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Pablo Torre: Dan Le Batard ‘Changed My Perspective’ on What Media Career Could Be

“I wanted to be a part of your family. That was fundamentally the decision that I made.”

Ricky Keeler

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Pablo Torre had worked with Dan Le Batard for many years at ESPN, but most recently made the move to join him at Meadowlark Media. While Torre is still doing some work for ESPN, he has also found a place where he enjoys working with the people that he works with.

Torre was a guest on Le Batard’s South Beach Sessions podcast and it was a powerful hour-plus conversation. Torre told Le Batard that he didn’t get what The Dan Le Batard Show with Stugotz was about until he became a part of the show.

“I didn’t listen to your show before I was on your radio show. I had heard it, I was a guest once or twice. I was shedding the exoskeleton of literary sportswriter. When I came in and realized what the f*** you guys were doing, it changed my perspective on what this job could be. The fact that this moved so quickly, that it’s light, easy, and fun, it literally was not dreamable for my parents that this would actually be more worthwhile than anything that was pain.

“The reason I went from full-time Disney employee who they wanted to do the shows that I was doing. I have nothing bad to say about ESPN on that front. They believed in me. The fact I went from that to working for and with you and giving up healthcare while I have a 3-year-old is nuts. Who could have ever thought that?”

Torre mentioned that one of the reasons he likes working with Le Batard is that he gets to work with people who he loves and that he wanted to be a part of their family.

“In an uncertain future in which we don’t know what icebergs will be remaining, I want to work with people that I love, that seem to have figured something out about how this could be. I wanted to be a part of your family. That was fundamentally the decision that I made. Yes, great, I can do some TV stuff, stay at ESPN, I don’t want to minimize that. That is so important to me. I’m here because I love sports, but that’s not why I’m staying. I’m staying because I love these people. Those feelings are in my naive brain, a better business model than let me serve you sports wherever you can get them with these takes.

“I want to be the neighbor to this house, I don’t want to be off across the country. I want to be a wing to this bizarre estate because so much of the engineering to this business comes from a place of attention, manipulation, and trying to engineer habits and it comes from the artificial and you start the other way. You start from what’s inside and people feel that. I feel that and that’s what drew me to this.”

During the interview, Le Batard did talk about how when he used to write stories, he would know if it was good enough if the story met his standards. He mentioned that when Torre asked him what he is most confident in being better than anyone in the industry.

“It is because if it meets my standard, I know it’s good enough. I give it to editors and I’m like this isn’t going to have to be changed. I’m not going to have to fight you on much. Whenever I was handing something in to one of these people who were at the top of the industry, if it met my standards, I knew it would meet theirs. Mine is a discerning taste when it comes to writing.

“When I know I have written well, that’s the most immune I am to any doubt…I’ve got a pretty good idea when we are speaking into microphones whether I’m giving the audience something that will be objectively interesting to the average person. Nowhere is it more honed than writing.” 

Also, Le Batard revealed about Michael Wilbon and Tony Kornheiser that there aren’t many people that the duo both agree to work with, but that Le Batard and Torre are two of the people that share that rare honor.

“People don’t know this about Kornheiser and Wilbon. They are between them beyond being very different, there are very few people that both of them are willing to work with. I am one and you are one and I just remember after you had written 5-6 articles, telling you because I saw you were on the same path, get out of writing without having to do the noble writing of pouring yourself into the most challenging thing and then judge all the TV and radio people for choosing the cotton candy instead of the crossword puzzle.” 

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Ian Rapoport: ‘I Would Be Surprised’ If a Thursday Night Game Gets Flexed

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Is all of the consternation and hand-wringing about flex scheduling much ado about nothing? Ian Rapoport was on with Pat McAfee Tuesday and said despite the NFL owners voting to bring flex scheduling to Thursday Night Football, it isn’t the weekly threat some are making it out to be.

“I would say this from what I know of this, I would still be surprised if any game was flexible,” the NFL Network insider said. “I would be surprised if any game was flexed because they don’t want to use it.”

