic 10, Mid-American, Colonial, Horizon, Metro-Atlantic, Summit and Northeast. He also worked 12 NCAA Tournament games, including a pair in the Sweet 16s.

He finished his basketball career as a Big Ten primary official. Steratore also spent time as a Midwest ‘observer’ of officials. He would be at a game, take notes on how the officials did their jobs, and then go over it, nearly play by play after the game ended. 

CONTROVERSIES ON THE FIELD

Steratore’s NFL career had a couple of notable controversies, well one controversy and one oddity, I guess. 

On September 12, 2010, the Detroit Lions faced the Chicago Bears in the season opener at Soldier Field. The Lions were trailing 19-14 late in the fourth quarter but were driving against the Bears’ defense. With 24-seconds left, quarterback Shaun Hill found receiver Calvin Johnson in the corner of the end zone. Touchdown Lions. Not so fast. The play was under review, for a phrase that is now commonplace in the NFL, ‘completing the process of a catch’. 

After the review, Steratore ruled it an incomplete catch. He stated after the game to an NFL pool reporter, “In order for the catch to be completed he has got to maintain possession of the ball throughout the entire process of the catch.” Replays showed the ball leaving Johnson’s right hand the moment the ball touched the ground. The Lions failed to score on their final two plays, and the Bears held on to win.

That play started a debate about what is actually a catch and what is not. The controversy elicited a new rule named for Johnson. That particular entry into the rule book outlined what exactly a catch was: control of the ball, two feet or another body part down on the ground and a “football act or move” such as reaching for the goal line or tucking the ball away.

Steratore was affected by the rule again, and this time the stakes were high. He was the referee during the NFC Divisional Playoff game between the Cowboys and Packers on January 11, 2015. That’s where a fourth-quarter, fourth-down catch by Cowboys wide receiver Dez Bryant was overturned using the “Calvin Johnson rule”. The Packers challenged the call and after review, it was determined that the ball touched the ground before Bryant completed the catch. 

Now for the oddity. In a game on December 17, 2017, between the Cowboys and Raiders. Steratore took the controversial step of using an index card normally used for recording penalties to assist him in determining whether the Cowboys had made the line to gain for a first down. His ruling that they had done so allowed Dallas to kick a late field goal in their 20–17 victory. 

“The ball was touching the pole,” Steratore said. “I put the card in there and as soon as it touched, it was nothing more than a reaffirmation. The decision was made based on my visual from the top looking down and the ball touching the front of the pole.”

EVOLUTION

Mike Pereira pioneered the rules analyst role on Fox in 2010 and since, each network has followed suit. Fox also added Dean Blandino. ESPN has used Gerry Austin, Jeff Triplette and now John Parry.  NBC employs Terry McCauly.

CBS hired former referee Mike Carey in the 2014 season. That didn’t work out too well, after most of his predictions on which way replays would go, were not correct. He was let go following the 2015 season. Now the job belongs to Steratore. 

The NHL is now in the business of rules analysis, with the hiring of Don Koharski on TNT.

WHAT MAKES STERATORE GOOD?

There’s a calmness and authoritative way about him. Steratore seemingly commands respect when he opens up his mic to comment on a play, giving his opinion. That opinion is based on the years of actual on-field experience or in the case of the NCAA Tournament, on-court work. There isn’t much time to waste when it comes to his analysis. He has to offer his thoughts in a clear and understandable manner, then allow the broadcasters to perhaps ask a follow-up question.

Being understandable is probably the most important part, because as a viewer, I don’t want a bunch of referee jargon thrown at me. Was the call correct or incorrect? Tell me why. What should have been ruled? That’s the reason he is employed by a network, prove your worth. He does. 

During the NCAA Tournament Steratore is sometimes not on-site until the Final Four. He’s watching a number of games on television screens. There are producers and others watching games to keep him updated and if he’s needed, they brief him quickly and he goes on the air. Kind of daunting in some ways. He also spoke a couple of years ago about the 4-5 second delay between the studio and the stadium, which is not easy to navigate. 

One of the biggest issues facing a former referee is agreeing with or not agreeing with current officials. In Steratore’s case, it’s both NFL and NCAA referees that he either goes along with or points out a mistake. 

