They stand out pretty much wherever they are; they draw attention all by themselves.
The journalist covering the story, casting an aura all their own; a news crew no matter how large or small often becomes the focus of as much interest by passersby and neighborhood kids as the police crime scene tape or smoldering building they stand in front of.
Picture the enthusiastic sports fan leaving the stadium and spying the camera, the radio mic flag or the live truck and suddenly it’s like kids spotting the ice cream truck coming down the street. That said, what is becoming more and more common are those attracted to the scene not because of the news presence or the story but because of an opportunity, and not the righteous kind. Unfortunately and more often these days making for a story all by itself.
Released this month, reporting from the latest RTDNA/Newhouse School at Syracuse University Survey showing 1 in 5 television news directors describing attacks on their newsroom employees.
One in five, that is a lot.
In addition, one might think it’s only happening at large stations in the big markets or only at the most extreme events or perhaps while covering incidents like protests and demonstrations that got out of control. Nope. Actually, it’s rather evenly spread out across market and station size and happening whether there is a 3-person crew or a 1-person MMJ (Multimedia Journalist) on the story.
The type of assaults and/or attacks are equally diverse. There are random interruptions by the opportunists, jumping in and out of live shots or shouting profanities. Most reporters and photographers will say those are an almost everyday occurrence and just part of the job.
Nevertheless, we have all seen the YouTube and other social media postings where it goes further, sometimes much further. Spit upon, slapped and even punched, news cars and equipment damaged or stolen.
What drives it? Is it a rising dislike and distrust of the media?
Doubtful, only because that has always been there in some form, it is nothing new. However, in decades and generations past we were not regularly attacking our reporters.
More likely, it’s instance and opportunity, much like any crime or any offense. Sometimes the crew can fend it off but with eyes and minds on the job at hand it’s next to impossible to prevent.
If we wonder why it’s happening more ask yourself what life was like when field producers had a common presence.
So, is this supposed to be the norm for the journalist on the street? A cop on the street maybe, but the reporter? Granted, they are both on those types of scenes and in similar areas but for differing intents and purposes.
I am not saying it is the same but whether one wishes to admit it or not there are similarities, parallels even, in news reporting and police work.
There are lines of demarcation certainly, but the interactions with people and the scenarios are often the same. Knowing the streets does not always mean beating the streets; both cop and reporter have been on the wrong end of that idea.
Cops worry about going through the wrong door, pulling over the wrong car. And while not yet at that level, journalists need to measure the story they are covering, their resources and the environment.
Hopefully news people out there have a heightened sense of danger or the awareness that the potential exists for bad actors with bad intentions. That does not mean incidents can be easily be prevented or stopped in their tracks, but efforts should be made to try.
I think in terms of the first year MMJ in a small market, sent on a breaking news shooting or accident scene.
“It’s 45 minutes before the 11pm newscast…get out there and go live for the top of the show”.
There is no News Director at the station at that time; there might not even be an Executive Producer. The reporter rushes to get there, there’s no real time to do anything else but set up and maybe ask somebody a question or two. Assessing the scene and its safety concerns is not often on the checklist.
Who is thinking safety and security at that time? Who is making the decision? Who has not seen the recent video of the reporter hit by a car during a live shot?
It was professionally handled by that journalist yet who back at that station was looking out for her that day? Who set the plan in motion? While off the path a bit of the primary issue, one still could spend the better part of the day looking at footage or reading accounts of journalists at scenes in similar predicaments or attacked, assaulted and worse.
No, this is not just about MMJ’s…it can be a team or a trio with a live truck, and back to the survey, not everyone cited was working alone or at a volatile scene.
Maybe think about it in terms of the way news covers bad weather: What does a viewer or a listener really thinking about storm coverage? “Why is that reporter standing in a hurricane?” What is the reporter, the photographer, the field producer, or the live truck operator thinking about storm coverage? “Why am I standing in a hurricane?”
By the way, I came to this business late so I tend to ask questions that often get me looks of frustration and annoyance by those who did not. A beloved former coworker once quoted me back to me following a period of long form storm coverage.
