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Stop Caring About Personal Lives of Amy Robach and T.J. Holmes

Relationships are relationships, they don’t always come about to suit everyone’s ideals.

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To begin with, I don’t care. As in, it does not concern me and it’s pretty much none of my business. If I was somebody watching — and I’m not — I still wouldn’t care. As in, it would not impact me or change how I view the show or the performance of the aforementioned hosts or anchors. Yes, it’s been a couple of hours since the last rag dispatch, so let’s look at the case of Amy Robach and T.J. Holmes.

These are two people with jobs. Careers, actually.

Two people whose activities and pursuits outside of their duties assigned by their employers seem to have caught the eye of a great deal of people. Probably as many or more people than watch them on the program they appear on.

Why? Why has this suddenly become a Jennifer Lopez-Ben Affleck story?

I am not even going to waste time recounting or examining what brought everybody here.

Also, I cannot and will not keep up on the sightings of them together, the clandestine pictures of the estranged couples doing the dog exchange (been there) or the latest comments from the ex or soon-to-be ex-partners.

I don’t know anybody involved and it is incredibly not anything I’m entitled to know.

But let me say this much: I’ve seen real-life couples paired to host shows before, we all have. Regis and Joy, Joe and Mika, George and Gracie, Lucy and Ricky.

These pairings have often resulted in great popularity, interest and even devotion by a loyal audience of viewers. But, it looks like in this case nobody is going to get the chance to find out.

Why address it if I’m saying I don’t care?

Consider it another instance of if it’s happening to others it could happen to you. Also, on its face, it just doesn’t appear to be right.

The legal issues here, if any exist, are for the lawyers to decide. The controversies concerning behavior and appearance are for whomever decides they themselves, are above board and immune to scrutiny.

Were these two people producers, writers, directors, or any off-air type, would the same attention be paid, would the same approach (notice I did not say rule) apply?

Relationships are relationships, they don’t always come about to suit everyone’s ideals.

How many couples met or began relationships at work under any kind of circumstances?

People meet on the job. Take a random survey not only of the news media but of most professions, it happens. A lot. And it’s not always a Cinderella story. But life still goes on and work still gets done.

I guess this is different because the paparazzi and the Disney people decided to get nosy and perhaps become judgmental.

An audience can learn things about the people they follow and then find themselves falling into any number of categories. They can be outraged and appalled or unconcerned and dispassionate. Or they can be somewhere in the middle enough for it to have virtually no impact on loyalty or influence.

So, why not allow the audience to decide for themselves instead of the media giants choosing to decide for them?

It looks to me like somebody isn’t giving their customers the credit they deserve.

Nothing new.

Who looks bad? Well, everyone I guess.

What I find of considerable interest is that the network and the rest of the TV overlords seem hellbent on damaging their own product in favor of casting the first and last stones of disapproval. Of course, at this point we really only know what we’re being fed but I think it’s like shooting oneself in the foot while trying to appear chaste.

The parent company here appears to wearing a Moral Majority hat and while Mickey and Minnie’s parents are known for maintaining an even strain most of the time, I’m thinking this may turn out not to be their finest hour.

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In Case of Emergency Break Glass – Keeping AM/FM Radio on Every Vehicle’s Dashboard

The National Association of Broadcasters (NAB) will lead lobbying efforts to keep AM/FM radio as a standard feature in all vehicles.

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During the Jacobs’ Media CES webinar the other day, Fred and Paul Jacobs reminded participants that AM/FM radio may not be a standard feature in automobile dashboards of the future. The day may come when consumers have to add broadcast radio as an option and pay to have it in their vehicles. If it happens, it would be a disaster for broadcasters and the public during an emergency. 

The National Association of Broadcasters (NAB) will lead lobbying efforts to keep AM/FM radio as a standard feature in all vehicles. Manufacturers and political leaders must understand that keeping AM/FM radio in vehicles is a matter of national security. 

By keeping broadcast radio free and standard in all vehicles, manufacturers will ensure that radio has the distribution to maintain the extraordinary reach it has enjoyed for decades. 

