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Howard Eskin Still Has Plenty To Say

“He (Cataldi) says if he’s going to take calls from the Secret Service, then he should take calls from you. He gave out my cell number on the air. I mean come on, man. What are you doing?”

Brian Noe

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Sports radio is sometimes too polite. “Well, in my humble opinion,” and that sort of thing. Every once in a while it’s nice to hear a host say, “Eat it if you don’t like it.” Enter Howard Eskin. The radio and TV personality has showcased a no-holds-barred style that has gained notoriety on the Philadelphia airwaves since 1976. There are times when the truth is ugly and grimy. Eskin hasn’t been afraid to get his hands dirty along the way in pursuit of honesty.

As you will be able to tell from our chat below, Eskin doesn’t offer wishy-washy stances. His opinions are strong and his responses are direct. That doesn’t mean Eskin hasn’t had fun along the way as well. He once did an interview with the San Diego Chicken on a news telecast. Eskin offers an unfiltered response to a recent criticism from fellow WIP host Angelo Cataldi. Eskin also destroys a myth about older hosts and offers thoughts about the success of his son, Spike Eskin, who’s now the program director at WFAN. Enjoy!

Brian Noe: Where have you worked outside of Philadelphia during your lifetime?

Howard Eskin: I worked in New York earlier in my career. I worked in the Maryland, Washington D.C. area at the beginning of my career. I was a disc jockey. I was a production engineer for a classical station. I had done a lot of things and then I spun records for guys here in Philadelphia. George Michael, who I worked with in Philadelphia who had the Sports Machine, I did segments on the Sports Machine for 11 years. He was a disc jockey up in New York before he went into television.

But that was it, New York and Washington. Then since the mid-to-early ’70s, I’ve been in Philadelphia. I’ve been on the air since ‘76 in Philadelphia, which is a long time. I’ve been on TV and radio since ‘82. Philadelphia is my home and this is what I like. I’m just happy that I can work in the town that I grew up in, which doesn’t always happen. It’s not necessary, but I don’t know if my career would have been the same if I hadn’t been here in Philadelphia. That’s what it comes down to; this is where I was meant to be.

BN: What would you say is the most fun you’ve had during your broadcasting career?

HE: I have fun doing what I do on the air. I don’t want to say I have fun arguing with players and coaches but we kind of get to know each other. Dick Vermeil invited me to his Pro Football Hall of Fame induction. At the beginning, Dick Vermeil didn’t like me a little, tiny bit because I was critical of how hard he worked players. At UCLA where he came from, he never got criticized. It was different for him, L.A. to Philadelphia now, people are going to say things.

He told his players not to listen to me. Herm Edwards came out to practice one time, and said ’hey man, what did you do to coach’? I go ‘what are you talking about’? He says, ‘he told us you’re talking out your ass’. And then my first day in television I was at the head table, September 20, 1982 and Dick Vermeil was one of the speakers. He buried me at the Maxwell Club. It was a luncheon back then. Buried me. I said that’s okay, Dick. Now we’re really good friends. I’ve been over to his house. We’ve been out to dinner. He’ll text me when I’m on the air if he thinks he can help me with some kind of info.

It’s kind of interesting, but there’s been players that want to kick my ass. Mitch Williams wanted to punch me in the mouth. You go right down the list and now Mitch Williams and I are friends. They understand after they’re done playing that that’s really my job. But I’d go into the locker room, I’d yell at Larry Bowa and Darren Dalton. I would yell at Lenny Dykstra who was crazy. And then 30 seconds later we’re laughing because we get over it and we move on. I don’t know that it’s always that way now.

I’ll give you a couple of cool moments; I’m on the sidelines for an Eagles’ game and Bradley Cooper walks up to me and says ‘hey Howard, Bradley Cooper’. I said, ‘come on, man, I know who you are. How do you know me’? He said, ‘I grew up in the area. I listened to you and watched you for all of those years’. Will Smith did the same thing. Those are just really cool moments. Then whenever they see me they’re always very nice. You never know who’s out there.

