Connect with us
blank

Sports TV News

Kendrick Perkins: My Broadcasting Career Can Be Better Than My NBA Career

“I’m fortunate to be here. I wasn’t a Hall-of-Famer. When a Hall-of-Famer finishes their career, they roll the red carpet out.”

Ricky Keeler

Published

on

blank

When Kendrick Perkins is doing any broadcast work for ESPN, he takes his role as an analyst in a serious way because he wants to make sure he does everything he can possibly do in his post-playing career as more opportunities have opened up for him.

Perkins was a guest on The Right Time with Bomani Jones podcast as they discussed Perkins’ new book, The Education of Kendrick Perkins: A Memoir. Perkins told Jones that he does still have regrets about not making the most of his playing career and he did not want to have any regrets about what he does in broadcasting.

“I had regrets. I still got regrets. I have regrets of what I didn’t do when I was playing and some of the offseasons I didn’t put as much into my craft as I should have. I’m not saying I could have been an All-Star caliber player, but I could have extended my career, I could have made more money, I could have added about 3-4 more years and I have regrets about that.

“When I came into this opportunity right here, I was like ‘I’m not having regrets in this. I’m about to put my all into it.’ If I have to got be up at five in the morning for a production meeting, then that’s what I’m going to do.”

Perkins understands that not many role players are going to get the chances in TV that a Hall-of-Famer might get and that’s why he wants to take advantage of every opportunity and not have any regret whatsoever.

“I take it seriously. In this career, I’m fortunate to be here. I wasn’t a Hall-of-Famer. When a Hall-of-Famer finishes their career, they roll the red carpet out. It’s not like that for a guy like me that was a role player. When I came into it and this opportunity kept getting bigger and the door started opening up even more, I’m like ‘I have to take advantage of it. Why can’t I make this next career better than my first career?’ I shouldn’t have no regrets.”

At the beginning of his career, Perkins did say he was concerned with how he sounded on-air, but then he realized that what he says about basketball is more important than how he sounds and that he should continue to be himself:

“I’m going to talk slow, I’m going to talk with broken English, but you get what the hell I am saying. We talking basketball. Damn it, this ain’t English class, we are talking basketball. I started taking that approach. All of a sudden, I starting taking those old school lines when you are sitting at the spades table or dominoes table with them old heads and they get to hit you with them punch lines. I’m like how can I put this into this game or put this into what I’m about to breakdown and I started taking these bars and putting them into my vocabulary. People started saying ‘Perk crazy, where are you coming up with that?’

“It took a little while for people to get adjusted to me, but when they did, they are like ‘We love what Perk is bringing to the table’. That just gave me more fuel to continue to be myself.”

All an audience wants is for the people breaking down the game to be themselves and give as much knowledge as they can, With Perkins now not worrying about how he sounds, he can be entertaining and provide the insight people are looking for about basketball. 

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Sports TV News

ESPN Sees Larger Than Average Audience For Big City Greens Classic

blank

Published

on

blank

ESPN aired Tuesday night’s New York Rangers and Washington Capitals game. DisneyXD and Disney Channel aired an alternate broadcast that included players being 3D animated to resemble the cast of Disney Channel’s popular cartoon Big City Greens. It turned into a ratings win for the networks.

The alternate broadcast featured players animated in real time to mimic what was happening on the Madison Square Garden ice. Players were equipped with special chips in the padding to aid the animation, and special pucks were used to ensure a smooth transition from video to computer-animated graphics.

An average of 589,000 viewers tuned into the game on ESPN. Meanwhile, nearly 175,000 watched the broadcast between Disney Channel and DisneyXD.

The figure for ESPN represents its largest NHL broadcast since a November 1st broadcast featuring the Pittsburgh Penguins and Boston Bruins.

The combined total for the broadcast — 765,000 — outdrew the World Baseball Classic broadcasts but did not top the NCAA Tournament’s First Four round that was broadcast on truTV.

Continue Reading

Sports TV News

Greg Gumbel: I’m Lucky That I’ve Never Been Fired

“I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Ricky Keeler

Published

on

Greg Gumbel

This week, it was announced that Greg Gumbel will no longer be a play-by-play announcer for the NFL on CBS after working on CBS’s NFL coverage every year since 1998. Gumbel has had an illustrious career and he takes pride in the fact that one thing has never happened to him.

Gumbel was a guest on the Tell Me A Story I Don’t Know podcast with George Ofman (Part 2 from an interview back in September) and he told Ofman that while he has never been fired before, but he doesn’t think broadcasters should be embarrassed when they get fired because of what the business is.

“It’s the nature of the business. I honestly think I’ve been extremely fortunate in that I’ve never been fired in a business that is known for firings. Being fired in this business is no shame, no embarrassment because it’s a subjective business. Because this guy at this network likes my work, it doesn’t mean that this guy at that network does. It’s extremely subjective and if you can buy that and understand it the way it is, then it shouldn’t bother you at all.

“It’s never happened to me. If it had, it would not have surprised me. I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Gumbel has been the host of CBS’s NCAA Tournament coverage for the last 25 years and he knows it’s a job that he is very grateful to have.

“I know there are people who would give their right arm to be sitting there next to Clark Kellogg and Seth Davis on Selection Sunday or sitting next to Kellogg, Kenny Smith, and Charles Barkley when the tournament begins to talk about what we’ve just seen or what we are going to see. I am never, ever going to take for granted the fact that I have been very fortunate to be able to do that.”

One thing Gumbel tries to avoid whenever he is on air is the mispronunciation of someone’s name because he knows how it feels to have his name distorted accidentally by some people.

“Pronunciations are important to me. There’s been a lifetime of people who may not completely mispronounce my name, but distorting it a little bit from time to time. I never want to do that to an athlete. If I ever mispronounce an athlete’s name, I hear it from his family, I hear it from the school or the team and I apologize for it as soon as I can. I don’t think that is something light or should be taken for granted.”

Toward the end of the interview, Gumbel was asked by Ofman when he will know it will be time to end his career.

“Other people have given it more thought than I have. I think when that time comes around, it will hit me over the head more than I will think about it. There are people who ask me why I still do what I do. The very bottom line is I love it, I enjoy it.”

Continue Reading

Sports TV News

Diamond Sports Group Misses Arizona Diamondbacks Rights Payment

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

blank

Published

on

blank

Last week, Diamond Sports Group — operator of the Bally Sports-branded regional sports networks — claimed it had paid every rights fee it was contractually obligated, except for the Arizona Diamondbacks.

At the time, the company said it had a grace period until it needed to make a payment. That payment was due by Thursday, March 16th at 11:59 PM. That time has come and gone, and the company failed to deliver its fee.

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

The Diamondbacks are not the only team affected by the situation. Bally Sports — which filed for Chapter 11 bankruptcy earlier this week — has also reportedly entered a grace period with the San Diego Padres. According to a report from Sports Business Journal, that grace period ends on March 30th, baseball’s Opening Day.

Previous reporting claims that contract is one the network hopes to get out from under. The company loses a reported $20 million per season on its television deal with the Padres. The Cincinnati Reds and Cleveland Guardians are the other two baseball franchises the network holds the rights to that it hopes to terminate deals for.

Continue Reading
Advertisement

blank

Barrett Media Writers

Copyright © 2023 Barrett Media.