Broadcasters need to help bolster the case by doing the two things radio does best: Local and immediate. If broadcasters fail to deliver on these two promises, the case for keeping AM/FM radio standards in dashboards becomes less persuasive.

Thinking about the need for radio to be local and immediate reminded me of an event when I was Operations Manager of WCCO-AM, Minneapolis. 

Late one night, over a hot holiday weekend during the summer of 2018, I received a phone call from producer Sheletta Bundidge. She learned that protesters were assembling in the community. A few days earlier, the Minneapolis Police had shot and killed an African American man named Thurman Blevins. 

We had a quandary because although WCCO is the news radio station in the Twin Cities, there was nobody in the newsroom to cover the growing protest because of personnel cuts. After rearranging schedules, somebody else covered her producer’s shift, and Sheletta covered the growing gathering from the host chair. 

The outcry against the shooting of Thurman Blevins turned out to be a harbinger of what would come two years later when protests in the aftermath of George Floyd’s death at the hands of a Minneapolis police officer created the most significant changes in race relations in over a generation.

That night in 2018 demonstrated Bundidge’s alertness and tenacity. She earned an expanded role at WCCO-AM and was named one of USA TODAY’s Women of the Year from Minnesota in 2022.

Another situation, just a couple hours after the Jacobs webinar, portends the promise and perils facing radio managers. Two-time Rock Hall of Fame inductee David Crosby passed away at age 81. 

The first alert I received was from TMZ at 5:18 ET. Other news services may have broken the story sooner, but most of the notifications I received came about a half hour after TMZ.

I wondered how long it would take for the local Classic Rock station to play CSN(Y) or any form of his music. It was disappointing when it didn’t play any until an hour later. 

In fairness, most Classic Rock stations have stopped playing CSN(Y) and haven’t for several years. The music fits better with Classic Hits today. However, Crosby’s image is more consistent with Classic Rock and the musicologist air personalities the format features. 

I examined music logs for stations in Mediabase’s Classic Rock panel in the top 15 markets. Three stations played CSN(Y) within five minutes of the news of Crosby’s death:  KGLK/Houston, WSRV/Atlanta, and KSLX/Phoenix. WDRV/Chicago responded within 15 minutes, and several others within the half hour.

I spoke with David Moore, Operations Manager, Brand, and Content Director for 100.7 KSLX, 93.3 KDKB, and Oldies 92.7 KARG, about getting information about the passing of legendary musicians like Crosby on the air quickly. (Full disclosure: Moore and I have known each other for many years). 

Moore said, “I’m obsessive about stuff like this. When a legendary rocker dies, people will tune into the Classic Rock Station. It’s an opportunity. We have to be at our best. We’re live here most of the time, and somebody can get in quickly.” Moore credited his staff: Mark Neanderpaul mornings and Karen Dalessandro in the afternoons. While they run Alice Cooper’s syndicated show at night, Moore points out that Cooper lives there, “so he’s local.” Moore said he learned the news from Steve Goddard, from the cluster’s Oldies station and that they pushed the information out on their dedicated station apps for both stations.

Moore recognizes that this is what radio has to do for survival. “This is where people go when this stuff happens. Even somebody who isn’t a hardcore Classic Rock fan will tune in when a cultural icon passes away.” Moore adds, “Spotify can’t do what we can. SiriusXM will, at best, take a while, and it still can’t talk about when the artist was here (Phoenix, AZ).”

A few stations didn’t play Crosby’s music at all. It’s unclear if it was a conscious decision because he is no longer relevant on their station, if nobody was there, or if nobody could add songs not already in the library (which I suspect was the case on at least a couple of stations).

Several stations took a few hours and played CSN(Y) later in the evening. One took until 7 am the following morning, suggesting the day had already been voice tracked.

KSLX was one of several stations that reacted immediately and locally. Kudos to the programmers and jocks that promptly brought the information about Crosby to their audience. 