Allen Iverson, he was interesting. We got along great his first few years. Then the guys he hung with told him not to listen to me because I was trying to tell him to do the right things especially with Larry Brown. He wasn’t all about listening to the coach, so then after a few years it was a little adversarial. 

So he’s walking in the hallways at a Sixers game and he sees LeSean McCoy. Obviously I knew LeSean playing here, and LeSean says what do you think of this guy? He says that MF — I use MF because regardless of where this goes, I still don’t think it’s proper to put it in print and these people on satellite can use the four letter word — that MF he was always killin’ me. Killin’ me. And then Allen says to LeSean McCoy, but I love him. I love him.

Now every time he sees me he gives me a hug and says you’ve got to let the past be the past. I think he understood because he always tried to keep it real and I always tried to keep it real. So in the end, after it’s all over, I think he respects me for that.

BN: Angelo just did an interview with The Ringer…

HE: Angelo who?

BN: [Laughs] That’s right.

HE: Obviously, I’m kidding.

BN: Oh yeah, I know. Angelo said that he has a classic love/hate relationship with you. On the bright side he gave you compliments and said that he loves your work ethic and especially what you mean to Philly sports. But he also said that he didn’t think you were a great team player. What’s your reaction to that?

HE: You know what, I have no idea where that comes from. I work my ass off. I don’t know if he was kidding because sometimes when you see it written — I didn’t hear it. If they ask me to do something whether it’s help with a client or help in other ways, my biggest problem is I don’t say no. I don’t say no to charities. I don’t say no to the people I work for. I don’t say no. There have been management people I haven’t agreed with. I may not agree, but I’ll sit down and talk to them about it. I really have no clue what he was talking about. It’s the pot calling the kettle black.

I do whatever they ask me to do and what I think I have to do. I go to games and talk to players and connect with people. It gives me information. I consider what I do on the air, I inform and I entertain. You can do both with the correct information. I don’t have to do all those things. I don’t have to share it with WIP, and I do share a lot of things with them. I really have no clue what he was talking about. Absolutely no clue because I don’t want to say I’m the best team player, but I’m somewhere at the top of the list. Whatever they ask me to do, and those people will tell you that too, the management people, the people I’ve worked with over the years, they’ll all tell you that.

I don’t know if Angelo is somewhat jealous on the way out that I lasted longer than he did. It’s hard to get up in the morning. Doing those morning shows I’m sure is no piece of cake. He was compensated well for it so that’s the benefit of that. But I can’t answer that question because it surprised me not a little bit, it surprised me a lot with all I do.

I don’t want to go down that road and be critical of things that he’s done, although I will tell you one thing he did when he was a complete jerk. He wanted to get Bill Clinton on the air and I had a connection with Bill Clinton through the Secret Service. One night a bunch of Secret Service guys were coming to town and one guy called me, my phone rang. I didn’t have it on vibrate at the time while I was doing a show. I went to a break. I went back on the air and said that was somebody from the Secret Service that wanted to get in touch with me from the White House.

He got so angry because at that time the governor of the state told him he was going to get Bill Clinton on the air. It was Ed Rendell. That wasn’t going to happen. So anyway, he says if he’s going to take calls from the Secret Service, then he should take calls from you. He gave out my cell number on the air. I mean come on, man. What are you doing? Why would you do that? There was obviously a jealousy there, which I had a connection. That was wrong but I didn’t dwell on it afterwards and I’m not going to dwell on the things that he says now. [Laughs]

BN: [Laughs] As far as uncovering news, you’re known for going to great lengths to break stories. Why do you find it important to do so?

HE: When there’s something there that’s interesting to sports fans, I’m lucky enough, in my phone I have 5600 contacts. If I ever lost that — you can go right down the list, there’s always somebody that you can call and try to get some info on a situation when you hear about it. A lot of times there are stories I have and I try to pass them along but I always try to check. Luckily enough, I have a lot of people to check. 