He spoke to the Athletic in 2020 on this very topic. “Officials never get upset if you are objectively honest with what’s going on.” said Steratore.  “When officials miss plays, they’re OK if you call them out for missing that play. But if I started seeking every little nuance, I can see that they’ve done, it demeans the profession and it’s an unfair observation, even if you’re right on the technical issues.”

Take, for example, the case of Illinois freshman RJ Melendez, who was assessed a technical foul for hanging on the rim after a dunk. Replays showed that Melendez needed to hang on to avoid an injury to himself. Much like the one Paul George suffered several years ago in an NBA game. 

Steratore commented on the play during the telecast and then took to Twitter. 

Steratore is honest that’s for sure. Now look, I get that some criticize him for playing both sides of the fence, but some calls are not black and white, there are grey areas within the rules. He has to point it all out for the sake of credibility. 

He is empathetic to the cause of the on-field official, having been there himself one or two hundred times before. During a game between the Bengals and Raiders in January, the old ‘inadvertent whistle’ came into play. Here’s how he explained things on Twitter.

I think Steratore also realizes that he has one thing the on-field folks don’t, and that is time to review the situation and express his thoughts. His reasonings, right or wrong, in the moment, will not change a call that’s been made and will not affect the outcome of a game. Steratore can afford to get a little more in depth with his reasoning, while the game continues.  

There is one main goal Steratore and all the other rule’s analysts want to accomplish. He wants to help casual viewers better understand the game and its rules. “You hope you can add value to the broadcast,” he explained to the Athletic. “But if I can explain something that is a little complicated and that the casual viewer gains interest to watch this game, then it makes it more relevant.”

I think he can check that box, without any further review.

DID YOU KNOW?

Steratore is the co-owner of Steratore Supply, Inc., a full line paper/janitorial supply business, with his brother, Tony, who also works as an NFL back judge. The siblings know how to get under each other’s skin, even to this day.

Gene explains, “There are times Tony and I are working together in our business and he’s not in a good mood,” Steratore said to the Athletic. “I tell him I’m the media and he’s an NFL official, he’s not allowed to talk to me. I use that. It helps the little family feuds.”

Gene and his older brother Tony were on the same crew in 2006. Gene had been elevated to referee and Tony was the back judge. That lasted 3 years. Gene overturned Tony’s calls 3 times in the first year which led to some tense moments on the field. Gene recalled one such time to the Athletic.

“Brett Favre thought we were going to fight one day in Miami when I overturned him on a play. He said ‘Are you guys going to fight?’ I said ‘We might.’ He said ‘Can I watch?’ I said, ‘Heck, yeah you can watch.'”

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Anatomy of a Broadcaster

Anatomy of an Analyst: David Cone

“You can tell immediately how well-suited he is for a role in the booth. Not that it should come as a surprise. He was always thought of as one of the more cerebral players during his career.”

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He’s authored a book and a perfect game. Now, David Cone is continuing to write the story of his broadcasting career. 

He was blessed with a long baseball career. He pitched for five teams after making his Major League debut for Kansas City in 1986. Cone has extended his association with baseball in his role as an analyst for the New York Yankees on the YES Network and for ESPN’s Sunday Night Baseball. 

Cone was a World Series Champion 5 times in his career, won the 1994 AL Cy Young Award, struck out 19 hitters in a game, was an All-Star 5 different times and won 20 games twice. Quite a resume for one of the game’s most clutch postseason pitchers (8-3 in 21 playoff games). 

David Cone was born in Kansas City, Missouri, and was drafted in the third round of the 1981 MLB Draft by the hometown Royals. He wound up pitching for Kansas City twice in his career. But after debuting for the team, he was traded to the Mets before the 1987 season. In 1988 he went 20-3 with a 2.22 ERA and yet wound-up finishing third in the Cy Young balloting. 

He finished his career with a 194-126 record and with 2,688 strikeouts. 

ROAD TO YES/ESPN

Cone has flourished as a broadcaster with the Yankees, but it was almost a short-lived stint in the Bronx. 

When Cone retired from baseball in 2001, he became a color commentator on YES during the network’s inaugural season (2002). All was good until he attempted a comeback with the crosstown Mets in 2003. The move infuriated Yankees owner George Steinbrenner and Cone was told he would not be welcomed back. After his second retirement from baseball, Cone was offered a broadcasting position with the Mets, but declined. 