WE KNOW IT’S A HURRICANE…CAN’T THEY BE SOMEWHERE SAFE AND SHOW YOU THE HURRICANE? THEY CAN TELL YOU ABOUT AND DESCRIBE THE HURRICANE…NOBODY NEEDS TO BE HIT BY A FLYING STOP SIGN TO BRING YOU GOOD COVERAGE…THEY CAN DO THAT …THEY CAN BRING YOU THAT…SAFELY…THEY’RE REPORTERS.
So, what can be done about it all to keep those out there a bit safer? Consider analysis and preparation when putting staff in various situations. It is done for storm coverage.
It begins before the next story, playing out scenarios in the conference room with staff members, measuring priorities in coverage and making sure the security philosophy penetrates. You’re in a bad situation; let us plan a way to get out of it.Truthfully, it’s not something I’ve heard often discussed at length in planning and editorial meetings. True, storms may be more predictable but so is the unknown. You know it is out there.
Luckily there are those willing to advocate for themselves; I worked with a reporter who abruptly ended a live shot right on the air, before anyone had to chance to say anything. “Guys this isn’t safe, I’m wrapping it up…back to you.” Excellent! It’s not unheard of, it’s certainly prudent and hopefully, we have all seen reporters, photographers and producers make that kind of call.
This is not about bad management, or uncaring or unthinking bosses. They are out there, sure but nobody wants their people hurt or put in dangerous situations. It is however, about asking the right questions at the right time. Where are we sending our people? What is the neighborhood like, the mood on the streets? More importantly, what are we losing or giving away by pulling back from the center of the most vulnerable areas?
When in doubt, send an extra body to the scene. ANY body. If managers want the story, managers need to make it safer to cover. A sports anchor and I would go hit the streets to parallel and back up crews on demonstrations and protests. Generally, not for physical presence or as a deterrent but instead to be the extra set of eyes on a scene and it is often a game changer.
I have seen news directors go out there, sales people and of course interns. Yes, interns have eyes. Interns are often heroes. Stop sending them out for Chick-fil-A and Starbucks runs!
Getting the story means keeping the staff safe. Just as the cop cannot help anyone if they crash the patrol car running code to a hot call or a fellow officer in trouble, the reporter cannot tell the story if they’re sidelined by an attack or a disruption that might have been avoided by having a plan or the right number of people there. No matter what happens out there, the MMJ or one-man band reporter is not likely to go away nor should they. Radio, digital and print are usually alone, they are certainly harder to spot in a crowd but generally, they are solo.
Moreover, who can say there aren’t smarter ways for all platforms to do the job with a little more safety in mind?
It’s certainly better than showing up on YouTube.
The Cost of “Thoughts”
Jack Del Rio made a classic mistake of wondering aloud about topics that people in public positions aren’t allowed to think about on Twitter.
The first recorded use of the expression, “A penny for your thoughts,” was made by Sir Thomas Moore precisely 500 years ago (1522). But, no doubt, a penny went much further in the 16th century.
The U.S. Department of Labor’s most recent Consumer Price Index (CPI) shows that inflation continues to increase above expectations. The current annual rate of 8.6% is the highest since 1981. The cost of thoughts, or at least saying them aloud, well, saying certain things in a public forum, has gone up far more than the CPI.
Jack Del Rio, defensive coordinator for the Washington Commanders (formerly known as the “Washington Football Team,” and before that, the Washington Redskins), made a classic mistake of wondering aloud about topics that people in public positions aren’t allowed to think about on Twitter. Specifically, his Tweets compared (what he called) “the summer of riots” to January 6th at the U.S. Capitol. As the late, great Alex Trebek would say, Del Rio’s comments were “in the form of a question.”
Faced with media scrutiny about his Tweets, rather than back down, Del Rio referred to January 6th as a “dust-up at the Capitol.”
Can I tell you a trade secret of press flacks? They all have a small can of lighter fluid and a pack of matches within reach behind a piece of glass with the words “break only in the case of emergency” scrawled on it. Certain phrases or words will cause a press person, at great personal danger and sacrifice, to break the glass, douse themselves with the accelerant, and strike a match before flinging their immolating body in front of the podium. Okay, not literally, but I guarantee the Commanders’ public relations director would think this alternative less painful than hearing those words come out of Del Rio’s mouth in front of the press gaggle.