Flex scheduling in Sunday Night Football is used to create the best matchups in the league’s marquee window. With the option coming to Mondays and Thursdays this season, Rapoport says the bar for justifying moving not just kickoff times, but days, is going to be high.

Thursday Night Football has the most restrictions. The league will have to announce any moves almost a month ahead of when the game actually kicks off. When McAfee pointed to the Pittsburgh Steelers’ visit to New England in Week 14 as a prime candidate to be flexed out of Thursday night, Rapoport outlined a very specific scenario where he could see it happening.

“It’s not going to be like, ‘Well, we have a little bit better game, so maybe we’ll do that,’” he said. “It’s going to be like, ‘Okay, we have Mason Rudolph starting versus Bailey Zappe. Like, no one will watch this. We have to move.’ That’s to me, that’s under the circumstances that you’d see a flex.”

Last season, the matchups for Thursday Night Football were especially bad in some weeks. Al Michaels even made reference to it on the air during games. Having flex scheduling could help to avoid that, but Rapoport says the option is about protecting Amazon in the event circumstances around a game change drastically, not simply placating critics.

“I think basically is the kind of thing where, like, they want it available, but it’s only going to be used if they have literally no other choice.”

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Hall of Fame Baseball Writer Rick Hummel Dies at Age 77

“Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch.”

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Rick Hummel has passed away after a brief illness. The legendary baseball journalist was 77 years old.

Hummel is best known for his work covering the Cardinals for the St. Louis Post-Dispatch. His death comes in the first season after announcing his retirement.

Covering the team was something of a dream come true for the St. Louis native. He reported on three World Series wins and seven National League pennants. He was recognized by the National Baseball Hall of Fame in 2006.

The 2022 season was Hummel’s last of a 51-year run covering the team for the Post-Dispatch. It wasn’t the end of his career though. He went to Jupiter, FL in February to cover spring training as a free lance writer for a number of different outlets.

Rick Hummel will certainly be missed by his friends and loved ones. He will also be missed by the Cardinals community, who already mourned the loss of Mike Shannon earlier this month.

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Pablo Torre Explains Goals of Future Meadowlark Media Project

“I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Ricky Keeler

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While we know that Pablo Torre is going to have a new show with Meadowlark Media in the future, he hasn’t exactly been specific as to what it will be. We continue to look for bits and pieces from Torre about his show that will begin sometime before the NFL season begins. 

Torre was a guest on The Rights To Ricky Sanchez: The Sixers Podcast with Spike Eskin and Michael Levin (around the 22 minute mark) and he said that he is at Meadowlark to follow his curiosities and he thinks back to the story he wrote for ESPN The Magazine in 2015 about the 76ers and trust the process serves as a guide to him.

I have things I am obsessed with that I want to explain to people, and I believe there are stories in sports and in the national cultural conversation that either could use a little more smarts or a little more humor and I want to figure out how I can be the place where you find smart and funny when it comes to storytelling in sports in a narratively informed way. I’m being very vague about it, but the magazine sensibility of that process story is something that serves as a North Star in my brain.

“How do I tell a story that people from afar are maybe somewhat familiar with, but can get under the hood of to articulate and reveal and report some things that serve as something close to a definitive treatment to it?”

One thing that Torre thinks is a big opportunity in the media landscape is that there is an open lane to tell sports stories in the audio format. 

“There’s a lot of narrative series, some of which are excellent, but in terms of an always-on show where someone’s job is to follow a curiosity down the rabbit hole and/or tell a story/interviewing a person as a way of explaining something larger. I want to bring a viewpoint that because sports is so much about living or dying with these games as we have been, I want to take the position of also being able to zoom way in and way out and engage with the news cycle, but not be beholden to it.”

Torre isn’t going to be able to cover everything in sports, but he said that he wants to take a complicated story and make it simpler for the listeners.

“My goal is not that I’m going to cover everything, but I’m going to give you stories of a different genre, stories that explain and go deeper. I want to make this fun, but also premised on contextualizing complicated stories in a simpler way.”

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