In 2008, Cone rejoined the YES Network as an analyst and host of Yankees on Deck. He left the network during the 2009–10 offseason in order to spend more time with his family. But a year later, Cone returned to the Yankees broadcast booth in Toronto, working as analyst for a Yankees-Blue Jays series along with Ken Singleton. He has been with the network ever since.

David Cone is currently the Yankees’ lead color commentator, alongside former teammate Paul O’Neill. The two are paired with Michael Kay as the Yankees’ regular broadcast team. His work with YES has earned him four New York Emmy Awards.

In 2022 he added to his busy schedule when it was announced he would be part of the Sunday Night Baseball broadcast team. David Cone works alongside Eduardo Perez, Karl Ravech and Buster Olney. 

In addition to all the broadcasting, Cone hosts a pitching podcast for Jomboy Media called Toeing the Slab with David Cone.

AS AN ANALYST

The first thing I notice about David Cone is just how smooth he is. Even experienced analysts are at a loss for words from time to time, but Cone’s thoughts are usually quite complete. It’s not like he’s a rookie, after all. 

You can tell immediately how well-suited he is for a role in the booth. Not that it should come as a surprise. He was always thought of as one of the more cerebral players during his career. When you listen to his analysis you are immediately struck by his vast knowledge of the game. Not only does he know the game, he can explain things in a way that makes them understandable to the average fan. 

For example. After the recent ejection of Mets’ pitcher Max Scherzer for using a foreign substance on his hand that made it ‘too sticky’. Cone, going along with the pitchers’ explanation that it was only rosin, washed off with alcohol, conducted an on-air experiment

During the Sunday Night Baseball broadcast, Cone put rosin from an MLB rosin bag on his fingers and said they got sticky just from that. After his fingers became discolored from the rosin, Cone, like Scherzer claimed he did, used alcohol to wash it off. Cone then showed how his thumb, index finger, and middle finger on his right hand were sticking together. 

“The alcohol sort of activates what’s left of the rosin,” Cone said. Finally, he went back to the rosin bag once more and grabbed a baseball, showing the ball hanging from his index and middle fingers due to the stickiness. ESPN Tweeted out the video and it’s amazing to see.

It may not have been his idea to perform the experiment, but Cone, nonetheless, made it work effectively. Based on his experience as a quality big league pitcher, it was more than credible. No tricks, no smoke, no mirrors, just facts for the viewer to plainly see. 

For a guy that pitched in the era before analytics took over the game, he’s pretty knowledgeable about the “inside” numbers. He seems at ease sharing the numbers, mainly as they relate to pitching. Spin rate, release point, and vertical and horizontal movement are a few that he regularly talks about. It almost seems as though he is jealous that he didn’t have access to these stats while he pitched. But he turns that jealousy into a feeling like he’s a little kid in a candy store, with eyes wide open. That’s a good thing. 

David Cone is a rare breed in the analyst world. His ability to combine the numbers with the vast experience he has as a former MLB pitcher keeps a good balance to his commentary. In other words, he’s not solely reliant on that information. Cone has the ability to reach back into his career and apply things he experienced to complement the analysis. Viewers love it when former players can tell a story from their time in baseball and make sense of it in the context of today’s game. 

He’s had to adjust on the fly, because of his national work with ESPN. In the YES booth, he can be more of a “hometown” analyst. He doesn’t go over the top, but he is known as a Yankees broadcaster. Because of that, Cone has had to change his commentary when working on Sunday nights, especially when he had to cover the Yankees/Red Sox game last April.

“I was really conscious of it there because I knew on the Red Sox side I had to be careful and make sure that I presented it in a fair way, a balanced way, or at least tried to,” Cone told The Athletic last year.

He’s done an admirable job. 

DID YOU KNOW?

Cone pitched the sixteenth perfect game in baseball history in 1999. It happened to take place at Yankee Stadium on Yogi Berra Day at the ballpark. Throwing out the ceremonial first pitch that afternoon? None other than Don Larsen, the author of one of the most famous perfect games, in Game 5 of the 1956 World Series. The catcher, of course was Berra. Cone remembered a conversation he and Larsen had before that game. It centered on the famous picture of Larsen and Berra in an embrace after the perfecto. 