Although Crosby’s death wasn’t an emergency, it is instructive to show why AM/FM radio must remain standard in vehicles. In an emergency, stations must react quickly. Reacting to Crosby’s death shows that your audience can count on your station in a crisis.

Radio’s challenges continue to increase. Maintaining a place as a standard feature on the dashboard of every vehicle will be the most critical test the industry will face. Proving it is a matter of national security means that radio must deliver immediately and locally. Broadcasters can’t fail those tests. That’s something to consider as management examines headcount and staffing issues.

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Mike Opelka Is Broadcast Professional With Two Decades of Experience

Mike Opelka currently works as a regular fill-in host on several syndicated radio talk shows heard daily across the country.

Jim Cryns

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He was born on the old Southside of Chicago, admittedly a dicey area back then. Mike Opelka’s father wanted out and they moved to Glenview, Illinois.  “The area is making a comeback today,” Opelka said of his old neighborhood. “It runs hot and cold. In the early 60s, my uncle got a brick through a plate glass window with a note telling him to get out of the neighborhood. That old Marine did not immediately leave, but my parents took us to the near north suburbs.”

Despite moving to the north shore, Opelka remained loyal to the White Sox, Bulls, Blackhawks and Bears.

“We’d cut school for opening day at Wrigley Field. We’d compete to be my dad’s plus one for Bears games. In those days they played at Wrigley Field. It was a tight space and not exactly conducive to 300-pound linemen slamming into the ivy on the outfield walls. It looked like somebody put up a couple of inflatable pool mattresses to prevent players from running into the brick walls.”

He also loved Comiskey Park. “It was out of control. We’d sit in the outfield while Harry Caray did games sitting in the bleachers,” Opelka said. Caray was hammered by the third inning. They had a chair in the bleachers where they’d give you a haircut. People can’t even relate to that kind of stuff today. There was a shower in the bleachers. The kind you use when you’d need a chemical shower in chemistry class.”

Opelka’s Northside neighborhood was a who’s who when it came to professional athletes. They were just two miles from HOF player Ron Santo in Glenview. Iron-headed Blackhawk Keith Magnuson moved in around the corner from the Opelka family.

“I was a busboy at Valley Lo Sports Club in Glenview. The first time I saw him I said, ‘Hello Mr. Magnuson.’” Opelka said. “Keith smiled and that’s when I noticed Magnuson had no teeth. He’s the first guy in NHL history with 200 penalty minutes. Chicago Stadium was amazing. If you sat one row up in the balcony when people started stomping the whole place shook.”

Opelka was the runt of the litter in his family. “My older brothers and my sense of humor were the only things that saved me from getting my ass kicked all the time,” he explained. “Humor is what saves everybody. My grandfather taught me about comedy. He took me aside each New Year’s Eve and we’d watch the Marx Brothers and W.C. Fields movies.”

He was an editor/writer with TheBlaze from 2011-2017, at the time, based in New York. When TheBlaze downsized in 2017, Opelka started doing fill-in work about 180-200 days a year. He built his in-home studio five years ago. 

“I was on the road for the 2012 election. I had floor credentials for the DNC in Philly. Katie Couric came up to me and thought I was Steven Spielberg. I guess I had the same glasses, a similar beard and was wearing jeans and a sport coat. She gave me a big hug. We were just two ships passing in the night when they nominated Hillary Clinton.”

When his wife’s parents were ill, Opelka and his wife moved out of NYC to Wilmington, Delaware halfway between Washington and New York. He’d take the ACELA train daily into New York, a high-speed luxury train. 

Opelka is a self-described ‘goober smoocher.’ 

“You’d run into so many celebrities on that train. It was like Studio 54 on wheels. I ran into Dave Winfield, Mika and Joe, Colin Powell. Dave Grohl of the Foo Fighters was on the train. He’d gotten up to go to the bathroom and I said hello to his mother. I said I was a big fan of her son, she said she was too and asked me to sit down.”

He sat down with Wolf Blitzer, ran into Chuck Schumer and Rand Paul (who were actually speaking then.) 