I’ll tell you a story outside of sports to show you maybe my reach. There was a friend of mine who had brain cancer. Very, very, very devout Catholic. I knew someone at the Vatican. Like, how do I know anyone at the Vatican? I mean you’ve got to be kidding me. And I asked to get a letter from the pope to this guy. He passed away like five months later after he got the letter. I didn’t get the letter, but I got the pope to send a letter to this guy. [Laughs] It’s like are you kidding me?

You get to know people, and it doesn’t always have to be sports, but people are people. It’s not like you ever count favors, you just do for people because they do for you. That’s why, I’m not a team player? I don’t know what the hell that’s all about. And I’m not going to worry about it. If you hadn’t brought it up, I wouldn’t have brought it up either.

BN: Is the Pope one of the 5600 contacts? [Laughs] Do you have the area code and everything?

HE: [Laughs] I don’t, but I have a bishop in the Vatican’s number. So that’s one of the 5600. Can you imagine? I’m a Jewish guy and I’ve got someone’s number in the Vatican. 

BN: [Laughs] That’s great. Did you know that Spike’s (Eskin) career would unfold the way that it has?

HE: He did it by himself. I’ve got to give him credit. There’s only two things I helped him with. I helped him get an internship in the company at that time. And then when he was thinking about coming back to Philadelphia from Chicago — he was a disc jockey and then a music director and all of that — the general manager at the time didn’t want to pay him more money. He wasn’t going to come back. 

I said hey listen, you’re letting this guy go in the morning; you’re going to save hundreds of thousands of dollars. You can’t give him, I don’t know if it was $25,000 or $30,000 more a year to convince him to come back to Philadelphia? I just was trying to help him. That’s the only involvement I ever had. I didn’t tell him what I think he should do. There may have been one time or another where I had an opinion, but I wouldn’t really say that to him because he could do it on his own especially when he became the program director.

I knew he was a bright guy, bright kid at the time. He’s not a millennial although he wants to be a millennial. He’s out of that range now. But yeah, he was creative. I’ve got to say that all my kids are creative and he’s one of them. He works hard. He’s firm. If he would tell me something that I needed to do, he didn’t tell me much because I kind of knew what had to be done, I never really debated him on it. I just did it. If I didn’t agree with it, I kind of would go halfway, but I knew he was pretty sharp.

He was very good at what he does and I know he’s doing a great job up there. I’ve known his boss, Chris Oliviero, for 25 years and he’s a great guy and a very, very creative guy. But those two together I know they’re doing a great job and WFAN is doing terrific. I’m glad to see that he works well with Craig Carton. I like Craig a lot. I know he had problems, but I think Craig is a brilliant, creative air talent. Brilliant and creative. He really is good. I wished in some way, shape or form he could have come back to Philadelphia and work, but he’s doing what’s good for him. His wife’s from Philadelphia so he still has connections here.

BN: Who would be on your Mount Rushmore of Philly sports radio hosts?

HE: Wow, putting me on the spot here. I don’t want to say I’m egotistical, but being I started this whole thing I would have to be up there somewhere. Rather than leave Angelo off there so he has something to whine about, he’d have to be on it because he worked a long time and the morning show was very successful. I don’t agree with everything he does, but he doesn’t agree with everything I do, so he’d have to be up there.

Craig Carton was here. Craig is funny, he’s bright and even though he wasn’t here that long I’m telling you I’m a big, big fan of Craig Carton. I’d have to put him on there. So now we’ve got three and maybe I’ll leave the fourth spot open for somebody that takes over the morning show. We’ll kind of leave that there.

There have been guys that have come through here, but if they didn’t stay here that long they can’t be on the Mount Rushmore. How about if I leave that fourth spot open on that Mount Rushmore. People will criticize me, what are you doing on it? Put yourself on that? No, I don’t put myself on Mount Rushmore, others put me on Mount Rushmore. So, eat it. Eat it if you don’t like it.

BN: [Laughs] What do you think about the word retirement?