“Don came out, he threw out the first pitch and I said, ‘Are you going to go run and jump in his arms again?’ And he said, ‘Kid, you got it wrong. He jumped in my arms.’ I messed that one up,” Cone recalled to MLB.com in 2019. “I thought I was pretty good at history. Apparently not.”

Cone remembered leaving the field after the perfect game. 

“I got out to the tunnel and there’s Don Larsen. I went up to him and hugged him like he was my father. Nothing needed to be said.”

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Anatomy of a Broadcaster

Anatomy of a Broadcaster – Boog Sciambi

“While Sciambi excels at every sport he does, I think his voice best lends itself to baseball.”

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In the sports broadcasting industry, if you say “I saw Boog today”, nobody looks at you funny. They know immediately who you are talking about. 

Jon “Boog” Sciambi is one of the more recognizable people in the world of play-by-play. He currently serves as the voice of the Chicago Cubs on the Marquee Sports Network. Sciambi is also the voice of Sunday Night Baseball on ESPN Radio. He’ll add World Series duties on ESPN Radio this fall. 

Sciambi grew up in Philadelphia as a huge Phillies fan. Strange that he got a job with the Cubs, because it was a Cubs/Phillies game in 1976 that he got his first exposure to the Friendly Confines of Wrigley Field. When Sciambi was six years old, he was visiting his grandparents and got to watch the game on TV. 

The Cubs took a 12-1 lead after three innings. He wasn’t leaving and in fact predicted the Phillies would come back and win it. He was right, thanks to his favorite player Mike Schmidt hitting four home runs in the game for an 18-16 extra inning win. 

As is the case with some of us that get into baseball broadcasting, our first choice would be to play the sport. Sciambi went to Boston College with that intent, but that dream ended when he was cut from the team as a freshman. He started bar tending and dabbling in radio, with a weekly talk show with two of his good friends, who we’ll talk more about in a bit. 

ROAD TO MARQUEE/CUBS

On January 4, 2021, Marquee Sports Network named Sciambi as the play-by-play announcer for its Cubs telecasts. 

“When you look at the signature franchises in baseball, you’re talking about the Yankees, the Dodgers, the Red Sox, and the Cubs,” Sciambi said at the time in a Marquee Sports Network release. “Chicago has always been one of the special places to go broadcast the game. Baseball matters there.” It was quite a road in getting there. 

Sciambi got his first real taste of broadcasting at BC’s 1000-watt FM radio station. He would host a weekly talk show with fellow classmates, Joe Tessitore and Bob Wischusen, both of whom have their success stories in the industry.

In 1996, Sciambi, worked for the Boise Hawks, an Angels’ farm club in a short-season A league. One day, he decided to ask broadcaster Dave O’Brien to review his play-by-play. 

“A few days after I gave him the tape, he stares at me for a second, holds up the tape and says ‘When you gave me this tape, I thought it would stink. It didn’t.’” Sciambi told the Sports Broadcast Journal in 2019

Sciambi’s first break in Major League Baseball was getting into the play-by-play chair for the then Florida Marlins from 1997-2004. While in Miami, he hosted talk shows in the city on 790 The Ticket and WQAM. He left the former in 2008 to focus on his new main job, with the Atlanta Braves. 

Boog joined the Braves broadcast team on SportSouth and FSN South in 2007. He was paired with Joe Simpson. Late in the 2009 season Sciambi announced he was leaving the Braves to join ESPN’s Major League Baseball and college basketball coverage full-time. Sciambi is the network as the play-by-play voice for MLB on ESPN Radio, while continuing the same role for college basketball and MLB on ESPN, which he had done since 2005. 

At ESPN, Sciambi served as one of the play-by-play voices of Wednesday Night Baseball telecasts for the network beginning with the 2014 season. Sciambi had contributed to ESPN Radio’s World Series coverage as the on-site studio host since 2007 and provided post-game, on-field interviews for SportsCenter. Additionally, he had done play-by-play for both the College and Little League World Series and in 2020, served as a play-by-play commentator for ESPN’s KBO League coverage. It was announced last season, that Sciambi would take over the broadcasts of the World Series on ESPN Radio, starting with this year’s Fall Classic. 

Sciambi was also tabbed to replace Matt Vasgersian as the play-by-play voice of MLB: The Show video game series, starting with MLB The Show 22. He’s paired with Chris Singleton who used to be part of the Chicago White Sox’s broadcast. 