“They were standing around John McCain,” Opelka said. “I also talked with Henry Kissinger and asked him his opinion on Barack Obama and Kissinger replied, in his deep German accent, ‘He needs to be given some time.’”

“When Jill Biden took the train when Joe was Vice President, she’d rent out half the first class car,” Opelka said. 

Like a lot of radio personalities I’ve spoken to, Opelka is a funny guy who has done some standup and improvisational comedy.

“Those are two entirely different types of audiences,” he said. “After one of our improv shows, Bill Hicks came up and encouraged me to do more standup. I couldn’t believe it.”

Hicks could be said to be one of Opelka’s comedy idols. “He wasn’t old enough to drink and he jumped onstage as a kid. Hicks was at the top and he was fearless.”

Opelka had a great story about Sam Kinison, who would lose his mind with an audience that didn’t support him.

“He was yelling at a crowd one night. ‘Do you want a crucifixion? I’ll give you a crucifixion!”’

Kinison found a roll of duct tape backstage and a ladder, now wearing just his boxer shorts. He had the audience follow him outside to a sign on a 7-11 across the street from the club. 

“Kinison taped one of his arms to the crossbar and had a guy tape the other one, and he was just dangling there. The club owner had to beg the cops not to arrest him.”

From hosting nationally syndicated radio programs to producing network television shows, Opelka is a broadcast professional with two decades of experience in radio and television (live and recorded) on a network, national and local level, as well as digital media platforms. 

Before working in radio and TV, in the early 80s, he was in Houston. Opelka said to get a job all you had to do was fall down, the unemployment rate was so low. 

“There were people in good jobs they didn’t belong in,” Opelka said. “I was hired with a head-hunting firm with no experience. After a few months, I was hired by Houston’s 93 Q’s Morning Zoo as a writer. I also did some comedy bits and wrote parodies for them,” Opelka explained. “I did a pretty good Bill Murray voice.” 

Opelka talked about Scott Shannon, the ostensible architect of the Morning Zoo format.

“Shannon took the station from “worst to first” in the biggest market in the country in just 73 days in 1983,” Opelka said. “Nobody had done that. A buddy of mine told me I’d be good as a writer for that kind of format.”

The station flew Opelka from Houston to Newark, a place he said was not the best advertisement for New York. 

“I spent the morning with Shannon. I watched them do the show. Ross Brittan was Shannon’s co-host and he’d grown up in Glenview, the same place as me. We had an immediate connection.”

Before he left the station, he was offered an executive producer position for the show. He lived near Shannon in Montclair, New Jersey. He assisted in writing a parody song for each guest who was coming on the show. He wrote one for Elton John, the Bee Gees among many others.

He then tried his hand at television. Opelka said his first agent was a Korean-born man adopted by an Orthodox Jewish family from Brooklyn. “He sounded like Gilbert Godfried but looked like a relative of Kim Jong-un.”

The agent asked Opelka to pitch some ideas for television for the soon-to-launch FX Network that Fox was building. He pitched five and they bought three. Opelka spent three and a half years making TV for FOX and FX before returning to radio.

Between the two, Opelka said he’d take radio over television.

“Television is a less forgiving environment,” he said. “Radio is more like family. You can trust people. Hunter S. Thompson said, “You find the worst depths of humanity in television.”

Opelka worked at FX before it became the huge network it is today. He said a lot of great talent came through FX.

“I worked with Orlando Jones, who knew more about mainstream music than anybody I’d met. Tom Bergeron and Jeff Probst came through there, Phil Keoghan.”

Opelka said radio isn’t what it used to be, neither is the money. 

“I was lucky to be involved in major market radio, but the economics have changed,” he said. “I was the executive producer of the ill-fated Wake Up with Whoopi, a syndicated radio show that ran with Whoopi Goldberg for a couple of years. It was a decent idea, but there were too many managerial spatulas in the pot and they all believed they had control. In the end, the only person in charge was Ms. Goldberg.”

Opelka said Whoopi Goldberg was smart and if you were smart, you were her best friend. She refuses to suffer fools. She was always interested in making sure she had the right information.