HE: People say are you going to retire? Or when are you going to retire? I says if you can spell that word for me because I can’t spell it, maybe I’ll think about it. But I can’t spell that word. When people say retire, no. What, do you think I should retire? No, no, no. I’ll tell you the joy that I have, there is a belief in radio that older people don’t get younger people who listen to them. That’s such BS because when people come up to me, because I’m at a lot of games, I’m in the public a lot, people come up hey man, I listen to you. If you’re good, or what you do is interesting and they think it’s good, then that’s all that matters to me.

BN: If you could pick one thing on your list that you want to accomplish going forward, what would you say it is?

HE: That is a really difficult question. I’ve been successful in the Philadelphia market, which is obviously not the easiest market to work in. It’s my home. I’ve known a lot of people here. I’ve met a lot of people. I just want to continue to do what I do and have the passion. If there’s anything I want to accomplish, I just want to have the passion and the love to do what I do. Whether it’s radio or TV.

Unfortunately, it’s kind of sad. Television sports is really — what a waste. I’ve told people this, it’s like it’s an afterthought on television. You know what, if there’s anything I want to do, I want to get TV to realize that sports on television is ridiculous. It’s not anything anybody tunes in to watch because on our phones you have the highlights before you get to the news. We have the news before we get to the news. You’ve got six different segments of weather, but I get them on my phone updated every 10 minutes, so I don’t need that.

Publishers have asked me to write a book. I have notes that I put down, different things that have happened to me in my career that I think would be interesting to people. I got my leg broken at a game on Christmas night in 2017, the year the Eagles went to the Super Bowl. I worked five games with a broken leg, but I didn’t tell anybody and I didn’t put a cast on it. It was a non-weight-bearing bone; I wouldn’t have been able to be on the sidelines if I had a cast on. I tell Nick Sirianni now for all your players that are soft, I worked five games with a broken leg. Stop already with all of these guys. [Laughs]

So someday, because you have to sit down, you really have to put some time into it and I wouldn’t write it myself, I would get a writer to help me write it. There’s some really interesting experiences. Again, stories I can, and stories I can’t tell. The can’t-tell stories are good, but the can-tell stories are still good too.

BN: Would there be anything about Angelo in there?

HE: You know, the one thing I didn’t do but I’ll wait till he retires, is rip Angelo a new ass. [Laughs]

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Twitter Blue Debacle Showcases Company’s Ongoing Concerns

“If you start giving away blue badges to everyone, then it has no value. It’s the equivalent of a currency. if you start printing more, it gets devalued. Same for verified badges.”

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For years, a blue “verified” check mark on Twitter has long been considered a symbol of status. Anyone — entrepreneurs, journalists, business executives — could potentially end up in the same exclusive space as celebrities like Taylor Swift and Tom Brady. 

Perhaps the one quality that the blue check mark represented that had been overlooked was its authenticity stamp. The badge has been used all across social media platforms to signal an account’s authenticity — a verification that recently has proven to be of significant importance to not only people, but brands as well. 

Shortly after Elon Musk’s $44-billion takeover of Twitter, the billionaire swiftly made his mark which, among many things, included a democratization of the app’s verification system. With a $7.99 monthly subscription to Twitter Blue, which launched last year as the company’s first subscription service, users could now possess what had long evaded them: a blue check mark.

“Theoretically, this would have made it easier for some brands or influencers to get verified than it has been in the past,” Galen Clavio, director of undergraduate studies for the Media School at Indiana University Bloomington, wrote in an email about the possible benefits of Twitter Blue’s verification accessibility. 

“From an algorithmic perspective, that would have made sense to pursue under the Twitter setup that everyone had come to know,” he added. 

While perhaps not a surprise to Musk or Twitter executives, everyday people were paying for the newly revamped Twitter Blue to boast their social media clout. Whether Twitter leadership knew it or not, though, those same subscribers took the opportunity to verify themselves using the alias of actual people. 

Very quickly, Twitter Blue created an abundance of impersonators masquerading as verified celebrities and companies. Misinformation was hard to identify, making it tougher to find information in an era already plagued by discrepancies between fact and fiction.