The controversy that followed was swift and certain: as was the reaction from Commanders Head Coach Ron Rivera. He promptly assessed a $100,000 fine on Del Rio for his comments.
Two points here: First, this is not a sports story. Talk Radio observers should be far more concerned with the consequences of this story than NFL or sports fans. Second, it doesn’t matter what you think happened on January 6th. You should still find the fine issued by Rivera chilling, whether you call it an insurrection or a dust-up.
I used to believe that comedian Bill Maher and I were about as far apart on the political spectrum as any two Americans could be. Maher and I, however, hold similar views on freedom of expression.
On his HBO show, “Real Time,” Maher defended Del Rio by saying: “In America, you have the right to be wrong. They fined him; the team fined him $100,000 for this opinion. Fining people for an opinion. I am not down with that.”
Because this is where we meet, I’d like to buy Bill Maher a drink and have a laugh over all the times he’s been wrong, or we can share that drink and a smile for understanding that freedom of expression IS the foundation of democracy – no matter who’s right or wrong. Freedom of expression is an issue where liberals and conservatives must find common ground.
The football team currently known as the Washington Commanders may need another name change. Perhaps the “Comrades” would reflect the team’s philosophy better? Levying such a hefty punishment for stating a political (and non-football) point of view because it is out of step with what is apparently official policy seems more reminiscent of the Politburo’s posture than a free society.
Del Rio’s words are understandably offensive to many. At the very least, they were ham-handed for someone who has been in the public spotlight for so long. But a $100,000 fine? Stifling political opinion is far more dangerous than anything Del Rio said.
Taking the Del Rio incident into context with the “Cancel Culture” of the past few years, Talk Radio hosts should look over their shoulders. Del Rio is also an excellent reminder to think twice before posting a politically unpopular opinion on social media.
Inflation has eaten away at the value of a penny and increased the cost of making politically incorrect statements, including on the air in recent years. What inhibits individuals from expressing their thoughts, beliefs, opinions, and emotions is a threat to Talk Radio and democracy.
Joe Pags’ Dream to Work In Media Started Early
Pags knew a career in media was for him ever since he was ten years old, even before his vocal chords did.
If you’ve ever been required to interview someone for a segment or article, you know pretty quickly when it’s going to be a bumpy ride.
Joe Pags was answering my initial questions as freely as Ebeneezer Scrooge hands out Krugerrands. Teeth have been pulled from the human head with greater ease. It just wasn’t happening.
After a few minutes, I think I grew on him.
I discovered we actually had a few things in common; both of us lived in Lake Worth, Florida, we knew a lot of the same places and faces, and we both understood that summer heat in Florida is like purgatory.
However, Pags and I will both have a fond devotion to The Noid. We will always share the memories of being a manager at Domino’s Pizza.
“I worked at Domino’s when pizzas were delivered to your door within 30-minutes, or it was free,” Pags said. “After a while they went to 30 minutes or three dollars off the price. Too many people were getting into accidents trying to beat the clock.”
What Pags did not mention was that even when you legitimately made it in less than 30 minutes, you had people questioning your delivery time. I guess that’s human nature.
Soon, pizzas were just for eating, not working; Pags started his radio career in 1989 in Palm Beach County, Florida.
After that, it was a stint as a television anchor from 1994-2005 in Saginaw, Michigan, and then Albany, New York. From there he was called back to radio and landed at the Clear Channel Talk Flagship, WOAI, in 2005. The Joe Pags Show has been a fan favorite since its debut in 2007.
For Pags, the media dream started early on.
“I grew up listening to talk radio at a very young age and was determined to make my living doing it one day,” Pags says. “I actually have a tape somewhere on which I erased the DJ’s voice and recorded mine over the songs.”
Pags is probably thrilled that the tape will never be released.
Years later, he found he could pay the bills doing something he loved. “I’m lucky enough to work with great people on both local, and national radio and television,” Pags explained.
“I also remember Steve Cain, Rick, and Suds on that station,” Pags said. “It was a lot of talk radio, but it was fun. It was entertainment. Rush Limbaugh was doing the politics stuff back then.”
Pags knew a career in media was for him ever since he was ten years old, even before his vocal chords did.
“When my voice changed at 13, I developed more of a bass tone; I knew I was on my way. I had a New York accent and had to shake that.”