Sciambi said that he recorded over 200 hours of audio to get in all the player names, types of plays, and other sorts of commentary that might typically be in a game broadcast.

PLAY-BY-PLAY

While Sciambi excels at every sport he does, I think his voice best lends itself to baseball. He’s smooth and polished, but not to the extreme that it sounds forced in any way. Sciambi’s style is all his own. That’s a compliment. 

There are many voices out there today that sound the same, like machines, very ‘announcer-y’. Fake effected voices are a dime a dozen, but ones like Sciambi’s are in a class of their own. He doesn’t try to sound like anyone else. In fact, I’ve had multiple conversations with him over the years and the way he talks off air is the way he talks on air. 

Sciambi has a booming voice that he controls very well. He’s very conversational in between the action, but rises to the occasion when the play warrants excitement, enthusiasm or disappointment. Then there’s his sense of humor. I love the fact that Sciambi isn’t afraid to poke a little fun at himself. Self-deprecation goes a long way with a viewer, especially if a mistake gets made. Everyone is human, so own it right?

I like how Sciambi is able to simplify some of the more complicated details of the new stats and numbers in the game of baseball. He is able to explain them in terms that even those who don’t follow closely can understand. For example, on a Tuesday night broadcast from Cincinnati, Boog was talking about the importance of Exit Velocity. He started by saying something to the effect of “I know this frustrates some people to hear about how hard a ball is hit. But, last year in the Major Leagues, if you hit the ball 95 miles an hour or above you hit .488, that’s why exit velocity matters.” His broadcast isn’t riddled with analytics, but there’s enough there to keep the interested parties happy without driving those that aren’t away. 

I’m a big fan of Sciambi’s work. I’ve known him for a while and he’s as good a person as he is a broadcaster. 

DID YOU KNOW?

Sciambi is passionate about raising awareness for and supporting people who live with Amyotrophic Lateral Sclerosis, or ALS. His friend, Tim Sheehy, died of ALS in 2007. Sciambi is on the board of directors of Project Main St., which works to improve the quality of life for those affected by the disease. The organization, which has raised over $1 million, hosts an annual Tim Sheehy Gala and Softball Classic support their mission.  

Remember that I told you, Sciambi’s favorite Phillies player growing up was Mike Schmidt? How about this? The night that the Cubs announced Sciambi had taken the job as their broadcaster, he got a call from an unfamiliar number, and low and behold, it was Schmidt himself. 

Sciambi’s nickname, “Boog,” was given to him owing to his physical resemblance to former major league player Boog Powell. 

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Anatomy of a Broadcaster

Anatomy of an Analyst: Doris Burke

“Doris Burke has an ease about her. A quiet confidence if you will.”

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Basketball and Doris Burke have been synonymous for many years. At the age of 7, she started to play the game that would eventually get her to the top of her profession. Along the way she’s recorded many firsts for women in this field which I’ll detail later. Burke has also become an inspiration to other women already in broadcasting and those thinking about a career in media. Pretty impressive. 

Burke was raised in Manasquan, New Jersey. She was the youngest of eight children, and started playing basketball in the second grade. She starred at Providence, where she was the team’s point guard all four of her years there and made an impact immediately. 

During her freshman year, Doris Burke led the Big East in assists. She was a second-team All-Big East player once and twice made the all-tourney team of the Big East Women’s basketball tournament. Burke held seven records upon graduation, including finishing her career as the school and conference’s all-time assists leader, a record that has since been broken. She served as an assistant coach for her alma mater for two years from 1988-90.

From there it was time to embark on a Hall of Fame career.

ROAD TO ESPN/ABC

Burke began her broadcasting career in 1990 as an analyst for women’s games for Providence on radio. That same year, she began working in the same role on Big East Women’s games on television, and in 1996 she began working Big East men’s games. 

Doris Burke has been working for ESPN covering basketball in different roles since 1991. It has also allowed her to do other things along the way that were unchartered for women in the business. In 2000, Burke became the first woman to be a commentator for a New York Knicks game on radio and on television; she is also the first woman to be a commentator for a Big East men’s game, and the first woman to be the primary commentator on a men’s college basketball conference package.  In 2017, Burke became a regular NBA game analyst for ESPN, becoming the first woman at the national level to be assigned a full regular-season role. 