“If you start giving away blue badges to everyone, then it has no value,” Alessandro Bogliari, CEO of the Influencer Marketing Factory, an influencer marketing agency, wrote in an email. “It’s the equivalent of a currency. if you start printing more, it gets devalued. Same for verified badges.”

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A screenshot of a fake account created to appear as pharmaceutical company Eli Lily shows the dangers of allowing anyone to be verified on Twitter.

Shortly after the Twitter Blue re-launch, a tweet was sent from an account using the same logo and name of Eli Lilly, a pharmaceutical company. It read, “We are excited to announce insulin is free now.” The tweet seemed legit — the branding seemed real, as did the company name. It also boasted a blue-check mark, so it had to be true. 

As just one of many misrepresentations that succeeded it, the Eli Lilly tweet was a fake. Even when Twitter finally removed the tweet, more than six hours later, the fraudulent account had more than 1,500 retweets and 10,000 likes. The pharma company’s stock also plummeted $368 a share to $346 a share, reportedly erasing billions in market cap, according to several economic reports. Eli Lilly’s stock price currently sits at roughly $352 as of Nov. 16th.

“I can only imagine the damage a tweet like that made for the company, its employees, stakeholders, shareholders and anyone really related to their offering,” Bogliari said. “Some were able to tweet from their official accounts and restore it a bit. Others, I imagine, used PR and reputation firms to get to a solution fast. But it’s not that easy for all of them… for others it could be potentially a damage so big they won’t be able to survive, not just in terms of market cap/stock value, but also in terms of reputation and customers love.”

The verification mishap affected not only Eli Lilly’s reputability and profitability, but could also spell trouble for Twitter’s revenue stream.

“It’s making it really easy for advertisers to say: ‘You know what, I don’t need to be here anymore,’ and walk away,” Jenna Golden, who previously ran Twitter’s political and advocacy ad sales team, said in an interview with The Washington Post. “People are not just providing inaccurate information but damaging information, with the ability to look legitimate. That is just not a stable place for a brand to invest.”

Sports personalities were also hurt by the preponderance of fake users across Twitter. Basketball star LeBron James trended on the platform after a tweet from someone with the user handle, @KINGJamez, claimed that the 37-year-old was leaving the Los Angeles Lakers to join his former club, the Cleveland Cavaliers. 

Adam Schefter, a notable football analyst at ESPN, also trended after someone with the user handle, @AdamSchefterNOT, revealed that Las Vegas Raiders head coach Josh McDaniels lost his job. While the user handle clearly indicates that it didn’t come from the actual Adam Schefter, the fact that it was quote tweeted could have led many people to assume it was really Schefter, since many were unlikely to take the time to click and confirm the tweet — and tweeter’s — validity.

These are just a few specific instances where, while a more open verification system could have helped Twitter users, the idea did not lead to a successful implementation.

“Being verified would have given those brands more credibility and be marked as the official brand — impersonation happens also for smaller brands and not just for Fortune 100 companies,” Bogliari said. “So the idea was theoretically good — I would say only for brands and certain individuals and not just for everyone… documents and proof (are still) required but the execution showed us all the flaws.”

Verification issues aside, Twitter faces an uncertain future under Musk’s leadership. As much as 50% of the company’s 7,500 employees predating Musk’s ownership have been laid off under his tenure. The billionaire also revealed that Twitter’s cost-cutting methods are a result of the company losing upwards of $4 million daily. He’s even announced potential bankruptcy if Twitter doesn’t correct its financial woes. 

“I see the Twitter Blue controversy as one of several items that are likely to just make brands and creators look elsewhere in the social media landscape,” Clavio said. “Twitter offers minimal exposure for creators and brands to the public when compared to other networks, and a much higher risk of doing or saying something that can cause a crisis.”

As more people grow skeptical about Twitter, alternatives have started to emerge. More people are visiting platforms like Discord, Reddit, even Tumblr. Others are joining Mastodon, a free and open-source microblogging site that has drawn comparisons to Twitter for its timeline of short updates arranged chronologically rather than algorithmically. 