“She could get every name in the business to be on her show, and she did. After that did ended, Whoopi was hired to co-host The View.”

Starting in April 2018, Opelka began co-hosting the Angie Austin & Mike Opelka Show. The syndicated show was in 24 markets and survived for almost four years before being retired due to lack of financial viability.

Since the end of the Angie & Mike Show, Opelka keeps busy with his gig as “America’s Guest Host.”

Mike Opelka currently works as a regular fill-in host on several syndicated radio talk shows heard daily across the country. From Chris Plante, Joe Pags and Simon Conway to local stars like Rich Zeoli in Philly, Drew Steele in Ft Myers, FL and Mike Broomhead in Phoenix to name a few. He can be contacted at MikeOpelka@aol.com

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KFI’s Bill Handel Is the Same Guy on the Air as Off

Barrett News Media’s Jim Cryns spoke with KFI’s Bill Handel and the two discussed various topics pertaining to the radio host’s career.

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The man is a friggin’ legend in Los Angeles. Bill Handel can’t go for a walk on Hollywood Boulevard without seeing his name below his feet–seriously. 

Handel is the 2,385th star on the Walk of Fame. His star sits in front of a tattoo parlor, next to Ernestine Schumann-Heink’s star. “She was a German-American opera star,” Handel said. “She died in the 1920s and weighed about 400 pounds. Stars on the Walk of Fame are like real estate. Mine is near a store that sold bikinis.”

He told those attending his unveiling ceremony, ‘My staff had to be here. If you were getting a star, I sure as hell wouldn’t be here.’

Born in Brazil, Handel immigrated to the United States with his parents when he was five years old. Growing up in the San Fernando Valley, he learned English without the benefit of a bilingual education program and became one of the world’s leading reproductive law experts.

He can be heard on KFI Los Angeles on weekdays from 5 a.m. to 9 a.m. and on Handel on the Law on Saturdays from 6 am to 11 am.

“My father was a Holocaust survivor,” Handel said. “My mother was a dentist in Brazil but couldn’t practice here. There was no such thing as taking the boards, and they didn’t honor her as a foreign doctor. She worked as a lab technician.”

Handel is a product of the public schools in the L.A. unified district. Later he attended Cal State at Northridge, then law school. 

“They said it was one of the best; now it’s out of business,” Handel jokes.  “Trump Law School would have been better than the one I attended. It was a very minor law school. I just think it didn’t get enough students.” 

As he graduated from law school, Handel was running his own home remodeling business. He wasn’t very good at it.

“I was remodeling a doctor’s house and I underbid the work by 400 – thousand dollars,” Handel said. “It was horrible. I didn’t know what I was going to do. So I told him he could sue me. I’d go bankrupt and have no money to give him. Then I came up with the idea of working it off. He said okay.”

The doctor was an endocrinologist and Handel said the physician had more money than he knew what to do with. 

“He liked me and I started to work with him. Any legal thing he needed.”

Handel said the doctor was an unexpected mentor. 

“He was the best legal mind I’d ever met and he never studied law,” Handel said. “ One day he says he just got a call from a patient who tried to conceive using every method possible with no luck, including several surgeries.

Handel explained this was in 1980 and that in vitro fertilization wasn’t common or even well-known. He said prospective parents would run an ad in the L.A. Times looking for a surrogate to be artificially inseminated. The doctor told them they needed some sort of contract with the surrogate. He called Handel. 

“Of course, I didn’t know anything about in vitro fertilization, but that didn’t prevent me from telling him I did,” Handel explained. “He gives me a call and I take some notes. Then I had to figure out how to write a surrogate mother contract. There was no template. How do you pay a woman to give up her child? Payment for custody is a crime. Issues went on and on. I went to several law school and talked with professors, picked their brains. All of them. My ethics professor, contracts professor.” 

His ethics professor was Harvey Levin, the same guy from TMZ. Levin taught law at Whittier College. He also wrote a column for the L.A. Times and was known as ‘Dr. Law’ on the radio.