If that wasn’t enough, from 2009 to 2019 she served as the sideline reporter for the NBA Finals on ABC. I mentioned it was a Hall of Fame career and it was officially deemed as such in 2018. Burke was selected to enter the Basketball Hall of Fame as the Curt Gowdy Media Award winner.

AS AN ANALYST

“Doris Burke has an ease about her. A quiet confidence if you will.” Relying on her past experiences in the game as a player and coach, the information she brings her audience is relatable. Some analysts struggle to bring home a point in a way that a casual fan will understand. Burke has no trouble with this. Her ability to spell it out, concisely and conversationally sets her apart from most analysts, male or female. 

Burke attacks her job, knowing that some will question her authority when it comes to commentary on the NBA. She doesn’t mind steering into the skid.

“I am mindful of the fact that I have not played or coached in the NBA,” Burke said to Sportscasting.com last year. “It doesn’t mean that I can’t do a very competent job. I think I try to do that every single night, and I’m never afraid to ask questions.” 

It’s all about the information to Burke, and has nothing to do with the fact she’s a woman covering the NBA.

“If you enhance a viewer’s experience, it doesn’t matter what your gender is,” she said. “As long as you are competent and put in the work … you’re going to be accepted.”

Doris Burke learned the ropes so to speak from several women that came before her. In an NBA.com piece from January of last year, she outlined how much she enjoyed watching former ESPN SportsCenter anchor Gayle Gardner. Early on in her career at ESPN, Burke got to work with Robin Roberts on WNBA and women’s college basketball broadcasts along with Ann Meyers Drysdale and Nancy Lieberman. Roberts was Burke’s inspiration as she started her career path. She admired the professionalism that each displayed. 

“Working alongside Robin Roberts … the one thing I would tell you is the most powerful means to change or impact somebody is by your actions,” Burke said. “She was the epitome of professionalism and competency and garnered the respect of the people around her because of the work habits she had. Watching Robin early on let me know that the basis for everything is the work you put into something.”

While Roberts may have been influential to Burke, Burke has been a beacon for other woman that are getting opportunities in broadcasting.  When asked about their role model, YES Network analyst Sarah Kustok, 76ers play-by-play broadcaster Kate Scott and former WNBA player and current Miami Heat studio analyst Ruth Riley Hunter all mentioned Burke by name.

“Burke is the best example for anyone — male or female,” Hunter told NBA.com. “I love the way she describes the game. She adds so much to every broadcast, and when I was playing in the WNBA I was always really inspired by her work.”

Burke is popular amongst her colleagues at ESPN/ABC, thanks to a tireless work ethic an ability to adapt to whichever sport she may be calling that day. Count Jeff Van Gundy among her biggest fans.

“She’s the best, most-versatile analyst and commentator at ESPN,” Van Gundy said of Doris Burke in 2017 via Deadspin. “She does it all—great interviewer, commentator, studio analyst—everything. And she is an expert at it all—women’s and men’s college basketball, the NBA and the WNBA. She’s the LeBron James of sportscasters. There’s no better broadcaster out there right now.”

Burke is equally a big fan of Van Gundy and the top broadcast crew for ESPN/ABC’s NBA coverage. That includes Mike Breen and Mark Jackson as well. 

“We are talking about three of the best to ever do it. Mark, Jeff and Mike have held down the NBA Finals for over a decade with commentary that is the best of the best. Hubie Brown is a living legend. All of those men have been nothing but gracious and supportive of me,” Burke told the Athletic. 

Doris Burke is considered one of the best NBA analysts around.  Her bosses at ESPN made sure to re-sign her to a multi-year deal and promised she will be involved in “high profile” NBA games in both the regular season and playoffs. Burke will also call finals games on ESPN Radio and appear on the NBA Sunday Showcase program on ABC.

Good for her and good for fans of the NBA on ESPN/ABC.

DID YOU KNOW?

In 2010, she was featured as the new sideline reporter for 2K Sports ‘NBA 2K11’ video game. She has appeared in every version since, including the latest ‘NBA 2K23’.   

As a senior at Providence in 1987 she was the school’s Co-Female Athlete of the Year.  

Her basketball idols growing up were Kyle Macy, Kelly Tripucka and Tom Heinsohn.  

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