As recently as Nov. 12th, Mastodon boasted approximately 6.63 million accounts, a 17% increase from the 5.65 million users it had on October 28th. 

From internal struggles to increased competition, Musk inherited a Twitter that, for better or worse, might be on a continual spiral to irrelevancy. 

“It’s clear that the Twitter platform is pretty fractured right now,” Clavio said. “At the end of it all, I think a lot of brands will just opt out of having a presence on Twitter, paid or otherwise. It’s just not big enough of a platform to justify the potential negative exposure.”

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BSM Writers

Christian Arcand Returns To Where It All Started At WEEI

“Going to WEEI was a no-brainer for me. I started there. That’s my radio home.”

Derek Futterman

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Since the turn of the century alone, Boston has hosted 12 ticker tape parades to celebrate championships. Christian Arcand has had the opportunity to experience that success firsthand, initially as a diehard Boston sports fan and then as a voice of the fan. Now as he begins his second stint at the WEEI — this time as a producer and weekend host — he aims to ensure a seamless transition for both the Merloni, Fauria, & Mego afternoon drive show and his career in sports media.

Returning to a station where his Boston radio career began, Arcand enters the same building where he started his last sports media job with 98.5 The Sports Hub. Once the station moved to Dorchester, Massachusetts, WEEI moved its studios to the location – and it is where its shows are broadcast from today. Arcand’s time at 98.5 The Sports Hub ended in being laid off last month; despite that though, going to work evokes feelings of nostalgia and déjà vu.

“Walking back in there for the first time was pretty wild,” Arcand said, who returned to WEEI earlier this week. “I was laid off from The Sports Hub and it was a big surprise to me and to, I think, everybody that [it] happened.”

After graduating from the University of Colorado, Arcand moved back east to work for WDIS AM 1170 in Norfolk, Massachusetts, which he says isn’t really an option for those entering the business today.

“These little stations are all gone,” Arcand expressed. “Those were pipelines to places like WEEI and WFAN and other places in the area. You’d work in Connecticut or you’d work in Rhode Island or whatever and these places all just disappeared.”

Just over a year later, Arcand made the move to ESPN New Hampshire, initially co-hosting Christian and King with Tom King, a sportswriter for the Nashua Telegraph covering the New England Patriots, Boston Bruins and other college and high school sports. The show was broadcast during the midday time slot from noon to 3 p.m. and sought to entertain the audience while informing them about the day’s action.

After nearly four years on the air, Arcand transitioned to work with Pete Sheppard, a former member of the heralded WEEI program The Big Show hosted by Glenn Ordway, on Arcand and Sheppard. Additionally, Arcand was named as the show’s executive producer, meaning that while the show was going on, he was often focused on many different tasks. Once Christian and King was brought back, he continued working in this dual role before the show ended in January 2017, six months before the format flipped from ESPN-branded sports to oldies.

“It was a lot – cutting up all the audio you want to play, then playing it during the show, then cutting the commercial [and] trying to answer the phone,” Arcand said. “It was this whole thing, but I really loved it; we had a lot of fun up there.”

While Arcand currently works at WEEI, it is his second stint with the station – and this time, he is working in a brand new role. He initially joined the station in 2013 as a sports anchor and co-host of the evening program Planet Mikey featuring Mike Adams. Shortly thereafter, he helped launch WEEI Late Night, airing from 10 p.m. to 2 a.m. where he became known in the Boston marketplace going on the air after the conclusion of Boston Red Sox live game broadcasts.

Unlike his time in New Hampshire though, he was solely hosting and not producing – requiring him to adjust to not having as much oversight regarding the inner workings of each program.

“I’m not a control freak, but I remember [thinking], ‘Wow, this is different. I’m not running the board anymore. I’m not playing my own stuff,’” Arcand said. “….That was kind of jarring at first [but] I ended up working with a lot of great producers and I still am today.”

Mike Thomas, who currently serves as the senior vice president and market manager for Audacy Boston, was integral in building 98.5 The Sports Hub from its launch in August 2009. He was responsible for signing Arcand away from WEEI to join the brand as co-host of The Adam Jones Show airing weeknights.