“Harvey was a very good lawyer before he entered the world of entertainment,” Handel said. 

Handel finalized his first fertilization contract and the doctor went ahead with the procedure. The woman had the child in 1983. Two years later Morley Safer interviewed Handel on 60 Minutes about the process of handling surrogate parents. 

“What I really liked about that experience is when the 60 Minutes producer came out to California,” Handel said. “It was her first story with the show. We went to Spago and she whipped out an American Express which had CBS as the owner of the card. I thought, wow, that’s impressive. This could be good. Because of that show, my law practice broke open.” 

Handel said he backed into broadcasting. He was interviewed on KABC as an expert in vitro law, often interviewed by host Michael Jackson. 

“Michael Jackson the broadcaster, not the eight-year-old boy-loving one,” Handel explained. “Jackson was one of the great talkers. He was well-connected and nationally syndicated. In those days the host was more of a moderator for a point-counterpoint type of show. It was Rush Limbaugh who changed everything. As whacked out as he was at the end, he reinvented talk radio.”

Handel said he knew he was a good interviewer and was popular with listeners. He told engaging stories. He talked about his clients and his practice. 

“I gave legal advice. I’m still doing that.”

Handel started appearing on Jackson’s show more often and one day the PD came down the hall and told Handel he was better than half the people he had on the air. 

“I told him I was better than all of the people he had on the air,” Handel quipped. “I was half-joking.”

After all these years Handel said he’s still having a great time. “It’s a great gig,” he said. “My producer has been with me for 25 years. She knows the topics I want. If she comes across something about D-Day, she knows I’ll immediately take it. I love historical footnotes like Hitler’s dog’s name. Blondie. He tried out the cyanide pills on Blondie. Gave Eva Braun one.” 

Handel said his show is general talk. He will delve into politics, lifestyle, and interviews. 

“We bring on reporters from the station as we’re news-heavy. News stations are expensive to run. We’ve had all this crazy rain stuff and interviewed people all over the place. I work with Robin Bertolucci, who is well regarded in radio throughout the country. I’d say she’s the best PD in the country.”

Handel said he’s the same guy on the air as off. “I have to be more careful about words I choose. You’ve got the seven magic words you can’t say like George Carlin informed us. You can say a lot of stuff. You can say ‘ass****. You can’t be scatological. You can say ‘bull***’ but you can’t say a bull took a ‘s***.’”

He reads constantly and is fascinated with WWII history. He has visited Normandy and said the experience was astounding. 

“It’s a beach of 75 miles, which comprised the landing areas of D-Day,” Handel said. “Omaha Beach was the one that got nailed. The Canadians walked ashore on other beaches. There is a parcel of land given to the United States by the French. It’s Normandy American Cemetery on the bluff. The National Park Service handles the operations. It’s so meticulous, so moving. Thousands of graves. Just extraordinarily beautiful. You can see the cliffs the Rangers climbed from the beach. They still have the concrete bunkers where the German gunners were.”

Weekly, Handel does his show Handel on the Law, a nationally syndicated program. 

“I give callers legal advice. I’ve only had one specialty, the rest I just make up. I have my own malpractice insurance. I give shitty legal advice. If you have a problem, sue the radio station. I don’t give a damn. If you’re looking for real legal advice, why are you calling a radio station?”

Handel is hilarious, but he said he doesn’t have the thick skin to be a standup comic. “When people laugh during one of my talks or when I’m on the air,  it’s okay. But standing in front of a microphone telling jokes is another thing. For example, I was master of ceremonies at the Radio Hall of Fame last year. I got up and started doing some jokes. Crickets. Nothing. The audience was staring at me like you would an oil painting. Nobody was moving. It kept happening joke after joke.” 

He loves the morning drive and said he wouldn’t take any other shift. 

“I get up at 3:30 am and that’s absolutely fine. I go to bed super early. I don’t socialize. I hate my family. I’ve got twin daughters and I guess they’re okay. They don’t bring me any joy at all.”

Yup. His humor is as dry as dirt. 

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