Before he embarked on a career in radio, his music career was going well. Pags played French horn and saxophone; apparently, he was pretty good.
He played gigs at the prestigious Breakers Hotel, among many others. “I used to play at the Backstage lounge adjacent to the old Burt Reynolds Dinner Theater in Jupiter,” Pags said.
No word on whether Reynolds ever caught Pags live or not.
As a kid, he played baseball. Pags said he was pretty good. What took center stage for Pags was music. It was the French horn and saxophone that captured his heart.
“I played professionally on the Empress Dinner Cruise on the Intracoastal Waterway,” Pags said. “I also did gigs at The Breakers Hotel in Palm Beach. We made some good money.”
Before Domino’s and radio and music, it all started with a strong desire to succeed. That often comes from your family’s belief in you. Sometimes it’s not there.
“I knew that if I worked hard enough, if I showed the love for the work I was doing, then I’d succeed,” Pags said.
His family lived in Lake Worth, Florida, from 1973-74, and Pags returned every so often. “I got back to Florida recently when I went to Mara Lago and watched 2,000 Mules.”
San Antonio has been home for the past 17 years for Pags and his family. “I’ve been here at WOAI. I’ve got my own studio in a great area.” His daughter Sam is his executive producer. I asked Pags if there was any nepotism when it came to hiring Sam.
“Darn right, there is nepotism,” he said. “This is Joe Pags media. I get to hire whoever I want,” he quipped. “Sam has always had a love of broadcasting. When I became syndicated in this business, I told her I trusted her more than anyone else I knew and asked her to produce my show.”
The other day I spoke with Will Cain for a piece. He told me if I visited Austin, I should also see Texas. So I asked Pags what Cain was trying to say. “He means Austin is a city like Portland; only it’s in Texas. There’s a lot of homelessness in Austin. A lot of crime. The University of Texas in Austin goes far to the Left.”
Where does Pags’ tough demeanor come from?
“My father was 100 percent Italian. We had some good pasta dishes around our house with my grandparents around,” Pags explained. “We didn’t have a good bakery in Lake Worth, so I remember my mother and aunts bringing great bread recipes over from the homeland.”
Pags has always been interested in what takes place on the periphery, not just the core of matters. He’s done a lot of things throughout his life. That experience has helped shape his radio show. Pags said his show tends to be white-collar, but he grew up blue-collar all the way.
“I liked the Superman movies. I enjoyed Rocky,” Pags explained. “As a car-buff, I loved the Burt Reynolds films with Smokey and the Bandit. Stuff like that.”
Lake Worth, like a lot of other Floridia areas, has been known to be a little rough and tumble. Just watch Cops for a week if you don’t believe me.
Pags said other than a little shoving match at the bus stop, he didn’t encounter much rough stuff. “I was a musician, I wasn’t in that mix. Perhaps a scuffle in little league.”
When he was a teenager, he thought music would be it. “I’d played with some big-hitters at the time, like The Coasters,” Pags said.
“Music career opportunities really didn’t come along as I’d hoped. In some ways, people in the industry were full of it. I still did some freelance work on the saxophone.”
Pags said he was always willing to work for what he got. “I poured coffee and ran errands for $4 an hour,” Pags said. “I had my car repossessed, and got evicted from my apartment. I still kept at it. I never was deterred from what I wanted. I knew what I wanted, but never really expected things to happen the way they did.”
Pags said if some youngster asked how to be what Pags is today, his answer was succinct. “Pour coffee, run errands, whatever you have to do.”
I asked Pags what he does in his downtime? Let’s just say he’s not running to tee-off at 7:00 am with the guys at the club on his day off.
“I’m a domestic sports car guy,” he says with pride. “I’ve got three Corvettes, a Camaro Super Sport. My Camaro was a 1967, red with white stripes. I sold that car so we could afford to adopt our daughter. I got the better end of that deal.”
He doesn’t do any weekend racing on local tracks like other aging Indy wannabes. “I like to look at those cars in the garage,” Pags said. “My dad was a big car guy. My dad is probably why I’ve succeeded in my life and career. Not for the reasons you’d think.”
Pags’ relationship with his father had the typical ups and downs. Same as it is for most men.