Working alongside show producer Jeremy Conley, he gained an in-depth understanding of what it entails to produce a sports talk radio show in a major market, helping broaden his knowledge of the craft and position him for his current job with WEEI.

“I really had a good opportunity to learn from some of, I think, the best [producers] in the business,” Arcand said. “….It’s cool being a fan of these guys and then getting to work with them and learn from them and all that other stuff…. It’s really a job that requires a lot, and the guys who are really good at it, I think, are just top-notch.”

Over the last several years, 98.5 The Sports Hub has earned massive wins across the Nielsen ratings, recently finishing number one in the summer book across all dayparts in the men 25-54 demographic. Days later though, the station’s parent company Beasley Media Group made budget cuts, resulting in Arcand and Toucher and Rich producer Mike Lockhart’s employment being terminated.

While Lockhart has since been re-hired after Fred Toucher and Rich Shertenlieb lobbied for the decision to be reversed, Arcand was in the job market quickly mulling over his future in the industry. In fact, it was reported that Arcand was on the verge of signing a three-year contract that would have kept him at the station before the termination of his employment.

“I was so shocked that it had happened and it was sort of hard to deal with it,” Arcand expressed. “Then I was angry about it and then I sort of channeled that into, ‘Okay, what am I going to do next here?’ You start thinking, ‘Is this it? Is this the end of the career? Are you going to even continue doing this?,’ and that was a thought I had a couple of times.”

Arcand’s abrupt departure from 98.5 The Sports Hub and Boston sports radio was short-lived though, as there was a substantial market for his services. In the end, he communicated with Thomas and WEEI operations manager Ken Laird, utilizing industry connections and his own versatility to return to the place where he began working professionally in Boston.

“Seeing that WEEI was in the market for someone on-air and to produce [the afternoon] show, I was right there and willing to try out something I hadn’t done in a while,” Arcand said. “It was a no-brainer, really. Going to WEEI was a no-brainer for me. I started there. That’s my radio home.”

As someone once again “new” to the station, Arcand is looking to foster a working chemistry with afternoon hosts Lou Merloni, Christian Fauria and Meghan Ottolini, along with radio producer Ryan Garvin. Arcand enters the role replacing show executive producer Tyler Devitte who left the station to pursue other opportunities and feels that the composition of the show is unique in the sports radio landscape. In short, it gives them an opportunity to further differentiate themselves from other afternoon programs across multiple platforms of dissemination.

“It’s an interesting show because Lou and Christian are both ex-jocks,” Arcand explained. “It’s rare that you sort of see shows where it’s just two guys like that and it was just them for a while but then with [Glenn] Ordway and then they brought in Meghan [Ottolini].”

Arcand had been listening to the afternoon drive program long before the offer to return to WEEI was made to him and now looks to offer his insight and expertise when necessary. He does not want to enter his new role with insolence or by coming off as dogmatic when expressing his opinions about the show.

“I’m sort of taking the approach of observing more than maybe I would in a couple of weeks from now or something,” he said. “I want to sort of make sure I get the rhythm of the show and the clock and everything like that. Those are all things that you have to be more aware of when you’re behind the glass as opposed to on the air.”

Arcand will be hosting a solo radio program on WEEI every Saturday afternoon, reminiscent of Sunday Service, a weekend show he used to host on 98.5 The Sports Hub. He is excited to be able to return to the Boston airwaves and connect with his audience once a week to bring them the latest sports news and entertaining talk – all while bringing his trademarks of sarcasm and congeniality.

“I’m really comfortable just sitting in the room, cracking the mic and talking with the callers or putting out my points and getting to certain things that I want to touch on,” Arcand said. “….I think my style is one that you just sort of tune in and you’re hanging out with me for a couple of hours.”