“My father didn’t think I’d amount to anything and had no problem relating that to me,” Pags said. “Conversely, my Mom was always extremely supportive of my interests and goals. I knew if you were good at what you did, people would take notice.”
Pags said his father excelled at being a naysayer. A glass is a half-empty kind of guy.
“He was so negative. He thought I’d never succeed at anything,” Pags explained. “I was out of the house at 17, and I was determined to become something. To prove him wrong.”
Before his father passed away, Pags believes his father became aware of a lot of things.
“A light went on in his head, and he was just so surprised I could make a living doing what I did,” Pags explains. “When I became a big enough success, he recognized my drive and determination. I’m still not sure if he was hard on me because he thought it would help me in the end. Whatever his reasoning was, it gave me the drive and determination to see things through.”
Pags’ father became so proud of his son that he’d tell friends Joe was going to be on Fox News and how they should tune in.
“It was my mother, with her ultimate support, that really made me want to succeed. For her,” Pags explained.
“I learned that if someone disparages you or makes you feel small, you have choices. You can go into a shell and take it. Believe what people say. Or you can go out and knock down some doors. If you want me to do something, tell me I can’t do it. Soon I will be syndicated on 200 stations. All that came from believing in myself. I’ll prove it to iHeart. To other broadcasters.”
Pags said at some point; you’ve got to find some kind of edge.
“I knew I wasn’t going to agree with things my father believed and said, just to shut him up. I had to stand up for my own beliefs.”
I can relate to a guy like Pags. He’s got a tough exterior, not easy to crack. But like me, I know in the center is a soft, creamy nougat.
The Rise of Florida Governor Ron DeSantis
According to BNM’s Pete Mundo, Ron DeSantis sounds an awful lot like someone who is gearing up for something bigger than “just” being the Governor of Florida.
For at least the last six years, the long-standing belief is that talk radio has been the home for Donald Trump sycophants. While I’ve always viewed this as an overly-simplistic analysis of tens of millions of weekly talk radio listeners in this country, it’s fair to say that certainly, from 2015 through 2020; the news talk audience was supportive of the 45th President.
And now, as time goes on, there are signs that the dam is breaking. There’s anecdotal data I can share and then more scientific data to touch on.
This past Monday, I spent one segment of my show saying I would burn through as many calls as I could over 8-9 minutes on Trump or Ron DeSantis to be the 2024 Republican Presidential nominee. I brought this up in the wake of DeSantis’ criticism of Joe Biden’s energy policy from late last week. He sounded an awful lot like someone who is gearing up for something bigger than “just” being the Governor of Florida.
Over those 8-9 minutes, I fit in 14 phone calls. Going into it, I told my producers privately that my guess was that the calls would split fairly evenly but probably lean towards Trump.
That’s not what happened.
Instead, we ended up with nine of the 14 callers in favor of DeSantis, with five going for Trump.
Then there was some interesting polling this week. One poll of likely Republican primary voters in New Hampshire found DeSantis edging out Trump 39 percent to 37 percent. The most telling fact about the New Hampshire poll is that while DeSantis leads Trump by just two points overall, he leads among Fox News watchers by 14 points and among conservative radio listeners by 16 points.
As is always the case, one poll should not be viewed as an absolute, but there are clear signs that Donald Trump’s stranglehold over Republican voters is waning. And from my perspective, it’s waning faster than I expected.
Politics move fast. One day you’re hot; the next day, not so much. And to see DeSantis rise this quickly when all the focus is on Joe Biden and the 2022 midterms, not the Republican primary in 2024, makes this poll even more surprising.
And while I have no interest in getting ahead of myself, talk radio is likely to be the battleground for this issue if and when it does ultimately come to fruition. Talk radio is obviously far more interactive than cable news. Callers, texters, and Facebook/Twitter users can all be participants and have their perspectives shared with thousands of listeners at any given time.
And if those most in tune with the news cycle of the moment find themselves shifting to someone like Ron DeSantis, then the run-of-the-mill Republican voter is likely to follow suit when the time comes.
But, if we do end up getting a Trump vs. DeSantis primary, then 2024 could end up making 2016 look like child’s play. But I’ll stop here because, once again, I’m not looking to get ahead of myself.