Ultimately, Christian Arcand has made the move back to what he refers to as his radio home. As he concludes his first week back at WEEI, he is focused on producing the afternoon drive program and complimenting that with his solo show on Saturdays, the first of which will take place tomorrow from noon to 2 p.m. Through all of his endeavors, he will talk about Boston sports with his listeners no matter the season, giving them a platform to engage with the hyperlocal coverage.

“Being back at WEEI is something that I’m really happy about,” Arcand expressed. “I was excited to get started, [and] now that I’m there, I’m excited to see where we can take this show.”

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BSM Writers

What Twitter Alternatives Exist For Sports Media?

Sports Twitter is a major vehicle that has helped establish the platform’s reputation for accurate and authentic up to the minute information.

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The reality of Twitter dying as a platform was looked at as a bit hyperbolic when Elon Musk first took over the social media network. Now though, it is slowly coming closer and closer to potential reality.

Musk has been on a quest to salvage Twitter’s economic stability but has done so in an irrational and unplanned fashion. The actions he has taken include publicly criticizing his employees and firing them after pushback and firing essential engineers who literally keep the platform from crashing. Developers have even warned Twitter users with two factor authentication to either remove the feature or to remain logged in because the function that handles that process no longer works.

Sports Twitter is a major vehicle that has helped establish the platform’s reputation for accurate and authentic up to the minute information. It has helped establish the careers of insiders such as Adrian Wojnarowski, Shams Charania and Adam Schefter. In case Twitter does actually come to an end, what should reporters who rely so much on the platform do?

Establish an email list through Substack

With permission from their employers, I would suggest starting a newsletter list that they would be able to carry with them in case they decided to leave their employer at some point (all three of the mentioned journos recently signed extensions). Posting on Substack through a mobile device is just as easy as posting on Twitter and it gives users an almost similar experience to what they had with using Twitter in the sense that they could have their email notifications turned on and they could interact with other basketball lovers through Substack’s comments section.

Create a live blog that always exists on your employer’s page

A running page of information that was sponsored and existed on ESPN or Stadium’s page would make digestible, quick hit commentary monetizable for the networks that employ Shams, Woj and Schefter. It brings people back to their employer’s page and establishes even more of a bond between consumers and apps/websites – a connection that has been taken away from many due to the existence of social media.

Establish a Mastodon server

With over a million users, Mastodon has become the closest thing to a Twitter alternative that’s available. Even though signing up for an account is a little confusing and the ability to search for unique users and takes isn’t fully established in comparison to Twitter – Mastodon has a similar look and feel to Elon’s platform and it gives employers more control over who is and isn’t interacting with their employees and what they are able to see. It would make it easier on ESPN or Stadium’s part to constantly promote links to their pages for viewers and readers to consume.

It’s the closest thing that is available to establishing your own social media network without the startup costs, hiring of engineers and figuring out tech issues. An advertising mechanism hasn’t been established yet but ESPN or Stadium could be in the forefront (because of the credibility they bring to the table) of establishing the revenue side of things alongside Mastodon.

Stick it out with Elon

NBC Universal’s advertising head recently told AdAge that NBC is sticking it out with Twitter. Twitter’s ad program has faced setback since Elon’s takeover but it is still much more established and streamlined that anything else available out there that is similar to Twitter. She also said that Twitter is the biggest host of NBC content on the internet (besides NBC owned platforms of course).

If a major company like NBC is standing with Twitter and if most major advertisers haven’t left yet, maybe sports reporters should also stay put for now. Twitter is not a startup. Despite the disarray we read about everyday, it’s still an established company that is up and running. We are all using Twitter itself to talk smack about its mismanagement but the reality is we are all still using Twitter. Even those who have gone away from the platform still come back more often than not to check in on what is happening directly on Twitter.

Maybe the grass will eventually be greener on the other side and Elon will have Twitter on more established ground. Maybe Elon files for bankruptcy and sells it to bankers who create an environment of stability for the company.

The reality is there is no other platform as good at real time reaction than Twitter so maybe sticking it out and keeping status quo is the best thing for everyone to do. See you later on Twitter (follow me @JMKTVShow).

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Barrett Media Writers

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